- Following 876
- Followers 5.1K
- Engagement 6.2%
- Avg likes 322
- Avg comments 4
About Tomoko Sawada
Tomoko Sawada (@tomokosawada_artist) is an Artist creator on Instagram, also filed under Art & DIY. The account has 5,106 followers and 212 published posts. Recent posts average 322 likes and 4 comments, an engagement rate of 6.2%.
Tomoko Sawada belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Tomoko Sawada follows 876 accounts, so the audience is roughly 5.8 times the size of the list followed. Tomoko Sawada uses an Instagram professional account. Flinque files Tomoko Sawada under Artist, with Art & DIY as a secondary category.
The Instagram bio for Tomoko Sawada runs to 15 words across 7 lines. The bio mentions @rosegallery.official and @tomokosawada_review. The latest activity Flinque has on record for Tomoko Sawada dates from November 2025.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
212 Posts
Of the 10 most recent posts shown for Tomoko Sawada, 9 are carousels and 1 is a single image. That mix leans toward carousels. 212 published posts give Tomoko Sawada a moderate archive on Instagram. Against the audience, that is roughly 24 followers for each post published. Tomoko Sawada also keeps 7 story highlights on the profile. All 10 carry captions, averaging 128 words each. The captions are written mainly in English. Words that recur across them include 澤田知子, venue, exhibition, upcoming and date. The captions tag #tomokosawada, #澤田知子, #contemporaryart, #selfportrait and #bunkamura.
グループ展のご案内
“まなざしの奇跡 日本女性写真家の冒険”
Date：July 4th to August 26th
Venue: Shibuya Hikarie
会場：ヒカリエホール(渋谷ヒカリエ9階)
期間：7月4日（土）～ 8月26日（水）
会期中無休
出展作家（50音順）
石内都／石川真生／今井壽惠／岩根愛／潮田登久子／岡上淑子／岡部桃／オノデラユキ／片山真理／川内倫子／小松浩子／今道子／澤田知子／志賀理江子／杉浦邦恵／多和田有希／常盤とよ子／長島有里枝／楢橋朝子／西村多美子／蜷川実花／野口里佳／野村佐紀子／原美樹子／ヒロミックス／藤岡亜弥／やなぎみわ／山沢栄子／米田知子／渡辺眸
島隆（※特別出品）
下記、公式サイトより
近年、国際的な注目を大きく集めている日本の写真表現。しかしこれまで、その代表として紹介される写真家はとかく男性に偏りがちでした。そうした中、2024年夏には、1950年代から今日まで、表現の世界において重要な役割を果たしてきた女性写真家に光を当てた書籍『I’m So Happy You Are Here』が英仏2か国語で刊行。これにあわせ開催された同名の展覧会は、フランス・アルル国際写真祭を皮切りに世界巡回を続けています。いずれも、新たな角度から日本の写真表現を辿り、その歴史を見直す画期的な取り組みとして高く評価されています。
その凱旋記念となる本展は、出品作家・展示内容を拡大し30名の女性写真家を紹介するものです。「写真」という枠組みを超え、インスタレーション、コラージュ、映像など、多様なアプローチによる作品約200点が一堂に集結。記憶、身体、日常、ジェンダーなど、様々なテーマに向けられた彼女たちのまなざしと、創造性に満ちたそれぞれの表現。数年後に拡大移転を控えたBunkamuraザ・ミュージアムが、あらゆる個性の渦巻く街・渋谷を舞台に、「写真」を通じて問いかけます。
#tomokosawada #bunkamura #selfportrait #contemporaryart #japanesewomanphotographer
グループ展のご案内
“Japanese Women Photographers: From 1950s to Now”
Date：June 24th to September 27th
Venue:
会場：THE PHOTOGRAPHER’S GALLERY (ロンドン)
期間：6月24日（水）～ 9月27日（日）
From website
This landmark exhibition rewrites the story of Japanese photography through the eyes of women. Japanese Women Photographers spotlights the work of 27 groundbreaking artists, from the 1950s to today, whose perspectives have shaped how Japan sees itself, and how it is seen by the world.
Spanning identity, pop culture, fashion and everyday life, the exhibition celebrates internationally renowned Japanese women photographers, alongside those who have long been overlooked. The result is a powerful rebalancing of a history too often told through a single, male-dominated lens.
From pioneering figures of the post-war era to today’s most daring and experimental voices, the exhibition takes over The Photographers’ Gallery this summer with more than 200 photographs, videos, installations and rare photobooks. Together, Japanese Women Photographers is a vivid, intimate and expansive portrait of Japan, revealing how women artists have challenged conventions, captured social change and redefined photography across generations.
