- Following 1.5K
- Followers 8K
- Engagement 2.31%
- Avg likes 177
- Avg comments 2
About Meyer-Grohbrügge
Meyer-Grohbrügge (@meyergrohbruegge) is an Architectural Designer creator on Instagram, also filed under Home & Decor. The account has 7,985 followers and 140 published posts. Recent posts average 177 likes and 2 comments, an engagement rate of 2.31%.
Meyer-Grohbrügge belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Meyer-Grohbrügge follows 1,506 accounts, so the audience is roughly 5.3 times the size of the list followed. Meyer-Grohbrügge uses an Instagram professional account. Flinque files Meyer-Grohbrügge under Architectural Designer, with Home & Decor as a secondary category.
The Instagram bio for Meyer-Grohbrügge runs to 16 words across 2 lines. The bio mentions @entwerfen.raumgestaltung and @tudarmstadt. The latest activity Flinque has on record for Meyer-Grohbrügge dates from March 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
140 Posts
All 10 recent posts Flinque holds for Meyer-Grohbrügge are carousels. 140 published posts give Meyer-Grohbrügge a moderate archive on Instagram. Against the audience, that is roughly 57 followers for each post published. Meyer-Grohbrügge also keeps 6 story highlights on the profile. All 10 carry captions, averaging 152 words each. The captions are written mainly in English. Words that recur across them include many, lived, form, house and rübenau. The captions tag #kunstmuseumbasel, #elenafilipovic, #medardorosso, #erzgebirge and #rübenau.
We completed the transformation of the former Nail Factory Rübenau, an industrial landmark from 1906, into a vacation home for up to ten people. It’s a way to bring life back to a region that once lived off tourism, before that quietly faded after the fall of the Berlin Wall.
A century of add-ons came off, the original factory volume came back, and the wooden roof floor was rebuilt. All new functions required for the updated use is moved into a new extension that cuts into the slope and intersects with the old house. Following the topography it opens to the valley and the main house through a curved aluminium façade that mirrors the landscape and activities in the house.
The freestanding building sits just before the German-Czech border, far from any neighbourhood, in a secluded valley between meadows and forests. Bedrooms and living spaces are housed in the existing structure, while the new extension contains everthing connected to water. The reconstructed attic is a flexible space for group activities, usable both by guests and the local community.
Due to contamination from its former industrial use, the existing building had to be fully stripped. A new load-bearing structure of regional spruce was inserted within the preserved shell to form the new floors. The attic, destroyed by fire in 1923, was reconstructed based on a historical photograph. The quarry-stone exterior walls were insulated with wood fibre and clay.
Energy is supplied largely on-site by the original hydroelectric plant with an 80-year-old turbine and a rooftop solar array, making the building self-sufficient. Construction was carried out by regional companies, using many materials sourced locally and drawing on expertise specific to the Ore Mountains.
Pictures by
We completed the transformation of the former Nail Factory Rübenau, an industrial landmark from 1906, into a vacation home for up to ten people. It’s a way to bring life back to a region that once lived off tourism, before that quietly faded after the fall of the Berlin Wall.
A century of add-ons came off, the original factory volume came back, and the wooden roof floor was rebuilt. All new functions required for the updated use is moved into a new extension that cuts into the slope and intersects with the old house. Following the topography it opens to the valley and the main house through a curved aluminium façade that mirrors the landscape and activities in the house.
The freestanding building sits just before the German-Czech border, far from any neighbourhood, in a secluded valley between meadows and forests. Bedrooms and living spaces are housed in the existing structure, while the new extension contains everthing connected to water. The reconstructed attic is a flexible space for group activities, usable both by guests and the local community.
Due to contamination from its former industrial use, the existing building had to be fully stripped. A new load-bearing structure of regional spruce was inserted within the preserved shell to form the new floors. The attic, destroyed by fire in 1923, was reconstructed based on a historical photograph. The quarry-stone exterior walls were insulated with wood fibre and clay.
Energy is supplied largely on-site by the original hydroelectric plant with an 80-year-old turbine and a rooftop solar array, making the building self-sufficient. Construction was carried out by regional companies, using many materials sourced locally and drawing on expertise specific to the Ore Mountains.
