- Following 60
- Followers 53K
- Engagement 0.67%
- Avg likes 352
- Avg comments 4
About Taka Ishii Gallery
Taka Ishii Gallery (@takaishiigallery) is an Art Gallery creator on Instagram, also filed under Art & DIY. The account has 52,963 followers and 1,123 published posts. Recent posts average 352 likes and 4 comments, an engagement rate of 0.67%.
With 53K followers, Taka Ishii Gallery is a micro creator by the common 10,000 to 100,000 definition. Set against 60 accounts followed, the audience works out to about 883 followers per account Taka Ishii Gallery follows. Taka Ishii Gallery is set up as an Instagram business account. Flinque files Taka Ishii Gallery under Art Gallery, with Art & DIY as a secondary category.
The Instagram bio for Taka Ishii Gallery runs to 10 words. The latest activity Flinque has on record for Taka Ishii Gallery dates from July 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,123 Posts
Of the 10 most recent posts shown for Taka Ishii Gallery, 8 are carousels and 2 are single images. That mix leans toward carousels. Taka Ishii Gallery has built a substantial archive of 1,123 posts. Against the audience, that is roughly 47 followers for each post published. Taka Ishii Gallery also keeps 9 story highlights on the profile. All 10 carry captions, averaging 152 words each. The captions are written mainly in English. Words that recur across them include further, information, visit, プロフィールページ記載のリンクよりご確認ください and view. The captions tag #takaishiigallery, #tomoogokita, #五木田智央, #takaishiigalleryroppongi and #takaishiigallerykyobashi.
Until now, Gokita has employed mainly charcoal and acrylic gouache for his black-and-white works and pastel and acrylic when working in color. “Lush Life” marks the first public showing of his paintings in oil, a medium he returned to last year.
For further information, please visit the link in bio.
五木田智央「Lush Life」がタカ・イシイギャラリー 六本木と京橋にて7月25日（土）まで同時開催中です。
五木田はこれまで白黒作品では主に木炭やアクリルガッシュ、カラー作品ではパステルやアクリル絵の具を用いて制作してきましたが、本展「Lush Life」では昨年から再び取り組み始めた油彩作品を初公開しています。
詳細は、プロフィールページ記載のリンクよりご確認ください。
Images: Tomoo Gokita “Lush Life”, installation view at Taka Ishii Gallery Kyobashi, Jun 27 – Jul 25, 2026. Photo: Kenji Takahashi
#tomoogokita #五木田智央
#takaishiigalleryroppongi
#takaishiigallerykyobashi
#takaishiigallery
The exhibition title, “Lush Life,” is also the name of a song composed by Billy Strayhorn in 1961. That same year, John Coltrane released an album of the same name, and “Lush Life” has long been performed by musicians as a jazz standard. In jazz slang, the phrase is used not in the sense of a life of abundance, but to mean “a drunkard’s life” or “days steeped in drink.” A lyrical jazz ballad performed over the decades, “Lush Life” is also a poetic expression with the power to evoke various memories, scenes, and emotional states.
For further information, please visit the link in bio.
五木田智央「Lush Life」がタカ・イシイギャラリー 六本木と京橋にて7月25日（土）まで同時開催中です。
展覧会タイトルの「Lush Life」は1961年にビリー・ストレイホーンによって制作された楽曲でもあり、同年ジョン・コルトレーンは同タイトルのアルバムをリリースし、ジャズのスタンダードナンバーとして多くの音楽家に長く演奏されてきました。ジャズのスラングでは「飲んだくれ人生」や「酒浸りの日々」など、「豊かな人生」とは別のことなるニュアンスを持ち、抒情的に歌い継がれ、人それぞれの記憶に残る忘れがたい風景や心情を表す詩的な解釈のできる表現としても知られています。
詳細は、プロフィールページ記載のリンクよりご確認ください。
Images: Tomoo Gokita “Lush Life”, installation view at Taka Ishii Gallery Roppongi, Jun 27 – Jul 25, 2026. Photo: Kenji Takahashi
#tomoogokita #五木田智央
#takaishiigalleryroppongi
#takaishiigallerykyobashi
#takaishiigallery
Since showing for the first time in his solo presentation, “Cheerfully optimistic about the future” (ICA Milano, 2021), Anastassiades has continued to explore the harmony between organic bamboo materials and lighting technology. These lights are entirely handcrafted, utilizing Kyoto-grown shiratake and moso bamboo as the support structures. They feature metallic components made from low-melting-point pewter and linen thread knots inspired by Icelandic fishermen's technique. Accentuating the inherent flexibility and beautiful nodes of the bamboo, the minimalist forms cast a soft light that creates gentle, serene shadows throughout the space.
