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S I M O N H A M U I

Interior Design Studio
@simonhamui
Interior Design & Custom Furniture Mexico City | Los Angeles | Working Worldwide AD100 | Latam | 2024 | 2025 SHS | 520 E Hyman Ave. Aspen, CO 81611
  • Home & Decor
  • Following 1.5K
  • Followers 16.4K
  • Engagement 2.15%
  • Avg comments 17

About S I M O N H A M U I

S I M O N H A M U I (@simonhamui) is an Interior Design Studio creator on Instagram, also filed under Home & Decor. The account has 16,441 followers and 163 published posts. Recent posts average 312 likes and 17 comments, an engagement rate of 2.15%.

With 16.4K followers, S I M O N H A M U I is a micro creator by the common 10,000 to 100,000 definition. S I M O N H A M U I follows 1,468 accounts, so the audience is roughly 11 times the size of the list followed. S I M O N H A M U I is set up as an Instagram business account. Flinque files S I M O N H A M U I under Interior Design Studio, with Home & Decor as a secondary category.

The Instagram bio for S I M O N H A M U I runs to 22 words across 4 lines. The latest activity Flinque has on record for S I M O N H A M U I dates from May 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

163 Posts

Of the 10 most recent posts shown for S I M O N H A M U I, 9 are carousels and 1 is a video. That mix leans toward carousels. 163 published posts give S I M O N H A M U I a moderate archive on Instagram. Against the audience, that is roughly 101 followers for each post published. S I M O N H A M U I also keeps 7 story highlights on the profile. All 10 carry captions, averaging 117 words each. Words that recur across them include through, shared, space, simon and hamui. The captions tag #ad100.

Variations on Non-Euclidean (Miss Expanding Universe) — A Bibliography | A collaboration between artist Edgar Orlaineta and designer Simon Hamui, composed of the Ruth Lounge Chair, the Red Shift Table, and the Miss Expanding Universe bookcase, the collection traces a constellation of references across architecture, dance, and sculpture.

At its center is the figure of Ruth Page, the avant-garde dancer and choreographer whose work with Isamu Noguchi gave form to Miss Expanding Universe — a 1932 aluminum sculpture and performance object that blurred the boundaries between body, movement, and spatial construction.

The series also draws from the image of Page inhabiting a steel house by architect Howard T. Fisher, opening a speculative field where furniture becomes a way to think through choreography, structure, and cultural memory.

More than an exercise in form, the collaboration reflects a shared understanding of making — where craftsmanship, material knowledge, and artistic research operate as part of the same process.

x Simon Hamui Studio

On view as part of Proximity & Interaction as a Spatial Practice at K’AB JUUN, NYC, through June 25.
38 Little West 12th St.
New York, NY 10014
ALMA | SH × K’AB JUUN | NYC 2026

Conceived as a spatial focal point for listening, gathering, and exchange.

Presented as part of Proximity & Interaction at

On view through June 25.
Before music became something we carried in our pockets, it occupied a place within the room.

People gathered around it. Conversations formed around it. Listening was a shared experience.

Named after Alma Schindler, later known as Alma Mahler, whose gatherings brought together composers, architects, painters, writers, and intellectuals through music, ALMA draws from that same condition: sound as a catalyst for presence, exchange, and connection.

Designed as a freestanding musical console to be approached from all sides, ALMA projects sound both forward and backward, extending evenly into the surrounding space and dissolving the conventional frontality of listening. Positioned at the center of a room, it transforms the console from a peripheral device into a spatial anchor.

Developed through Simon Hamui Studio’s integrated workshop, the piece combines Bubble Onyx, walnut, glass, aluminum, brass, and high-fidelity audio engineering within a single architectural composition.
Beneath its material expression lies a concealed acoustic system calibrated through extensive testing, integrating custom-developed acoustic solutions within its architecture.

The turntable remains visible within the composition, reinforcing listening as an intentional act.
ALMA reconsiders the role of the musical console itself—not as a device placed within a room, but as an object capable of organizing attention, movement, and human interaction through sound.

Extended Through June 25
New York, NY
38 Little West 12th St.
Spa at P14 began as a focused intervention within the spa of a residential complex in Mexico City, and grew into a wider opportunity to reconsider how a shared wellness space could shape the identity of the building itself.

The entrance became a key moment within that transformation, setting a new tone for the amenities through a calmer, more contemporary language.

Corteza, a wooden sculpture by César Núñez, acts as a focal element within the composition. The arrival sequence was conceived with water elements, tonal piedrín surfaces, a restrained palette of huanacaxtle wood, hiroco veneer, soft coral-toned plaster, and light tactile flooring.

Together, these materials create an atmosphere that feels grounded, serene, and quietly distinguished.

Photography:
Proximity & Interaction | NYC

Simon Hamui Studio presents a selection of works from its collection at New York. The exhibition is organized around the reintroduction of listening as a shared ritual. At its center is a newly introduced music console — ALMA — from which sound is projected both forward and backward, extending into the surrounding space. The piece recalls a condition in which music structures domestic environments, organizing attention and establishing a common point of focus.

