- Following 2.4K
- Followers 15.1K
- Engagement 8.46%
- Avg likes 1.5K
- Avg comments 1
About SEA Foundation
SEA Foundation (@seafoundationtilburg) is an Art creator on Instagram, also filed under Art & DIY. The account has 15,105 followers and 1,074 published posts. Recent posts average 1,531 likes and 1 comment, an engagement rate of 8.46%.
With 15.1K followers, SEA Foundation is a micro creator by the common 10,000 to 100,000 definition. SEA Foundation follows 2,403 accounts, so the audience is roughly 6.3 times the size of the list followed. SEA Foundation is set up as an Instagram business account. Flinque files SEA Foundation under Art, with Art & DIY as a secondary category.
The Instagram bio for SEA Foundation runs to 9 words across 2 lines. The bio tags #seafoundationtilburg. The latest activity Flinque has on record for SEA Foundation dates from April 2025.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,074 Posts
Of the 10 most recent posts shown for SEA Foundation, 7 are single images and 3 are carousels. That mix leans toward single images. SEA Foundation has built a substantial archive of 1,074 posts. Against the audience, that is roughly 14 followers for each post published. SEA Foundation also keeps 18 story highlights on the profile. All 10 carry captions, averaging 159 words each. The captions are written mainly in English. Words that recur across them include design, april, odapark, through and curated. The captions tag #contemporaryart, #imprintsandbreadcrumbs, #memoryandmateriality, #odapark and #seafoundation.
✨ In the exhibition 𝘐𝘮𝘱𝘳𝘪𝘯𝘵𝘴 & 𝘉𝘳𝘦𝘢𝘥𝘤𝘳𝘶𝘮𝘣𝘴 we invite the audience to step into a dialogue with the objects they encounter. De artworks each relate to the corporeality of memory in different ways. The physical form is approached from various angles by artists, and.
✨The title refers to how the materiality of a memory moves through time; on the one hand, memories may fade quickly as fleeting moments that exist only in themselves, while on the other, they can leave traces that endure for generations. The title also highlights the possibility for the physical form of a memory to be either crafted by human hands or to serve as a direct imprint of the moment itself. These imprints leave our mark on the world, visualizing the traces we leave behind. Above all, the title points to a duality in transience: clinging or letting go, persistence versus decay, remembering or forgetting.
🧾Get yourself a publication to read the full essay written by curator of the exhibition
Curated by
Graphic design, custom lettering, and illustrations by
🗓️ Exhibition Details
📍 Venue: Odapark, Merseloseweg 117, Venray
📅 Dates: 25 January 2025 - 21 April 2025
Supported by Mondriaan Fonds, Provincie Limburg, Gemeente Venray, Culture Ireland and Gemeente Tilburg.
#ImprintsAndBreadcrumbs #ContemporaryArt #MemoryAndMateriality #Odapark #SEAFoundation
📆zaterdag 19 april 15.00
📆zondag 20 april 15.30
👨💻 Meer informatie op de website van Odapark
🐦⬛ Reza Mirabi will perform 𝘈 𝘝𝘦𝘳𝘺 𝘓𝘢𝘴𝘵 𝘚𝘰𝘯𝘨 this Saturday and Sunday at Odapark during the finissage of 𝘐𝘮𝘱𝘳𝘪𝘯𝘵𝘴 & 𝘉𝘳𝘦𝘢𝘥𝘤𝘳𝘶𝘮𝘣𝘴.
📆Saturday 19 April 15.00
📆Sunday 20 April 15.30
👨💻 More information through Odaparks website
🎻Cello: Sheng-Chiun Lin
🎥Video: Maria Pisiou
Images: filmstills video by Maria Pisiou
Curated by
#aVeryLastSong #ImprintsBreadcrumbs #odpark #seafoundation #materialmemory
📆On Saturday 19th of April at 15:00 and Sunday 20th of April at 15:30, will perform 𝘈 𝘝𝘦𝘳𝘺 𝘓𝘢𝘴𝘵 𝘚𝘰𝘯𝘨.
✨ ‘A Very Last Song’ is a performance installation born from a 1997 field recording: the final bird of its kind—a male ʻōʻō—singing a love song that will never be answered.
✨From this moment of extinction, seven stories unfold together—mythical, ecological, personal, and scientific—tracing fragile threads between humans and birds. At its core, A Very Last Song asks: What if birds are messengers of the unsayable? What if their songs are invitations—to remember, to feel, to reimagine our kinship with each other and our damaged, beloved Earth?