Pictures by
We completed the transformation of the former Nail Factory Rübenau, an industrial landmark from 1906, into a vacation home for up to ten people. It’s a way to bring life back to a region that once lived off tourism, before that quietly faded after the fall of the Berlin Wall.
A century of add-ons came off, the original factory volume came back, and the wooden roof floor was rebuilt. All new functions required for the updated use is moved into a new extension that cuts into the slope and intersects with the old house. Following the topography it opens to the valley and the main house through a curved aluminium façade that mirrors the landscape and activities in the house.
The freestanding building sits just before the German-Czech border, far from any neighbourhood, in a secluded valley between meadows and forests. Bedrooms and living spaces are housed in the existing structure, while the new extension contains everthing connected to water. The reconstructed attic is a flexible space for group activities, usable both by guests and the local community.
Due to contamination from its former industrial use, the existing building had to be fully stripped. A new load-bearing structure of regional spruce was inserted within the preserved shell to form the new floors. The attic, destroyed by fire in 1923, was reconstructed based on a historical photograph. The quarry-stone exterior walls were insulated with wood fibre and clay.
Energy is supplied largely on-site by the original hydroelectric plant with an 80-year-old turbine and a rooftop solar array, making the building self-sufficient. Construction was carried out by regional companies, using many materials sourced locally and drawing on expertise specific to the Ore Mountains.
Pictures by
We rcompleted the transformation of the former Nail Factory Rübenau, an industrial landmark from 1906, into a vacation home for up to ten people. It’s a way to bring life back to a region that once lived off tourism, before that quietly faded after the fall of the Berlin Wall.
A century of add-ons came off, the original factory volume came back, and the wooden roof floor was rebuilt. All new functions required for the updated use is moved into a new extension that cuts into the slope and intersects with the old house. Following the topography it opens to the valley and the main house through a curved aluminium façade that mirrors the landscape and activities in the house.
The freestanding building sits just before the German-Czech border, far from any neighbourhood, in a secluded valley between meadows and forests. Bedrooms and living spaces are housed in the existing structure, while the new extension contains everthing connected to water. The reconstructed attic is a flexible space for group activities, usable both by guests and the local community.
Due to contamination from its former industrial use, the existing building had to be fully stripped. A new load-bearing structure of regional spruce was inserted within the preserved shell to form the new floors. The attic, destroyed by fire in 1923, was reconstructed based on a historical photograph. The quarry-stone exterior walls were insulated with wood fibre and clay.
Energy is supplied largely on-site by the original hydroelectric plant with an 80-year-old turbine and a rooftop solar array, making the building self-sufficient. Construction was carried out by regional companies, using many materials sourced locally and drawing on expertise specific to the Ore Mountains.
Pictures by
We work on a barn in the Ore Mountains to become a home for people. The original barn remains an open space, while new functions are wrapped around it. This outer layer is made of straw bales that were previously stored inside and are now used to insulate and warm the house. It can easily be built by oneself.
#Erzgebirge
#Rübenau
#bauenmitstroh
#meyergrohbruegge
Unter den Linden 41
enjoying the beauty of compartmentalization
zu Gast bei
#komischeoperberlin
Medardo Rosso: Die Erfindung der modernen Skulptur
Constellation Islands
Rosso never saw his work in isolation; it lived in dialogue with others, and many many reference him until today. For Rosso, a sculpture was not a fixed object, but a fleeting situation — shaped and stirred by its surroundings. We sought to give form and possibility for those great works to meet - where their silent conversations could unfold.
thank you for a wonderful collaboration
#kunstmuseumbasel
#elenafilipovic
#medardorosso
picts by Max Ehrengruber
Medardo Rosso: Die Erfindung der modernen Skulptur
Constellation Islands
Rosso never saw his work in isolation; it lived in dialogue with others, and many many reference him until today. For Rosso, a sculpture was not a fixed object, but a fleeting situation — shaped and stirred by its surroundings. We sought to give form and possibility for those great works to meet - where their silent conversations could unfold.
