- Following 3.1K
- Followers 17.8K
- Engagement 0.94%
- Avg likes 170
- Avg comments 4
About Zebregs&Röell Art and Antiques
Zebregs&Röell Art and Antiques (@zebregsroell) is an Antique Store creator on Instagram, also filed under Art & DIY. The account has 17,826 followers and 1,434 published posts. Recent posts average 170 likes and 4 comments, an engagement rate of 0.94%.
With 17.8K followers, Zebregs&Röell Art and Antiques is a micro creator by the common 10,000 to 100,000 definition. Zebregs&Röell Art and Antiques follows 3,106 accounts, so the audience is roughly 5.7 times the size of the list followed. Zebregs&Röell Art and Antiques carries Instagram's verified badge and is set up as an Instagram business account. Flinque files Zebregs&Röell Art and Antiques under Antique Store, with Art & DIY as a secondary category.
The Instagram bio for Zebregs&Röell Art and Antiques runs to 20 words across 3 lines. The bio mentions @zrnetsuke. The latest activity Flinque has on record for Zebregs&Röell Art and Antiques dates from May 2026.
Story Highlights
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1,434 Posts
Of the 10 most recent posts shown for Zebregs&Röell Art and Antiques, 8 are single images and 2 are videos. That mix leans toward single images. Zebregs&Röell Art and Antiques has built a substantial archive of 1,434 posts. Against the audience, that is roughly 12 followers for each post published. Zebregs&Röell Art and Antiques also keeps 1 story highlight on the profile. All 10 carry captions, averaging 108 words each. The captions are written mainly in English. Words that recur across them include tefaf, kunstkammer, century, were and find. The captions tag #kunstkammer, #tefaf, #antiques, #indianart and #antiquesdealersofinstagram.
This one, from the east coast of India, dating from circa, would do it’s job quite well.
#indianart #colonialart #kunstkammer #antiquesdealersofinstagram #antiques
The Water-Moon Guanyin (水月觀音, Shuiyue Guanyin) is one of the most contemplative manifestations of Avalokiteshvara. For the name comes from the Buddhist metaphor of the moon being luminous yet insubstantial when reflected on water: an emblem of the illusive nature of all phenomena and the emptiness that reality actually encompasses.
Depicting the Guanyin this way is traditionally attributed to the Tang court painter Zhou Fang (c. 730–800), and the form became one of the favourite subjects in Chinese Buddhist art from the Tang through the Ming dynasties.
The deity is shown seated in rajalilasana, the pose of ‘Royal Ease’ with one knee raised, the body relaxed, and often with the head lightly supported by a hand. It signifies serene withdrawal from the world and absorption in contemplation. The setting is Guanyin’s island paradise, Mount Potalaka, later identified with Mount Putuo off the Zhejiang coast, a major pilgrimage centre.
#guanyin #avalokiteshvara #chineseart #chineseantiques #tefaf
#gujarat #indianart #interior #kunstkammer #tefaf
A story on the early days of discovery and categorical determination of flora and fauna. A story on the almost forgotten Indian artists who had their work claimed by European patrons that flaunted with it as if they made the drawings themselves. A story on the wonders of nature. No fairytale.
Find the new publication ‘Paterson’s Company School Animal Drawings’ by Christina Hales on the website.
#companyschool #indianart #naturalhistory #tefaf #animal
Let us know in the comments!
#kunstkammer #cabinetofcuriosities #interiordesign #tefaf #antiques
This object shows the refined court culture of The Hague under Amalia van Solms, where Parisian taste shaped local production. The use of ivory and tortoiseshell marquetry situates the box within an early phase of what would later be termed Boulle work, a technique based on the simultaneous cutting of layered materials.
Not a lot is known about Willem de Rots. We know that he was in The Hague in 1649 and that he was associated with the court. Documented as ‘congierge’, he was responsible for the management of princely interiors.
And his oeuvre is rare. Very rare. Only three objects with certain attribution. A cabinet in the Rijksmuseum, a box in the Victoria & Albert Museum, and a box in Germany. On the basis of close comparisons with these pieces, the present can be placed within his circle. That makes four!
Unlike the highly elaborate court commissions associated with De Rots, this box represents a more restrained object, possibly produced for a visitor to court. Its quality and material richness nevertheless align it with elite consumption and courtly exchange in the Dutch 17th century.
