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The Address

Art Gallery
@theaddress_gallery
Brescia: Marion Baruch & Leonardo Meoni Project Room: Giorgio Maria Crescentini Milano: Paolo Pretolani & Leonor Fini Bunkervik: Caterina Gobbi
  • Art & DIY
  • Following 669
  • Followers 19.8K
  • Engagement 1.02%
  • Avg comments 8

About The Address

The Address (@theaddress_gallery) is an Art Gallery creator on Instagram, also filed under Art & DIY. The account has 19,787 followers and 782 published posts. Recent posts average 211 likes and 8 comments, an engagement rate of 1.02%.

With 19.8K followers, The Address is a micro creator by the common 10,000 to 100,000 definition. Set against 669 accounts followed, the audience works out to about 30 followers per account The Address follows. The Address is set up as an Instagram business account. Flinque files The Address under Art Gallery, with Art & DIY as a secondary category.

The Instagram bio for The Address runs to 18 words across 4 lines. The latest activity Flinque has on record for The Address dates from March 2026.

782 Posts

Of the 10 most recent posts shown for The Address, 7 are carousels, 2 are single images and 1 is a video. That mix leans toward carousels. The Address has built a substantial archive of 782 posts. Against the audience, that is roughly 25 followers for each post published. All 10 carry captions, averaging 100 words each. The captions are written mainly in Italian. Words that recur across them include brescia, baruch, meoni, booth and acrylic. The captions tag #marionbaruch.

‘Non ho fatto nulla per tutta l’estate, se non aspettare di tornare ad essere di nuovo me stessa’ è la nuova mostra personale di Caterina Gobbi, ora in corso da Bunkervik, con un testo di Johanna Hardt

[…] “Per tutta l’estate” evoca quei periodi di tempo che sembrano sospesi, interminabili, come se il ritmo abituale della vita si fosse attenuato.

L’estate spesso dilata la nostra percezione della durata: il caldo rallenta il corpo, le abitudini si allentano e i giorni si confondono l’uno nell’altro. Il tempo diventa al contempo abbondante e indistinto. In questo senso, l’espressione non indica solo una misura temporale, ma un’esperienza di attesa. La guarigione, suggerisce, richiede tempo e quiete. E il ritorno all’arte può essere parte del ritorno a se stessi. Si può sostenere che tutte le opere d’arte siano, in un modo o nell’altro, una rappresentazione del corpo e quindi un’estensione della forma umana, dell’esperienza personale e della posizione soggettiva. Per Caterina Gobbi, formatasi in performance, il corpo ha a lungo rappresentato il suo principale mezzo artistico. Negli ultimi anni, tuttavia, e in modo decisivo nelle opere qui presentate e in quelle nuove che saranno esposte nella sua prossima mostra personale alla Red Lab Gallery di Milano, Gobbi si è allontanata dalla presenza immediata e vissuta del corpo per rivolgersi alle sue tracce e impressioni. Un’impressione nasce, in ultima analisi, da un punto di contatto. Un’interazione. Una superficie contro un’altra. Le tracce che rimangono, siano esse suoni effimeri o segni impressi sulla materia, rimandano a una forma diversa di performatività: una performatività residua e gestuale, che allude a ciò che è stato e a ciò che potrebbe ancora diventare. […] “

Foto

29.04 –

Via Odorici 6B, Brescia.
Ingresso libero previa prenotazione tramite link in bio sulla pagina
The gallery is pleased to participate in NADA New York 2026 with a solo booth presentation featuring a new body of work by Jacopo Zambello.


Flicker II, 2026
oil and acrylic on board
15 x 10 cm

Quando sappiamo di sognare, 2026
Oil and acrylic on linen
30 x 20 cm each

Matteo I, 2026
Oil and acrylic on linen
20 x 30 cm



Nada 2026, Booth E6
Opening Day
NADA New York

Booth E6

-

Jacopo Zambello
‘Passacuore II’
2026
Oil and acrylic on linen
40 x 30 cm
Marion Baruch
‘Porta nel paesaggio’
2017
Polyester, wool
Variable dimensions

#marionbaruch

Photography: Alberto Favara
Leonardo Meoni
‘One last moment’
2026
Mixed media on velvet
150 x 120 cm
The Address is pleased to present a solo booth of new works by Jacopo Zambello for NADA New York 2026.



Nada NY
May 13 – 17
The Starrett-Lehigh Building
Booth E6

Jacopo Zambello
‘Disteso all’ombra II’
2026
Oil and acrylic on linen
30 x 40 cm
Remains – The Alchemy of Lost Memory
30.04 —
Barriera, Torino

The exhibition features works by Bri Williams, Edoardo Caimi, Nicola Ghirardelli
Group show curated by Alberto Dapporto



On the occasion of the sixteenth edition of Mirror Project, the exhibition Remains unfolds as a reflection on time as it is consumed, on matter as it transforms, and on the fragile trace that humanity leaves behind.

