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Tereza Zelenkova (@terezazelenkova), Instagram profile photo
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Tereza Zelenkova

Artist
@terezazelenkova
Artist / Photographer Prague & London
  • Music & Artists
  • Following 2.4K
  • Followers 9.2K
  • Engagement 2.38%
  • Avg comments 4

About Tereza Zelenkova

Tereza Zelenkova (@terezazelenkova) is an Artist creator on Instagram, also filed under Music & Artists. The account has 9,150 followers and 244 published posts. Recent posts average 219 likes and 4 comments, an engagement rate of 2.38%.

Tereza Zelenkova belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Tereza Zelenkova follows 2,377 accounts, so the audience is roughly 3.8 times the size of the list followed. Tereza Zelenkova uses an Instagram professional account. Flinque files Tereza Zelenkova under Artist, with Music & Artists as a secondary category.

Tereza Zelenkova's Instagram bio is brief, at 4 words across 2 lines. The latest activity Flinque has on record for Tereza Zelenkova dates from November 2021.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

244 Posts

Of the 10 most recent posts shown for Tereza Zelenkova, 5 are single images, 4 are carousels and 1 is a video. No single format accounts for most of them. 244 published posts give Tereza Zelenkova a moderate archive on Instagram. Against the audience, that is roughly 38 followers for each post published. Tereza Zelenkova also keeps 3 story highlights on the profile. 9 of those 10 carry captions, averaging 179 words each. The captions are written mainly in English. Words that recur across them include exhibition, works, photography, opening and photographs. The captions tag #analoguephotography, #futures, #futuresphotography, #futuresphotography2025 and #futuresphotographyplatform.

Ka and Galeri Siyah Beyaz host “The Sun Never Saw a Shadow”, opening simultaneously across both venues on 3 April 2026 in Ankara.

Co-curated by Oğuz Karakütük and Umut Sur, the exhibition proposes a dialogue between photography and painting, unfolding across two spaces while maintaining a single narrative structure. Working through questions of image production and image reading, “The Sun Never Saw a Shadow” brings into view the boundaries, passages, and blind spots between the two mediums. It revisits the tension that oŠen codes photography as “record” and painting as “interpretation”—not to reinforce this opposition, but to consider the zones where imitation, borrowing, intervention, and hybridisation allow the mediums to seep into and transform one another.

Featuring works by 38 artists working across photography and painting, the exhibition can be visited at both Ka and Galeri Siyah Beyaz from 3 April to 2 May 2026, Monday to Saturday, 11:0019:00 (closed Sundays).
Srdečně zveme na vernisáž výstavy Biopersistence, která proběhne 26. 2. 2026 od 18 hodin. Projekt otevírá otázky hranic života a smrti, touhy po nesmrtelnosti i proměňujících se představ o těle, vědomí a konečnosti v současné společnosti.

Výstava představuje díla sedmi umělkyň pracujících s různými médii a perspektivami, od medicínské estetiky a alternativní spirituality přes přírodní cykly až po paměť a truchlení. Biopersistence nabízí prostor pro úvahy o budoucnosti, kde přežít znamená redefinovat to, co znamená být naživu.

Umělkyně:,,,,,, 
Kurátorky:, 
Architektura:, - 
Grafický design:

🎉 Vernisáž: 26. 2. 2026 od 18 hodin
📍 Galerie UM, Technologické centrum UMPRUM, Mikulandská 134/5, Praha 1
📅 Výstava: 27. 2. – 28. 3. 2026
🗣️ Komentované prohlídky: 3. 3. 2026 od 18 hodin / 28. 3. 2026 od 16 hodin

——eng——

You are warmly invited to the opening of the exhibition Biopersistence, taking place on 26 February 2026 at 6 pm. The project explores the boundaries of life and death, the desire for immortality, and shifting understandings of the body, consciousness, and finitude in contemporary society.

The exhibition presents works by seven artists working across diverse media and perspectives, from medical aesthetics and alternative spirituality to natural cycles, memory, and mourning. Biopersistence offers space to reflect on a future in which survival means redefining what it means to be alive.

Artists:,,,,,, 
Curators:, 
Architecture:, - 
Graphic design:

🎉 Opening: 26 February 2026, 6 pm
📍 Galerie UM, UMPRUM Technology Centre, Mikulandská 134/5, Prague 1
📅 Exhibition: 27 February – 28 March 2026
🗣️ Guided tours: 3 March 2026, 6 pm / 28 March 2026, 4 pm
“Joye et refuge”

Group exhibition featuring selection of works by 14 czech photographers as part of 📸

Opening 6/11/2025

I won’t be present at the opening but all welcome!

