- Following 1K
- Followers 12.3K
- Engagement 0.32%
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About Venice Galleries View
Venice Galleries View (@venicegalleriesview) is a Community Organization creator on Instagram, also filed under Non-Profits & Religious Organizations and Spirituality & Religion. The account has 12,315 followers and 682 published posts. Recent posts average 41 likes and 1 comment, an engagement rate of 0.32%.
With 12.3K followers, Venice Galleries View is a micro creator by the common 10,000 to 100,000 definition. Venice Galleries View follows 1,047 accounts, so the audience is roughly 12 times the size of the list followed. Venice Galleries View uses an Instagram professional account. Flinque files Venice Galleries View under 3 categories, led by Community Organization and followed by Non-Profits & Religious Organizations and Spirituality & Religion.
The Instagram bio for Venice Galleries View runs to 14 words. The latest activity Flinque has on record for Venice Galleries View dates from July 2026.
Story Highlights
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682 Posts
Of the 10 most recent posts shown for Venice Galleries View, 6 are carousels and 4 are single images. That mix leans toward carousels. Venice Galleries View has built a substantial archive of 682 posts. Against the audience, that is roughly 18 followers for each post published. Venice Galleries View also keeps 2 story highlights on the profile. All 10 carry captions, averaging 191 words each. Words that recur across them include exhibition, venezia, opening, mostra and contacts. The captions tag #wangechimutu, #victoriamiro, #victoriamirovenice, #albertapane and #judychicago.
Per questa serie, Mutu evoca un gruppo di spiriti femminili acquatici: figure al tempo stesso potenti, affascinanti e inquietanti. Concepiti come protettori, compagni e guide, questi esseri acquatici possono essere interpretati come abitanti simbolici tanto del mare quanto del subconscio.
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Join us tomorrow at Victoria Miro, Venice, to celebrate the opening of Wangechi Mutu: “The SeasSpirit”. On Saturday 18 July, from 5–7 pm. All are welcome.
In a new series of collage-paintings, Mutu conjures a cast of feminine water spirits – figures that are at once powerful, awe-inspiring and unsettling. Imagined as protectors, companions and guides, these aquatic beings can be understood as symbolic inhabitants of both the sea and the subconscious.
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Victoria Miro, San Marco 1994, 30124 Venice
Contacts:
Image: Wangechi Mutu, Mamamadonna, 2026. Ink, collage and mixed media on watercolour paper. 60.5 x 45.5cm, 23 7/8 x 17 7/8 in © Wangechi Mutu. Courtesy l’artista e Victoria Miro
#wangechimutu #victoriamiro #victoriamirovenice
Crews-Chubb (n. 1984) è un pittore con base a Londra, le cui opere a tecnica mista si confrontano con la condizione umana e con le diverse forme di espressione del sé. I suoi dipinti rendono omaggio all’Espressionismo Astratto, sia attraverso una figurazione gestuale che guarda a Willem de Kooning, sia mediante un uso giocoso e improvvisato del collage, che richiama la qualità tridimensionale della pratica di Robert Rauschenberg.
La mostra “The Belt of Venus” riunisce sei nuovi dipinti monumentali. Il titolo deriva dal fenomeno atmosferico visibile poco prima dell’alba o subito dopo il tramonto: un’eterea fascia rosata che separa l’ombra scura della Terra dal cielo che si illumina.
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Until August 15, Patricia Low Contemporary in Venice presents “The Belt of Venus,” a solo exhibition by Daniel Crews-Chubb.
Crews-Chubb (b. 1984) is a London-based painter whose mixed-media works wrestle with the human condition and modes of self-expression. His paintings pay homage to Abstract Expressionism, both in their gestural figuration that looks to Willem de Kooning and playful, improvisational use of collage, which recalls the three-dimensional quality of Robert Rauschenberg’s practice.
His exhibition ‘The Belt of Venus’ brings together six new, monumental paintings. The exhibition takes its title from the atmospheric phenomenon visible shortly before sunrise or after sunset, an ethereal pinkish band that separates the earth’s dark shadow from the brightening sky.
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Patricia Low Contemporary, Palazzo Contarini Michiel Dorsoduro 2793, Venezia
Opening hours: Tue–Sat, 10:00–13:00, 14:00–18:00
Contacts:
193 Gallery presents “The Road”, the first solo exhibition in Venice by Sesse Elangwe, on view until September 12.
Born in 1994 in Cameroon and currently living in San Antonio, Texas, Elangwe develops a painting practice centered on the human figure as a space of political, social, and emotional awareness. In his work, the enlarged, fixed, and intensely attentive eyes become a space of vigilance and resistance: his figures do not simply submit themselves to observation but instead return the viewer’s gaze, calling for a form of active attention.
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193 Gallery presenta “The Road”, la prima mostra personale a Venezia di Sesse Elangwe, visitabile fino al 12 settembre.
