- Following 1.5K
- Followers 61.8K
- Engagement 4.44%
- Avg likes 2.9K
- Avg comments 30
About kiichiro yoshimoto 善本喜一郎
kiichiro yoshimoto 善本喜一郎 (@tokyo_timeslip) is a Photographer creator on Instagram, also filed under Travel. The account has 61,766 followers and 1,897 published posts. Recent posts average 2,910 likes and 30 comments, an engagement rate of 4.44%.
With 61.8K followers, kiichiro yoshimoto 善本喜一郎 is a micro creator by the common 10,000 to 100,000 definition. Set against 1,544 accounts followed, the audience works out to about 40 followers per account kiichiro yoshimoto 善本喜一郎 follows. kiichiro yoshimoto 善本喜一郎 carries Instagram's verified badge and uses an Instagram professional account. Flinque files kiichiro yoshimoto 善本喜一郎 under Photographer, with Travel as a secondary category.
The Instagram bio for kiichiro yoshimoto 善本喜一郎 runs to 16 words across 6 lines. The latest activity Flinque has on record for kiichiro yoshimoto 善本喜一郎 dates from February 2026.
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1,897 Posts
All 10 recent posts Flinque holds for kiichiro yoshimoto 善本喜一郎 are carousels. kiichiro yoshimoto 善本喜一郎 has built a substantial archive of 1,897 posts. Against the audience, that is roughly 33 followers for each post published. kiichiro yoshimoto 善本喜一郎 also keeps 6 story highlights on the profile. All 10 carry captions, averaging 121 words each. The captions are written mainly in English. Words that recur across them include tokyotimeslip, 河出書房新社刊, japanesephotography, rephotography and image. The captions tag #tokyotimeslip, #japanesephotography, #rephotography, #thenandnow and #vintagetokyo.
今は水ではなく、車が流れている。
銀座「采女橋（うねめばし）」1984⇔2023
この美しい2連アーチの石橋は、1930（昭和5）年に関東大震災の復興橋として建設されました。
もともとは「築地川」に架かる橋でしたが、1964年の東京オリンピックを機に川が埋め立てられ、首都高速道路（都心環状線）へと姿を変えました。
時代の流れとともに、流れるものが「水」から「車」へ。
昭和から令和へと、銀座の景色を静かに見守り続けている場所です。
1984年モノクロ画像をカラー化
A place that was once a river. Now, instead of water, cars flow through it.
Ginza’s “Uneme Bridge” 1984⇔2023
This beautiful stone bridge with its twin arches was built in 1930 (Showa 5) as part of the reconstruction efforts following the Great Kanto Earthquake.
Originally spanning the Tsukiji River, the river was filled in ahead of the 1964 Tokyo Olympics, and the bridge was transformed into part of the Metropolitan Expressway (Central Loop Line).
With the passage of time, what flows here has shifted from “water” to “cars.”
From the Showa era to the Reiwa era, this is a place that has quietly watched over the scenery of Ginza.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
銀座「ルパン」1984⇔2020
銀座の裏路地で100年近くの歴史を刻み続ける、老舗バー「ルパン（Lupin）」。
2枚目は、1984年当時の白黒写真をカラー化してお届けします。
1928年（昭和初期）に誕生したルパン。 かつては太宰治や坂口安吾、織田作之助といった文豪たちが集い、夜な夜な文学や芸術を語り合った伝説の場所です。
開店当時は「カフェー」と呼ばれる形式でしたが、1935〜36年頃に現在のクラシカルなカウンターバー形式へと姿を変えました。
写真は、1972年の大改装を経た、どこか懐かしくも活気ある1980年代の佇まい。 看板や路地の雰囲気に、当時の空気感がそのまま息づいています。
今も変わらず銀座の街を見守り続ける名店。 当時の面影に思いを馳せながら、今夜も極上の一杯を。
Travel back in time to Ginza in 1984.
Ginza “Lupin” 1984⇔2020
“Lupin” is a historic bar that has been making its mark in the back alleys of Ginza for nearly 100 years. In this feature, we present rare black-and-white photographs from 1984, vividly restored in color.
