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Robert Morat (@robertmorat), Instagram profile photo
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Robert Morat

Education & Career
@robertmorat
Robert Morat Galerie Contemporary Photography Linienstr. 107, 10115 Berlin, Tue-Sat 12-6pm Currently: Andrea Grützner ARKADIA May 22 - July 18
  • Following 3.9K
  • Followers 16K
  • Engagement 0.97%
  • Avg comments 3

About Robert Morat

Robert Morat (@robertmorat) is an Education & Career creator on Instagram. The account has 16,033 followers and 1,393 published posts. Recent posts average 126 likes and 3 comments, an engagement rate of 0.97%.

With 16K followers, Robert Morat is a micro creator by the common 10,000 to 100,000 definition. Robert Morat follows 3,881 accounts, so the audience is roughly 4.1 times the size of the list followed. Robert Morat carries Instagram's verified badge. Flinque files Robert Morat under a single category, Education & Career.

The Instagram bio for Robert Morat runs to 20 words across 5 lines. The latest activity Flinque has on record for Robert Morat dates from May 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

1,393 Posts

Of the 10 most recent posts shown for Robert Morat, 7 are single images and 3 are carousels. That mix leans toward single images. Robert Morat has built a substantial archive of 1,393 posts. Against the audience, that is roughly 12 followers for each post published. Robert Morat also keeps 4 story highlights on the profile. All 10 carry captions, averaging 159 words each. The captions are written mainly in English. Words that recur across them include work, works, berlin, through and internationally. The captions tag #artdüsseldorf, #bernhardfuchs and #hauslangehausesters.

A walk through our current exhibition, Andrea Grützner’s ARKADIA! For this series of works, photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements.

This result are psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

Andrea Grützner (*1984) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work is exhibited and published internationally. She lives and works in Dresden.

📸:
very happy to have photographs by gallery artist included in a new group show at alongside sculptural works by and paintings by

Thank you to Julie and Udo for hosting such a beautiful, sunny afternoon opening reception last Sunday and to Julia Rosenbaum for an inspiring, in-depth artist talk! Should you be in the area, don‘t miss the show! And if you are not in the area, then make it an excursion: is a 1.5 hrs drive from Berlin, good restaurants and lake side swimming spots are nearby - it‘s a good way to spend a free day this summer!
OPENING Thursday, May 21 at 6pm: Andrea Grützner’s ARKADIA! For this series of works, photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements. This produces psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

The photographs are taken in the Neukladow Estate Park on the Havel near Berlin, once the site of Johannes Guthmann’s Musenhof. Guthmann — an art historian, writer, and collector — established the estate as a retreat and salon for figures from Berlin’s early twentieth-century cultural scene. Among them was Max Slevogt, whose luminous, atmospheric paintings celebrated nature through ideals of classical beauty translated into the language of Impressionism. Together, Guthmann and Slevogt cultivated an almost mythic image of Neukladow in their conversations and writings, describing the landscape in exaggerated Arcadian terms — as the Garden of Eden, an earthly paradise, or Arcadia itself.

Andrea Grützner’s work explores how we see and feel spaces, where time appears as traces, layers, and shifting atmospheres. Working mainly with photography, she creates images that move between documentation, abstraction, and transformation. Her work is guided by questions of memory, orientation, and the instability of fixed realities, where familiar spaces slowly begin to shift and change.

A key impulse for Arkadia was her participation in the Pleinair Symposium of the Sommerakademie Neukladow in 2022.

After studying communication design in Konstanz, Andrea Grützner (*1984 in Pirna, GDR) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work has been shown internationally in solo and group exhibitions. She received the Stiftung Kunstfonds working grant in 2024, during which she continued developing Arkadia. She lives and works in Dresden.
OPENING Thursday, May 21 at 6pm: Andrea Grützner’s ARKADIA! For this series of works, photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements. This produces psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

The photographs are taken in the Neukladow Estate Park on the Havel near Berlin, once the site of Johannes Guthmann’s Musenhof. Guthmann — an art historian, writer, and collector — established the estate as a retreat and salon for figures from Berlin’s early twentieth-century cultural scene. Among them was Max Slevogt, whose luminous, atmospheric paintings celebrated nature through ideals of classical beauty translated into the language of Impressionism. Together, Guthmann and Slevogt cultivated an almost mythic image of Neukladow in their conversations and writings, describing the landscape in exaggerated Arcadian terms — as the Garden of Eden, an earthly paradise, or Arcadia itself.

Andrea Grützner’s work explores how we see and feel spaces, where time appears as traces, layers, and shifting atmospheres. Working mainly with photography, she creates images that move between documentation, abstraction, and transformation. Her work is guided by questions of memory, orientation, and the instability of fixed realities, where familiar spaces slowly begin to shift and change.

A key impulse for Arkadia was her participation in the Pleinair Symposium of the Sommerakademie Neukladow in 2022.

After studying communication design in Konstanz, Andrea Grützner (*1984 in Pirna, GDR) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work has been shown internationally in solo and group exhibitions. She received the Stiftung Kunstfonds working grant in 2024, during which she continued developing Arkadia. She lives and works in Dresden.
OPENING Thursday, May 21 at 6pm: Andrea Grützner’s ARKADIA! For this series of works, photographs details of a park meadow together with transparent dichroic film placed among dry blades of grass and other plant elements. This produces psychedelically tinged image compositions whose luminous streaks of color evoke iridescent liquids, tropical heat, or hallucinatory landscapes. At times, the images appear almost artificially generated. Within them, alongside real insects, chimera-like forms emerge, suggesting animals and mythical creatures.

