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Zara Julius

Art & DIY
@zarathustra_lives
• transdisciplinary artist & researcher • • installation, sound & archive • • johannesburg, SA • 🕯️: @daratalfunun 🕯️: @wereldmuseum.amsterdam
  • Following 3.7K
  • Followers 5.6K
  • Engagement 4.16%
  • Avg comments 20

About Zara Julius

Zara Julius (@zarathustra_lives) is an Art & DIY creator on Instagram. The account has 5,582 followers and 664 published posts. Recent posts average 235 likes and 20 comments, an engagement rate of 4.16%.

Zara Julius belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Zara Julius follows 3,672 accounts, so the audience is roughly 1.5 times the size of the list followed. Flinque files Zara Julius under a single category, Art & DIY.

The Instagram bio for Zara Julius runs to 11 words across 5 lines. The bio mentions @daratalfunun and @wereldmuseum.amsterdam. The latest activity Flinque has on record for Zara Julius dates from June 2025.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

664 Posts

Of the 10 most recent posts shown for Zara Julius, 8 are carousels, 1 is a single image and 1 is a video. That mix leans toward carousels. Zara Julius has built a substantial archive of 664 posts. Against the audience, that is roughly 8.4 followers for each post published. Zara Julius also keeps 9 story highlights on the profile. All 10 carry captions, averaging 154 words each. The captions are written mainly in English. Words that recur across them include project, work, research, book and funeral.

‘umLahlankosi iii’ (2025)
By Zara Julius
Two plate etching with colour soft ground & scratched photogravure on Newsprint Grey Somerset Velvet
Edition 6 + 1 A.P
56 x 76 cm
Printed by

Currently on view in the Unfinished Pasts exhibition at the

Available for purchase.
Enquire for details.
I’m really humbled to be showing my 6 channel multimedia work ‘Death is Part of the Process’ (2024) in a monumental group exhibition, ‘In That Same Hour’ at in Amman, Jordan until May 2026.

Thoughtfully curated by & supported by & an exceptional team who pulled off a remote install with such sensitivity to the work! 🙏🏽🤍

Special shout out to their translator and Isshaq for helping me adapt the work to an Arabic speaking audience.

We give thanks.

Images courtesy of Darat al Funun - The Khalid Shoman Foundation/Hussam Hasan

📷:
For the past 3 years I’ve been involved in an ambitious multi-stakeholder project with that begins to think through questions of restitution and repatriation of looted cultural material & ancestral remains.

This week I’m really thrilled to be in the Netherlands to engage in the reflections of this project, and share my own insights alongside colleagues and friends.

I’ll be on a panel ‘Artistic practices as/and provenance research’ Thursday 15h30 in Leiden. Link in bio for tickets if you’re in NL & would like to join! 💫

It’s under this project that I produced ‘A Funeral For…’ in collaboration w/. If you’re interested in our thoughts, buy a book!
• Death-worlds and Afterlives: Thinking with Death and the (Living) Dead • A workshop by Zara Julius •

Death-worlds and Afterlives was a 3-day workshop in April 2025 that brought together scholars and cultural practitioners from varied disciplines whose works address and activate theorisations & research of
death-in-life.

Conceptualised by artist-researcher Zara Julius, and hosted in collaboration with the Pressing Matter project, & the Johannesburg Institute for Advanced Study as part of their Global Blackness project at the University of Johannesburg, the workshop invited participants to not only share their respective works that engage questions of death, dying and the African body (and by extension, land), but also to collectively imagine what might come after and outside of death and death-worlds.

The workshop tackled necroviolence, the necropolitical, and the necrographic, and proposed urgent questions through varied perspectives of the Black radical tradition as situated on and oriented toward the African continent.

Practically, the workshop was an opportunity to share aspects of research that are maybe informed by theory, but also privilege an understanding that time-based media and embodied knowledges are laden with theory too, and inform practice and scholarship.

This convening was an exercise in Black Study in all its forms: communal study that is at once an intellectual, social and aesthetic practice.