Inspired by the thought of Derek Jarman — “I am a gardener, a maker of ruins” — the exhibition invites to consider decay as a form of resistance and possibility. It situates itself within a liminal space between ending and beginning, where emotional and material processes — whether real or symbolic — take the form of an alchemical act, capable of revealing both the precariousness of our world and its relentless capacity for regeneration.

It evokes the idea of lost time, of nature consuming itself, where thoughts and beliefs transform as in an alchemical process: matter changes yet never frees itself from its own weight; memory transforms yet continues to exert pressure on the present. Here, transformation eludes any redemptive promise: it does not purify, it does not elevate, it does not resolve. On the contrary, it intensifies.
The exhibition does not speak of what changes, but of what, even in changing, continues to weigh upon us. And it questions what remains of us within mechanisms that escape any resolution.



Organised by Associazione Barriera and Sergey Kantsedal Mirror Project is an exhibition programme in collaboration with CAMPO run by Fondazione Sandretto Re Rebaudengo, supported by Fondazione CRT and Amici del Madre.

Contributions from The Address and Clima

Exhibition design by Alberto Dapporto
Production assistance Gabriel Leano Martinez
Photography by Biagio Palmieri
Bunkervik è lieto di annunciare l’apertura della mostra:
‘Non ho fatto nulla per tutta l’estate, se non aspettare di tornare ad essere di nuovo me stessa’, personale di Caterina Gobbi con un testo di Johanna Hardt.

La mostra segna la riapertura dello spazio grazie alla collaborazione di Palazzo Monti, Fertile e The Address.

29.04 –

Bunkervik
Via Odorici 6B, Brescia.�Ingresso libero previa prenotazione tramite link in bio sulla pagina.
‘Mi fa pensare a…’
A duo show by Leonardo Meoni and Marion Baruch, at The Address, Brescia.
On view until May 31.

Mon-Tue, by appointment
Wed-Sat, 3-7 pm

Image:
Marion Baruch
‘Torre’
2017
Wool
129 × 73 cm
Ph. Alberto Favara

#marionbaruch
UPCOMING SHOW
Mi fa pensare a…
MARION BARUCH, LEONARDO MEONI

Opening on April 11th, 6-9pm

The Address is pleased to announce the opening of ‘Mi fa pensare a…’, a joint exhibition by Marion Baruch and Leonardo Meoni.

Bringing two artistic generations into dialogue, the show develops through a selection of Baruch’s works from the past fifteen years in exchange with previously unseen pieces by Meoni, conceived as both a response to and an investigation of her practice.

The project stems from a process of observation and abstraction: Meoni identifies formal tensions and compositional principles in Baruch’s work, translating them into an independent field of research.

‘Mi fa pensare a…’ marks Baruch and Meoni’s third project with the gallery.

Save the date. We look forward to welcoming you.
At the Address,
Via Felice Cavallotti, 5, Brescia

#marionbaruch

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

The Address's engagement

The Address's engagement rate on Instagram is 1.02%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 98 followers. An average post collects 211 likes and 8 comments, close to 26 likes for each comment.

Engagement rate

1.02%

Avg likes
211
Avg comments
8
Interactions : followers
1 : 98

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Frequently asked questions

These answers about The Address are generated from the Instagram profile data Flinque holds for the account.

Who is The Address?

The Address (@theaddress_gallery) is an Art Gallery creator on Instagram, also filed under Art & DIY. The Address is set up as an Instagram business account. The Instagram bio for The Address runs to 18 words across 4 lines.

How many followers does The Address have?

The Address has 19,787 followers on Instagram (19.8K). Set against 669 accounts followed, the audience works out to about 30 followers per account The Address follows. The Address has built a substantial archive of 782 posts.

What is The Address's engagement rate?

The Address's engagement rate on Instagram is 1.02%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 98 followers. An average post collects 211 likes and 8 comments, close to 26 likes for each comment.

What does The Address post about on Instagram?

Flinque files The Address under Art Gallery, with Art & DIY as a secondary category. Of the 10 most recent posts shown for The Address, 7 are carousels, 2 are single images and 1 is a video. The 10 recent Instagram captions Flinque holds for The Address repeatedly use the words brescia, baruch, meoni, booth and acrylic. The Address's captions carry hashtags such as #marionbaruch. The Address writes those captions mainly in Italian.

How do I contact The Address for a collaboration?

The Address's contact details are not published on Flinque's public profile. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist The Address and use Flinque's outreach tools wherever a contact route is on file.

The Address's own Instagram profile is the one outbound link Flinque publishes for the account.

Public profile data sourced from Instagram. Flinque is not affiliated with The Address.

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