New Flinque AI now scores creator authenticity in real time across 4 platforms. See how
Verified on Instagram

Studio Folder

Visual Arts
@studio_folder
Visual design and spatial research studio based in Milano.
  • General Interest
  • Art & DIY
  • Following 1.7K
  • Followers 6.5K
  • Engagement 3.05%
  • Avg comments 6

About Studio Folder

Studio Folder (@studio_folder) is a Visual Arts creator on Instagram, also filed under General Interest and Art & DIY. The account has 6,469 followers and 184 published posts. Recent posts average 195 likes and 6 comments, an engagement rate of 3.05%.

Studio Folder belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Studio Folder follows 1,666 accounts, so the audience is roughly 3.9 times the size of the list followed. Studio Folder is set up as an Instagram business account. Flinque files Studio Folder under 3 categories, led by Visual Arts and followed by General Interest and Art & DIY.

The Instagram bio for Studio Folder runs to 9 words. The latest activity Flinque has on record for Studio Folder dates from January 1970.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

184 Posts

184 published posts give Studio Folder a moderate archive on Instagram. Against the audience, that is roughly 35 followers for each post published. Studio Folder also keeps 9 story highlights on the profile. All 10 carry captions, averaging 177 words each. The captions are written mainly in English. Words that recur across them include exhibition, architecture, design, space and curated. The captions tag #architecture, #atlante, #architettura, #architetturamoderna and #architetturaitaliana.