Invited participants:
Zara Julius (artist, RSA)
Uhuru Phalafala (writer, RSA)
uMbuso weNkosi (lecturer & writer, RSA)
Pertunia Msani (performer, RSA)
Pansee Atta (artist & researcher, Egypt/ Canada)
Ola Hassanain (artist, Sudan/ Netherlands)
Hugo ka Canham (writer, RSA)
Gregory Maxaluane (lecturer & writer, RSA)
Motsane Seabela (museologist & curator, RSA)
Wayne Modest (curator, Jamaica/ Netherlands)

📸:
Quiet Conversations: September 9, 2022

In this conversation we speak to social practice artist, researcher and vinyl selector Zara Julius based in Johannesburg, South Africa. Zara is the director of Konjo, a creative research agency focused on sonic histories from the African continent and diaspora. Working with sound, video, performance and objects, Zara’s practice involves the collection, selection and creation of archives through research projects.

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Quiet Conversations are a series of conversations with artists, architects, researchers and thinkers working in and with the south, as a conceptual site and geography. The conversations work towards a methodology of shared sites, sounds, objects and practices through a turn to acts of remembrance, recall and repair. In this series we invite a close and intimate listening of meandering conversations; to stay with the words, silences and utterances that through conversation share entangled and implicated relationships of site, objects, people and places. Drawing upon sound and the act of speaking and listening as affective and political, together we ask, how might located and grounded practices enable us to draw out relational histories? How might creative research and associated methodologies of critique generate ways of listening, speaking to and engaging with the built environment, architectures, land and violence beyond extraction? And how might we share and build collective methodologies for working and thinking together?

Published in 2023

Link in bio to Issue [4]: Architectures of the South
• A Funeral For… (2025) •
a limited edition, hand-bound book by Zara Julius, in collaboration w/ Zoé Samudzi

Available in print.
Edition of 150.

Additional contributions by:
Meghan Ho-Tong & Daiyaan Petersén

Acquisitions/ purchase: order form link in bio or email

___

It’s a busy busy weekend for ‘A Funeral For…’

• We’re at with our bookbinder besties who have tons of copies of the book available at their booth at the art fair all weekend! Go say hi. Buy a book et al.

• In Cape Town I’ll be on 2 panels at on Friday & Saturday (links in bio), as well as a 3rd panel at the Literary Club on Saturday night chatting about various aspects behind the project! There will be copies of ‘A Funeral For…’ available at both events.

Come get a book, and give me hugs while I cosplay as an ‘author’ please 🤎

...
• Cape Town, I’ll be chatting all things ‘A Funeral For…’ at the very special on two panels next month, alongside some brilliant minds! •

• Please book in advance via the link in my bio. Tickets are R50. I’ve a few limited comp seats available for those unable to pay the cover charge, send me a DM if this is you • 🤎

• It’s very rare that I’m invited to share my work in SA so I’m very excited & grateful for the chance to engage a local audience •
• A Funeral For… (2025) •
• a book by Zara Julius, in collaboration w/ Zoé Samudzi •

A Funeral For… is a limited edition hand-bound art book created in collaboration with Zoé Samudzi. As the cornerstone of a larger transdisciplinary project, A Funeral For… operates at the critical nexus of archival intervention, sonic inquiry, and speculative memory work, proposing a new form of engagement with the spectral remains of empire & restitution discourse.

The book explores the entanglements of death-in-life, land, and the necrographies of both imperial violence and indigenous memory through the respective practices of each contributor. These exchanges unfold in dialogue with archival images (from various collections at ), drawing the reader into a relational practice of witnessing that calls for an attunement to the affective, the spiritual, the sonic, the ecological, the ancestral and the capacious ontological possibilities offered by each register.

1st edition of 150

Get in touch if you’d like to acquire a copy for a library or institutional resource centre!

