- Following 2.2K
- Followers 5.1K
- Engagement 5.16%
- Avg likes 284
- Avg comments 6
About Studio Above&Below
Studio Above&Below (@studioaboveandbelow) is a Technology creator on Instagram, also filed under Tech Reviewer and Tech Review. The account has 5,130 followers and 476 published posts. Recent posts average 284 likes and 6 comments, an engagement rate of 5.16%.
Studio Above&Below belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Studio Above&Below follows 2,249 accounts, so the audience is roughly 2.3 times the size of the list followed. Studio Above&Below uses an Instagram professional account. Flinque files Studio Above&Below under 3 categories, led by Technology and followed by Tech Reviewer and Tech Review.
The Instagram bio for Studio Above&Below runs to 13 words. The latest activity Flinque has on record for Studio Above&Below dates from February 2023.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
476 Posts
Of the 10 most recent posts shown for Studio Above&Below, 5 are carousels, 3 are videos and 2 are single images. No single format accounts for most of them. 476 published posts give Studio Above&Below a moderate archive on Instagram. Against the audience, that is roughly 11 followers for each post published. Studio Above&Below also keeps 8 story highlights on the profile. All 10 carry captions, averaging 174 words each. The captions are written mainly in English. Words that recur across them include design, sound, through, artwork and experience. The captions tag #immersiveart, #immersiveexperience, #projection, #immersiveexpeirence and #digitalart.
2025: 22 exhibitions · 8 new commissions · 5 launches · 1 permanent artwork · 1 Creative Fellowship ·
JANUARY: exhibited at Studio x x,
FEBRUARY: Quantum Lens launched at x
MARCH: exhibitions at,,
APRIL: exhibited at × ×
MAY: Resonating Possibilities launched, exhibition at
JUNE: exhibited and talked at, receiving the Creative Fellowship, exhibited at, talk at
JULY: (S)Low-Tech AI launched at × × x
AUGUST: exhibited at
SEPTEMBER: exhibited at × × talked at Global Design Forum
OCTOBER: first permanent artwork install at, first US exhibition at
NOVEMBER: commissioned & exhibited at x
DECEMBER: exhibited and talked at x
This work is only possible through the support of you all above (and many more!), including,, White Mirror Studio, and.
Thank you to everyone who made 2025 possible, carrying this momentum into 2026 🤍
We’ve been fortunate to meet other inspiring Creative Fellows and researchers from many different fields, as well being mentored by wonderful from.
Originally developed in 2019, the work has been chosen for 2025 under the “In the Blink of an Eye” curatorial theme. It reflects our early artistic curiosity and research in how invisible atmospheric elements can be measured and revealed, extending perception beyond ordinary senses.
We are interested not only in what the data shows, but in the act of measurement itself: how capturing something as vast and fluid as the atmosphere reduces it to discrete signals, and how those signals can be translated into a space and reactive sculptural form that can be felt, danced with, moved through, and inhabited.
Inside this meditative cubic sculpture, light, sound, mirrors, and responsive technology turn cloud-liquid measurements into a drifting, living presence, navigated by the audience. With every step, the environment shifts, folds, brightens, and settles: a choreographic dance of perception, matter, and movement, allowing one to walk through 2,149,690 km² of local cloud information.
—
Curators
Li Zhenhua (Curator)
Sara Almutlaq (Curator)
Mami Kataoka (Curatorial Advisory Lead)
Artwork Proposal & Curation:
Artwork Concept & Development:
Sound Art:
Producers: Nicolas Wierinck
Commission:
Production Company:
Built: Simple Solutions
AV Supply:
Data Set:
Technology: Live, Kinect Azure
DOP:
Medium & Dimensions
Audiovisual installation - LED display, mirrors, light, audio, custom datasets, infrared tracking
4000mm × 4000mm × 4000mm
QUANTUM LENS unfolds across three chapters: Quantum Entanglement, Quantum Probability, and Quantum Tunneling, phenomena that usually live far beyond what the eye can grasp. Through virtual sculptures, immersive film and data studies, the work translates these systems into something you can feel, move through, and interact with.