Curated by Lesley A. Martin, Takeuchi Mariko and Pauline Vermare. This exhibition is in connection with the publication I’m So Happy You Are Here: Japanese Women Photographers 1950s to Now (Aperture, 2024). The exhibition is organised by Aperture in collaboration with the Rencontres d’Arles with support from Kering | Women In Motion, Ishibashi Foundation, Anne Levy Charitable Trust,1970 Japan World's Exposition Memorial Fund, The Great Britain Sasakawa Foundation, OKAN and Daiwa Anglo-Japanese Foundation. Additional curatorial collaboration for the exhibition in London with Taous Dahmani, The Photographers’ Gallery. The Japanese Women Photographers' Reading Room is supported by Ellen Yiwei Wang.
#tomokosawada #contemporanyart #selfportrait #澤田知子 #現代美術
グループ展のご案内
“THE SPACE BETWEEN US
IN THE WILSON CENTRE FOR PHOTOGRAPHY COLLECTION”
Date：June 19th to January 3rd 2027
Venue:
会場：LE BAL(パリ)
期間：6月19日（金）～ 2027年1月3日（日）
From website
From fleeting encounters to carefully staged collaborations, from images caught in the moment to collaboratively constructed scenes, the exhibition examines the relationship that comes into being, at the moment the photograph is made, between the photographer and their subject. What does the image reveal about the respective positions of these two bodies? About their complicity, their face-to-face encounter, the silent pact sealed by the gaze of one upon the appearance of the other?
The exhibition brings together iconic works and lesser-known images, from the 1920s to the present day, in a sensitive journey shaped by visual echoes, affinities and unexpected correspondences between images.
“Always, at the centre of each photograph, there is this small struggle of consciousness between the one who reveals and the one who unveils themselves, a struggle for which the photographic portrait has always been the privileged stage.” – Bertrand Schefer
With:
Lola Álvarez Bravo, Manuel Álvarez Bravo, Bill Brandt, Josef Breitenbach, Horace Bristol, Esther Bubley, Elinor Carucci, Mark Cohen, John Coplans, Gregory Crewdson, Imogen Cunningham, Bruce Davidson, Rineke Dijkstra, Walker Evans, Leonard Freed, Lee Friedlander, David Goldblatt, John Gutmann, Birney Imes, Graciela Iturbide, Sarah Jones, André Kertész, Chris Killip, Dorothea Lange, Sergio Larraín, Richard Learoyd, Danny Lyon, Robert Mapplethorpe, Roger Mayne, Susan Meiselas, Tina Modotti, Daidō Moriyama, Nicholas Nixon, Alexander Rodchenko, August Sander, Tomoko Sawada, Chris Shaw, Aaron Siskind, Graham Smith, Louis Stettner, Issei Suda, Yutaka Takanashi, Shoji Ueda, Weegee, Francesca Woodman.
Curated by: Diane Dufour with Julie Héraut.
Scenography: Cyril Delhomme.
Exhibition produced with the support of the Wilson Centre for Photography.
The exhibition has been awarded the “Bicentenaire de la Photographie” label.
LE BAL’s programme is supported by the City of Paris, the Île-de-France Region and the Minis
澤田知子「School Days」の天才ピアニストによるパロディ作品「HIGH SCHOOL DAYS！と、元看護師のますみさん考案による作品「KANGOSHI DAYS」は、2人がいろんな顔を披露しています。
ギャラリーに展示している作品は、「なんでこんなに小さいの？」かもしれませんが、学校で配布される写真と同じであるというリアリティを現しています。
澤田知子は、人の外面と内面の関係をテーマにした写真作品が有名なアーティストです。
花のれんタリーズコーヒーの方では、大判のタペストリー作品をお楽しみ頂けます。
どちらもギャラリーの方でご購入可能です。
★澤田知子×天才ピアニストコラボタペストリー
受注生産販売 各種33000円（税込）
日程：5/10(日)～5/17(日)
※12(火)、13(水)定休日
時間：平日14:30～19:30 土日13:00～19:00
場所：LAUGH ＆ PEACE ART GALLERY
入場料：500円 ※ステッカープレゼント
次はベーシッククラスを担当します。
詳細はプロフィールリンクへどうぞ。
下記ホームページより抜粋
テーマ探しからはじめる作品構築
（第1期・大阪開催）
会場：中之島フェスティバルタワーウエスト23階
澤田 知子 教室（全3回）
6月6日（土） 14:00～16:30
7月25日（土） 14:00～16:30