Paris, see you next week! 🍷🥐🥖
✨ Autorky a autoři výstavy Joie et refuge / Radost a skrýš✨

Tereza Zelenková je česká fotografka žijící v Praze, známá svými černobílými fotografiemi inspirovanými literaturou, mytologií a mysticismem. Ve své tvorbě často propojuje obraz s autorským textem, čímž otevírá divákovi osobitý svět vizuální poetiky a symboliky.

V roce 2012 získala magisterský titul v oboru fotografie na Royal College of Art v Londýně a její práce si vysloužily řadu mezinárodních ocenění. Její fotografie byly vystaveny v prestižních institucích, například ve Victoria & Albert Museum v Londýně, ve Foam Photography Museum v Amsterdamu či v Musée de l’Élysée ve Švýcarsku. Její díla jsou součástí významných veřejných i soukromých sbírek a vyšly také knižně.
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✨ Artists of the exhibition Joie et refuge✨

Tereza Zelenková is a Czech photographer based in Prague, known for her black-and-white photographs inspired by literature, mythology, and mysticism. In her work, she often combines image and text, opening to the viewer her distinctive world of visual poetics and symbolism.

In 2012, she earned a master’s degree in photography from the Royal College of Art in London, and her work has received numerous international awards. Her photographs have been exhibited in prestigious institutions such as the Victoria & Albert Museum in London, the Foam Photography Museum in Amsterdam, and the Musée de l’Élysée in Switzerland. Her works are part of major public and private collections and have also been published in book form.
I’m leading a course starting October. Come join me!

Online course | Visual Resistance and Politics of the Everyday: Photography in Eastern and Central Europe 1940s–Today
Wednesdays, 29 Oct to 10 Dec 2025 at GMT on Zoom

For more information and to sign up follow the link in bio.

This course accompanies the current exhibition at TPG by Polish photographer Zofia Rydet and examines the role of photography as a tool of resistance, documentation and imagination across Central and Eastern Europe. Moving beyond Western-centric frameworks, it highlights the intersections of gender, class and politics in photographic practice — tracing how artists have engaged with everyday life, socialist ideologies, underground subcultures, political upheavals and post-socialist transformations.

Across six sessions, we will engage with landmark projects, underexplored archives and contemporary feminist perspectives. Alongside close readings of artists’ works, the course will situate photography within broader theoretical contexts, drawing on key texts by Michel de Certeau, Henri Lefebvre, Gillian Rose and Griselda Pollock, among many others.

Schedule in comments.

📷 Zofia Rydet
Over the course of three days, FUTURES artists will participate in workshops focusing on building narratives, the role of titles and annotations, and the relationship between photography and algorithms🔗.

Artists and will challenge the workshop participants to edit and re-edit their own photographic series responding to prompts and to explore unusual sequencing strategies and narrative framings.

Tereza Zelenkova is an artist based in Prague. She works mainly with
black and white medium format analogue photography. Her works reflect her interest in mysticism, often mixing documentary photographs with staged images.

Peter Watkins is an artist, educator, and founder of Postcards for
Palestine. His work explores themes of loss, trauma, and history, and is grounded in processes of archiving and remembering.

The workshop with Peter and Tereza is for FUTURES members only. We look forward to seeing you at the festival!❤️‍🔥

FUTURES is supported by the EU under the Creative Europe programme.

#Futures #FuturesPhotography #futuresphotography2025 #futuresphotographyplatform #creativeeurope
In the spirit of Victorian serial novels, I’ll be posting in parts my short story that accompanies my current exhibition at.

🩸 𝔐𝔞𝔩𝔞𝔡𝔦𝔢𝔰 𝔬𝔣 𝔗𝔥𝔢 ℑ𝔫𝔣𝔦𝔫𝔦𝔱𝔢 🩸

Part 5/14

Today, however, there was no time for such indulgences. There were several emails that T. has been ignoring for weeks and he promised to himself that he wouldn’t leave his desk before responding to every one of them. Of course, when he opened his inbox, there were already three other emails that had arrived since yesterday and that required his urgent attention. He needed to deal with those as a priority. In the end, it took him only three quarters of an hour to write all the remaining responses and he felt angry with himself for not doing it earlier, sparing himself the always embarrassing opening line with which he started almost every email: “Dear …, I apologize for not responding earlier but...”.