Created together with quantum researchers across the UK and originally commissioned by - sound design by
Now presented as part of Quantum Visions – Encounters with Uncertainty (23.08.– ) at, the exhibition opens up the philosophical and societal questions behind quantum principles.
From our knowledge, this artwork is one of the first and few Mixed Reality artworks working with quantum data! - using the Vision Pro -
Pass by if you are around!
#immersiveexpeirence #immersiveart #digitalart #mediaart #xr
Image credit 1:
Image credit 2-4: Franz Wamhof
Nel cuore della Centrale Idroelettrica “A. Pitter” di Malnisio, la scienza incontra l’arte, la luce e il suono in una sinfonia immersiva che parla di futuro, tecnologia e sostenibilità.
💡 Regenerative Symphony è la prima delle mostre che accompagneranno il Malnisio Science Festival 2025: un’installazione permanente visitabile per tutta la durata del festival, che verrà presentata con un opening speciale venerdì 22 novembre.
Realizzata dallo Studio Above&Below e co-commissionata da MEET Digital Culture Center con il supporto di Area Science Park, nell’ambito del progetto europeo S+T+ARTS, l’opera utilizza l’intelligenza artificiale e modelli generativi per trasformare i materiali critici – componenti invisibili ma essenziali delle nostre tecnologie – in una sinfonia visiva e sonora che celebra la bellezza del riuso e la rigenerazione delle risorse.
🎤 Durante l’opening, Marinella Favot, Valentina De Grazia, Francesca Cuturello (Area Science Park) e Perry-James Sugden (Studio Above&Below) racconteranno la storia di una residenza artistica dove la scienza diventa emozione e consapevolezza.
Una sinfonia che si genera, si trasforma e ci fa ascoltare – davvero – il suono del cambiamento.
#MalnisioScienceFestival #REvolution #RegenerativeSymphony #AreaSciencePark #STARTSintheCity
01. Quantum Entanglement
02. Quantum Probability
03. Quantum Tunneling
These three unusual quantum phenomena cannot be witnessed with the naked eye. By using Mixed Reality as a symbolic lens, Quantum Lens aims to open a window to the unseen.
Created in collaboration with leading quantum scientists across the UK, this six-month art & science collaboration invites the public to poetically experience three virtual sculptures alongside immersive film — bridging quantum science, data, storytelling, and immersive art.
Commissioned as part of the International Year of Quantum Science and Technology 2025, this artwork is realized by Studio Above&Below and was envisioned for the public exhibition Cosmic Titans: Art, Science and the Quantum Universe, organized by Lakeside Arts, University of Nottingham. It was a collaborative project produced with the Virtual & Immersive Production Studio and ARTlab Nottingham.
Concept & Development: Studio Above&Below
Technical Development & Programming: Studio Above&Below
Sound design: Einar Fehrholz
CGI support: Axel Schotermann
Opening on Saturday, October 18th — with a reception from 6-9 PM.
This artwork is realized by Studio Above&Below and co-commissioned by MEET Digital Culture Centre with the support of Area Science Park Trieste as part of S+T+ARTS In the City project co-funded by the European Union.
Concept & Design: Studio Above&Below
Production: Studio Above&Below
Computational Programming (AI): Tommaso Rodani, Francesca Cuturello
Sound Design:
What if we re-design our screen devices to serve more than human lifeforms?
The project aims to engage with interspecies realities through Games Engines and AI tools to declare the need of interspecies acknowledgement within our design process and datasets in order to build empathy and purpose for advanced technologies to serve more than human lifeforms.
The research and development included building a custom audio sensor, experimenting with Machine Learning sound classification tools, bioacoustics impacting the virtual landscape, 3d scans and 3d objects of plant species of the local landscape and real time renderings of reactive 3d objects using and.
We collaborated with the local ecological sound designer Yau Fan on the exploration and manifestation of bioacoustics within the local biotop of Marais Wiels in Brussels.
The project was developed under the umbrella of the residency with as our hosting institute.
Credits:
Concept & Design:
Production: Studio Above&Below,
Sound Design: Yau Fan
Videography:
Staging support: Louanne Deltenre
Supported and funded by:,, European Union
#bioacoustics #futureofscreens #morethanhumanlifeforms #nonhumandesign #allplanetdesign
The project is the result of an art and science collaboration between soil scientists, city planners, data analysts and games engine experts exploring themes such as soil sealing, soil biodiversity, and computational Machine Learning simulation systems.