thank you for a wonderful collaboration
#kunstmuseumbasel
#elenafilipovic
#medardorosso
picts by Max Ehrengruber
Medardo Rosso: Die Erfindung der modernen Skulptur
Constellation Islands
Rosso never saw his work in isolation; it lived in dialogue with others, and many many reference him until today. For Rosso, a sculpture was not a fixed object, but a fleeting situation — shaped and stirred by its surroundings. We sought to give form and possibility for those great works to meet - where their silent conversations could unfold.
thank you for a wonderful collaboration
#kunstmuseumbasel
#elenafilipovic
#medardorosso
picts by Max Ehrengruber
Move your stuff or have it with you at all times.
ready-made from a mobile traffic light box
produced on the occasion of
BOXES-on show at DROPCITY, Salone del Mobile
curated by
produced by
picts by
#hackenporsche
#readymade
#mobiletrafficlight
#berghaus
#boxes
Meyer-Grohbrügge's engagement
Meyer-Grohbrügge's engagement rate on Instagram is 2.31%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 43 followers. Likes outnumber comments by roughly 89 to 1, with 177 likes and 2 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
2.31%
- Avg likes
- 177
- Avg comments
- 2
- Interactions : followers
- 1 : 43
Lookalike Creators
A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.
Age & Gender
Unlocking shows how this audience splits across age bands and gender, charted from follower data.
Audience Location
Unlocking reveals the countries and cities where the most active followers of this account are concentrated.
Primary Language
Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.
Audience Interests
Unlocking lists the topics and categories this audience follows and engages with most often across the platform.
Authenticity
Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.
Audience Quality Score
Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.
Brand Affinity
Unlocking names the brands this audience already follows, mentions or engages with across social platforms.
Content Strategy
Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.
Commercial Insights
Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.
Industry Fit
Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.
Research Meyer-Grohbrügge further
Flinque ranks Instagram creators in Architectural Designer and Home & Decor, categories Meyer-Grohbrügge is filed under, and its free tools measure the same figures for any public account.
Frequently asked questions
These answers about Meyer-Grohbrügge are generated from the Instagram profile data Flinque holds for the account.
Who is Meyer-Grohbrügge?
Meyer-Grohbrügge (@meyergrohbruegge) is an Architectural Designer creator on Instagram, also filed under Home & Decor. Meyer-Grohbrügge uses an Instagram professional account. The Instagram bio for Meyer-Grohbrügge runs to 16 words across 2 lines.
How many followers does Meyer-Grohbrügge have?
Meyer-Grohbrügge has 7,985 followers on Instagram (8K). Meyer-Grohbrügge follows 1,506 accounts, so the audience is roughly 5.3 times the size of the list followed. 140 published posts give Meyer-Grohbrügge a moderate archive on Instagram.
What is Meyer-Grohbrügge's engagement rate?
Meyer-Grohbrügge's engagement rate on Instagram is 2.31%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 43 followers. Likes outnumber comments by roughly 89 to 1, with 177 likes and 2 comments on an average post, so most reactions are taps rather than replies.
What does Meyer-Grohbrügge post about on Instagram?
Flinque files Meyer-Grohbrügge under Architectural Designer, with Home & Decor as a secondary category. All 10 recent posts Flinque holds for Meyer-Grohbrügge are carousels. The 10 recent Instagram captions Flinque holds for Meyer-Grohbrügge repeatedly use the words many, lived, form, house and rübenau. Meyer-Grohbrügge's captions carry hashtags such as #kunstmuseumbasel, #elenafilipovic and #medardorosso. Meyer-Grohbrügge writes those captions mainly in English. Meyer-Grohbrügge keeps 6 story highlights, which open with a free Flinque account.
How do I contact Meyer-Grohbrügge for a collaboration?
Meyer-Grohbrügge's contact details are not published on Flinque's public profile. Brands with a free Flinque account can shortlist Meyer-Grohbrügge and use Flinque's outreach tools wherever a contact route is on file.
Links
Meyer-Grohbrügge's own Instagram profile is the one outbound link Flinque publishes for the account.
Public profile data sourced from Instagram. Flinque is not affiliated with Meyer-Grohbrügge.