The show runs until Saturday, July 4. For further information, please visit the link in bio.
タカ・イシイギャラリー 京都で開催中のマイケル・アナスタシアデスの個展「From Warm Yellow to Saturated Red」が最終週となりました。
2021年にICAミラノで開催された個展「Cheerfully optimistic about the future」にて初めて発表して以降、アナスタシアデスは有機的な竹の素材と光の技術の調和について探求を続けています。これらの照明作品は、京都の白竹や孟宗竹を支持体に、融点が低いピューターからできた金属部や、アイスランドの漁師が使う結び紐加工から構成され、すべて手作業で作られています。竹本来のしなやかさや節の美しさを生かしたミニマルな造形とともに、柔らかな光が竹を通して空間に穏やかな陰影を生み出します。
会期は7月4日（土）まで。詳細は、プロフィールページ記載のリンクよりご確認ください。
Images: Michael Anastassiades “From Warm Yellow to Saturated Red”, installation view at Taka Ishii Gallery Kyoto, Jun 6 – Jul 4, 2026.
#michaelanastassiades
#takaishiigallerykyoto
#takaishiigallery
【Opening Reception】
Date & Time: Saturday, Jun 27, 17:00 – 19:00
Location: Taka Ishii Gallery Roppongi
For further information, please visit the link in bio.
タカ・イシイギャラリー 六本木は、五木田智央の個展「Lush Life」開催にあたり明日27日（土）にオープニング・レセプションを開催いたします。作家も在廊いたしますので、この機会にぜひご参加ください。
【オープニング・レセプション】
日時: 6月27日（土）17:00 – 19:00
会場: タカ・イシイギャラリー 六本木
詳細は、プロフィールページ記載のリンクよりご確認ください。
Image: Tomoo Gokita, “Choke Back Tears”, 2026, oil on linen, 53.2 x 45.5 cm © Tomoo Gokita / Photo: Kenji Takahashi
#tomoogokita #五木田智央
#takaishiigalleryroppongi
#takaishiigallerykyobashi
#takaishiigallery
Having welcomed twins in 2024, Arakawa-Nash translates their personal experience as an artist and as a queer individual to explore the diverse forms family can take in contemporary society, weaving together historical and social perspectives into a cohesive body of work. The exhibition invites visitors to collectively envision the futures awaiting babies born today, and to reflect on the world they will inherit. Structured as an interactive installation, the work encourages participants to engage actively and directly with it.
Taking full advantage of the Japan Pavilion's distinctive circulatory layout, the exhibition binds together space and body, sound and memory into a unified environment, with 208 baby dolls dispersed across the interior and the surrounding outdoor spaces. Carrying the dolls as they move through the Pavilion, visitors are invited to engage with themes of care, labor, and identity as questions that are at once poetic and universal.
Spanning across poetry, video, textiles, and AI, the exhibition brings together personal memory and collective experience in a single space. It represents a deepening of Arakawa-Nash's longstanding commitment to collaborative practice, with a multinational, cross-disciplinary team participating both as organizations and as individuals — lending the artwork a richly layered complexity.
For further information, please visit the link in bio.
5月6日に第61回ヴェネチア・ビエンナーレ国際美術展が開幕し、日本館では荒川ナッシュ医による「草の赤ちゃん、月の赤ちゃん」が開催されています。
2024年に双子の親となった荒川ナッシュ医は、アーティストでありクィアである自身の経験をもとに、現代社会における多様な家族のあり方や、それに紐づく歴史的かつ社会的な視点を作品へと昇華させています。これから成長する子供たちの未来を来館者とともに見つめその世界のありかたを問い直す本展は、鑑賞者が能動的に作品へと関わる参加型のインスタレーションとして構成されています。
日本館の建築的特性である回遊性を活かし、空間と身体、音と記憶が有機的に結びつく展示空間が生み出されています。館内と外部空間へ続く場所に208体の赤ちゃん人形が置かれています。その人形と共に館内を巡りながらケアや労働、アイデンティティといったテーマを詩的にそして普遍的な問いとして来館者自身がそれらに向き合う場所となっています。
詩、映像、テキスタイル、AIなど多様なメディアを横断しながら、個人の記憶と集合的な経験が交差する場を生み出す本作は、荒川ナッシュ医がこれまで一貫して行ってきた他者との協働によるプロセスをさらに深化させたものといえます。多国籍・多分野の制作チームが組織・個人の双方として参加しており、作品そのものが重層的な構造をもっています。
詳細は、プロフィールページ記載のリンクよりご確認ください。
The sculptures, which Oue has continued to produce in dialogue with the paintings, are cast in plaster or cement from clay molds, with the traces of his contact preserved directly in their forms. The new sculptures in this exhibition were inspired by a bout of chilblains and the traditional Japanese remedy of rubbing in an ointment made from horse fat. Reversing the usual sequence, in which the active compounds of the oil sink through the skin to improve circulation, Oue makes tubular forms from which oil paint seeps out, in a metaphor for the horse-fat ointment drawing the blood vessels outward. The result is a new approach that ties back to the notion of “territory.” The tubular forms and the mediating oil also resonate with the paintings, evoking not only blood vessels but the vascular bundles and rhizomes of plants with visceral force, as though severed parts of the artist’s body had begun to multiply of their own accord.