“10 Viaggi nell’Architettura Italiana” presents the results of the 2019–20 photographic campaign commissioned by the Directorate-General for Contemporary Creativity of Ministry of Culture, and constitutes the second chapter of “Atlante Architettura Italiana”, an attempt to document modern Italian architecture through a series of journeys across the peninsula.
•
Curated by Matteo Balduzzi, Alessandra Cerroti, Luciano Antonino Scuderi / Assistant Curator: Francesca Minetto / Exhibition and visual design: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli, Giulia Brembilla, Roberto Vito D’Amico, Serena Gramaglia, Giulia Tomasi) / Projections by Roberto Arista / Photographs by / Setup by
•
Exhibition photos by and
•
#atlante #architettura #architetturamoderna #architetturaitaliana #photography
“10 Viaggi nell’Architettura Italiana” exhibits a hundred photographic prints selected from more than 3,000 images taken between 2019 and 2020 by ten authors on a survey of Italian post-war architecture. Photographs, spatial data and a collection of intimate notes from the photographers are gathered in the exhibition to let the visitors retrace their journeys across the peninsula. Conceived itself as a travelling archive, the exhibition is designed to be assembled and disassembled without any disposable element—and to be packed into a minimal volume for shipping. An industrial floating floor system has been chosen as the main stage of the show (a cartographic index of the photographers’ itineraries), and determines the module of the custom frames supporting the images. Captions are joined to the frames through neodymium magnets, in order to facilitate curatorial decisions and the reconfiguration of the paths that traverse the installation.
•
“10 Viaggi nell’Architettura Italiana” presents the results of a photographic campaign commissioned by the Directorate-General for Contemporary Creativity of Ministry of Culture. It constitutes the second chapter of “Atlante Architettura Italiana”, an attempt to document modern Italian architecture through the work of emerging architecture and landscape photographers.
•
Curated by Matteo Balduzzi, Alessandra Cerroti, Luciano Antonino Scuderi / Assistant Curator: Francesca Minetto /Exhibition and visual design: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli, Giulia Brembilla, Roberto Vito D’Amico, Serena Gramaglia, Giulia Tomasi) / Projections by Roberto Arista / Photographs by / Setup by
•
Exhibition photos by
•
#atlante #architettura #architetturamoderna #architetturaitaliana #photography
For “10 Viaggi nell’Architettura Italiana”—an exhibition documenting post-1945 Italian architecture through the lenses of ten emerging landscape and architecture photographers—the entire volume of Sala Centrale at Triennale Milano was transformed into an interactive cartographic space. An elevated floor of 400 printed tiles outlines an abstracted topography of Italy, revealing the locations of the architecture documented by the campaign. Each photographic print floats above the map: detached from the walls and supported by slender frames, the images become part of a spatial, three-dimensional archive, replicating and amplifying the photographers’ itineraries across the country. The exhibition design, allowing for multiple paths through the work of the authors, invites visitors to interact with the images while walking, weaving, and stepping into the installation. The architecture and the landscapes are presented in a seemingly endless array of juxtapositions, where the authors’ individual perspectives are brought together in a collective assembly.
•
“10 Viaggi nell’Architettura Italiana” presents the results of the 2019–20 photographic campaign commissioned by the Directorate-General for Contemporary Creativity of Ministry of Culture, and constitutes the second chapter of “Atlante Architettura Italiana”, an attempt to document modern Italian architecture through a series of journeys across the peninsula.
•
Curated by Matteo Balduzzi, Alessandra Cerroti, Luciano Antonino Scuderi / Exhibition and visual design: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli, Giulia Brembilla, Roberto Vito D’Amico, Serena Gramaglia, Giulia Tomasi) / Projections by Roberto Arista / Photographs by / Setup by
•
Exhibition photos by
•
#atlante #architettura #architetturamoderna #architetturaitaliana #photography
Detail shots of “Oceans Rising”, a book designed as a companion reader to the exhibition “Territorial Agency: Oceans in Transformation”, commissioned by TBA21-Academy and presented at Ocean Space in Venice, Italy (August 27–November 29, 2020).
•
Edited by Daniela Zyman featuring a collaboration between and architecture / Graphic design: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli) / Published by / Typeface: Fakt Pro by / Printed by on 100% recycled paper.
•
Still photos by
•
#oceansintransformation #oceanspace #ocean #oceanimagination #tba21
Visual identity and exhibition graphics for “Territorial Agency: Oceans in Transformation”, commissioned by TBA21-Academy and presented at Ocean Space in Venice, Italy (August 27–November 29, 2020).
•
Curated by Daniela Zyman / Assistant Curators:, Eleni Tsopotou / Visual Identity: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli)
•
Exhibition photos by
•
#oceansintransformation #oceanspace #ocean #oceanimagination #tba21
Book design for “Oceans Rising”, a companion reader to the exhibition “Territorial Agency: Oceans in Transformation”, commissioned by TBA21-Academy and presented at Ocean Space in Venice, Italy (August 27–November 29, 2020). The publication collects forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current ecological devastation and to the rapidly changing oceans—alongside a rich visual apparatus that includes the documentation of the exhibition.
•
Edited by Daniela Zyman featuring a collaboration between and architecture / Graphic design: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli) / Published by / Printed by on 100% recycled paper.
•
Satellite imagery: “Territorial Agency: Oceans in Transformation,” Metropolitan Asia, traces of maritime activity cutting across an algal bloom, Yellow Sea. Commissioned by TBA21–Academy. © Territorial Agency. / Still photos by
•
#oceansintransformation #oceanspace #ocean #oceanimagination #tba21
The website for MIARD 2020’s end-of-year show recreates the experience of a physical exhibition through an interactive 360° video shot in Rotterdam’s Stichting Odeon—a formed cinema soon to be demolished. Each student’s work is symbolised by material props and loops which reference to the design strategies of each project, while a tapestry of titles—set in ’s variable Boogie School Sans—provides context and information. The website’s interface and navigation are also replaced by words randomly set in the numerous alternate styles provided by the variable typeface.
•
Focused on process and the search for alternative modes of exhibiting, the website gave the students the possibility to reappropriate their spatial sensibilities in a time of proxy interactions, screen-mediated relationships, and lack of materiality. The alumni had individual access to the physical stage in order to setup their work, following a collective script which organised the space while leaving room for unexpected configurations set in motion by minimal chain reactions.
•
Participating alumni:, Saskia De Fabritiis, Philippa Lorenzen, Ceci Sariol, Mao Zhang/ Exhibition curated by / Graduation Committee Chair: /
•
#miard #interiordesign #graduation #graduationshow #architecture
Website for MIARD 2020’s graduation show, mobile version. An interactive 360° video shot in a Rotterdam’s studio welcomes the visitors into a live diorama where objects, moving images and people populate the space in a status of suspended quiet. Each installation is an assembly of references, symbols, and mundane objects that are set in motion by air flows, liquid spills, glowing projections, and soothing lights. The traditional user interface with cursor and visual navigation is replaced by a series of texts prompting instructions to the visitors, who are invited to discover the space and unveil its possibilities as they would do in a tridimensional space. As they explore the room and linger on the installations, the visitors access each student’s project through fragments—photographs, videos, interactive 3D objects, or micro-HTML environments—that are collected in a personalised notebook, which acts as an evolving memory of their path.
•
Focused on process and the search for alternative modes of exhibiting, the website gave the students the possibility to reappropriate their spatial sensibilities in a time of proxy interactions, screen-mediated relationships, and lack of materiality. The alumni had individual access to the physical stage in order to setup their work, following a collective script which organised the space while leaving room for unexpected configurations set in motion by minimal chain reactions.
•
Design and development: Studio Folder and Angelo Semeraro / Participating alumni:, Saskia De Fabritiis, Philippa Lorenzen, Ceci Sariol, Mao Zhang/ Exhibition curated by / Graduation Committee Chair: / Typeface: Boogie School Sans by /
•
#miard #interiordesign #graduation #graduationshow #architecture
The website for MIARD 2020’s graduation show—inevitably a virtual one due to the ongoing restrictions—is an attempt to blur the boundaries between a physical exhibition and a digital experience, and between the setting up of a show and its opening. An interactive 360° video shot in a Rotterdam’s studio welcomes the visitors into a live diorama where objects, moving images and people populate the space in a status of suspended quiet. Each installation is an assembly of references, symbols, and mundane objects that are set in motion by air flows, liquid spills, glowing projections, and soothing lights. The traditional user interface with cursor and visual navigation is replaced by a series of texts prompting instructions to the visitors, who are invited to discover the space and unveil its possibilities as they would do in a tridimensional space. As they explore the room and linger on the installations, the visitors access each student’s project through fragments—photographs, videos, interactive 3D objects, or micro-HTML environments—that are collected in a personalised notebook, which acts as an evolving memory of their path.
•
Focused on process and the search for alternative modes of exhibiting, the website gave the students the possibility to reappropriate their spatial sensibilities in a time of proxy interactions, screen-mediated relationships, and lack of materiality. The alumni had individual access to the physical stage in order to setup their work, following a collective script which organised the space while leaving room for unexpected configurations set in motion by minimal chain reactions.
•
Design and development: Studio Folder, Angelo Semeraro / Participating alumni:, Saskia De Fabritiis, Philippa Lorenzen, Ceci Sariol, Mao Zhang / Exhibition curated by / Graduation Committee Chair: / Typeface: /
•
#graduation #graduationshow #architecture #interiordesign #architectureschool
“It is flexibility of mind that society needs most of all today. The great challenges we face, from the climate emergency to the housing crisis, the rise of the right to global pandemics, are defined by their interconnectedness and by change. They cannot be solved with the old processes, but require new forms of thinking and working, combining a planetary consciousness with a responsible humanism that respects and enables local expertise.”
•
“Architects After Architecture: Alternative Pathways to Practice” tells the stories of forty practitioners who stretched the boundaries of their discipline either from the inside (PLUS), or who went BEYOND them, in order to apply their skills in other fields. Twenty-six themes further articulate the case studies selected for the book, as a way to map the territory of architecture beyond its professional horizon.
•
Edited by Harriet Harriss, Rory Hyde, Roberta Marcaccio / Design: Studio Folder (Marco Ferrari, Elisa Pasqual, Letizia Bernardelli) / Published by / With contributions by: Jeremy Till,,,,,,,,,,,,,,,,,,, #studiofolder,,,,,,,,,
•
#architectsafterarchitecture #architecture #architecturelovers #architecturestudent

