- Following 646
- Followers 11.8K
- Engagement 0.2%
- Avg likes 20
- Avg comments 0
About The Library Project
The Library Project (@tlp_says) is an eCommerce creator on Instagram, also filed under Personal Goods & General Merchandise Stores. The account has 11,835 followers and 2,040 published posts. Recent posts average 20 likes and 0 comments, an engagement rate of 0.2%.
With 11.8K followers, The Library Project is a micro creator by the common 10,000 to 100,000 definition. The Library Project follows 646 accounts, so the audience is roughly 18 times the size of the list followed. The Library Project is set up as an Instagram business account. Flinque files The Library Project under eCommerce, with Personal Goods & General Merchandise Stores as a secondary category.
The Instagram bio for The Library Project runs to 16 words across 2 lines. The bio mentions @photoireland. The latest activity Flinque has on record for The Library Project dates from January 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
2,040 Posts
All 10 recent posts Flinque holds for The Library Project are carousels. With 2,040 posts published, The Library Project's archive runs well past the 2,000 mark. Against the audience, that is roughly 5.8 followers for each post published. The Library Project also keeps 6 story highlights on the profile. All 10 carry captions, averaging 218 words each. The captions are written mainly in English. Words that recur across them include thelibraryproject, online, in-store, artbookshop and pages. The captions tag #thelibraryproject, #tlp, #artbookshop, #photoireland and #loosejoints.
Walking in the Way: Performing Masculinity catalogues a 12 year performance art project between the artists Pauline Cummins and Frances Mezzetti. Edited by Catherine Marshall and published by WAAG (Women Artists Action Group) this retrospective book contains critically engaged essays by Catherine Marshall, Dr. Áine Phillips, Dr. Kate Antosik-Parsons and Nieves Correa as well as performance documentation over a durational period. Walking in the Way is a collaborative performance series by established artists Frances Mezzetti and Pauline Cummins. They explore control of space, stereotyping, masculinities, movement and presence.
Walking in the Way was first performed in Dublin in 2009 and the artists continue to probe the possibilities to date. As feminist artists who challenge essentialist fixed identities, these Irish artists seek to make visible how gender intersects with society. They pay particular attention to how small acts and movements can be re-presented and performed in and through their “gendered” bodies.
Published by WAAG (Women Artists Action Group) Edition of 300 Softcover with French Flaps 100 pages 260 x 200mm ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #walkingintheway
“In September 2012, I drifted across the ocean and found myself in an unfamiliar land. Leaving behind family, friends, and the comfort of home, I left Singapore and embarked on a new life in the UK. For me, it was a time of great personal growth, as I set about to integrate into a foreign culture and find my place in the world.
This series uses the anonymity, geometry, and formal visual language of my street photography to evoke the sense of dislocation and uncertainty I felt over this period.
The title ‘Journey to the West’ comes from a Ming dynasty Chinese myth about the journey of the Buddhist monk Xuanzang who travelled to the ‘Western Regions’ to obtain Buddhist sacred texts (sutras).”
- Wei Jian Chan
Published by Setanta Books Hardcover 60 pages 250 x 330 mm ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #JourneyToTheWest
Mother Tongue is a biannual print magazine that interrogates (and celebrates) modern motherhood through inclusive stories about art, sex, pop culture, politics, food and a few things in between. It’s not about kids or how to parent them: it’s about the nuanced lives we are living—as mothers, and much more.
This issue is full of women sharing, with great conviction, how they see the world (and themselves in it): filmmaker Mary Bronstein makes a horror show of the maternal experience; writer Alexa Wilding asserts her existence amidst illness in the best way she knows how, and our cover star, Erykah Badu is, in her own words “pregnant with possibility.” Caro Claire Burke confronts millennial “cringe” and wonders why we’re so afraid of it; artist Carmen Winant takes us on an all-American road trip (with her mom), and we publish a short fiction piece for the first time, a ghost story, no less, by the young writer Yukti Narang. There’s also talk of earlobes, an account of fertilization as you never knew it, poetry by Kate Baer and Hala Alyan, an ode to frivolity, and a reexamination of Linda and Paul McCartney’s supposedly perfect love story—yet another reminder that things are not always as they appear.
This issue also features words and work by: Hala Alyan, Angelica Alzona, Joana Avillez, Kate Baer, Kate Branch, Caro Claire Burke, Clémence Polès Farhang, Erin Feher, Kate Forster, Liana Finck, Hannah Felt Garner, Malwina Gudowska, Victoria Hely-Hutchinson, Bess Kalb, Hillary Kelly, Julie Kim, Keerthana Kunnath, Shannon Cartier Lucy, Chau Luong, Melissa Maerz, Janet Manley, Weronika Anna Marianna, Helena Minginowicz, Yukti Narang, Alice Pfeiffer, Naila Ruechel, Vanessa Saba, Anaïs Wade, Alexa Wilding, and Carmen Winant.
