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Richard Saltoun Gallery

Art Gallery
@richardsaltoungallery
LONDON | ๐˜™๐˜ฆ๐˜ฆ ๐˜”๐˜ฐ๐˜ณ๐˜ต๐˜ฐ๐˜ฏ *to 18 July ROME | @silviagiambrone *to 31 July NYC | ๐˜ž๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ถ๐˜ณ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ฎ *to 2 July FAIRS | @artbasel ๐˜”๐˜ข๐˜ฏ๐˜ช๐˜ฏ๐˜ข D13 *18-21 June
  • Art & DIY
  • Following 2.7K
  • Followers 30K
  • Engagement 1.18%
  • Avg comments 19

About Richard Saltoun Gallery

Richard Saltoun Gallery (@richardsaltoungallery) is an Art Gallery creator on Instagram, also filed under Art & DIY. The account has 29,971 followers and 2,563 published posts. Recent posts average 384 likes and 19 comments, an engagement rate of 1.18%.

With 30K followers, Richard Saltoun Gallery is a micro creator by the common 10,000 to 100,000 definition. Richard Saltoun Gallery follows 2,712 accounts, so the audience is roughly 11 times the size of the list followed. Richard Saltoun Gallery carries Instagram's verified badge and is set up as an Instagram business account. Flinque files Richard Saltoun Gallery under Art Gallery, with Art & DIY as a secondary category.

The Instagram bio for Richard Saltoun Gallery runs to 24 words across 4 lines. The bio mentions @silviagiambrone and @artbasel. The latest activity Flinque has on record for Richard Saltoun Gallery dates from June 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

2,563 Posts

Of the 10 most recent posts shown for Richard Saltoun Gallery, 6 are single images and 4 are carousels. That mix leans toward single images. With 2,563 posts published, Richard Saltoun Gallery's archive runs well past the 2,000 mark. Against the audience, that is roughly 12 followers for each post published. Richard Saltoun Gallery also keeps 8 story highlights on the profile. All 10 carry captions, averaging 124 words each. The captions are written mainly in English. Words that recur across them include exhibition, work, which, within and body. The captions tag #richardsaltoungallery, #reemorton, #signsandgestures, #silviagiambrone and #ilie.

On view in Rome, I Lie is โ€™s first solo exhibition, which, with a new body of work centred on lying as an ontological and political structure of the present, continues her investigation into abuse and violence.

Curated by, the exhibition runs to 31 July.
Please note, our Rome gallery will be closed for the month of August.

#SilviaGiambrone #ILie #RichardSaltounGallery
Join us tomorrow evening for an exhibition tour of ๐˜™๐˜ฆ๐˜ฆ ๐˜”๐˜ฐ๐˜ณ๐˜ต๐˜ฐ๐˜ฏ: ๐˜š๐˜ช๐˜จ๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ด๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด with senior director.

6:30pm, 11 June
Richard Saltoun Gallery London
RSVP via link in bio
Presented during 8-15 June

Artwork image:
Ree Morton, ๐˜™๐˜ฆ๐˜จ๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜—๐˜ช๐˜ฆ๐˜ค๐˜ฆ, 1976

#ReeMorton #SignsAndGestures #WAAWWorld #WomenArtists #RichardSaltounGallery
and are proud to be collaborating with to bring Temple of Safety to the billboards of Waterloo. ๐Ÿค

As part of โ€™s Public Canvas programme, Wilma Woolfโ€™s vital new work, Temple of Safety appeared this weekend in Waterloo, we believe it is a vital piece of work to place in front of the world right now.
Temple of Safety is based on sixteen newly drafted โ€˜articlesโ€™ that define a personโ€™s emotional and physical rights within a relationship.

The work is born out of the artistโ€™s prior landmark installation, Domestic (2020) that documented all the women killed by male violence in the UK over an eight-year period. Furthering this conversation, Temple of Safety seeks to provide awareness of a personโ€™s basic rights within a relationship and provide clarity on automatic personal freedoms.

These articles are derived from two years of research into the drafting of the UN Declaration of Human Rights, and have been ratified by experts in the fields of Domestic Abuse. Woolf says of the work โ€œYou do not have to do anything to achieve, keep or deserve these rights within a relationship. They are yours simply from the result of being alive and entering into a relationship with another person. The articles are drafted to form a Temple of Safety, within which all can walk in and safety reside.โ€

This work was launched at
in 2025, and then invited into Parliament by toniaantoniazzimp earlier this year, and now itโ€™s coming to your commute.

This is what feminist art looks like when it steps outside the gallery walls and exactly the kind of work we both exist to support and amplify. We are here to give artists real-world visibility and this is exactly why.

Stop, read, and share.