Until the end of February 2023, an iteration of ‘Entangled Landscape’ can be seen in Brussels at DG Connect in one of the buildings, part of the ‘Navigating The Digital Realm' exhibition.
Artistic Direction, Research&Development, Production:
Computational Design support:
Creative Coding support: Three Ten
Sound Design:
Videography: Riccardo Rolandi
Project partners:,,
Research Partners: Nikolaas Boucquey (Howest), Joke Calcoen (Vives), Bart Muys (KULeuven), Jokske Ruytinckx (VUB), Erik Verbrugge (UAntwerpen), Eddy Loosveldt (Natuurpunt), BartVercoutere (Ventures4Growth)
Supported&funded by:
#immersiveexperience #installationart #immersiveinstallation #projection
'Semi-Diurnal Spaces' is a site specific full dome artwork which makes use of local tidal and atmospheric data of South Wales, the Bristol Channel – studying patterns of a natural satellite and its effects on bodies of water.
Locals were invited to experience their close-by waterbody through a meditative environment, connecting to it in a poetic, technological and telepresent way.
Tidal patterns and atmospheric data such as wind and humidity influence a digital NVIDIA FleX particle system in real-time. The site-specific data influences the gravitational forces, fluid viscosity and flow rate within the dome as a body, resulting in a living digital sculpture and AV experience connecting to aspects of the channel itself.
Through visiting the South Wales coastal line and collecting materials as audio visual inspiration, we imagine several handfuls of sand could already surpass the digital particles within the immersive experience, resulting in us challenging the digital immersion as a catalyst to connect with the real.
This project was built using Flex, DEFRA data feed and audiovisual material collected from coastal sites.
Concept and Development: Studio Above&Below,
Computational Development: Studio Above&Below | Perry-James Sugden
Sound Design: Einar Fehrholz
Film and Photography:
Special & technical support: CULTVR Lab | Janire Najera, Matt Wright, Rhys Davies, Mauri Martin, Ieuan Watkins
Funded by: Artscouncil Wales, CultVR
#immersiveexperience #immersiveart #fulldome #fulldomeprojection #projection
Studio Above&Below's engagement
Studio Above&Below's engagement rate on Instagram is 5.16%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 19 followers. An average post collects 284 likes and 6 comments, close to 47 likes for each comment.
Engagement rate
5.16%
- Avg likes
- 284
- Avg comments
- 6
- Interactions : followers
- 1 : 19
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Frequently asked questions
These answers about Studio Above&Below are generated from the Instagram profile data Flinque holds for the account.
Who is Studio Above&Below?
Studio Above&Below (@studioaboveandbelow) is a Technology creator on Instagram, also filed under Tech Reviewer and Tech Review. Studio Above&Below uses an Instagram professional account. The Instagram bio for Studio Above&Below runs to 13 words.
How many followers does Studio Above&Below have?
Studio Above&Below has 5,130 followers on Instagram (5.1K). Studio Above&Below follows 2,249 accounts, so the audience is roughly 2.3 times the size of the list followed. 476 published posts give Studio Above&Below a moderate archive on Instagram.
What is Studio Above&Below's engagement rate?
Studio Above&Below's engagement rate on Instagram is 5.16%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 19 followers. An average post collects 284 likes and 6 comments, close to 47 likes for each comment.
What does Studio Above&Below post about on Instagram?
Flinque files Studio Above&Below under 3 categories, led by Technology and followed by Tech Reviewer and Tech Review. Of the 10 most recent posts shown for Studio Above&Below, 5 are carousels, 3 are videos and 2 are single images. The 10 recent Instagram captions Flinque holds for Studio Above&Below repeatedly use the words design, sound, through, artwork and experience. Studio Above&Below's captions carry hashtags such as #immersiveart, #immersiveexperience and #projection. Studio Above&Below writes those captions mainly in English. Studio Above&Below keeps 8 story highlights, which open with a free Flinque account.
How do I contact Studio Above&Below for a collaboration?
Studio Above&Below's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Studio Above&Below and use Flinque's outreach tools wherever a contact route is on file.
Links
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