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

Studio Folder's engagement

Studio Folder's engagement rate on Instagram is 3.05%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 33 followers. An average post collects 195 likes and 6 comments, close to 33 likes for each comment.

Engagement rate

3.05%

Avg likes
195
Avg comments
6
Interactions : followers
1 : 33

Lookalike Creators

A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.

Age & Gender

Unlocking shows how this audience splits across age bands and gender, charted from follower data.

Audience Location

Unlocking reveals the countries and cities where the most active followers of this account are concentrated.

Primary Language

Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.

Audience Interests

Unlocking lists the topics and categories this audience follows and engages with most often across the platform.

Authenticity

Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.

Audience Quality Score

Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.

Brand Affinity

Unlocking names the brands this audience already follows, mentions or engages with across social platforms.

Content Strategy

Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.

Commercial Insights

Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.

Industry Fit

Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.

Research Studio Folder further

Flinque ranks Instagram creators in Art & DIY, categories Studio Folder is filed under, and its free tools measure the same figures for any public account.

Related rankings

Top Instagram Art & DIY creators

Tools and directories

Find Instagram influencers on Flinque Instagram engagement rate calculator Instagram fake follower checker Instagram lookalike finder

Frequently asked questions

These answers about Studio Folder are generated from the Instagram profile data Flinque holds for the account.

Who is Studio Folder?

Studio Folder (@studio_folder) is a Visual Arts creator on Instagram, also filed under General Interest and Art & DIY. Studio Folder is set up as an Instagram business account. The Instagram bio for Studio Folder runs to 9 words.

How many followers does Studio Folder have?

Studio Folder has 6,469 followers on Instagram (6.5K). Studio Folder follows 1,666 accounts, so the audience is roughly 3.9 times the size of the list followed. 184 published posts give Studio Folder a moderate archive on Instagram.

What is Studio Folder's engagement rate?

Studio Folder's engagement rate on Instagram is 3.05%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 33 followers. An average post collects 195 likes and 6 comments, close to 33 likes for each comment.

What does Studio Folder post about on Instagram?

Flinque files Studio Folder under 3 categories, led by Visual Arts and followed by General Interest and Art & DIY. The 10 recent Instagram captions Flinque holds for Studio Folder repeatedly use the words exhibition, architecture, design, space and curated. Studio Folder's captions carry hashtags such as #architecture, #atlante and #architettura. Studio Folder writes those captions mainly in English. Studio Folder keeps 9 story highlights, which open with a free Flinque account.

How do I contact Studio Folder for a collaboration?

Studio Folder's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Studio Folder and use Flinque's outreach tools wherever a contact route is on file.

Studio Folder's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

Instagram profile ↗

Public profile data sourced from Instagram. Flinque is not affiliated with Studio Folder.

Unlock Studio Folder's audience data