#contemporaryart #shortstory #photography #analoguephotography #maladiesoftheinfinite
'Known and Strange: Photographs from the Collection'
Victoria and Albert Museum, London
on from 6th November 2021 until 6th November 2022

"The display showcases over 50 recent contemporary acquisitions for the V&A's permanent collection, created by internationally well-known names and emerging talents, including Paul Graham, Susan Meiselas, Maurizio Anzeri, Tom Lovelace, Pierre Cordier, Klea McKenna, Donna Ruff, Tereza Zelenkova, Andy Sewell, Dafna Talmor, and James Welling.

This display highlights photography's power to transform the familiar into the unfamiliar, and the ordinary into the extraordinary. Showcasing new acquisitions, it presents some of the most compelling achievements in contemporary art photography."

Photos Peter Kelleher © Victoria and Albert Museum, London 2021

#paulgraham
#vamuseum #contemporaryphotography #analoguephotography
Over the next few days, I’ll be posting photographs from my new exhibition ‘Dead Language’ and fragments from my accompanying texts that are part of the works.
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“The skull of the French philosopher René Descartes disappeared, together with the index finger from his right hand, during the transportation of his bodily remains from Sweden to France in 1666, sixteen years after his death. Afterall Descartes is not the only important figure who was posthumously robbed of his bodily parts. The same destiny was met by others, such as Emanuel Swedenborg (the story of his skull would require a separate chapter), Joseph Haydn, Ludwig van Beethoven, or Sir Thomas Browne. Browne himself foresaw the destiny awaiting his remains when he wrote that who is to know the fate of his bones, or how often he is to be buried?
It was only in 1823 when a skull appeared, covered with writings in Swedish and Latin that attributed it to Descartes. The skull was sent to France, where it was examined by Georges Cuvier who would try to prove its authenticity because at that time there were five other skulls assigned to the French philosopher. Cuvier would measure the skull and compare it to the best-known likeness of Descartes – a portrait painted by Dutch painter France Halse in 1649. However, the authenticity of the portrait is disputable, similarly like the authenticity of the skull itself. Although it is possible that Halse’s painting is not faithful, Cuvier wasn’t the last one who would try to authenticate the skull by comparing the two. In 1913, the anatomist Dr. Paul Richer made a plaster cast of the skull in question and consequently placed it within a plaster bust based on Halse’s portrait. His motivation was to prove beyond doubt that the skull’s shape and proportions correspond with the physical attributes of Descartes’s face. The resulting object is a plaster bust statue with removable parts of its face, revealing the skull hidden beneath its surface.”
#descartes #analoguephotography #terezazelenkova

Tereza Zelenkova's engagement

Tereza Zelenkova's engagement rate on Instagram is 2.38%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 42 followers. Likes outnumber comments by roughly 55 to 1, with 219 likes and 4 comments on an average post, so most reactions are taps rather than replies.

Engagement rate

2.38%

Avg likes
219
Avg comments
4
Interactions : followers
1 : 42

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Frequently asked questions

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Who is Tereza Zelenkova?

Tereza Zelenkova (@terezazelenkova) is an Artist creator on Instagram, also filed under Music & Artists. Tereza Zelenkova uses an Instagram professional account. Tereza Zelenkova's Instagram bio is brief, at 4 words across 2 lines.

How many followers does Tereza Zelenkova have?

Tereza Zelenkova has 9,150 followers on Instagram (9.2K). Tereza Zelenkova follows 2,377 accounts, so the audience is roughly 3.8 times the size of the list followed. 244 published posts give Tereza Zelenkova a moderate archive on Instagram.

What is Tereza Zelenkova's engagement rate?

Tereza Zelenkova's engagement rate on Instagram is 2.38%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 42 followers. Likes outnumber comments by roughly 55 to 1, with 219 likes and 4 comments on an average post, so most reactions are taps rather than replies.

What does Tereza Zelenkova post about on Instagram?

Flinque files Tereza Zelenkova under Artist, with Music & Artists as a secondary category. Of the 10 most recent posts shown for Tereza Zelenkova, 5 are single images, 4 are carousels and 1 is a video. The 9 recent Instagram captions Flinque holds for Tereza Zelenkova repeatedly use the words exhibition, works, photography, opening and photographs. Tereza Zelenkova's captions carry hashtags such as #analoguephotography, #futures and #futuresphotography. Tereza Zelenkova writes those captions mainly in English. Tereza Zelenkova keeps 3 story highlights, which open with a free Flinque account.

How do I contact Tereza Zelenkova for a collaboration?

Tereza Zelenkova's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Tereza Zelenkova and use Flinque's outreach tools wherever a contact route is on file.

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