(
Opening on Tuesday at!
๐˜“๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜‰๐˜ฐ๐˜ฅ๐˜ช๐˜ฆ๐˜ด
Opening party: 6:30pm 9 June
Exhibition: 10 June - 8 November

Including Helen Chadwickโ€™s iconic performance documentation photographs ๐˜๐˜ฏ ๐˜›๐˜ฉ๐˜ฆ ๐˜’๐˜ช๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ฏ (1977) which critique the mechanisation of house work and stage the female body as part of a technical apparatus.

#HelenChadwick #InTheKitchen #LabouringBodies #MuseumTinguely #RichardSaltounGallery
โ€™s โ€˜Pattern Recognitionโ€™ (2022) is on view at โ€˜Lines, Loops, Leaksโ€™ at Gallerie delle Prigioni.

A Snellen Eye Chart with letters replaced by the maps of nations in a hierarchical scaled arrangement, provides a key. At the top of the pyramid is Japan, where in 2022 a passport grants its citizens access to 193 countries, while at the base are those countries with least global access and agency such as Afghanistan. Each frame appears like a page from a scrapbook, a fragmented sketch of a nation, in which Kallat has layered found images culled from the internet and news channels. These reference the war in Ukraine, the Rohingya refugee crisis in Bangladesh and migration caused by global conflicts, mass demonstrations and protests, the challenges wrought by COVID-19 pandemic, the effects of climate change and the lack of equal opportunities. Documenting cause and effect, Pattern Recognition embodies our divided yet connected world.

The exhibition is on view to 2nd August.

#ReenaKallat #PatternRecognition #FondazioneImagoMundi #NatureMorte #RichardSaltounGallery
Join us next week with and, presented during

In celebration of, join us for an in-conversation with artist MBE and artist and writer.

Together they will explore Chila Kumari Burmanโ€™s vibrant printmaking practice within her wider body of work, touching on themes of feminism, protest, identity, and the power of female friendships, while reflecting on the stories and influences that shape her practice.

Invitation designed by โœจ

#ChilaBurman #NicolePolonsky #WAAW #WAAW2026 #RichardSaltounGallery
๐˜‘๐˜ฐ ๐˜š๐˜ฑ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ: ๐˜›๐˜ฉ๐˜ฆ ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต ๐˜™๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜๐˜ฏ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ญ๐˜ฆ๐˜ต๐˜ฆ, curated by Terry Dennett runs at, until 10 July.

This exhibition restages โ€˜art โ€“ photography โ€“ therapyโ€™, an exhibition of Jo Spenceโ€™s photography curated by Terry Dennett in 2008, for an international photo therapy conference in Turku, Finland. Discovered in a battered portfolio in the Jo Spence Memorial Library Archive, the original exhibitionโ€™s 41 panels include some of the best known and impactful of Spenceโ€™s work, from the series ๐˜™๐˜ฆ๐˜ฎ๐˜ฐ๐˜ฅ๐˜ฆ๐˜ญ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜—๐˜ฉ๐˜ฐ๐˜ต๐˜ฐ ๐˜๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ (1981-1982) and ๐˜›๐˜ฉ๐˜ฆ ๐˜—๐˜ช๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ฐ๐˜ง ๐˜๐˜ฆ๐˜ข๐˜ญ๐˜ต๐˜ฉ? (1982-1986) to various photo therapy collaborations with Rosy Martin and others, ending with ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ช๐˜ฏ๐˜ข๐˜ญ ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต she made while coming to terms with a terminal diagnosis.

Artwork image:
Jo Spence with Terry Dennet and David Robert,
๐˜™๐˜ฆ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ต๐˜ฐ ๐˜•๐˜ข๐˜ต๐˜ถ๐˜ณ๐˜ฆ from ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ช๐˜ฏ๐˜ข๐˜ญ ๐˜—๐˜ณ๐˜ฐ๐˜ซ๐˜ฆ๐˜ค๐˜ต, 1991-92
ยฉ๏ธImage Centre, Toronto

#JoSpence #TerryDennett #PeltzGallery #Birkbeck #RichardSaltounGallery
๐˜š๐˜ค๐˜ข๐˜ฏ๐˜ฅ๐˜ข๐˜ญ๐˜ฐ๐˜ถ๐˜ด: ๐˜ž๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ถ๐˜ณ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ฎ runs in New York until 2 July.

The exhibition brings together major works by the Italian surrealist Manina. Celebrated as a muse to Erwin Blumenfeld and admired by Andrรฉ Breton, who described her work as โ€œpure poetryโ€, Manina occupies a distinctive place within the surrealist tradition. Marking the first presentation of her work since her passing in 2010, this presentation offers a rare and compelling opportunity to rediscover a visionary practice that continues to resonate with clarity and poetic depth.

Presented alongside her are works by the British artist Stella Snead, celebrated for her Surrealist paintings, photographs, and photo-collages. Her dreamlike landscapes and fantastical beings evoke a rich dialogue between the natural world and the subconscious.