Lupin was founded in 1928 (the early Showa era). It is a legendary venue where literary giants such as Osamu Dazai, Ango Sakaguchi, and Sakunosuke Oda once gathered to discuss literature and art night after night.
When it first opened, it operated as a “café,” but around 1935–36, it transformed into its current classic counter-bar style.
The photo captures the nostalgic yet vibrant atmosphere of the 1980s, following a major renovation in 1972. The sign and the ambiance of the alleyway still breathe with the spirit of that era.
This renowned establishment continues to watch over the streets of Ginza to this day. As you reflect on its past, enjoy a superb drink tonight.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
有楽町 新幹線高架下1984⇔2026
かつて有楽町の新幹線高架下には、「モンマルトル」「キャビン」など個性豊かな看板が並び、雑多で活気ある昭和の街並みを形づくっていました。しかし再開発や耐震補強が進んだ現在は、安全性や機能性を重視した都市整備により、統一感のある洗練された景観へと変貌しています。一方で近年は、丸の内駅舎の復原や日比谷OKUROJIのように歴史的資産を活かし、街が持つ記憶や“場の温度感”を残そうとする動きも広がっています。有楽町ガード下の変化は単なる美化ではなく、「何を残し、何を未来へつなぐのか」という都市の文化的な問いを私たちに投げかけているようです。
⚠️1984モノクロ画像を生成AIでカラー化
The katakana signs were the heartbeat of the city.
Yurakucho: Under the Shinkansen Viaduct 1984⇔2026
Once upon a time, the area under the Shinkansen viaduct in Yurakucho was lined with distinctive signs like “Montmartre” and “Cabin,” shaping the eclectic and vibrant streetscape of the Showa era. However, with the progress of redevelopment and seismic retrofitting, urban planning that prioritizes safety and functionality has transformed the area into a unified, sophisticated landscape. At the same time, in recent years, there has been a growing movement to preserve the memories and “atmosphere” of the city by utilizing historical assets, such as the restoration of the Marunouchi Station building and the Hibiya OKUROJI project. The changes under the Yurakucho viaduct are not merely about beautification; they seem to pose a cultural question to us: “What should we preserve, and what should we pass on to the future?”
⚠️The 1984 image was colorized using a generation AI.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
銀座線銀座駅1981⇔2020
銀座駅は1934年（昭和9年）に松屋と三越の資金提供を受け、東京地下鉄道（現・東京メトロ銀座線）銀座線の開業に伴って誕生した駅です。
1981年、まだ高度経済成長期の面影が残る駅ホームには、当時の人々の生活が息づいていました。
そして2020年。 銀座にふさわしい、上品で落ち着きのある空間へと生まれ変わった現在の駅。 ホーム側壁には、1920年から現在（2020）に至るまで、街がどのように移り変わってきたかが、壮大なパノラマとして描かれています。
変わらない「銀座」という記号と、変わり続ける「街の記憶」。
⚠️1981モノクロ画像を生成AIでカラー化
The gateway to the prestigious Ginza district.
Ginza Station on the Ginza Line: 1981–2020
Ginza Station was established in 1934 (Showa 9) with funding from Matsuya and Mitsukoshi, coinciding with the opening of the Tokyo Underground Railway (now the Tokyo Metro Ginza Line).
In 1981, the station platforms—still bearing traces of the era of high economic growth—were alive with the daily lives of the people of that time.
And now, in 2020. The station has been reborn as an elegant and serene space befitting Ginza. On the platform walls, a grand panorama depicts how the city has transformed from 1920 to the present (2020).
The unchanging symbol of “Ginza” and the ever-evolving “memory of the city.”