Nato nel 1994 in Camerun e attualmente residente a San Antonio, Texas, Elangwe sviluppa una pratica pittorica incentrata sulla figura umana come spazio di consapevolezza politica, sociale ed emotiva. Nelle sue opere, gli occhi ingranditi, fissi e intensamente vigili diventano uno spazio di attenzione e resistenza: le sue figure non si limitano a offrirsi a chi le osserva, ma restituiscono lo sguardo allo spettatore, richiamandolo a una forma di attenzione attiva.
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193 Gallery, Salizada San Samuele, 3337, 30124 Venice
Opening hours: Wed-Sat, 10:30–18:30; Sun, 12:00-18:00
Contacts:
Image: Sesse Elangwe, Portrait of Ngoe, 2026, Acrylic on canvas 55.9 x 81.3 cm
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On view until July 18, “See You” is a major exhibition with over 50 artists bringing together artworks from the 16th century to today. Conceived as the final exhibition of Tommaso Calabro Gallery, the show gathers together years of research, encounters, and shared experiences. It stands as both a reflection and an invitation – to return, to look closely, and to spend time together once more.
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Visitabile fino al 18 luglio, “See You” riunisce opere straordinarie realizzate da più di 50 artisti dal XVI secolo a oggi. Concepita come mostra conclusiva della Tommaso Calabro Gallery, l’esposizione raccoglie anni di ricerca, incontri ed esperienze condivise. Si presenta al tempo stesso come una riflessione e un invito: a tornare, a guardare da vicino e a trascorrere ancora una volta del tempo insieme.
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Tommaso Calabro Gallery, Campo San Polo 2177, Venice
Opening hours: Tue–Sat, 11:00-19:00
Contacts:
Giovedì 2 luglio a partire dalle 19:00!
La galleria 10 & zero uno, Venezia, è lieta di presentare I DREAMT THE STREETS WERE MADE OF WATER, la mostra personale di Vicky Polak, a cura di Julia Terzano.
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July 2, from 7.00pm!
10 & zero uno Gallery, Venice, is pleased to present I DREAMT THE STREETS WERE MADE OF WATER, a solo exhibition by Vicky Polak, curated by Julia Terzano.
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10 & zero uno, Castello 1830, Venice
Opening hours: Tue–Sat, 12:00–19:00 and by appointment
Contacts:,
Image:
Vicky Polak
A mermaid’s chant, 2026
Black and White, medium format photo rag
50 x 50 cm
Riflettendo il rinnovato interesse che tanto l’arte quanto la moda stanno rivolgendo agli archivi — non solo come motori di creazione ed esposizione, ma anche come luoghi in cui le gerarchie di valore vengono costruite, contestate e ricodificate — la mostra prende forma nella luce al neon, leggermente claustrofobica, di uno spazio circoscritto costruito all’interno della galleria. Qui il “data” diventa ordine, processo e performance, accanto a sculture-manichino: le “divas” di questi archivi sotto pressione.
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Until July 18, Hanna Rochereau ‘Data Divas’ solo exhibition continues at Mare Karina, Venice.
Echoing the renewed interest that both art and fashion are directing toward archives — not only as engines of creation and display, but also as sites where hierarchies of value are constructed, contested, and recoded — the exhibition takes shape in the neon-lit, slightly claustrophobic atmosphere of a circumscribed space built within the gallery. Here, “data” become order, labour and performance, alongside mannequin-sculptures: the “divas” of these archives under pressure.
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Mare Karina, Campo de le Gate 3200, Castello 30122, Venezia
Opening hours: Tue-Sat, 10:00am-1pm and 2-6pm
Contacts:
Exhibition text by Sini Rinne-Kanto
Photos by Tiziano Ercoli
Ispirata a miti, leggende e racconti delle origini, la mostra esplora i temi della nascita, della trasformazione e della rigenerazione. Tra forme in continua evoluzione e gesti pittorici vibranti, le opere instaurano un dialogo con lo spazio della galleria e con Venezia stessa, evocando un universo in costante mutamento.
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Until 4 July, Victoria Miro, Venice, presents “Egg”, a solo exhibition by Flora Yukhnovich bringing together a new body of paintings conceived in dialogue with a site-specific mural intervention.
Drawing on myths, fairy tales, and stories of creation, the exhibition explores themes of birth, transformation, and regeneration. Through evolving forms and expressive gestures, the works engage in a conversation with the gallery space and with Venice itself, creating a poetic reflection on flow, change, and renewal.
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Victoria Miro, San Marco 1994, 30124 Venice
Opening hours: Tue-Sat 10:00-13:00, 14:00-18:00
Contacts:
Courtesy of the artist and Victoria Miro. Photography by Andrea Rossetti
Nella mostra, l’artista marocchino Hajjaj intreccia il tempo lunare del calendario Hijri con quello gregoriano: il 1447 corrisponde infatti all’anno corrente nel calendario islamico. In ogni opera, questa doppia datazione riflette la sua navigazione tra contesti culturali e temporalità diverse, tradotta in ritratti vibranti dove tradizione marocchina, streetwear, oggetti quotidiani e cultura pop diventano strumenti per ripensare l’identità postcoloniale.