Published by Mother Tongue Softcover 127 pages 240 x 190 mm ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #mothertongue
Climate breakdown, environmental justice, urban expansion, metropolitanisation. A multiplicity of dynamics are driving rapid infrastructural transitions, transforming cultures of movement. But these changes are all-too-often narrated at scales that surpass the embodied experiences of those that live them every day. To better understand the bodily and cultural implications of these transformations, we can learn from the crafts of the stage – choreography, sound, narrative, dramaturgy.
Staging Ground: infrastructures, performance, and bodies in movement assembles on-site investigations, critical reflections, and performance scores offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds.
The book edited by John Bingham-Hall stems from a residency programme hosted by Theatrum Mundi in Grand Paris as part of the LINA European Architecture Programme. From 2023 to 2025, it invited six LINA fellows—emerging spatial practitioners and artists – to move and think in the changing landscapes of north-eastern Paris and Plaine Commune.
Available in-store or online at thelibraryproject.ie
#thelibraryproject #tlp #irisharchitecturefoundation #theatrummundi #environmentaljustice
“In Hungary, we grew up with a generational anxiety about how a man can’t connect to the world through his emotions, and I want to change this. While I celebrate the skin, body, friendship, trust, and life in general— with all its ups and downs—‘There is a Big River, in Which There is a Big Island, in Which There is a Lake, in Which There is an Island, in Which There is a Small House, Where a Life is Growing in a Womb’ is my first step toward articulating how I believe we are connected.” — András Ladocsi
Andras is a Hungarian-born, Paris-based visual artist whose work focuses on photography and film to explore the inner depths of human beings and the power of the environment around us—how we all exist in a place of connectedness.
Published by Void Softcover 88 pages 240 x 320 mm ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #AndrasLadocsi
Bravo situates itself in the liminal space of the Rio Bravo, a site of perpetual tension and migration where identity and geography intersect. Focusing on a 270-kilometre stretch of the river, Romero Beltrán’s Bravo constructs an elusive visual narrative where the river itself becomes a silent protagonist, shaping the lives of those who approach it but rarely appearing in the frame. Through stark portraits, austere interiors, and scarred landscapes, Bravo captures the suspended time of migration as his subjects wait, sometimes for years, in the shadow of an uncertain crossing.
Romero Beltrán’s signature style is precise in the pursuit of a political reality, where meticulously produced portraiture both reveals and conceals the resilience, exhaustion and hope of the migrant experience, alongside the muted delicacy of Romero Beltrán’s interiors, where a speaker, a mattress, a red-painted table become loaded with symbolic weight.
Divided into three chapters—Endings, Bodies, and Breaches—Romero Beltrán’s inscrutable documentary approach challenges the semiotics of classification, enclosure, definition, and identification in his visual aesthetics that mirror the suppressed and controlled notions of identity at the border. Also included within Bravo is El Cruce, an audiovisual work that underscores the river’s dual role as a life source and militarized boundary through scenes of baptism, fishing, and migrant stories. With accompanying texts by Salvadoran migrant Dominick Bermúdez, thinker Albert Corbí, and artist Alejandra Aragón, as well as an interview with the artist, Bravo is an urgent and poetic meditation on a border defined by contradictions—where hope, despair, movement, and stillness converge.
Available in store or online at thelibraryproject.ie
#thelibraryproject #artbookshop #loosejoints #feliperomerobeltrán #documentary
“This is a collection of street photographs taken mainly in North Dublin between 2020 and 2024. Although shot in Dublin it is not an Irish story and not a traditional approach to the city but looks at a newer Dublin with its varied colours, vibrance and cultures. It was never my intention to create a book, it arrived shot by shot to my surprise.
Initially my intention was to photograph landscapes and cityscapes and as I worked strangers approached me interested in what I was doing and would tell me stories about themselves. As I worked regularly day by day walking the streets, I realised what was in front of me, these people, were much more interesting and so the collection developed into a series of portraits through meeting with these strangers.”
- Diarmuid Doran
Self-Published
Hardcover
80 pages
220 x 300 mm
ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #streetportrait
Youkilis’s continuous archive of human experience reaches across space and time, through his immediate and generous indexing of everyday life.
Sam Youkilis has been building a continuous archive of photographic works through his phone for the last six years. Working instinctively, Youkilis is drawn to universal themes of human experience, using the casual language of the cameraphone to evoke something profound, anthropological, comprehensive and yet incomplete.
In Youkilis’s first publication, the depth of this engagement with human patterns of behaviour is archived and scattered across a diverse range of themes, divided into chapters that playfully tease the tensions between categorisation and chance that inform his observational works. Somewhere scours Youkilis’s database for images of everything from the time of day–7:07AM, 12:33PM—to unmade beds, the act of cutting, thresholds, dancing couples and gestures of romance.
Presented as a dense 500-page sequence, Somewhere activates the archive and the typology as a source of human joy, while emboldening his subjects and unlocking the deep essence of different places worldwide. Youkilis embraces the real by engaging with both ephemerality and sincerity, while steeped in reverence for the photographic medium through a meticulous engagement with composition, colour, chiaroscuro and framing.