#kunstkammer #willemderots #antiques #tefaf #antiquesdealersofinstagram
#indianart #indonesianart #kunstkammer #tefaf #antiques
You can find some spectacular 18th century glasses in our stand. Two of them were made to toast on the welfare of the East Indiamen ships the Amsterdam and the Bossche Hoven. The Amsterdam ship glass is particularly special, for it was made to toast on arguably the most famous VOC ship. It sunk on its maiden voyage, but a replica can be found in Amsterdam, right in front of the Maritime Museum!
#tefaf #antiques #antiquesdealersofinstagram #voc #kunstkammer
This model of the Church of the Holy Sepulchre, probably made by Indian craftsmen in Jerusalem or the Levant in the 17th century.
It measures H. 25 x L. 45 cm and all pieces can be taken apart. Even the interiors are present!
Come and see it at TEFAF Maastricht until Thursday!
#tefaf #kunstkammer #art #antiques #antiquesdealersoninstagram
It comes from the Northwest coast of what we call Alaska, and dates form circa 1900 or earlier.
It was owned by a British family for generations until it was sold to a collector.
The wooden mask is carved in the form of a wolf’s head, associated with the Eagle moiety of the Tlingit people. The mask is detailed with inlaid abalone shell teeth and eyes, two stylized ears featuring a human or spirit face, and remnants of animal hair applied to the top and sides.
Wolf masks like this were used in ceremonial performances, particularly during potlatch rituals, where they represented clan crests or ancestral spirits. The wolf (Gooch) is a key clan figure within Tlingit social structure and frequently appears in masks, totem poles, and regalia.
The expressive features and surface wear suggest this mask was used, not just made for display. The integration of abalone, which catches light in movement, would have heightened its presence during dance or procession
The great majority of Tlingit masks were created for shamanic use, carved to represent the spirit helpers upon whom the shaman would call for assistance in healing the sick or divining future events. The sculpture of the powerful mask shown here appears to be very much a part of that tradition. The inclusion of movable eye covers, however, is an unusual trait among shaman’s masks. It may be speculated that this mask was created for shamanic use, or was used for potlatch and feast performances dramatizing the great stories of clan history and mythology in the firelight of a winter bighouse.
Find it at TEFAF, stand 146.
#tlingit #tribalart #northwestcoast #kunstkammer #wunderkammer
Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.
Zebregs&Röell Art and Antiques's engagement
Zebregs&Röell Art and Antiques's engagement rate on Instagram is 0.94%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 106 followers. An average post collects 170 likes and 4 comments, close to 43 likes for each comment.
Engagement rate
0.94%
- Avg likes
- 170
- Avg comments
- 4
- Interactions : followers
- 1 : 106
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Frequently asked questions
These answers about Zebregs&Röell Art and Antiques are generated from the Instagram profile data Flinque holds for the account.
Who is Zebregs&Röell Art and Antiques?
Zebregs&Röell Art and Antiques (@zebregsroell) is an Antique Store creator on Instagram, also filed under Art & DIY. Zebregs&Röell Art and Antiques carries Instagram's verified badge and is set up as an Instagram business account. The Instagram bio for Zebregs&Röell Art and Antiques runs to 20 words across 3 lines.
How many followers does Zebregs&Röell Art and Antiques have?
Zebregs&Röell Art and Antiques has 17,826 followers on Instagram (17.8K). Zebregs&Röell Art and Antiques follows 3,106 accounts, so the audience is roughly 5.7 times the size of the list followed. Zebregs&Röell Art and Antiques has built a substantial archive of 1,434 posts.
What is Zebregs&Röell Art and Antiques's engagement rate?
Zebregs&Röell Art and Antiques's engagement rate on Instagram is 0.94%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 106 followers. An average post collects 170 likes and 4 comments, close to 43 likes for each comment.
What does Zebregs&Röell Art and Antiques post about on Instagram?
Flinque files Zebregs&Röell Art and Antiques under Antique Store, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Zebregs&Röell Art and Antiques, 8 are single images and 2 are videos. The 10 recent Instagram captions Flinque holds for Zebregs&Röell Art and Antiques repeatedly use the words tefaf, kunstkammer, century, were and find. Zebregs&Röell Art and Antiques's captions carry hashtags such as #kunstkammer, #tefaf and #antiques. Zebregs&Röell Art and Antiques writes those captions mainly in English. Zebregs&Röell Art and Antiques keeps 1 story highlight, which open with a free Flinque account.
How do I contact Zebregs&Röell Art and Antiques for a collaboration?
Zebregs&Röell Art and Antiques's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Zebregs&Röell Art and Antiques and use Flinque's outreach tools wherever a contact route is on file.
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Zebregs&Röell Art and Antiques's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Zebregs&Röell Art and Antiques.