This exhibition runs through Sunday, June 28. For further information, please visit the link in bio.
タカ・イシイギャラリー 前橋で開催中の大上巧真「rubbing-rhizome」が最終週となりました。
絵画と行き来して制作を続けている立体は粘土から型をとった石膏やセメントから造形され、大上の身体的接触の跡が直に形状として残されています。本展に出展する新作は、しもやけの症状と、それに対して馬油を塗る身近な療法が制作の契機となったといいます。成分が皮膚の内部へと浸透して血行を改善する一連の流れを逆転させ、馬油を介して血管を外へと引き出すメタファーとして油絵の具が染み出す筒型の構造を作り出し、前述の「縄張り」に接続する新たなアプローチがなされています。チューブ状のフォルムや油分の媒介からなる構成は絵画作品とも呼応し、血管のほかにも植物の維管束や根茎と紐づけられ、作家の身体から分離した片鱗それ自体が増殖していくかのような生々しさを帯びています。
会期は6月28日（日）まで。詳細は、プロフィールページ記載のリンクよりご確認ください。
Images: Takuma Oue “rubbing-rhizome”, installation view at Taka Ishii Gallery Maebashi, May 23 – Jun 28, 2026. Photo: Shinya Kigure
#takumaoue #大上巧真
#takaishiigallerymaebashi
#takaishiigallery
At the start, the sun is roughly 0.5° above the horizon. The atmosphere filters out the “cool” blue and violet light, leaving the warm yellow and gold tones. As it sinks further, the path of light through the air increases significantly. The atmosphere now scatters away the greens and yellows, leaving only the warmest part of the spectrum. By the time only the top sliver is visible, the light is passing through the maximum amount of air. Red light has the longest wavelength, meaning it is the only color capable of traveling that long distance to your eyes without being scattered.
For further information, please visit the link in bio.
マイケル・アナスタシアデス「From Warm Yellow to Saturated Red」がタカ・イシイギャラリー 京都にて7月4日（土）まで開催中です。
始まりのとき、太陽は地平線からわずか0.5°ほどの位置にあります。大気が「寒色系」である青や紫の光を濾過することで、暖かな黄やゴールドのトーンが描き出されます。太陽がさらに沈むにつれ、空気中を通過する光の経路は大幅に長くなります。すると、大気は緑や黄の光をも散乱させ、スペクトルの中でも最も温和な領域のみを残すのです。太陽の端だけがかろうじて見える頃、光は最大量の空気層を通り抜けます。赤い光は最も長い波長を持つため、散乱することなく、その長い距離を旅して私たちの目に届く唯一の色となるのです。
詳細は、プロフィールページ記載のリンクよりご確認ください。
Images: Michael Anastassiades “From Warm Yellow to Saturated Red”, installation view at Taka Ishii Gallery Kyoto, Jun 6 – Jul 4, 2026.
#michaelanastassiades
#takaishiigallerykyoto
#takaishiigallery
As the first exhibition in 2026, the current show focuses on the theme of “feeling” in the age of AI. It includes works by Hiroshi Hamaya, Naoya Hatakeyama, Eikoh Hosoe, Yutaka Takanashi, and Erika Yoshino. Echoing Bruce Lee’s famous remark, “Don’t think. Feel.”, the exhibition considers the growing presence of AI in contemporary society and the increasing scrutiny of what distinguishes human capabilities from those of machines. Through the works on view, it explores uniquely human forms of cognition and communication, including synesthetic perception, emotional sensitivity, empathy, and the imaginative potential embedded in culture and art.
This exhibition features works by Yutaka Takanashi, from his “Tokyoites” and “Tokyoites 1978-1983” series. Takanashi captured improvised snapshots of Tokyo’s urban landscape and its inhabitants during the turbulent decades of rapid economic growth from the 1960s through the 1980s. A reflected image of one figure appearing on the back of another seen through glass; people walking through the interiors of concrete buildings that seem almost otherworldly—through such images, Takanashi sought to move beyond photography as mere documentation. His works reveal abstracted visual impressions embedded within the documentary image itself, creating a multilayered photographic language that intertwines documentation and abstraction.