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Last week to visit! Until 27 June, you can see “Venice, 1447”, Hassan Hajjaj’s solo exhibition at 193 Gallery, Venice.
In the exhibition, Moroccan artist Hajjaj brings together the lunar time of the Hijri calendar and the Gregorian calendar: 1447 corresponds to the current year in the Islamic calendar. In each work, this dual dating reflects his navigation between different cultural contexts and temporalities, translated into vibrant portraits where Moroccan tradition, streetwear, everyday objects and pop culture become tools to rethink postcolonial identity.
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193 gallery, San Marco, Salizada San Samuele, 30124, Venice
Opening hours: Wed-Sat 10:30-18:30; Sun 12:00-18:00
Contacts:
Photo by Gabriele Bortoluzzi
AQUAE approfondisce la relazione dell’artista con l’acqua come presenza viva, materia relazionale e spazio di ascolto. Attraverso opere, fotografie e materiali legati a progetti recenti e in corso, la mostra intreccia immaginario lagunare, energie collettive e possibilità di resistenza.
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Last week to visit! Until 20 June, you can visit AQUAE, the solo exhibition by Melissa McGill at 10 & zero uno, Venice.
AQUAE explores the artist’s relationship with water as a living presence, relational matter, and space for listening. Through works, photographs, and materials connected to recent and ongoing projects, the exhibition weaves together the lagoon imaginary, collective energies, and possibilities of resistance.
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10 & zero uno, Castello 1830, Venice
Opening hours: Tue–Sat, 12:00–19:00 and by appointment
Contacts:,
Courtesy the artist and Mazzoleni. Photo by Filippo Molena.
La mostra, a cura di Allison Raddock, sarà visitabile fino al 22 novembre 2026.
Mediante un focus su materiali e tecniche, "The Materiality of Judy Chicago" permette d'immergersi nell'universo dell'artista, in un dialogo tra opere storiche degli ultimi sessant'anni e un nuovo corpus di lavori, che verrà mostrato per la prima volta al pubblico in questa occasione.
Figura pionieristica dell'arte femminista, Judy Chicago propone un percorso visivo e di pensiero, che ripercorre la sua ricerca artistica e riafferma la sua convinzione di come l'arte sia un potente strumento di trasformazione intellettuale e cambiamento sociale.
In concomitanza con La Biennale di Venezia 2026, Alberta Pane is pleased to host at her Venetian gallery The Materiality of Judy Chicago, a solo exhibition by the celebrated American artist Judy Chicago (United States, 1939). The exhibition, curated by Allison Raddock, will open to the public on Friday, May 8 and through November 22, 2026.
With a focus on materials and techniques, The Materiality of Judy Chicago allows viewers to immerse themselves in the artist's universe, in a dialogue between historical works from the last sixty years and a new body of work, which will be shown to the public for the first time on this occasion.
A pioneering figure of feminist art, Judy Chicago offers a visual and intellectual journey that retraces her artistic research and reaffirms her belief that art is a powerful tool for intellectual transformation and social change.
#AlbertaPane #JudyChicago #TheMaterialityOfJudyChicago #ContemporaryArt #VeniceGalleriesView
Venice Galleries View's engagement
Venice Galleries View's engagement rate on Instagram is 0.32%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 313 followers. An average post collects 41 likes and 1 comment, close to 41 likes for each comment.
Engagement rate
0.32%
- Avg likes
- 41
- Avg comments
- 1
- Interactions : followers
- 1 : 313
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Who is Venice Galleries View?
Venice Galleries View (@venicegalleriesview) is a Community Organization creator on Instagram, also filed under Non-Profits & Religious Organizations and Spirituality & Religion. Venice Galleries View uses an Instagram professional account. The Instagram bio for Venice Galleries View runs to 14 words.
How many followers does Venice Galleries View have?
Venice Galleries View has 12,315 followers on Instagram (12.3K). Venice Galleries View follows 1,047 accounts, so the audience is roughly 12 times the size of the list followed. Venice Galleries View has built a substantial archive of 682 posts.
What is Venice Galleries View's engagement rate?
Venice Galleries View's engagement rate on Instagram is 0.32%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 313 followers. An average post collects 41 likes and 1 comment, close to 41 likes for each comment.
What does Venice Galleries View post about on Instagram?
Flinque files Venice Galleries View under 3 categories, led by Community Organization and followed by Non-Profits & Religious Organizations and Spirituality & Religion. Of the 10 most recent posts shown for Venice Galleries View, 6 are carousels and 4 are single images. The 10 recent Instagram captions Flinque holds for Venice Galleries View repeatedly use the words exhibition, venezia, opening, mostra and contacts. Venice Galleries View's captions carry hashtags such as #wangechimutu, #victoriamiro and #victoriamirovenice. Venice Galleries View keeps 2 story highlights, which open with a free Flinque account.
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Venice Galleries View's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Venice Galleries View and use Flinque's outreach tools wherever a contact route is on file.
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