The photographs are taken in the Neukladow Estate Park on the Havel near Berlin, once the site of Johannes Guthmann’s Musenhof. Guthmann — an art historian, writer, and collector — established the estate as a retreat and salon for figures from Berlin’s early twentieth-century cultural scene. Among them was Max Slevogt, whose luminous, atmospheric paintings celebrated nature through ideals of classical beauty translated into the language of Impressionism. Together, Guthmann and Slevogt cultivated an almost mythic image of Neukladow in their conversations and writings, describing the landscape in exaggerated Arcadian terms — as the Garden of Eden, an earthly paradise, or Arcadia itself.

Andrea Grützner’s work explores how we see and feel spaces, where time appears as traces, layers, and shifting atmospheres. Working mainly with photography, she creates images that move between documentation, abstraction, and transformation. Her work is guided by questions of memory, orientation, and the instability of fixed realities, where familiar spaces slowly begin to shift and change.

A key impulse for Arkadia was her participation in the Pleinair Symposium of the Sommerakademie Neukladow in 2022.

After studying communication design in Konstanz, Andrea Grützner (*1984 in Pirna, GDR) completed a master’s degree in Photography and Media at Bielefeld University of Applied Sciences. Her work has been shown internationally in solo and group exhibitions. She received the Stiftung Kunstfonds working grant in 2024, during which she continued developing Arkadia. She lives and works in Dresden.
After a very busy Berlin Gallery Weekend, Ron Jude and Joachim Brohm‘s joint exhibition of „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“ continues and runs until May 16!

The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

📷:
The Morat Collection, in large parts now on permanent loan to the municipal museums of our hometown in Freiburg, is online with a new website! To find out more about my parents’ work in their foundation and the collection the family has built over the past 60 years, please go to (link in bio!)
Ron Jude + Joachim Brohm „The Same is Dissimilar, the Different Similar / Das Gleiche ist anders, das Andere ist gleich“ continues at our Berlin gallery. The exhibition looks at the early work of two internationally renowned photographers – and friends: Joachim Brohm and Ron Jude. Although both artists developed in very different contexts – Brohm in post-war Germany and Jude in the rural western USA – their works from the 1990s overlap stylistically through a clear, unemotional view of everyday spaces.

📷:
back in Berlin after a busy, exhausting, successful, happy week at Art Düsseldorf! We want to thank everyone who came by the booth for their enthusiastic response to Alina Frieske‘s work. We want to thank the collectors and clients, obviously, who made last week a great success. We want to thank Alina, who just joined the gallery, for trusting us with her work. And we want to thank Gilles and the entire team at Art Düsseldorf, who managed to put together an amazing fair. Selecting a good group of exhibitors is one thing, creating an optimistic, upbeat vibe is something else entirely. Great job! Thank you!

We are now catching our breath and prepare for Gallery Weekend Berlin! So see you at the gallery very soon!

#artdüsseldorf
At the iconic Haus Lange in Krefeld today to attend the opening of gallery artist Bernhard Fuchs‘ exhibition of „Hayloft“. We have exhibited the work at Paris Photo last year, Koenig Books have published a beautiful book to the series and it is wonderful to now see it exhibited in Mies van der Rohe‘s stunning architecture, curated by Sylvia Martin.

The neighboring Haus Estes houses a fantastic large scale show for multidisciplinary artist Acaye Kerunen from Uganda. Both exhibitions are worth the trip to Krefeld! Highly recommended!

#bernhardfuchs #hauslangehausesters

📷: Haus Lange Haus Estes /

Robert Morat's engagement

Robert Morat's engagement rate on Instagram is 0.97%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 103 followers. An average post collects 126 likes and 3 comments, close to 42 likes for each comment.

Engagement rate

0.97%

Avg likes
126
Avg comments
3
Interactions : followers
1 : 103

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Frequently asked questions

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Who is Robert Morat?

Robert Morat (@robertmorat) is an Education & Career creator on Instagram. Robert Morat carries Instagram's verified badge. The Instagram bio for Robert Morat runs to 20 words across 5 lines.

How many followers does Robert Morat have?

Robert Morat has 16,033 followers on Instagram (16K). Robert Morat follows 3,881 accounts, so the audience is roughly 4.1 times the size of the list followed. Robert Morat has built a substantial archive of 1,393 posts.

What is Robert Morat's engagement rate?

Robert Morat's engagement rate on Instagram is 0.97%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 103 followers. An average post collects 126 likes and 3 comments, close to 42 likes for each comment.

What does Robert Morat post about on Instagram?

Flinque files Robert Morat under a single category, Education & Career. Of the 10 most recent posts shown for Robert Morat, 7 are single images and 3 are carousels. The 10 recent Instagram captions Flinque holds for Robert Morat repeatedly use the words work, works, berlin, through and internationally. Robert Morat's captions carry hashtags such as #artdüsseldorf, #bernhardfuchs and #hauslangehausesters. Robert Morat writes those captions mainly in English. Robert Morat keeps 4 story highlights, which open with a free Flinque account.

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Robert Morat's contact details are not published on Flinque's public profile. The Instagram bio links to 5 external sites, and a free Flinque account opens those links. Brands with a free Flinque account can shortlist Robert Morat and use Flinque's outreach tools wherever a contact route is on file.

Robert Morat's own Instagram profile is the one outbound link Flinque publishes for the account, and the 5 bio links open after signing up.

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