The exhibition runs until Sunday, June 21. For further information, please visit the link in bio.
現在、東京都写真美術館にて「TOPコレクション Don’t think. Feel.」が開催されています。
第一セクションとなる本展のテーマは、AI時代における「感触」です。濱谷浩、畠山直哉、細江英公、高梨豊、吉野英理香の作品を含む写真・映像作品を紹介しています。「考えるな、感じろ」というブルース・リーの言葉が示すように、人工知能が（AI）急速に社会に浸透する現在、人間の能力の優位性が問われるなかにあって、本展ではAIには代替し得ない人間の能力、文化、芸術に特有の共感覚や、感性的なコミュニケーション、想像力の可能性を探っています。
本展では、高梨豊の「東京人」および「東京人 1978-1983」のシリーズが展示されています。1960年代 - 80年代の高度経済成長期という激動の時代における東京の都市空間とそこに生きる人々の様相を即興的なスナップショットで切り取りました。ガラス越しの人物の背中に映り込む別の人物のイメージ。異空間のようなコンクリートの建物内部を歩く人々。高梨豊はこれらの作品を通じて、記録としての写真から垣間見せる抽象化されたイメージ、というそれ自体がドキュメンタリーと抽象の重層的な構造を持つ写真表現を試みました。
会期は6月21日（日）まで。詳細は、プロフィールページ記載のリンクよりご確認ください。
Booth: K7
Presenting works by: Leonor Antunes, Ei Arakawa-Nash, Cerith Wyn Evans, Mario García Torres, Tatsuo Kawaguchi, Yuki Kimura, Tomoharu Murakami, Rei Naito, Takuma Nakahira, Hikari Ono, Sterling Ruby, Ser Serpas, Kishio Suga, Kunié Sugiura, Sofu Teshigahara
Also presenting works by: Jadé Fadojutimi, Shota Nakamura, Reika Takebayashi
On view until Sunday, June 21.
#artbasel
#takaishiigallery
For further information, please visit the link in bio.
タカ・イシイギャラリーは、6月27日（土）から7月25日（土）まで、五木田智央の個展「Lush Life」を六本木と京橋にて開催いたします。タカ・イシイギャラリーでは4年ぶり7回目の個展となる本展では、最新作の絵画作品を発表いたします。
詳細は、プロフィールページ記載のリンクよりご確認ください。
Image: Tomoo Gokita, “Exhibitionist”, 2026, oil on linen, 181.8 x 227.5 cm © Tomoo Gokita / Photo: Kenji Takahashi
#tomoogokita #五木田智央
#takaishiigalleryroppongi
#takaishiigallerykyobashi
#takaishiigallery
Taka Ishii Gallery's engagement
Taka Ishii Gallery's engagement rate on Instagram is 0.67%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 149 followers. Likes outnumber comments by roughly 88 to 1, with 352 likes and 4 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
0.67%
- Avg likes
- 352
- Avg comments
- 4
- Interactions : followers
- 1 : 149
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These answers about Taka Ishii Gallery are generated from the Instagram profile data Flinque holds for the account.
Who is Taka Ishii Gallery?
Taka Ishii Gallery (@takaishiigallery) is an Art Gallery creator on Instagram, also filed under Art & DIY. Taka Ishii Gallery is set up as an Instagram business account. The Instagram bio for Taka Ishii Gallery runs to 10 words.
How many followers does Taka Ishii Gallery have?
Taka Ishii Gallery has 52,963 followers on Instagram (53K). Set against 60 accounts followed, the audience works out to about 883 followers per account Taka Ishii Gallery follows. Taka Ishii Gallery has built a substantial archive of 1,123 posts.
What is Taka Ishii Gallery's engagement rate?
Taka Ishii Gallery's engagement rate on Instagram is 0.67%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 149 followers. Likes outnumber comments by roughly 88 to 1, with 352 likes and 4 comments on an average post, so most reactions are taps rather than replies.
What does Taka Ishii Gallery post about on Instagram?
Flinque files Taka Ishii Gallery under Art Gallery, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Taka Ishii Gallery, 8 are carousels and 2 are single images. The 10 recent Instagram captions Flinque holds for Taka Ishii Gallery repeatedly use the words further, information, visit, プロフィールページ記載のリンクよりご確認ください and view. Taka Ishii Gallery's captions carry hashtags such as #takaishiigallery, #tomoogokita and #五木田智央. Taka Ishii Gallery writes those captions mainly in English. Taka Ishii Gallery keeps 9 story highlights, which open with a free Flinque account.
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Taka Ishii Gallery's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Taka Ishii Gallery and use Flinque's outreach tools wherever a contact route is on file.
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