9月12日（土） 14:00～16:30
【本講座のテーマ / 最終目標】
ご自身の表現の核、テーマを見つける。
ご自身の作品の中心を見つけることで作ることがもっと楽しくなったり、作ることに意欲的になる。
ご自身の写真を客観的に見られるようになる。
参加条件/スキル
本講座は、カメラの使い方、きれいな写真や上手な写真の撮り方を学ぶコースとは異なり、写真表現を学ぶ講座です。本講座は、プリントした写真を使って進行するため、多くの写真のプリントをお願いする場合がございますので予めご了承ください。
2026年6月6日（土）時点で30歳以下の方は、22,000円（税込）にてご受講いただけます。割引金額を適用してお申し込みいただく方法は、受講確定後に別途メールにてご案内いたします。
#tomokosawada #澤田知子 #写真講座 #写真好きな人 #写真うまくなりたい
Upcoming Exhibition
今森光彦・大西みつぐ・澤田知子・長島有里枝 作品展
木村伊兵衛写真賞特別企画
Kimura Ihei Photography Award special Exhibition
会場：ソニーイメージングギャラリー 銀座
期間：4月17日(金)～4月23日(木)
Date：April 17th to April 23rd
Venue：Sony Imaging Gallery
今年で50回を迎える木村伊兵衛写真賞ですが、4月24日からの受賞作品展に先立って選考委員によるグループ展が開催されます。
#tomokosawada #木村伊兵衛写真賞 #contemporaryart #sonyimaginggallery #澤田知子
Conversation between artist Tomoko Sawada and curator Marina Amada (ENG)
日時
:30～20:00 – 講堂
＊その他のプログラムはヴィラ九条山の公式サイトをご確認ください。
会場
ヴィラ九条山
〒607-8492 京都市山科区日ノ岡夷谷町17-22
入場無料・予約不要
Dates
05 mar. 2026
6:30 PM – 8:00 PM – Auditorium
Venue and informations
Villa Kujoyama
17-22 Hinookaebisudanichō, Yamashina Ward, Kyoto, 607-8492
Free entrance
写真家の澤田知子とキュレーターの天田万里奈は、ともに関西に拠点に活動していますが、2025年にヴィラ九条山のパートナーであるMaison Kochimiが実施したリサーチ・レジデンスの際にパリで出会いました。
タイポロジーおよびセルフポートレートの手法を用い、コンセプチュアルに構築された作品群を国内外で発表してきた澤田知子は、まなざしや社会的枠組みを通して形づくられるアイデンティティのあり方を探究しています。
ジェンダーの視点からアートと社会的議論を接続するキュラトリアル実践を行う天田万里奈は、AWARE（Archives of Women Artists, Research and Exhibitions）やSPECTRUMなどの文化事業を企画・実践しています。2025年にパリでのレジデンスを共にし、そこでの対話を基盤に、それぞれの実践や思考の展開について語ります。
Photographer Tomoko Sawada and curator Marina Amada both live in the Kansai region but met in Paris in 2025 during a research residency organized by Maison Kochimi, a partner of Villa Kujoyama.
Tomoko Sawada has consistently employed typology and self-portraiture to develop conceptually constructed bodies of work presented both in Japan and internationally, exploring how identity is shaped through gaze and social frameworks.
Marina Amada engages in curatorial practice that connects the field of art with social discourse through the lens of gender, working on cultural initiatives such as AWARE (Archives of Women Artists, Research and Exhibitions) and SPECTRUM. Building on the mutual dialogue cultivated during their shared residency in Paris in 2025, they will share their evolving practices and thoughts.
#tomokosawada #villakujoyama #artisttalk #contemporaryart 澤田知子
グループ展のご案内
“Collective Visions: Celebrating 25 Years of Photography”
Date：November 7th 2025 to May 10th
Venue:
会場：Art Gallery of Ontario（トロント）
期間：2025年11月7日（金）～ 5月10日（日）
From website
EXHIBITION OVERVIEW
In 1984, for its first major exhibition of photography, the AGO relied on loans from local collectors. In a jubilant reversal, on the occasion of the department’s 25th anniversary, the museum presents this exhibition drawn from the rich collection the AGO has since built, featuring artworks chosen by the community that has helped it flourish.
In a departure from traditional curatorial models, Collective Visions: Celebrating 25 Years of Photography is shaped by more than 80 artists, collectors, donors, curators, community leaders, and scholars, beginning with a selection by Curator Emeritus Maia-Mari Sutnik. Structured as an “exquisite corpse”—the collaborative game popularized by the Surrealists in the 1920s—each participant selects a photograph in response to the previous choice. Unfolding image by image, the exhibition reveals a web of relationships, sensibilities, and perspectives, offering a living portrait of photography’s evolving place in Toronto’s cultural landscape.