Published by Loose Joints
Section sewn debossed softcover with exposed spine and bookmark
528 pages
105 x 162 mm
ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #loosejoints
An extract from Francesco Pacifico’s text in the book:
“We roam invisible worlds, waiting to fall into bodies. In that phase consciousness impregnates itself, standing by and watching itself. The boundaries of each one breathe, thickening and thinning, inhaled and exhaled by consciousness. We regroup spontaneously, feeling we can greet each other without the need to move legs and arms. Instead of extending fingers, it is the floating dust of awareness that lengthens on its own, massaging us in its impalpable, jovial accordion.
We know and we don’t know that we are about to trickle to the ground, all of us. The three of us agree to meet as soon as we arrive. We are not able to set our bearings. Before trickling we feel ourselves being pulled inward. The dust compresses and with a snap we enter the earth.”
Published by Setanta Books Softcover 80 pages 260 x 195 mm ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #winterlight
“These pictures describe a long-ago time, and yet in looking at them I become once again the young photographer who took them on a hot summer day, sweat and dust pungent on the breeze; in the distance, I can hear the laughter of children who are now middle-aged.” — Sage Sohier, from the introductory interview by Mark Steinmetz
‘Easy Days’ is the third title in Sage Sohier’s trilogy which also includes ‘Americans Seen’ and ‘Passing Time’. Made between 1978 and 1986, the 56 photographs presented in Easy Days capture the prosaic moments of ordinary people, always with respect and often with humor.
Sohier finds her subjects in the open spaces of parking lots, front yards and public streets, and in the quieter confines of modest homes, back yards and porches. She depicts “the boredom of hot summer days” with a precise attention to the surroundings, with cold drinks, propane grills, sprinklers and pets each providing small comforts and revealing the quiet tempo of the days. Sohier’s observation that “images…gain a historical perspective over time that adds to their interest,” is proven true in this collection of black and white images.
Sage Sohier’s work has been exhibited at the Museum of Modern Art, New York; the International Center for Photography, New York; and the Art Institute of Chicago, among many other venues. Her photographs are included in the permanent collections of such institutions as the Museum of Modern Art, New York; Museum of Fine Arts, Houston; San Francisco Museum of Modern Art; Cleveland Museum of Art, Nelson-Atkins Museum of Art, Kansas City; and the Brooklyn Museum.
Published by Nazraeli Press Hardcover with jacket 76 pages 290 x 330 mm ISBN
Pick up a copy in-store now, or online at thelibraryproject.ie
#thelibraryproject #tlp #photoireland #artbookshop #easydays
The Library Project's engagement
The Library Project's engagement rate on Instagram is 0.2%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 500 followers. Recent posts average 20 likes and 0 comments, so every recorded reaction is a like.
Engagement rate
0.2%
- Avg likes
- 20
- Avg comments
- 0
- Interactions : followers
- 1 : 500
Lookalike Creators
A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.
Age & Gender
Unlocking shows how this audience splits across age bands and gender, charted from follower data.
Audience Location
Unlocking reveals the countries and cities where the most active followers of this account are concentrated.
Primary Language
Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.
Audience Interests
Unlocking lists the topics and categories this audience follows and engages with most often across the platform.
Authenticity
Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.
Audience Quality Score
Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.
Brand Affinity
Unlocking names the brands this audience already follows, mentions or engages with across social platforms.
Content Strategy
Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.
Commercial Insights
Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.
Industry Fit
Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.
Research The Library Project further
Flinque ranks Instagram creators in eCommerce and Personal Goods & General Merchandise Stores, categories The Library Project is filed under, and its free tools measure the same figures for any public account.
Related rankings
Frequently asked questions
These answers about The Library Project are generated from the Instagram profile data Flinque holds for the account.
Who is The Library Project?
The Library Project (@tlp_says) is an eCommerce creator on Instagram, also filed under Personal Goods & General Merchandise Stores. The Library Project is set up as an Instagram business account. The Instagram bio for The Library Project runs to 16 words across 2 lines.
How many followers does The Library Project have?
The Library Project has 11,835 followers on Instagram (11.8K). The Library Project follows 646 accounts, so the audience is roughly 18 times the size of the list followed. With 2,040 posts published, The Library Project's archive runs well past the 2,000 mark.
What is The Library Project's engagement rate?
The Library Project's engagement rate on Instagram is 0.2%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 500 followers. Recent posts average 20 likes and 0 comments, so every recorded reaction is a like.
What does The Library Project post about on Instagram?
Flinque files The Library Project under eCommerce, with Personal Goods & General Merchandise Stores as a secondary category. All 10 recent posts Flinque holds for The Library Project are carousels. The 10 recent Instagram captions Flinque holds for The Library Project repeatedly use the words thelibraryproject, online, in-store, artbookshop and pages. The Library Project's captions carry hashtags such as #thelibraryproject, #tlp and #artbookshop. The Library Project writes those captions mainly in English. The Library Project keeps 6 story highlights, which open with a free Flinque account.
How do I contact The Library Project for a collaboration?
The Library Project's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist The Library Project and use Flinque's outreach tools wherever a contact route is on file.
Links
The Library Project's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with The Library Project.