⚠️The 1981 image was colorized using a generation AI.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
有楽町日劇 1981年⇔2020年
有楽町の象徴だった「日本劇場（通称：日劇）」。
空襲や終戦後の接収という激動の時代を乗り越え、半世紀近く日本のエンタメ界を引っ張ってきた伝説の劇場です。そんな日劇が1981年に解体を迎え、隣接する朝日新聞東京本社とともに生まれ変わったのが…… そう、いま私たちがよく行く「有楽町マリオン」（有楽町センタービル）なんです！
現在はメンズ阪急やルミネ、ピカデリーなどが入るお馴染みの複合商業施設ですが、かつてここには日本のエンタメの歴史がぎゅっと詰まっていました。
街の歴史を知ると、いつもの買い物が少し特別に感じられますよね。
⚠️1981モノクロ画像を生成AIでカラー化
[Yurakucho Time Travel] The Story of How the “Nihon Theatre” Became Today's Marion.
Yurakucho Nihon Theatre: 1981 ⇔ 2020
The “Nihon Gekijō” (commonly known as “Nikkatsu”) was once a symbol of Yurakucho.
It is a legendary theater that weathered turbulent times—including air raids and post-war requisition—and led Japan’s entertainment industry for nearly half a century. That Nikkatsu was demolished in 1981, and what was reborn alongside the adjacent Asahi Shimbun Tokyo Headquarters was… yes, the “Yurakucho Marion” (Yurakucho Center Building) that we all frequent today!
Today, it’s a familiar shopping complex housing Men’s Hankyu, Lumine, Piccadilly, and more, but this place was once packed with the history of Japanese entertainment.
Learning about the history of the neighborhood makes even your usual shopping trip feel a little special, doesn’t it?
⚠️The 1981 image was colorized using a generation AI.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
数寄屋橋（すきやばし）は、1629年（寛永6年）江戸城外濠に架けられた橋であり、その周辺の地名。武士と町人の居住地を隔てる境界線にあり、見附と呼ばれる城門が置かれていた。1958年（昭和33年）外堀が埋められ東京高速道路が建設されるのに伴い取り壊された。その後、晴海通りを跨ぐ高速道路の橋は「新数寄屋橋」と名付けられた。
⚠️1984モノクロ画像を生成AIでカラー化
Sukiyabashi 1981⇔2020
Sukiyabashi is a bridge built over the outer moat of Edo Castle in 1629, and is the name of the place around it. During the Edo period, it was on the border between the samurai and the townspeople's residence, and there was a castle gate called 1958, the outer moat was buried and demolished as the Tokyo Expressway was constructed. After that, the highway bridge that straddles Harumi-dori was named "Shin-Sukiyabashi".
⚠️The 1984 image was colorized using a generation AI.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
第一有楽町橋 高架橋下1984⇔2023
アーチの下、暗がりの穴倉「ガード下」。 戦後から今へと時を繋ぐその場所には、今日も変わらず灯がともる。
現代の東京にひっそりと息づく、奇跡のような光景。
⚠️1984モノクロ画像を生成AIでカラー化
The oldest brick arch on the Yamanote Line, dating back to 1910.
Under the First Yurakucho Bridge Viaduct 1984⇔2023
Beneath the arch lies a dim, hidden space known as the “underpass.” In this place, which bridges the gap from the postwar era to the present, lights still shine as they always have.
A miraculous sight that quietly thrives in modern-day Tokyo.
⚠️The 1984 image was colorized using a generation AI.
第一作「東京タイムスリップ1984⇔2021」
第二作「東京DEEPタイムスリップ1984⇔2022」
第三作「東京RETROタイムスリップ1984⇔2023」
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#JapanesePhotography
#Rephotography
渋谷・道玄坂小路。 台湾料理「麗郷」の向かいに、 1949年（昭和24）に開いた小さなベーカリーがあった。
48年の歴史に幕を下ろしたのは1997年。 カツサンドとサラダパンの味は、 今も記憶の中に残っている。
街は変わっても、 思い出は、色あせない。
Freshman Bakery 1984⇔2023
Shibuya, Dogenzaka Alley.
Across from the Taiwanese restaurant “Reikyo”
a small bakery opened in 1949 (Showa 24).
It closed its doors after 48 years in 1997.
The taste of its pork cutlet sandwiches and salad bread
still lingers in my memory.
Though the streets have changed,
memories never fade.
