- Following 3.1K
- Followers 17.9K
- Engagement 0.94%
- Avg likes 170
- Avg comments 4
About Zebregs&Röell Art and Antiques
Zebregs&Röell Art and Antiques (@zebregsroell) is an Antique Store creator on Instagram, also filed under Art & DIY. The account has 17,870 followers and 1,439 published posts. Recent posts average 170 likes and 4 comments, an engagement rate of 0.94%.
With 17.9K followers, Zebregs&Röell Art and Antiques is a micro creator by the common 10,000 to 100,000 definition. Zebregs&Röell Art and Antiques follows 3,126 accounts, so the audience is roughly 5.7 times the size of the list followed. Zebregs&Röell Art and Antiques carries Instagram's verified badge and is set up as an Instagram business account. Flinque files Zebregs&Röell Art and Antiques under Antique Store, with Art & DIY as a secondary category.
The Instagram bio for Zebregs&Röell Art and Antiques runs to 20 words across 3 lines. The bio mentions @zrnetsuke. The latest activity Flinque has on record for Zebregs&Röell Art and Antiques dates from August 2026.
1,439 Posts
Of the 10 most recent posts shown for Zebregs&Röell Art and Antiques, 9 are single images and 1 is a video. That mix leans toward single images. Zebregs&Röell Art and Antiques has built a substantial archive of 1,439 posts. Against the audience, that is roughly 12 followers for each post published. All 10 carry captions, averaging 125 words each. The captions are written mainly in English. Words that recur across them include century, tefaf, were, kunstkammer and people. The captions tag #tefaf, #antiques, #kunstkammer, #antiquesdealersofinstagram and #indianart.
Is that a question? One cannot have enough boxes, and luckily they come in all sorts and sizes. Why? Probably because people kept a lot of letters, and things such as gloves or writing utensils were much more valuable and to be used for a lifetime. So one needed boxes.
And if you look at this late 16th/early 17th century Japanese Namban lacquer box decorated with Japanese family crests or ‘mon’ in gold and mother-of-pearl it becomes quite clear.
You too need a box or two.
#antiquesdealersofinstagram #tefaf #antiques #interior #namban
Central India
AD 10th to 11th century
Height: 52,5 cm
Price on request
Object Presented by:
Zebregs&Röell
T.:
E.:
W.:
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#artsasiatiques #ancientart #buddhasculpture #armsandarmor #buddha
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In our collection is a framed porcelain plaque depicting Plantage Badenstein, on the Warappa Creek in eastern Suriname. On the back, in ink: “Plantagie Badenstein auf der Colonie Suriname / gemalt auf Porzellain von de Germain.” A genteel object — porcelain, glazed, framed — made to hang on a European wall and portray a place built on cotton, coffee, sugar and forced labour.
The painted scene is a pastoral: a stately house among palm, a covered ‘tentboot’ under the Dutch flag rowed by enslaved men. An idyll. What it does not show is what made it run: people whose labour built every building on that porcelain, and who, until 1863, could be traded and mortgaged as common goods.
Badenstein was one of the largest plantations in Suriname. Among many white owners was for instance Friedrich Gustav Vogt of Weimar mortgaged the estate in 1839 and, so far as the archive knows, never once set foot in Suriname.
Badenstein appears on a map of one small river district. Bodenburg. Goosen. Twistrust. Barbados. Annaszorg. Corneliasburg. Ponthieu. Vaderzorg. Block after block, each rectangle a plantation, each a ledger of enslaved lives. The names are Dutch pastoral fantasies — Vaderzorg, “Father’s Care”; Twistrust, “Rest from Strife” — laid over a machine of bondage: not one estate but a whole country parcelled out for profit, as neatly as tiles on a floor.
This plaque was a trophy, hung in a drawing room so a family could point and say ‘that is ours’. It never showed the barracks, the whip, the unmarked graves. Which is why it must be looked at now — read against the silence where a hundred thousand names should stand. Porcelain outlasted the place, and the system, as it was made to flatter.
We sell stories, not fairytales. On Keti Koti, we choose to tell this one.
#ketikoti #slavery #blackhistory #surinam
The box, which has a diameter of 7.5 cm, is fashioned from a single unworked piece of lingzhi/reishi bracket fungus, sawn horizontally near the base to create a container; a riser was added to seat the cover, and the interior was lacquered. Scattering across the cover are six ants of varying size, executed in different materials — gold, silver, and lacquer. The fungus bears old worm damage, and the placement of one ant at the mouth of a borehole suggests the maker accepted and incorporated the fungus as found.