Organized by Sophie Hackett, the AGO’s Curator of Photography, Collective Visions: Celebrating 25 Years of Photography aims to highlight the breadth of the AGO’s photography collection, representing a diverse range of artists, artistic genres and approaches, subject matter, and materials. Accompanied by responses from the participants, the works on view offer a rich and varied perspective on the medium of photography.
#tomokosawada #contemporaryart #selfportrait #artgalleryoftronto #澤田知子
グループ展のご案内
“Persona: Photography and the Re-Imagined Self”
Date：FEBRUARY 19th to May 10th
Venue:
会場：Isabella Stewart Gardner Museum（ボストン）
期間：2月19日（木）～ 5月10日（日）
From the website
Persona: Photography and the Re-Imagined Self
With work spanning from the early 20th century to the present, Persona: Photography and the Re-Imagined Self explores the often liberating re-imagining of self. Ranging from playful to political, confrontational to aspirational, these images time-travel and gender-bend, mask and mirror. Evolving from an artist’s personal and cultural history, the creation of a persona may ultimately be a strategy toward finding one’s voice and inspiring empathy.
Persona: Photography and the Re-Imagined Self and Jamie Diamond: Monstra Te Esse Matrem, 2026 are supported in part by Barbara and Amos Hostetter, the Barbara Lee Program Fund, Fredericka and Howard Stevenson, and The Andy Warhol Foundation for the Visual Arts.
#tomokosawada #contemporaryart #selfportrait #gardnermuseum #澤田知子
映像AIデザインコース（仮称）の 教授に就任しました。
〒565-0873
大阪府吹田市藤白台5-25-1
千里金蘭大学
教育学部、映像AIデザインコース （仮称）
美大ではなく千里金蘭大学という総合大学でアーティスティックな視点を養い、AIの技術も使った写真や映像作品の制作、様々な可能性を引き出せるカリキュラムと自分自身の経験を惜しみなく提供し、学生さんの才能を引き出したいと思っています。
そして2026年度「映像 A I デザインコース」希望者のうち、最大で10名まで入学金・初年度授業料(諸経費含む)1,462,070円が全額免除になります。
私をアーティストに育てて下さった恩師でカリキュラムディレクターでもある畑祥雄先生 と共に現在準備中です。
講師の経験はあっても教授の立場は初めてです。新しい挑戦を見守り、先輩方にはご指導いただけたら嬉しく思います。
#tomokosawada #澤田知子 #千里金蘭大学 #美大に行きたかった #映像編集
Tomoko Sawada's engagement
Tomoko Sawada's engagement rate on Instagram is 6.2%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 16 followers. Likes outnumber comments by roughly 81 to 1, with 322 likes and 4 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
6.2%
- Avg likes
- 322
- Avg comments
- 4
- Interactions : followers
- 1 : 16
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Frequently asked questions
These answers about Tomoko Sawada are generated from the Instagram profile data Flinque holds for the account.
Who is Tomoko Sawada?
Tomoko Sawada (@tomokosawada_artist) is an Artist creator on Instagram, also filed under Art & DIY. Tomoko Sawada uses an Instagram professional account. The Instagram bio for Tomoko Sawada runs to 15 words across 7 lines.
How many followers does Tomoko Sawada have?
Tomoko Sawada has 5,106 followers on Instagram (5.1K). Tomoko Sawada follows 876 accounts, so the audience is roughly 5.8 times the size of the list followed. 212 published posts give Tomoko Sawada a moderate archive on Instagram.
What is Tomoko Sawada's engagement rate?
Tomoko Sawada's engagement rate on Instagram is 6.2%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 16 followers. Likes outnumber comments by roughly 81 to 1, with 322 likes and 4 comments on an average post, so most reactions are taps rather than replies.
What does Tomoko Sawada post about on Instagram?
Flinque files Tomoko Sawada under Artist, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Tomoko Sawada, 9 are carousels and 1 is a single image. The 10 recent Instagram captions Flinque holds for Tomoko Sawada repeatedly use the words 澤田知子, venue, exhibition, upcoming and date. Tomoko Sawada's captions carry hashtags such as #tomokosawada, #澤田知子 and #contemporaryart. Tomoko Sawada writes those captions mainly in English. Tomoko Sawada keeps 7 story highlights, which open with a free Flinque account.
How do I contact Tomoko Sawada for a collaboration?
Tomoko Sawada's contact details are not published on Flinque's public profile. The Instagram bio links to 4 external sites, and a free Flinque account opens those links. Brands with a free Flinque account can shortlist Tomoko Sawada and use Flinque's outreach tools wherever a contact route is on file.
Links
Tomoko Sawada's own Instagram profile is the one outbound link Flinque publishes for the account, and the 4 bio links open after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Tomoko Sawada.