Also included are works developed in collaboration with artist as part of Variations on Non-Euclidean, referencing the work of Isamu Noguchi and Ruth Page’s avant-garde dance practice. These works extend the exhibition’s central premise beyond sound, introducing movement as a structuring element within space. If the console organizes the act of listening, the pieces introduce choreography as a parallel structure, linking sound, movement, and form within a unified composition.

Featuring collaborations with Edgar Orlaineta, René Bouchara, César Núñez, and Emmanuel Picault.

On view through June 10.
38 Little West 12th St.
New York, NY 10014



Opening cocktail | May 20, 2026 | 6pm
By RSVP only:



Photography:
Opening May 12 in New York | Proximity & Interaction as a Spatial Practice brings together a series of works arranged as a spatial composition, where sound, movement, and material presence shape a shared experience. Centered on a musical console, the exhibition explores how objects are perceived and understood through use, proximity, and time.

Featuring works in collaboration with Edgar Orlaineta, René Bouchara, César Núñez, and Emmanuel Picault.

Presented at K’ab Juun Gallery |
38 Little West 12th St.
New York, NY 10014

On view through June 10.



Opening cocktail

May 20th, 2026
6 pm

By RSVP only
Spa at P14 — The women’s area includes a beauty salon, where wood paneling, stone surfaces, and upholstered elements define the space. Mirrors, storage, and work surfaces are integrated directly into the millwork, organizing each station through fixed positions and built-in elements.

Lighting combines concealed sources with direct task illumination, providing even, functional light across the room. The space is resolved through its layout, materials, and lighting working together.

Photography:
Art: Developed by SH studio artists
Inside SH Space, the studio’s work is presented alongside a selection of objects, furniture, and references that reflect Simon Hamui’s personal perspective as a designer, a sensibility that has been absorbed and developed into the shared language of the studio. The space brings together pieces from the SH Collection, custom elements, collaborations, and collected works, including chairs, artworks, and images that inform this evolving vocabulary. It reflects a way of working shaped over time, where materials such as stone, metal, glass, and wood are explored with depth to create a meaningful visual and tactile experience.

Simon Hamui Space | 520 W Hyman Ave. Aspen Co.

Photography:
Es un honor ser parte del Salón de la Fama en #AD100 2026.

Este año agradecemos profundamente el trabajo de cada persona dentro de Simon Hamui Studio. Todos somos pieza clave para formar parte de este reconocimiento.

Muy orgullosos de compartir esta selección junto con nuestros aliados creativos dentro de la industria.

Muchas gracias 🤎
Gracias por este reconocimiento y felicidades por su vigésimo aniversario.

Estamos sumamente orgullosos de cada una de las personas que conforman nuestro gran equipo. Gracias a nuestros artesanos en taller y a todos en el estudio — esto es un logro colectivo.

Felicidades a los increíbles equipos que formaron parte de este proyecto. Cada unos de ustedes es maestro en su oficio, y la colaboración entre todos hizo de este proyecto un éxito.

Interiorismo, carpintería y mobiliario sobre diseño:
Arquitectura:
Constructor:
Diseño de iluminación:
Paisajismo:
Fotografía:

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

S I M O N H A M U I's engagement

S I M O N H A M U I's engagement rate on Instagram is 2.15%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 47 followers. An average post collects 312 likes and 17 comments, close to 18 likes for each comment.

Engagement rate

2.15%

Avg likes
312
Avg comments
17
Interactions : followers
1 : 47

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Research S I M O N H A M U I further

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Frequently asked questions

These answers about S I M O N H A M U I are generated from the Instagram profile data Flinque holds for the account.

Who is S I M O N H A M U I?

S I M O N H A M U I (@simonhamui) is an Interior Design Studio creator on Instagram, also filed under Home & Decor. S I M O N H A M U I is set up as an Instagram business account. The Instagram bio for S I M O N H A M U I runs to 22 words across 4 lines.

How many followers does S I M O N H A M U I have?

S I M O N H A M U I has 16,441 followers on Instagram (16.4K). S I M O N H A M U I follows 1,468 accounts, so the audience is roughly 11 times the size of the list followed. 163 published posts give S I M O N H A M U I a moderate archive on Instagram.

What is S I M O N H A M U I's engagement rate?

S I M O N H A M U I's engagement rate on Instagram is 2.15%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 47 followers. An average post collects 312 likes and 17 comments, close to 18 likes for each comment.

What does S I M O N H A M U I post about on Instagram?

Flinque files S I M O N H A M U I under Interior Design Studio, with Home & Decor as a secondary category. Of the 10 most recent posts shown for S I M O N H A M U I, 9 are carousels and 1 is a video. The 10 recent Instagram captions Flinque holds for S I M O N H A M U I repeatedly use the words through, shared, space, simon and hamui. S I M O N H A M U I's captions carry hashtags such as #ad100. S I M O N H A M U I keeps 7 story highlights, which open with a free Flinque account.

How do I contact S I M O N H A M U I for a collaboration?

S I M O N H A M U I's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist S I M O N H A M U I and use Flinque's outreach tools wherever a contact route is on file.

S I M O N H A M U I's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

Public profile data sourced from Instagram. Flinque is not affiliated with S I M O N H A M U I.

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