- Following 93
- Followers 21.6K
- Engagement 1.7%
- Avg likes 417
- Avg comments 4
About The Mass
The Mass (@themass) is an Art Gallery creator on Instagram, also filed under Art & DIY. The account has 21,579 followers and 634 published posts. Recent posts average 417 likes and 4 comments, an engagement rate of 1.7%.
With 21.6K followers, The Mass is a micro creator by the common 10,000 to 100,000 definition. Set against 93 accounts followed, the audience works out to about 232 followers per account The Mass follows. The Mass is set up as an Instagram business account. Flinque files The Mass under Art Gallery, with Art & DIY as a secondary category.
The Instagram bio for The Mass runs to 12 words across 3 lines. The latest activity Flinque has on record for The Mass dates from December 2024.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
634 Posts
Of the 10 most recent posts shown for The Mass, 7 are carousels and 3 are single images. That mix leans toward carousels. The Mass has built a substantial archive of 634 posts. Against the audience, that is roughly 34 followers for each post published. The Mass also keeps 16 story highlights on the profile. All 10 carry captions, averaging 202 words each. The captions are written mainly in English. Words that recur across them include japan, artistic, exhibition, approach and works.
Studies" Tokyo, Japan
The Mass is pleased to present 'Chromatic Studies', a solo exhibition of new works by Lui Nemeth, opening on 21 November. Lui Nemeth's work deeply rooted in the fundamental process of creation itself. There is a deliberate rejection of physical form and object in her work, seeking what is deeply internal and nearly inexpressible, evading clear representation. Nemeth's generative approach in relation to artistic form is centred on a sense of intuition and rhythmic improvisation, allowing each color and brush stroke to emerge in their essential beings through formal interplay, unified in compositional harmony through stitches of charcoal and pastel..
The exhibition will be open to the public from November 21th to December 15th, 2024, with free admission.
Public Hours:
November 21th to December 15th
Wed-Sun 12 - 7 pm
The Mass
150-0001 Tokyo
Shibuya-ku 5-11-1
Jingumae
＿＿＿＿
The Massでは、Lui Nemeth （ルイ・ネメス）の新作個展 "Chromatic Studies”を11月21日より開催しております。創作プロセスに深く根ざした独自の視点で現代絵画にアプローチしているルイ・ネメス。物理的な形や物体が意図的に排除され、内面の奥深くにある表現しがたいものを探求し、明確な具象表現を避けた彼女の芸術的な形式に対するアプローチは、直感とリズミカルな即興性を重視し、各色や筆致が相互に影響し合うことでその本質を現し、木炭やパステルで「縫い合わせる」ように複雑な要素が統一され、調和が生まれます。
展覧会は2024年11月21日（木）から12月15日（日）まで開催いたします。
展覧会期間
2024年11月21日（木）～12月15日（日）
営業時間：12時～19時、水～日＊月火休廊
会場
The Mass
150-0001 東京都渋谷区神宮前5-11-1
＿＿＿＿
Studies" Tokyo, Japan
The Mass is pleased to present 'Chromatic Studies', a solo exhibition of new works by Lui Nemeth, opening on 21 November. Lui Nemeth's work deeply rooted in the fundamental process of creation itself. There is a deliberate rejection of physical form and object in her work, seeking what is deeply internal and nearly inexpressible, evading clear representation. Nemeth's generative approach in relation to artistic form is centred on a sense of intuition and rhythmic improvisation, allowing each color and brush stroke to emerge in their essential beings through formal interplay, unified in compositional harmony through stitches of charcoal and pastel..
The exhibition will be open to the public from November 21th to December 15th, 2024, with free admission.