The conceit is the entire point. Edo and Meiji metalworkers and lacquer artists prized this kind of mitate — the natural object only lightly intervened upon, the inlaid insects supplying the wit. The reishi itself carries weight: an emblem of longevity and immortality across East Asian symbolism, here turned to the intimate function of holding incense.
#japaneseart #kunstkammer #antiques #antiquesdealersofinstagram #homedecor
His most influential work was a series of one hundred costume paintings, engraved and published in Paris in 1714 as the Recueil Ferriol. These prints shaped how Europe imagined the Ottoman world for the rest of the century.
This painted work is on copper, was a favoured support for small, finely detailed cabinet pictures. Its smooth surface holds bright colour and crisp brushwork, which suits the jewel like reds and greens of this costume study.
#vanmour #ottomanart #painting #arthistory #artdealersofinstagram
This one, from the east coast of India, dating from circa, would do it’s job quite well.
#indianart #colonialart #kunstkammer #antiquesdealersofinstagram #antiques
The Water-Moon Guanyin (水月觀音, Shuiyue Guanyin) is one of the most contemplative manifestations of Avalokiteshvara. For the name comes from the Buddhist metaphor of the moon being luminous yet insubstantial when reflected on water: an emblem of the illusive nature of all phenomena and the emptiness that reality actually encompasses.
Depicting the Guanyin this way is traditionally attributed to the Tang court painter Zhou Fang (c. 730–800), and the form became one of the favourite subjects in Chinese Buddhist art from the Tang through the Ming dynasties.
The deity is shown seated in rajalilasana, the pose of ‘Royal Ease’ with one knee raised, the body relaxed, and often with the head lightly supported by a hand. It signifies serene withdrawal from the world and absorption in contemplation. The setting is Guanyin’s island paradise, Mount Potalaka, later identified with Mount Putuo off the Zhejiang coast, a major pilgrimage centre.
#guanyin #avalokiteshvara #chineseart #chineseantiques #tefaf
#gujarat #indianart #interior #kunstkammer #tefaf
A story on the early days of discovery and categorical determination of flora and fauna. A story on the almost forgotten Indian artists who had their work claimed by European patrons that flaunted with it as if they made the drawings themselves. A story on the wonders of nature. No fairytale.
Find the new publication ‘Paterson’s Company School Animal Drawings’ by Christina Hales on the website.
#companyschool #indianart #naturalhistory #tefaf #animal
Let us know in the comments!
#kunstkammer #cabinetofcuriosities #interiordesign #tefaf #antiques
Zebregs&Röell Art and Antiques's engagement
Zebregs&Röell Art and Antiques's engagement rate on Instagram is 0.94%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 106 followers. An average post collects 170 likes and 4 comments, close to 43 likes for each comment.
Engagement rate
0.94%
- Avg likes
- 170
- Avg comments
- 4
- Interactions : followers
- 1 : 106
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These answers about Zebregs&Röell Art and Antiques are generated from the Instagram profile data Flinque holds for the account.
Who is Zebregs&Röell Art and Antiques?
Zebregs&Röell Art and Antiques (@zebregsroell) is an Antique Store creator on Instagram, also filed under Art & DIY. Zebregs&Röell Art and Antiques carries Instagram's verified badge and is set up as an Instagram business account. The Instagram bio for Zebregs&Röell Art and Antiques runs to 20 words across 3 lines.
How many followers does Zebregs&Röell Art and Antiques have?
Zebregs&Röell Art and Antiques has 17,870 followers on Instagram (17.9K). Zebregs&Röell Art and Antiques follows 3,126 accounts, so the audience is roughly 5.7 times the size of the list followed. Zebregs&Röell Art and Antiques has built a substantial archive of 1,439 posts.
What is Zebregs&Röell Art and Antiques's engagement rate?
Zebregs&Röell Art and Antiques's engagement rate on Instagram is 0.94%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 106 followers. An average post collects 170 likes and 4 comments, close to 43 likes for each comment.
What does Zebregs&Röell Art and Antiques post about on Instagram?
Flinque files Zebregs&Röell Art and Antiques under Antique Store, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Zebregs&Röell Art and Antiques, 9 are single images and 1 is a video. The 10 recent Instagram captions Flinque holds for Zebregs&Röell Art and Antiques repeatedly use the words century, tefaf, were, kunstkammer and people. Zebregs&Röell Art and Antiques's captions carry hashtags such as #tefaf, #antiques and #kunstkammer. Zebregs&Röell Art and Antiques writes those captions mainly in English.
How do I contact Zebregs&Röell Art and Antiques for a collaboration?
Zebregs&Röell Art and Antiques's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Zebregs&Röell Art and Antiques and use Flinque's outreach tools wherever a contact route is on file.
Links
Zebregs&Röell Art and Antiques's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Zebregs&Röell Art and Antiques.