第一作「東京タイムスリップ1984⇔2021」8刷
第二作「東京DEEPタイムスリップ1984⇔2022」4刷
第三作「東京RETROタイムスリップ1984⇔2023」２刷
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#thenandnow
#vintagetokyo
#urbanarchiving
#昭和レトロ
麗郷（レイキョウ）
1984 ⇔ 2025
1955年創業。
赤レンガの外観は、今もこの場所に立ち続けている。
街は変わる。
それでも、変わらない時間がある。
Shibuya, Dogenzaka Alley
Reikyo
1984 ⇔ 2025
Founded in 1955.
The red brick building still stands here today.
The city changes,
but some moments remain.
第一作「東京タイムスリップ1984⇔2021」8刷
第二作「東京DEEPタイムスリップ1984⇔2022」4刷
第三作「東京RETROタイムスリップ1984⇔2023」２刷
河出書房新社刊 累計 3万9,200部突破
#TokyoTimeSlip
#thenandnow
#vintagetokyo
#urbanarchiving
#shibuya
First published in May 2021.
A long-term photographic project pairing images made in 1984 with rephotographed views of the same locations decades later.
The work examines urban transformation, memory, and the persistence of time within the photographic image.
—
Daido Moriyama:
“Time has changed, people and landscapes have changed, but the time and world sensed in a photograph once taken is eternal.”
Kotaro Iizawa:
“Memories thought nearly lost resurface vividly.”
—
8th printing.
Over 39,200 copies sold across the series.
No.1 best-seller in Kinokuniya’s Documentary Photo Book category (June 2, 2024).
—
Follow-up publications:
• Tokyo DEEP Time Slip 1984 ⇔ 2022
• Tokyo RETRO Time Slip 1984 ⇔ 2023
—
Time passes.
Cities evolve.
The photograph endures.
For exhibitions, institutional collaborations, and publications, please contact via DM.
#TokyoTimeSlip
#KiichiroYoshimoto
#JapanesePhotography
#Rephotography
#Photobook
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kiichiro yoshimoto 善本喜一郎's engagement
kiichiro yoshimoto 善本喜一郎's engagement rate on Instagram is 4.44%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 23 followers. Likes outnumber comments by roughly 97 to 1, with 2,910 likes and 30 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
4.44%
- Avg likes
- 2.9K
- Avg comments
- 30
- Interactions : followers
- 1 : 23
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kiichiro yoshimoto 善本喜一郎 (@tokyo_timeslip) is a Photographer creator on Instagram, also filed under Travel. kiichiro yoshimoto 善本喜一郎 carries Instagram's verified badge and uses an Instagram professional account. The Instagram bio for kiichiro yoshimoto 善本喜一郎 runs to 16 words across 6 lines.
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kiichiro yoshimoto 善本喜一郎 has 61,766 followers on Instagram (61.8K). Set against 1,544 accounts followed, the audience works out to about 40 followers per account kiichiro yoshimoto 善本喜一郎 follows. kiichiro yoshimoto 善本喜一郎 has built a substantial archive of 1,897 posts.
What is kiichiro yoshimoto 善本喜一郎's engagement rate?
kiichiro yoshimoto 善本喜一郎's engagement rate on Instagram is 4.44%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 23 followers. Likes outnumber comments by roughly 97 to 1, with 2,910 likes and 30 comments on an average post, so most reactions are taps rather than replies.
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Flinque files kiichiro yoshimoto 善本喜一郎 under Photographer, with Travel as a secondary category. All 10 recent posts Flinque holds for kiichiro yoshimoto 善本喜一郎 are carousels. The 10 recent Instagram captions Flinque holds for kiichiro yoshimoto 善本喜一郎 repeatedly use the words tokyotimeslip, 河出書房新社刊, japanesephotography, rephotography and image. kiichiro yoshimoto 善本喜一郎's captions carry hashtags such as #tokyotimeslip, #japanesephotography and #rephotography. kiichiro yoshimoto 善本喜一郎 writes those captions mainly in English. kiichiro yoshimoto 善本喜一郎 keeps 6 story highlights, which open with a free Flinque account.
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