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People Of Fashion (@pploffashion), Instagram profile photo
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People Of Fashion

Women Fashion
@pploffashion
Jill Lin, a Los Angeles-based fashion illustrator and creative director who believes in empowering women & being good to animals.
  • Design & fashion
  • Pets
  • Following 3.2K
  • Followers 6.6K
  • Engagement 2.17%
  • Avg comments 7

About People Of Fashion

People Of Fashion (@pploffashion) is a Women Fashion creator on Instagram, also filed under Design & fashion and Pets. The account has 6,635 followers and 707 published posts. Recent posts average 138 likes and 7 comments, an engagement rate of 2.17%.

People Of Fashion belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. People Of Fashion follows 3,165 accounts, so the audience is roughly 2.1 times the size of the list followed. People Of Fashion uses an Instagram professional account. Flinque files People Of Fashion under 3 categories, led by Women Fashion and followed by Design & fashion and Pets.

The Instagram bio for People Of Fashion runs to 19 words. The latest activity Flinque has on record for People Of Fashion dates from January 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

707 Posts

Of the 12 most recent posts shown for People Of Fashion, 8 are videos, 2 are single images and 2 are carousels. That mix leans toward videos. People Of Fashion has built a substantial archive of 707 posts. Against the audience, that is roughly 9.4 followers for each post published. People Of Fashion also keeps 7 story highlights on the profile. All 12 carry captions, averaging 156 words each. The captions are written mainly in English. Words that recur across them include felt, world, were, things and something.

First portrait of this year is of shot by for.

There’s something quietly hopeful in what 2026 might hold. Not the manufactured optimism of New Year’s resolutions but something more fundamental. That is what this portrait represents to me. Perspectives that are built from solid ground — reflective, patient and drawn from experience. The kind of mentality that doesn’t need to shout because it knows what it stands on.

Maybe 2026 is the year we finally stop trying to repair what was never designed to work for everyone and instead allow ourselves to imagine and build something different. To entertain the idea that power might look different and play a different role. That it can actually be soft and giving. Instead of taking space, what if power gave us space, or relief, to simply exist as we were meant to be? Different is much needed.
This year was difficult on many levels. I’m thankful for what I get to continue to do, the people I’ve met and the humans who continue to inspire me along the way.
A few of my favorite looks from fashion week.

for felt like the kind of refresher we needed. A minute where we could dream a little and recognize that the universe at large is filled with beautiful possibilities and potential. For me, it brought up the question, what if each of us was more focused on creating as opposed to consuming and or destroying. What if we were menders of things as opposed to needing to conquer or own? Could our world be that much better to live in?

I also loved. The aliens, the playfulness that is Thom Browne and again, the ability for us to step away a little and indulge in the absurd in a delightful way.

Finally, bc I truly love this world she’s created. Part innocent reflection, ever so tender and for me, the idea that humans can be vessels for nature (the large floral print on a dress or a lily pinned to a suit).
A lot and not enough — that’s how I’d summarize the past few months. Few illustrations, but deep gratitude for the collaborations, the creative clarity, and the necessary reset. 🧡

1. There was much discussion around Michael Rider’s debut at, whether the strength of the collection lay in the styling or in the designs themselves. For me, it was both, though more the latter. Not everything needs to shout. Not every piece demands a spotlight. There’s a quiet confidence in restraint, in leaving space for interpretation and personalization. That’s a kind of elegance we don’t always celebrate enough.

2. I’ve been drawing a lot from and honestly, I’m not done talking about it. The tailoring, the brand’s DNA, the deeply intentional ethos — it’s all compelling. What moves me most is the courage to confront the world as it is. Good fashion, like meaningful music, is inherently political. That’s where its weight comes from. I’m truly grateful for designers like who don’t flinch.

3. shushu__tong I’m obsessed with the creative direction here. There’s humor, whimsy, and a certain irreverent elegance in how the brand shows up. I hesitate to compare, but it feels like Miu Miu’s cool international cousin. A little older, unbothered, and living gloriously. As more women should.