Public Hours:
November 21th to December 15th
Wed-Sun 12 - 7 pm
The Mass
150-0001 Tokyo
Shibuya-ku 5-11-1
Jingumae
＿＿＿＿
The Massでは、Lui Nemeth （ルイ・ネメス）の新作個展 "Chromatic Studies”を11月21日より開催しております。創作プロセスに深く根ざした独自の視点で現代絵画にアプローチしているルイ・ネメス。物理的な形や物体が意図的に排除され、内面の奥深くにある表現しがたいものを探求し、明確な具象表現を避けた彼女の芸術的な形式に対するアプローチは、直感とリズミカルな即興性を重視し、各色や筆致が相互に影響し合うことでその本質を現し、木炭やパステルで「縫い合わせる」ように複雑な要素が統一され、調和が生まれます。
展覧会は2024年11月21日（木）から12月15日（日）まで開催いたします。
展覧会期間
2024年11月21日（木）～12月15日（日）
営業時間：12時～19時、水～日＊月火休廊
会場
The Mass
150-0001 東京都渋谷区神宮前5-11-1
＿＿＿＿
Studies" Tokyo, Japan
The Mass is pleased to present 'Chromatic Studies', a solo exhibition of new works by Lui Nemeth, opening on 21 November. Lui Nemeth's work deeply rooted in the fundamental process of creation itself. There is a deliberate rejection of physical form and object in her work, seeking what is deeply internal and nearly inexpressible, evading clear representation. Nemeth's generative approach in relation to artistic form is centred on a sense of intuition and rhythmic improvisation, allowing each color and brush stroke to emerge in their essential beings through formal interplay, unified in compositional harmony through stitches of charcoal and pastel..
The exhibition will be open to the public from November 21th to December 15th, 2024, with free admission.
Public Hours:
November 21th to December 15th
Wed-Sun 12 - 7 pm
The Mass
150-0001 Tokyo
Shibuya-ku 5-11-1
Jingumae
＿＿＿＿
The Massでは、Lui Nemeth （ルイ・ネメス）の新作個展 "Chromatic Studies”を11月21日より開催しております。創作プロセスに深く根ざした独自の視点で現代絵画にアプローチしているルイ・ネメス。物理的な形や物体が意図的に排除され、内面の奥深くにある表現しがたいものを探求し、明確な具象表現を避けた彼女の芸術的な形式に対するアプローチは、直感とリズミカルな即興性を重視し、各色や筆致が相互に影響し合うことでその本質を現し、木炭やパステルで「縫い合わせる」ように複雑な要素が統一され、調和が生まれます。
展覧会は2024年11月21日（木）から12月15日（日）まで開催いたします。
展覧会期間
2024年11月21日（木）～12月15日（日）
営業時間：12時～19時、水～日＊月火休廊
会場
The Mass
150-0001 東京都渋谷区神宮前5-11-1
＿＿＿＿
The Mass is pleased to present ‘Chromatic Studies’, a solo exhibition of new works by Lui Nemeth, opening on 21 November. Lui Nemeth’s work deeply rooted in the fundamental process of creation itself. There is a deliberate rejection of physical form and object in her work, seeking what is deeply internal and nearly inexpressible, evading clear representation. Nemeth’s generative approach in relation to artistic form is centred on a sense of intuition and rhythmic improvisation, allowing each color and brush stroke to emerge in their essential beings through formal interplay, unified in compositional harmony through stitches of charcoal and pastel.
Join us for the opening reception on November 20th, 2024, from 6-8 p.m. JST at 5-11-1 Jingumae, Shibuya-ku. The exhibition will be open to the public from November 21th to December 15th, 2024, with free admission.