Curated by
Performance ‘A Very Last Song’ by Reza Mirabi
🎻Cello: Sheng-Chiun Lin
🎥Video: Maria Pisiou
🗓️ Performance Details
📍 Venue: Odapark, Merseloseweg 117, Venray
📅 Dates: 19 April 15:00, 21 April 15:30
#aVeryLastSong #ImprintsAndBreadcrumbs #ContemporaryArt #MemoryAndMateriality #Odapark
💬 The text weaves together fragments from emails and letters leading up to his grandparents’ passing, reflecting on how memories are shaped collectively through shared narratives.
🧩 Fransisca Angela will connect Shimoda’s exploration of memory to her own work on grief, identity, and collective consciousness.
✨ Join us for an intimate conversation on how storytelling helps us relate to one another through loss and remembrance.
📅 27 February 2025, from 7 to 8 pm CEST
📍, Tolstraat 160, Amsterdam or online — Sign-up link in bio ☝️
🎙️ Moderated by
🎨 Design by
#ReadingGroup #Fold12 #EveningOracle #BrandonShimoda
🧩 She explores human stories connected to place, the in-between, and collective memory, inviting us to reimagine realities amidst loss and adversity.
💭 Through personal narratives, Fransisca creates space for collective consciousness, fostering storytelling and conversation.
🏛️ She is currently a resident artist at the Rijksakademie van beeldende kunsten in Amsterdam.
✨ Discover her perspective on grief and memory at the upcoming fold #12 reading session.
📅 27 February 2025, from 7 to 8 pm CEST
📍, Tolstraat 160, Amsterdam or online — Sign-up link in bio ☝️
🎙 Moderated by
🎨 Design by
#FransiscaAngela #Fold12 #CollectiveMemory #ContemporaryArt
📖 This session explores an excerpt from Evening Oracle by Brandon Shimoda, a poetic reflection on grief and memory, handwritten at night before sleep.
💭 Fransisca will relate the text to her own work, reflecting on themes of grief, identity, and collective memory.
📅 27 February 2025, from 7 to 8 pm CEST
📍, Tolstraat 160, Amsterdam or online — Sign-up link in bio ☝️
🎙️ Moderated by
🎨 Design by
#ReadingGroup #Fold12 #MemoryInArt #FransiscaAngela
25 January – 21 April 2025
🪨 In the corridor that leads to the second gallery space you can find Farrington's site-sensitive [y] thin section (scattered glance). This alteration of the passage in Odapark borrows from geological field-sampling and appears as an enlarged ‘thin section’. Thin sections are used in geology as sampling methods: a thin film of stone is mounted onto a glass slide to facilitate imaging.
[y] thin section (scattered glance) depicts microscopic images of soapstone, a material also used in Farrington's installation in the main gallery. Soapstone is traditionally associated with sculpture, having been used as a carving medium for thousands of years due to its soft, chalky properties, and as a mold for casting metals due to its heat resistance. Through making the passageway into an immersive thin section, the audience can almost become part of the code of the matter.
Image [y] thin section (scattered glance)
Pictures by Moniek Op den Camp
Curated by Julia Fidder
IG design by Marina Menéndez-Pidal
🗓️ Exhibition Details
📍 Venue: Odapark, Merseloseweg 117, Venray
📅 Dates: 25 January 2025 - 21 April 2025
Supported by Mondriaan Fonds, Provincie Limburg, Gemeente Venray, Culture Ireland and Gemeente Tilburg.
#ImprintsAndBreadcrumbs #ContemporaryArt #MemoryAndMateriality #Odapark #SEAFoundation
25 January – 21 April 2025
➡LO (Physical Education) captures a moment that three people experienced together, sitting on a bench in the countryside. A real bench is also included in the exhibition space, inviting the visitors to take a seat. This piece of furniture was designed by Just Quist’s father, Wim Quist. The object, which is closely tied to Quist’s memory, shows an intergenerational thread, marked by a physical artifact passed down through time. Yet beyond the personal memory, Just Quist notes: “At the same time, the bench was designed as a museum bench, and in that sense, it refers to the institutional setting in which art continuously engages with its canonical construction of memories. But, of course, the image is also just Très drôle.”
Work by Just Quist, LO (Lichamelijke Opvoeding), P.E. (Physical Education) 2025, ready made c-print on forex on dibond. BQ01 bank Wim Quist.
Second image Monocle, 2025, stainless steel, sand 20 x 30 x 30 cm as part of LO
Pictures by Moniek Op den Camp
Curated by Julia Fidder
IG design by Marina Menéndez-Pidal
🗓️ Exhibition Details
📍 Venue: Odapark, Merseloseweg 117, Venray
📅 Dates: 25 January 2025 - 21 April 2025
Supported by Mondriaan Fonds, Provincie Limburg, Gemeente Venray, Culture Ireland and Gemeente Tilburg.