4. Ralph for Oak Bluff. Simply, love. I only wish I had more time to illustrate the campaign. It’s rich with history, joy, and a thoughtful reverence for storytelling. There’s something profoundly powerful about people being able to tell their own stories — and having those stories honored and shared widely.

5. Sana / — a beautifully curated community of creatives who gather to break bread and reconnect, all held together by the vision of Miss Sana Keefer. I was struck not only by the parallels between our lives but also by how gracefully she orchestrates all of it within the same 24 hours we all get. I’ve come to deeply admire those who live creative lives and still make room for creative work beyond their careers. It’s a different kind of devotion.
Belated but, finally got to it:

Willy Chavarria on the cover of Man About Town.
I loved the styling of this one but more importantly, I loved that Willy got the cover. In a time when silence is easy and blending in is safe, giving space to voices with something to say feels radical, right, and necessary.🧡
over the years. I never not illustrate Erdem. I love the world he creates through his collections. The layered stories behind his collaborations and the nod to the past that feels so rich and complexly beautiful. For me, it feels like a dream world we are allowed to escape to where the coldness of technology doesn’t quite exist or maybe it does but it doesn’t consume us.

It feels like a world in which you are living IN the world as opposed to just watching it. Where art, literature, an appreciation for craft still has the obvious fingerprints of humanity.

Maybe it’s the grotesqueness of the obvious shortcomings of agro tech bros that have been seeping into our culture like some untamable disease, but I’ve hopes we can shift the world back to a place where beautiful things exist and we can have moments again when we can just appreciate them.
I love Sarah Burton’s first collection for Givenchy. When women design for women, I believe wholeheartedly that you can sense it. When talking about a collection through a traditional lens, the conversation dances around the idea of cohesion, what makes something a collection and how the theme translates to the clothing, is it obvious, or does it feel like the designer is trying to encapsulate too much? As a fashion illustrator and an American woman, I appreciated the range of this collection. The silhouettes varied but always felt sexy and strong - sexy as defined without the male gaze in mind. I love the use of textures, the recycling and reexamination of beauty products that have become a part of clothing. I appreciated the range of models used - though that should be standard by now. But what inspired me to draw this collection was how Sarah seemed to define women - the masculine and feminine of it all, and, in her own words, “I want to address everything about modern women. Strength, vulnerability, emotional intelligence, feeling powerful or very sexy. All of it.” You see cohesion is great, and I believe there is a place for it. However, from where I am standing, having a multitude beyond one theme is incredibly important right now and, for that reason, beyond just the visuals, I absolutely appreciate every bit of this collection and the woman who created it.
“Here’s to strong women may we know them. May we be them. May we raise them.”

2025 has been taxing. However, there were moments in the past two months that felt like a massive win and flowers were finally given where they were due. I’ve been tired mentally and emotionally, but as told me as we met for coffee one day during the LA fires, this is the time to create. Every single one of these women illustrated are examples of the very kind of woman who inspires me. Fighting a system that wasn’t exactly stacked to help them flourish and yet, in 2025- their voices, their ideas, their very persona are loud and present —and appreciated. I feel like I’m finally picking myself up after 2 months and starting to reorient myself with what is important to me. All of this is to say, new things coming soon. 🧡
Willy Chavarria’s PFW show brought tears to my eyes. It came at a time when identities, cultures, and our self-worth was (and still is) being challenged. To see “cholo culture” so proudly and beautifully represented on the runway felt like a protest in and of itself. Exaggerated silhouettes with meticulous tailoring were inspired by skate and street culture, demonstrating that quality does not solely belong to high street. From Chavarria, “It’s about taking what’s been overlooked or misunderstood and showing its beauty….The message of human dignity and equality and the importance of us coming together to preserve our rights as immigrants, as LGBT people, as women has never been more important…“ Willy then ended his show with Bishop Budde’s speech to further reinforce his stance. Powerful. ❤️‍🔥
A look back at some of my favorite portraits from 2024. Some commissioned, others just because I was inspired to and sometimes those are the best ones. I truly appreciate people who have a strong sense of personal style beyond clothing. Who you are, what you do, what you want to stand for — all of it ladders back into personal style.