Opening Reception:
November 20th, 2024
6 - 8 pm JST
Public Hours:
November 21th
to December 15th
Wed-Sun 12 - 7 pm
The Mass
150-0001 Tokyo
Shibuya-ku 5-11-1
Jingumae
_____
このたび The Mass では、Lui Nemeth (ルイ・ネメス) の新作個展 “Chromatic Studies” を11月21日より開催いたします。創作プロセスに深く根ざした独自の視点で現代絵画にアプローチしているルイ・ネメス。物理的な形や物体が意図的に排除され、内面の奥深くにある表現しがたいものを探求し、明確な具象表現を避けた彼女の芸術的な形式に対するアプローチは、直感とリズミカルな即興性を重視し、各色や筆致が相互に影響し合うことでその本質を現し、木炭やパステルで「縫い合わせる」ように複雑な要素が統一され、調和が生まれます。
展覧会は2024年11月21日(木)から12月15日(日)まで開催いたします。
なお、11月20日(水)18時～20時にThe Massにてオープニング・レセプションを開催いたしますのでぜひご参加ください。
オープニングレセプション
2024年11月20日（水）
18時～20時（日本時間）
展覧会期間
2024年11月21日（木）～12月15日（日）
営業時間：12時～19時、水～日 ＊月火休廊
会場
The Mass
150-0001 東京都渋谷区神宮前5-11-1
_____
海外アーティストと日本人アーティストが一堂に会する「Time of Our Lives」では、異なるアイデンティティ、文化、領域の横断を生み出し、グローバルな文化的コミュニケーションを促します。また、多くの海外アーティストたちにとって日本で初めての展示でもある本展は、東京でアメリカの新進気鋭の才能に触れることのできる貴重な機会となります。
原宿にて開催される本展は文化交流のためのタッチポイントであり、シカゴ、ロサンゼルス、ニューヨーク、日本、そして世界各国の領域を超えた新たな対話を生み出していくきっかけとなります。その多様性と国際的なアプローチは、伝統と現代の 革新が衝突するこの東京のダイナミックなアートシーンと呼応していくでしょう。
このThe Massとアンソニー・ギャラリーのコラボレーションは、アンソ ニー・ギャラリーに連なるシカゴへのトリビュートとして、これからのアートシーンにおけるグローバル交流の道を開きます。そして本展は両ギャラリーを、現代アートにおける国際的リーダーに押し上げていくものとなるでしょう。
Currently on view at The Mass is ‘Time of Our Lives,’ a group exhibition featuring 27 international contemporary artists curated by Easy Otabor of Chicago’s Anthony Gallery. Bringing together a diverse selection of international and Japanese artists, this exhibition creates a cultural crossover that fosters a dynamic global dialogue and celebrates identity, culture, and cross-disciplinary exchange. For many of the international artists, ‘Time of Our Lives’ marks their debut exhibition in Japan.
Located in the Harajuku neighborhood, this exhibition serves as a community touchpoint for cultural exchange, fostering new conversations across artistic disciplines in Chicago, Los Angeles, New York, Japan, and beyond. The diversity and international approach of ‘Time of Our Lives’ reflects Tokyo’s dynamic arts scene, where tradition and contemporary innovation collide.
This collaboration not only pays tribute to Anthony Gallery’s Chicago origins but also establishes both galleries as international leaders in contemporary art, paving the way for future artistic exchanges on a global scale.
Time Of Our Lives
28 Sep - Oct 20, 2024 12:00-19:00
Closed: Monday and Tuesday
Alvin Armstrong, Matthew Burgess, Ryan Travis Christian, Ryota Daimon, Liza Eilers, Sharif Farrag, Daniel Fleur, Bryant Giles, Takehisa Goto, En Iwamura, February James, Sydnie Jimenez, David Leggett, Brendan Lynch, Satoshi Miyashita, Okey Ofomata, Andrew Park, Jacob Rochester, Esperanza Rosas, Bryan Ruiz, Mia Scarpa, Natsuki Shibata, Kalan Strauss, Henry Swanson, Michael C. Thorpe, Eri Wakiyama, Elizabeth Warfel
Photo by
海外アーティストと日本人アーティストが一堂に会する「Time of Our Lives」では、異なるアイデンティティ、文化、領域の横断を生み出し、グローバルな文化的コミュニケーションを促します。また、多くの海外アーティストたちにとって日本で初めての展示でもある本展は、東京でアメリカの新進気鋭の才能に触れることのできる貴重な機会となります。
原宿にて開催される本展は文化交流のためのタッチポイントであり、シカゴ、ロサンゼルス、ニューヨーク、日本、そして世界各国の領域を超えた新たな対話を生み出していくきっかけとなります。その多様性と国際的なアプローチは、伝統と現代の 革新が衝突するこの東京のダイナミックなアートシーンと呼応していくでしょう。
このThe Massとアンソニー・ギャラリーのコラボレーションは、アンソ ニー・ギャラリーに連なるシカゴへのトリビュートとして、これからのアートシーンにおけるグローバル交流の道を開きます。そして本展は両ギャラリーを、現代アートにおける国際的リーダーに押し上げていくものとなるでしょう。
Currently on view at The Mass is ‘Time of Our Lives,’ a group exhibition featuring 27 international contemporary artists curated by Easy Otabor of Chicago’s Anthony Gallery. Bringing together a diverse selection of international and Japanese artists, this exhibition creates a cultural crossover that fosters a dynamic global dialogue and celebrates identity, culture, and cross-disciplinary exchange. For many of the international artists, ‘Time of Our Lives’ marks their debut exhibition in Japan.