Additional highlights include: Mimi Parent, Valentine Hugo, Toyen, Unica Zurn, Eileen Agar, Suzanne Van Damme, Juliana Seraphim, Bona de Mandiargues and Cossette Zeno.

Artwork slides:
2) Manina (1918-2010), Sousvivre, 1958
4) Stella Snead (1910-2006), Triad, 1945

#Manina #StellaSnead #Scandalous #WomenInSurrealism #Surrealism
โ€™s retrospective ๐˜š๐˜ต๐˜ถ๐˜ฅ๐˜ช๐˜ฐ, ๐˜ž๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰๐˜ข๐˜ต๐˜ต๐˜ญ๐˜ฆ๐˜ด, ๐˜‹๐˜ฆ๐˜ด๐˜ช๐˜ณ๐˜ฆ ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜™๐˜ฆ๐˜ช๐˜ต๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜๐˜ฐ๐˜ฑ๐˜ฆ continues at until 13 September.

Presenting more than fifty works spanning four decades, the exhibition brings together sculptures, installations, technical drawings and archival material, tracing de Monchauxโ€™s singular sculptural language โ€” one in which sensuality, vulnerability and violence remain in constant tension. Moving between intimate scale and monumental form, the works draw on gothic impulses, mythology, feminism and the body, unsettling traditional structures of power and desire.

Artwork image:
Cathy de Monchaux, ๐˜š๐˜ฐ๐˜ท๐˜ฆ๐˜ณ๐˜ฆ๐˜ช๐˜จ๐˜ฏ, 1999

#CathyDeMonchaux #Sovereign #PalaisDeTokyo #RichardSaltounGallery #ContemporaryArt
Opening tomorrow in London!
๐˜™๐˜ฆ๐˜ฆ ๐˜”๐˜ฐ๐˜ณ๐˜ต๐˜ฐ๐˜ฏ: ๐˜š๐˜ช๐˜จ๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜Ž๐˜ฆ๐˜ด๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด, the first UK exhibition dedicated to the renowned American conceptual and feminist artist Ree Morton (1936โ€“1977). A pioneering figure, Mortonโ€™s work anticipated the turn towards installation, narrative, and performance that came to define artistic practice in the 1970s.

To mark exhibition, weโ€™re presenting a special in-conversation event featuring, Curator at The Hepworth Wakefield, and Jo Applin, Professor at the Courtauld Institute of Art. Together, they will explore Mortonโ€™s life and practice, situating her work within its broader historical context. This is a rare opportunity to gain deeper insight into an underrecognised artist who played a pivotal role in the development of installation art, shedding light on the enduring importance and influence of her work.

In-conversation with Abi Shapiro and Jo Applin
5 June, 4-6pm
London
RSVP via link in bio
The exhibition runs 26 May - 18 July 2026

Presented in collaboration with the Estate of Ree Morton, with support of Allan Schwartzman.

#ReeMorton #SignsAndGestures #RichardSaltounGallery

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

Richard Saltoun Gallery's engagement

Richard Saltoun Gallery's engagement rate on Instagram is 1.18%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 85 followers. An average post collects 384 likes and 19 comments, close to 20 likes for each comment.

Engagement rate

1.18%

Avg likes
384
Avg comments
19
Interactions : followers
1 : 85

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Frequently asked questions

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Who is Richard Saltoun Gallery?

Richard Saltoun Gallery (@richardsaltoungallery) is an Art Gallery creator on Instagram, also filed under Art & DIY. Richard Saltoun Gallery carries Instagram's verified badge and is set up as an Instagram business account. The Instagram bio for Richard Saltoun Gallery runs to 24 words across 4 lines.

How many followers does Richard Saltoun Gallery have?

Richard Saltoun Gallery has 29,971 followers on Instagram (30K). Richard Saltoun Gallery follows 2,712 accounts, so the audience is roughly 11 times the size of the list followed. With 2,563 posts published, Richard Saltoun Gallery's archive runs well past the 2,000 mark.

What is Richard Saltoun Gallery's engagement rate?

Richard Saltoun Gallery's engagement rate on Instagram is 1.18%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 85 followers. An average post collects 384 likes and 19 comments, close to 20 likes for each comment.

What does Richard Saltoun Gallery post about on Instagram?

Flinque files Richard Saltoun Gallery under Art Gallery, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Richard Saltoun Gallery, 6 are single images and 4 are carousels. The 10 recent Instagram captions Flinque holds for Richard Saltoun Gallery repeatedly use the words exhibition, work, which, within and body. Richard Saltoun Gallery's captions carry hashtags such as #richardsaltoungallery, #reemorton and #signsandgestures. Richard Saltoun Gallery writes those captions mainly in English. Richard Saltoun Gallery keeps 8 story highlights, which open with a free Flinque account.

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Richard Saltoun Gallery's contact details are not published on Flinque's public profile. The Instagram bio links to 5 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Richard Saltoun Gallery and use Flinque's outreach tools wherever a contact route is on file.

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