This year, I was drawn to what was happening culturally in other parts of the world. Asia, South Africa (shoutout - I love seeing the type of creative community he’s building), and Latin America to name a few. Reminders that the world is bigger than the soil we stand on everyday is so important. I also appreciate artists who continue to challenge American culture- who gets to “own it, who has shaped it and who is shaping it. As we prepare ourselves to enter another year (a privilege many in the world don’t have), my hope is that our worlds stay big and that they stay diverse and open to the beauty other cultures bring.
It is near impossible to change a billion-dollar titan that dominates the music industry, let alone make enough of a dent that creates an opportunity to do things a different (and sometimes - a much better) way and yet these young women are doing it. Minji, Hanni, Danielle, Hyein, and Haerin were featured on Vogue this year with just their names and this in itself felt huge. The world right now is getting reintroduced to these courageous ladies who very much have their own point of view on who they are, what they want to bring to the world and what type of collaborators they want to work with. These things might seem small but in an industry where everything is dictated for you, it’s anything but.

There’s so much more I want to write about them but for now all I’ll say is, I’m excited for this new chapter. I cannot wait to see these ladies grow, continue to create and I have nothing but tremendous respect for them. 🐰

- 📸 SIYOUNG SONG
Some things need to end so that other things can begin. Bottega Veneta under was wonderful to say the least. Luxury through Matthieu was the art of craft and he showed us that when he turned the most humbling items familiar to all (not just people in fashion) - ie: the plaid shirt and jean - into an extraordinary piece of work when examined up close. Everything was considered and art directed in a way that didn’t feel stuffy, but left one inspired. Retail stores felt like rooms where well-crafted objects down to the shelving simply where there to coexist.

I’m sad to see leave but incredibly excited to see how he brings his wonderful perspective to the house of Chanel.

People Of Fashion's engagement

People Of Fashion's engagement rate on Instagram is 2.17%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 46 followers. An average post collects 138 likes and 7 comments, close to 20 likes for each comment.

Engagement rate

2.17%

Avg likes
138
Avg comments
7
Interactions : followers
1 : 46

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Frequently asked questions

These answers about People Of Fashion are generated from the Instagram profile data Flinque holds for the account.

Who is People Of Fashion?

People Of Fashion (@pploffashion) is a Women Fashion creator on Instagram, also filed under Design & fashion and Pets. People Of Fashion uses an Instagram professional account. The Instagram bio for People Of Fashion runs to 19 words.

How many followers does People Of Fashion have?

People Of Fashion has 6,635 followers on Instagram (6.6K). People Of Fashion follows 3,165 accounts, so the audience is roughly 2.1 times the size of the list followed. People Of Fashion has built a substantial archive of 707 posts.

What is People Of Fashion's engagement rate?

People Of Fashion's engagement rate on Instagram is 2.17%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 46 followers. An average post collects 138 likes and 7 comments, close to 20 likes for each comment.

What does People Of Fashion post about on Instagram?

Flinque files People Of Fashion under 3 categories, led by Women Fashion and followed by Design & fashion and Pets. Of the 12 most recent posts shown for People Of Fashion, 8 are videos, 2 are single images and 2 are carousels. The 12 recent Instagram captions Flinque holds for People Of Fashion repeatedly use the words felt, world, were, things and something. People Of Fashion writes those captions mainly in English. People Of Fashion keeps 7 story highlights, which open with a free Flinque account.

How do I contact People Of Fashion for a collaboration?

People Of Fashion's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist People Of Fashion and use Flinque's outreach tools wherever a contact route is on file.

People Of Fashion's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

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