Located in the Harajuku neighborhood, this exhibition serves as a community touchpoint for cultural exchange, fostering new conversations across artistic disciplines in Chicago, Los Angeles, New York, Japan, and beyond. The diversity and international approach of ‘Time of Our Lives’ reflects Tokyo’s dynamic arts scene, where tradition and contemporary innovation collide.
This collaboration not only pays tribute to Anthony Gallery’s Chicago origins but also establishes both galleries as international leaders in contemporary art, paving the way for future artistic exchanges on a global scale.
Time Of Our Lives
28 Sep - Oct 20, 2024 12:00-19:00
Closed: Monday and Tuesday
Alvin Armstrong, Matthew Burgess, Ryan Travis Christian, Ryota Daimon, Liza Eilers, Sharif Farrag, Daniel Fleur, Bryant Giles, Takehisa Goto, En Iwamura, February James, Sydnie Jimenez, David Leggett, Brendan Lynch, Satoshi Miyashita, Okey Ofomata, Andrew Park, Jacob Rochester, Esperanza Rosas, Bryan Ruiz, Mia Scarpa, Natsuki Shibata, Kalan Strauss, Henry Swanson, Michael C. Thorpe, Eri Wakiyama, Elizabeth Warfel
Photo by
海外アーティストと日本人アーティストが一堂に会する「Time of Our Lives」では、異なるアイデンティティ、文化、領域の横断を生み出し、グローバルな文化的コミュニケーションを促します。また、多くの海外アーティストたちにとって日本で初めての展示でもある本展は、東京でアメリカの新進気鋭の才能に触れることのできる貴重な機会となります。
原宿にて開催される本展は文化交流のためのタッチポイントであり、シカゴ、ロサンゼルス、ニューヨーク、日本、そして世界各国の領域を超えた新たな対話を生み出していくきっかけとなります。その多様性と国際的なアプローチは、伝統と現代の 革新が衝突するこの東京のダイナミックなアートシーンと呼応していくでしょう。
このThe Massとアンソニー・ギャラリーのコラボレーションは、アンソ ニー・ギャラリーに連なるシカゴへのトリビュートとして、これからのアートシーンにおけるグローバル交流の道を開きます。そして本展は両ギャラリーを、現代アートにおける国際的リーダーに押し上げていくものとなるでしょう。
Currently on view at The Mass is ‘Time of Our Lives,’ a group exhibition featuring 27 international contemporary artists curated by Easy Otabor of Chicago’s Anthony Gallery. Bringing together a diverse selection of international and Japanese artists, this exhibition creates a cultural crossover that fosters a dynamic global dialogue and celebrates identity, culture, and cross-disciplinary exchange. For many of the international artists, ‘Time of Our Lives’ marks their debut exhibition in Japan.
Located in the Harajuku neighborhood, this exhibition serves as a community touchpoint for cultural exchange, fostering new conversations across artistic disciplines in Chicago, Los Angeles, New York, Japan, and beyond. The diversity and international approach of ‘Time of Our Lives’ reflects Tokyo’s dynamic arts scene, where tradition and contemporary innovation collide.
This collaboration not only pays tribute to Anthony Gallery’s Chicago origins but also establishes both galleries as international leaders in contemporary art, paving the way for future artistic exchanges on a global scale.
Time Of Our Lives
28 Sep - Oct 20, 2024 12:00-19:00
Closed: Monday and Tuesday
Alvin Armstrong, Matthew Burgess, Ryan Travis Christian, Ryota Daimon, Liza Eilers, Sharif Farrag, Daniel Fleur, Bryant Giles, Takehisa Goto, En Iwamura, February James, Sydnie Jimenez, David Leggett, Brendan Lynch, Satoshi Miyashita, Okey Ofomata, Andrew Park, Jacob Rochester, Esperanza Rosas, Bryan Ruiz, Mia Scarpa, Natsuki Shibata, Kalan Strauss, Henry Swanson, Michael C. Thorpe, Eri Wakiyama, Elizabeth Warfel
Photo by
We are thrilled to announce “Time of Our Lives”, Anthony Gallery’s group exhibition in collaboration with The Mass that bridges our Chicago roots with global ambitions. Curated by Easy Otabor, this exhibition showcases a diverse group of contemporary artists engaging in dialogue on an international stage, celebrating both material and conceptual expressions while emphasizing identity and cross-cultural awareness.