#ImprintsAndBreadcrumbs #ContemporaryArt #MemoryAndMateriality #Odapark #SEAFoundation
25 January – 21 April 2025
🪨 A landscape is never done; it remains in flux, it moves, is built up and broken down again. But how visible are these changes? And how rapidly is the world around us re-shaped? believes that a site is emergent and intrinsically partial, the fragments of the landscape can develop, move, grow, be grouped, deconstructed, be added or extinguished separately from each other, making overall transformation possible. The landscape becomes a temporal element. In her work, Farrington digs deeper into the concepts of landscape and memory, focusing on the intersection of the two.
Image The hand, the land, and dormant images
Pictures by Moniek Op den Camp
Curated by Julia Fidder
IG design by Marina Menéndez-Pidal
🗓️ Exhibition Details
📍 Venue: Odapark, Merseloseweg 117, Venray
📅 Dates: 25 January 2025 - 21 April 2025
Supported by Mondriaan Fonds, Provincie Limburg, Gemeente Venray, Culture Ireland and Gemeente Tilburg.
#ImprintsAndBreadcrumbs #ContemporaryArt #MemoryAndMateriality #Odapark #SEAFoundation
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25 January – 21 April 2025
⠀⠀⠀⠀⠀⠀⠀⠀⠀
🧱 A history is always made up of a plurality of events. By looking at the places and architectural reminiscences tied to these histories, conceives a sensitive and non-discursive archive throughout his oeuvre. In this accumulation of impressions and memories of sites, we can see how Daubanes moves seamlessly between fact and fiction, deploys narrative and documentation strategies through employing archival work and storytelling.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
First image Calepinage, prison militaire de Montluc
Second image Ergonomie de la révolte
Pictures by Moniek Op den Camp
Curated by Julia Fidder
IG design by Marina Menéndez-Pidal
⠀⠀⠀⠀⠀⠀⠀⠀⠀
🗓️ Exhibition Details
📍 Venue: Odapark, Merseloseweg 117, Venray
📅 Dates: 25 January 2025 - 20 April 2025
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Supported by Mondriaan Fonds, Provincie Limburg, Gemeente Venray, Culture Ireland and Gemeente Tilburg.
⠀⠀⠀⠀⠀⠀⠀⠀⠀
#ImprintsAndBreadcrumbs #ContemporaryArt #MemoryAndMateriality #Odapark #SEAFoundation
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SEA Foundation's engagement
SEA Foundation's engagement rate on Instagram is 8.46%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 12 followers. Likes outnumber comments by roughly 1,531 to 1, with 1,531 likes and 1 comment on an average post, so most reactions are taps rather than replies.
Engagement rate
8.46%
- Avg likes
- 1.5K
- Avg comments
- 1
- Interactions : followers
- 1 : 12
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Frequently asked questions
These answers about SEA Foundation are generated from the Instagram profile data Flinque holds for the account.
Who is SEA Foundation?
SEA Foundation (@seafoundationtilburg) is an Art creator on Instagram, also filed under Art & DIY. SEA Foundation is set up as an Instagram business account. The Instagram bio for SEA Foundation runs to 9 words across 2 lines.
How many followers does SEA Foundation have?
SEA Foundation has 15,105 followers on Instagram (15.1K). SEA Foundation follows 2,403 accounts, so the audience is roughly 6.3 times the size of the list followed. SEA Foundation has built a substantial archive of 1,074 posts.
What is SEA Foundation's engagement rate?
SEA Foundation's engagement rate on Instagram is 8.46%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 12 followers. Likes outnumber comments by roughly 1,531 to 1, with 1,531 likes and 1 comment on an average post, so most reactions are taps rather than replies.
What does SEA Foundation post about on Instagram?
Flinque files SEA Foundation under Art, with Art & DIY as a secondary category. Of the 10 most recent posts shown for SEA Foundation, 7 are single images and 3 are carousels. The 10 recent Instagram captions Flinque holds for SEA Foundation repeatedly use the words design, april, odapark, through and curated. SEA Foundation's captions carry hashtags such as #contemporaryart, #imprintsandbreadcrumbs and #memoryandmateriality. SEA Foundation writes those captions mainly in English. The bio tags #seafoundationtilburg. SEA Foundation keeps 18 story highlights, which open with a free Flinque account.
How do I contact SEA Foundation for a collaboration?
SEA Foundation's contact details are not published on Flinque's public profile. The Instagram bio links to 2 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist SEA Foundation and use Flinque's outreach tools wherever a contact route is on file.
Links
SEA Foundation's own Instagram profile is the one outbound link Flinque publishes for the account, and the 2 bio links open after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with SEA Foundation.