ORDER FORM LINK IN BIO

Contributors:
Zara Julius, Zoé Samudzi, Meghan Ho-Tong & Daiyaan Petersén

Printed & bound by
Book design w/
📷:

Supported by the Pressing Matter Project, funded by NWO through the Netherlands National Research Agenda
• DEATH IS PART OF THE PROCESS •
6 channel sound installation, video, crochet textile, risograph collage
26:10 min

A new installation by Zara Julius commissioned by and for the Oscillations group exhibition currently on show at Akademie der Künste, Berlin (tiergarten) open until May 19th 2024. The piece plays every half hour.

DEATH IS PART OF THE PROCESS is dedicated to the thousands of South African political prisoners whose stories we don’t know, as well the thousands of Palestinian political prisoners, and their families, who continue to face the brunt of the Israeli occupation.
Struggle, too, is a global project.

Full artwork statement link in bio

....

Archival material courtesy of the UWC—Robben Island Mayibuye Archives
Composition, research, workshop facilitation & vocals: Zara Julius
Workshop & research collaborator, vocals: Hannah Carrim
Guitar & vocals: Mpumi Mcata
Mix and mastering: Richard Rumney
Sample: ”Breath and Synth Experiment” by Thandl Ntuli with Carlos Niño
Risograph printed Dream Press
Wow I am beyond humbled by the turn out at the listening session and opening of my first solo exhibition, ‘Whatever You Throw at the Sea…’ in Vienna last week at the Weltmuseum 🌊🤎

I might have spent most of the evening hiding in the corner eating french fries, but I am very grateful for everyone’s support, generosity, and willingness to be pushed by not just the work itself, but also by the process of producing the work.

I am really proud of this project, and I hope that it continues to breathe in ways we haven’t imagined yet. Ethnographic museums are truly not spaces of ease, but I’m committed to some kind of rearticulation of memory & care work beyond the paradigms of looting / extraction, surveillance, hoarding & consumption.

The show is open at the Weltmuseum Vienna until 2 April ‘24.

Extended exhibition liner notes in bio.
Email me for vinyl enquiries (I’ll post more about this at a later stage)

‘Whatever You Throw at the Sea…’ (2023)
photographic collage, digital audio, lathe cut vinyl audio & video

📷 Daniel Auer

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

Zara Julius's engagement

Zara Julius's engagement rate on Instagram is 4.16%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 24 followers. An average post collects 235 likes and 20 comments, close to 12 likes for each comment.

Engagement rate

4.16%

Avg likes
235
Avg comments
20
Interactions : followers
1 : 24

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Frequently asked questions

These answers about Zara Julius are generated from the Instagram profile data Flinque holds for the account.

Who is Zara Julius?

Zara Julius (@zarathustra_lives) is an Art & DIY creator on Instagram. Zara Julius belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. The Instagram bio for Zara Julius runs to 11 words across 5 lines.

How many followers does Zara Julius have?

Zara Julius has 5,582 followers on Instagram (5.6K). Zara Julius follows 3,672 accounts, so the audience is roughly 1.5 times the size of the list followed. Zara Julius has built a substantial archive of 664 posts.

What is Zara Julius's engagement rate?

Zara Julius's engagement rate on Instagram is 4.16%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 24 followers. An average post collects 235 likes and 20 comments, close to 12 likes for each comment.

What does Zara Julius post about on Instagram?

Flinque files Zara Julius under a single category, Art & DIY. Of the 10 most recent posts shown for Zara Julius, 8 are carousels, 1 is a single image and 1 is a video. The 10 recent Instagram captions Flinque holds for Zara Julius repeatedly use the words project, work, research, book and funeral. Zara Julius writes those captions mainly in English. Zara Julius keeps 9 story highlights, which open with a free Flinque account.

How do I contact Zara Julius for a collaboration?

Zara Julius's contact details are not published on Flinque's public profile. The Instagram bio links to 2 external sites, and a free Flinque account opens those links. Brands with a free Flinque account can shortlist Zara Julius and use Flinque's outreach tools wherever a contact route is on file.

Zara Julius's own Instagram profile is the one outbound link Flinque publishes for the account, and the 2 bio links open after signing up.

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