Located in the Harajuku neighborhood, this exhibition serves as a community touchpoint for cultural exchange, fostering new conversations across artistic disciplines in Chicago, Japan, and beyond. The modular design and international approach of “Time of Our Lives” reflect Tokyo’s dynamic arts scene, where tradition and contemporary innovation collide.
Join us for the opening reception on September 27th, 2024, from 6-8 p.m. JST at 5-11-1 Jingumae, Shibuya-ku. The exhibition will be open to the public from September 28th to October 20th, 2024, with free admission.
Opening Reception:
September 27th, 2024
6 - 8 pm JST
Public Hours:
September 28th
to October 20th
Wed-Sun 12 - 7 pm
The Mass
150-0001 Tokyo
Shibuya-ku 5-11-1
Jingumae
_____
この度は、シカゴ拠点のAnthony GalleryとThe Massのコラボレーションによるグループ展「Time of Our Lives」をThe Massにて開催いたします。Easy Otaborのキュレーションによる本展は、国際的な舞台で活躍するアーティストを一堂に紹介するもので、物質的な表現とコンセプチュアルな表現の両方を称えながら、アイデンティティと異文化への眼差しに根ざしています。
多様な人々の文化交流地点である原宿で開催される本展においても、シカゴ、日本、そして世界の芸術が交差します。個性溢れる作家の組み合わせと国際的なアプローチは、伝統と現代的な革新が衝突する東京のダイナミックなアートシーンを映します。
展覧会は2024年9月28日(土)から10月20日(日)まで開催いたします。
なお、9月27日(金)18時～20時にThe Massにてオープニング・レセプションを開催いたしますのでぜひご参加ください。
オープニングレセプション
2024年9月27日（金）
18時～20時（日本時間）
展覧会期間
2024年9月28日（土）～10月20日（日）
営業時間：12時～19時、水～日 ＊月火休廊
会場
The Mass
150-0001 東京都渋谷区神宮前5-11-1
_____
リッチ・ジェイコブス (1972年生まれ) 現在ニューヨークのブルックリンを拠点に活動するアメリカ人アーティスト、キュレーターです。 これまで、アメリカ、ヨーロッパ、オーストラリ ア、ニュージーランド、日本で展覧会を開催してきました。
2008年、彼の作品「Minor Threat Family Tree」は、カナダのロンドン・オンタリオ・ライブ・アー ト・フェスティバルで、他の作品とともに大きく紹介されました。グラフィティ、サイケデリック、フォーク・アートにインスパイアされたジェイコブスの生々しくカラフルな作品は、雑誌、書籍、CDやLPのジャケット(ソルトレイクシティを拠点とするグループ、アイスバーンのほとんどのアルバムを含む)、靴、アパレル(パーカー、スカート、ドレスなど)、スケートボード、建物、枕など、幅広い素材に頻繁に描かれています。
Rich Jacobs
Rich Jacobs (born 1972 in Long Beach, California) is an American artist and curator who currently lives and works in Brooklyn, New York. Jacobs has exhibited in the United States, Europe, Australia, New Zealand and Japan.
In 2008, his work Minor Threat Family Tree was featured prominently along with other works of his at the London Ontario Live Arts Festival in Canada. Inspired by graffiti, psychedelic and folk art, Jacobs' raw, colorful work frequently appears on a broad range of materials such as magazines, books, CD and LP covers (including most of the albums for the Salt Lake City-based group Iceburn), footwear, apparel (such as parkas, skirts and dresses), skateboards, buildings and pillows.
