- Following 7.5K
- Followers 16.7K
- Engagement 0.59%
- Avg likes 113
- Avg comments 1
About Plinth
Plinth (@plinthuk) is an eCommerce creator on Instagram, also filed under Home Goods Stores. The account has 16,732 followers and 2,608 published posts. Recent posts average 113 likes and 1 comment, an engagement rate of 0.59%.
With 16.7K followers, Plinth is a micro creator by the common 10,000 to 100,000 definition. Plinth follows 7,461 accounts, so the audience is roughly 2.2 times the size of the list followed. Plinth is set up as an Instagram business account. Flinque files Plinth under eCommerce, with Home Goods Stores as a secondary category.
The Instagram bio for Plinth runs to 13 words across 2 lines. The latest activity Flinque has on record for Plinth dates from January 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
2,608 Posts
Of the 10 most recent posts shown for Plinth, 8 are carousels and 2 are single images. That mix leans toward carousels. With 2,608 posts published, Plinth's archive runs well past the 2,000 mark. Against the audience, that is roughly 6.4 followers for each post published. Plinth also keeps 3 story highlights on the profile. All 10 carry captions, averaging 111 words each. The captions are written mainly in English. Words that recur across them include exhibition, which, work, something and other. The captions tag #londonexhibition, #contemporaryart, #anyapaintsil, #textileart and #londonexhibitions.
1. Marty Supreme, 2025
2. Peter Doig, 2006-8
3. Sigmar Polke, 1995
4. Lee Wen, Ping Pong Go Round, 1998/2019,
5. Gabriel Orozco, Ping-Pond Table, 1998
6. Rirkrit Tiravanija, 2019
7. Ron Arad, New Ping Pong, 2008-2015
‘I wanted to work in the lineage of working-class women’s textile history, as opposed to upper class women’s textile history, which tends to be more needlepoint or traditional embroidery. I wanted to work with heavy duty materials that were made for a purpose, as opposed to something that was for a rich woman’s pastime.’ - Anya Paintsil
On view now London
#anyapaintsil #londonexhibition #textileart
Lin in conversation with 📝 Keshav Anand for
g/hosti is at Whitechapel Gallery until 1 March 2026
#londonexhibitions
Remedios Varos’s 'Vampiros vegetarianos' (1962)
'there is something so fun and joyful about her trio of vegetarian vampires gathered around a table supping from their individual portions of fruit - which seems to replenish not only them, but their entire auras - as their kind-looking leashed chicken/feline hybrids wait patiently at their feet (Varo loved cats and frequently painted them). Returning to the roots of Surrealism, Susan Aberth has noted that “like in a stereotypical Parisian café, two pampered pets on gossamer-thin leashes patiently sit under the chairs. These whimsical creatures, half rooster and half cat, are pictorial relatives of the many hybrid creatures featured in the paintings of the surrealist Leonora Carrington, Varo’s closest friend in Mexico.” (And another cat lover).' 📝 From 's Substack 'Love Letters During a Nightmare' (Read more at )
#RemediosVaros #surrealism
#LinaLapelytè #cycles
'Magic Carpet', which showed as part of the Barbican’s Giacometti Encounters series earlier this year. It was first shown in Huma Bhabha’s debut solo exhibition (at ATM Gallery, New York) in 2004. Writing at the time, Roberta Smith described the work as “made up of two detached, club-shaped legs. Cartoonish in a Philip Guston way and standing on a small Oriental rug, they lean together as if locked in a kiss. The piece, titled ‘Magic Carpet,’ touches gently on the artist’s Pakistani origins, but it attests to her thorough immersion in the self-conscious abjection of contemporary Western art.”
Placed alongside Giacometti, the sculpture’s attenuated movement and bodily fracture resonate less as homage than as a shared investigation into instability—where motion, erosion, and abjection become ways of thinking through what remains of the human figure.
#giacometti #humabhabha
'This frustrating misconception suggests some viewers can’t look beyond the hyper-stylised visual aesthetics of Anderson and access the warmth that is nestled within; his films are akin to Fabergé eggs, so meticulously engineered from the outside, it’s easy to forget they serve a purpose at all. But it’s disingenuous to say that Anderson’s films lack heart – it’s just that he expresses this in a fashion that audiences have become less and less accustomed to seeing on screen, as the grandiose gestures of superhero cinema and quippy blockbusters have become the cultural monolith. It feels as though there’s a lack of patience around films which require a little more consideration to unlock.'
Images: Set design and puppets for Isle of Dogs, on view now Wes Anderson: The Archives Until July 2026
#wesanderson #londonexhibition
10 years later, Alistair Hudson looks back on the night he and the other jury members awarded the Turner Prize
Read the full article via the link in our bio
#turnerprize #contemporaryart
Last chance to see Ruoru Mou's Fortunate, at in East London until this Sunday (December 14th).
This is a lyrical, dreamlike exhibition, complete with its own snowstorm - Dirty Snow - made of shredded paperwork: residence permits, visas, sanitary certificates for kitchen work, HACCP and chemical risk assessments, and more.
Dirty Snow's "bureaucratic weather" might suggest a hostile climate for immigrants like, who here explores her personal history of growing up Chinese in Tuscany; yet, other details seem altogether more nostalgic, fonder. In the front gallery, woodwork decorations reference her family's Chinese restaurant, while the wagging arms of maneki neko paws wave on despite the inclement weather.
#contemporaryart #cellprojectspace
Plinth's engagement
Plinth's engagement rate on Instagram is 0.59%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 169 followers. Likes outnumber comments by roughly 113 to 1, with 113 likes and 1 comment on an average post, so most reactions are taps rather than replies.
Engagement rate
0.59%
- Avg likes
- 113
- Avg comments
- 1
- Interactions : followers
- 1 : 169
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Frequently asked questions
These answers about Plinth are generated from the Instagram profile data Flinque holds for the account.
Who is Plinth?
Plinth (@plinthuk) is an eCommerce creator on Instagram, also filed under Home Goods Stores. Plinth is set up as an Instagram business account. The Instagram bio for Plinth runs to 13 words across 2 lines.
How many followers does Plinth have?
Plinth has 16,732 followers on Instagram (16.7K). Plinth follows 7,461 accounts, so the audience is roughly 2.2 times the size of the list followed. With 2,608 posts published, Plinth's archive runs well past the 2,000 mark.
What is Plinth's engagement rate?
Plinth's engagement rate on Instagram is 0.59%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 169 followers. Likes outnumber comments by roughly 113 to 1, with 113 likes and 1 comment on an average post, so most reactions are taps rather than replies.
What does Plinth post about on Instagram?
Flinque files Plinth under eCommerce, with Home Goods Stores as a secondary category. Of the 10 most recent posts shown for Plinth, 8 are carousels and 2 are single images. The 10 recent Instagram captions Flinque holds for Plinth repeatedly use the words exhibition, which, work, something and other. Plinth's captions carry hashtags such as #londonexhibition, #contemporaryart and #anyapaintsil. Plinth writes those captions mainly in English. Plinth keeps 3 story highlights, which open with a free Flinque account.
How do I contact Plinth for a collaboration?
Plinth's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Plinth and use Flinque's outreach tools wherever a contact route is on file.
Links
Plinth's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Plinth.