Needles and Pins
16 Mar - 14 Apr, 2024 12:00 - 19:00
Closed: Monday and Tuesday
1: "they are not in it to lose" 2024, 35.56 x 27.94 x 2.54cm, (14 x 11 x 1”), Acrylic on canvas
2: "this painting should be interesting now" 2024, 35.56 x 27.94 x 2.54cm, (14 x 11 x 1”), Acrylic on canvas
レイモンド・レムストラ(1978年生まれ) オランダ・フローニンゲン出身のアーティストです。彼の作品制作の基盤は細密で複雑なドローイ ングを紙に描くことに始まり、2015年のソモでの滞在制作中に絵画へと移行していきました。 最近では韓国・ソウルへ定住して以来、絵画の追求と並行してドローイングへのコミットメントを再度活性化しています。 レムストラのグラファイト・ドローイングでは、架空の人物を描いており、具象と抽象の調和を探究し続けています。 彼の絵画では、一目でそれとわかる厳密な幾何学的言語を用いることによる様式化を強調し、視覚的に生命を認識しようとする潜在的な人間の衝動を遊び心を持ちながら探究しています。 抽象的で、しばしば幾何学的なフォルムと並行して服装や髪型など、非常に認識しやすく、丹念にレンダリングされた特徴を用いることによって、鑑賞者へ人工的な形の中にある感情的な共鳴を知覚するよう促します。 レムストラは、子供の絵に見られるアプローチを彷彿とさせ、重要ではない部分は最小限に抑え、省略をすることで、特定の要素に注意を向けさせます。
Raymond Lemstra
Raymond Lemstra (b. 1978, Groningen, The Netherlands) graduated from the Academie Minerva in 2004 before relocating to Amsterdam the following year. The foundation of his artistic practice lies in creating detailed, intricate drawings on paper. These works catalyzed his transition to painting, which became a focal point during a residency in Somo, Spain, in 2015. More recently, since settling in Seoul, South Korea, Lemstra has reinvigorated his commitment to drawing, alongside his pursuit of painting. Lemstra's graphite drawings depict fictional characters where real- life traits intertwine with abstracted features, enabling an exploration of harmony between figuration and abstraction. In his paintings, he further emphasizes stylization by employing a rigorous geometric language that elicits instant recognition, revealing a prominent facet of his practice: a playful exploration of the human urge to visually recognize life. Initiating from our inherently facially-oriented perception (Pareidolia), which often leads to the interpretation of inanimate objects or random geometric arrangements as if they are looking back at us, Lemstra deeply engages in reconfiguring the relationships between the key elements of his imaginary subjects.
Needles and Pins
16 Mar - 14 Apr, 2024 12:00 - 19:00
Closed: Monday and Tuesday
1: ‘Personnage Fictionnel’ 2024, 25 x 20cm (unframed), 49 x 42cm (framed), Graphite on cotton paper
The Mass's engagement
The Mass's engagement rate on Instagram is 1.7%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 59 followers. Likes outnumber comments by roughly 104 to 1, with 417 likes and 4 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
1.7%
- Avg likes
- 417
- Avg comments
- 4
- Interactions : followers
- 1 : 59
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Research The Mass further
Flinque ranks Instagram creators in Art & DIY, categories The Mass is filed under, and its free tools measure the same figures for any public account.
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Frequently asked questions
These answers about The Mass are generated from the Instagram profile data Flinque holds for the account.
Who is The Mass?
The Mass (@themass) is an Art Gallery creator on Instagram, also filed under Art & DIY. The Mass is set up as an Instagram business account. The Instagram bio for The Mass runs to 12 words across 3 lines.
How many followers does The Mass have?
The Mass has 21,579 followers on Instagram (21.6K). Set against 93 accounts followed, the audience works out to about 232 followers per account The Mass follows. The Mass has built a substantial archive of 634 posts.
What is The Mass's engagement rate?
The Mass's engagement rate on Instagram is 1.7%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 59 followers. Likes outnumber comments by roughly 104 to 1, with 417 likes and 4 comments on an average post, so most reactions are taps rather than replies.
What does The Mass post about on Instagram?
Flinque files The Mass under Art Gallery, with Art & DIY as a secondary category. Of the 10 most recent posts shown for The Mass, 7 are carousels and 3 are single images. The 10 recent Instagram captions Flinque holds for The Mass repeatedly use the words japan, artistic, exhibition, approach and works. The Mass writes those captions mainly in English. The Mass keeps 16 story highlights, which open with a free Flinque account.
How do I contact The Mass for a collaboration?
The Mass's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist The Mass and use Flinque's outreach tools wherever a contact route is on file.
Links
The Mass's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with The Mass.