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๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด

Photographer
@maria__sturm
๐Ÿ‰๐Ÿ‰ Talking Books @coberlin May 28th YDLNTM @fotografia_europea and @kranjfotofest not here much @diversifyphoto @womenphotograph @connectedarchives
  • Travel
  • Following 4.8K
  • Followers 6.5K
  • Engagement 1.64%
  • Avg comments 2

About ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด (@maria__sturm) is a Photographer creator on Instagram, also filed under Travel. The account has 6,480 followers and 180 published posts. Recent posts average 93 likes and 2 comments, an engagement rate of 1.64%.

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด follows 4,824 accounts, close to one account followed for each of the 6,480 followers. ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด uses an Instagram professional account. Flinque files ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด under Photographer, with Travel as a secondary category.

The Instagram bio for ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด runs to 16 words across 7 lines. The bio mentions @coberlin, @fotografia_europea, @kranjfotofest and @diversifyphoto. The latest activity Flinque has on record for ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด dates from April 2026.

Story Highlights

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180 Posts

Of the 10 most recent posts shown for ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด, 7 are carousels and 3 are single images. That mix leans toward carousels. 180 published posts give ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด a moderate archive on Instagram. Against the audience, that is roughly 36 followers for each post published. ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด also keeps 9 story highlights on the profile. All 10 carry captions, averaging 186 words each. Words that recur across them include exhibition, people, identity, open and between. The captions tag #3000garagen, #chemnitz2025, #mitgliederversammlung, #natur and #widerstand.

Die Natur ist die beste Lehrmeisterin fรผr โ€žradikale Regenerationโ€œ, weil sie seit Jahrmillionen genau das tut. Immer wieder.

Sie heilt sich selbst von innen heraus, direkt an den Wurzeln (lateinisch radix). Der Nebelwald von Intag in Ecuador ist dafรผr ein besonderes Beispiel, und wir schauen noch an andere Orte: Brandenburg, DR Kongo und Palรคstina. Auf die Wunden und auf die Heilungsprozesse dort.

Zum Abend am 2.6. in die kรถnnt ihr einfach so kommen.

Fรผr den Workshop bitte anmelden: schreib uns einfach, wer du bist und warum du mitmachen willst. TN-Zahl ist begrenzt. Wir wollen eine mรถglichst diverse und fruchtbare Mischung zusammen stellen.

Immer schรถn utopisch bleiben. See you in a more just future.

#natur #regeneration #rest #widerstand #landwirtschaft
Die Roots of Everything sind noch bis Mitte Juli in der Spore und dann vielleicht in deinem Kiez, deinem Garten oder Leben.

Mach mit!

Wir wollen Berlin und die Welt nicht nur als Ort der Krise, sondern auch als fruchtbaren Boden fรผr reale Utopien begreifen. Und tatsรคchlich danach handeln.

Wir sammeln und verbreiten Wissen, Werkzeuge und Weltsichten, mit denen wir dem รถkologischen und autoritรคren Kollaps eine Welt der gegenseitigen Verbundenheit und Tatkraft entgegensetzen.

In ersten Schritten und vielleicht bald auch in grรถรŸeren Geschichten.

Wenn du dabei sein willst, schreib eine Mail mit Betreff MINGA an

โ€ข Wer bist du?
โ€ข Warum willst du mitmachen?
โ€ข Was wรผrdest du gerne einbringen?
โ€ข Wann und wie kannst du? Wirklich

Immer schรถn utopisch bleiben. See you in a more just future

#natur #utopie #widerstand #wald #roots
Some impressions from our opening night and the first Workshop of our series THE ROOTS OF EVERYTHING. On Resistance and Utopias from the cloud forest.

On imgaination. Because only a world we can imagine we can also shape.

With economist and climate activist and futurist

The recording of the evening will be published soon.

Thank you for everybody for being there and turning it into a warm and hope installing gathering.

Next chapter will be the 19/20 of May. On laws and justice and Rights of Nature. Diesmal auf Deutsch. Mit und der ecuadorianischen Rechtsanthropologin

Zum Abend kรถnnt ihr einfach kommen, fรผr den Workshop am nรคchsten Tag bitten wir um Anmeldung:

๐Ÿ“ธ

#imagination #climate #nature #future
Un po' di scatti della serata di ieri con l'inaugurazione di YOU DON'T LOOK NATIVE TO ME della fotografa per e le tapas e le birrette di Polveriera Spina.

Un grande grazie a ed Emma Vezzani per aver condotto e tradotto l'incontro.

La mostra sarร  aperta dal lunedรฌ al venerdรฌ dalle 7:30 alle 21:00 negli spazi di Vivanderia Sociale.

----

The opening of YOU DON'T LOOK
NATIVE TO ME by photographer for, with tapas and beers from Polveriera Spina.

A big thank you to and Emma Vezzani for hosting and translating the event.

The exhibition will be open Monday to Friday from 7.30 am to 9 pm at Vivanderia Sociale
Quest'anno Vivanderia Sociale ospita all'interno del circuito OFF di You Donโ€™t Look Native to Me di
Mettendo in crisi il concetto stesso di identitร , la mostra rappresenta lโ€™opportunitร  di ragionare sugli stereotipi e sulla necessitร  di rinegoziare, grazie a uno sguardo altro, le percezioni che inconsapevolmente ci portano a leggere il mondo in unโ€™ottica di chiusura anzichรฉ di apertura. Le immagini, i video e i contributi audio presenti in mostra raccontano come le storie, gli stereotipi e le lotte per il riconoscimento abbiano plasmato โ€” e continuino a plasmare โ€” le vite della Tribรน Lumbee a Pembroke, North Carolina.
l titolo del progetto, You Donโ€™t Look Native to Me, รจ una frase dolorosamente familiare per il popolo Lumbee, che ben racchiude il divario tra percezione interna - come si vedono i nativi - ed esterna - cioรจ come chi non fa parte della comunitร  li percepisce. I protagonisti si rappresentano come individui unici con radici culturali condivise, rifiutando di conformarsi agli stereotipi su cosa significhi essere un nativo americano.

La mostra, che sarร  inaugurata il 30 aprile alle 19:00, รจ stata resa possibile grazie al contributo del e della societร  cooperativa Elfo.

---

This year, Vivanderia Sociale is hosting, as part of the
OFF programme of, You Don't
Look Native to Me by
Challenging the very concept of identity, the exhibition offers an opportunity to reflect on stereotypes and the need to renegotiate, through an alternative perspective, the perceptions that unconsciously lead us to view the world through a lens of closure rather than openness. The images, videos and audio pieces in the exhibition recount how stories, stereotypes and struggles for recognition have shaped โ€” and continue to shape โ€” the lives of the Lumbee Tribe in Pembroke, North Carolina.
The title of the project, You Donโ€™t Look
Native to Me, is a painfully familiar phrase for the Lumbee people, which aptly encapsulates the gap between internal perception โ€“ how Native Americans see themselves โ€“ and external perception โ€“ that is, how those outside the community perceive them.
โœจOver the past days, weโ€™ve introduced the selected projects from this yearโ€™s Open Call, chosen from more than ๐Ÿ,๐Ÿ”๐ŸŽ๐ŸŽ submissions. Today we present the last in the series.

โœฉ ๐’€๐’๐’– ๐‘ซ๐’๐’โ€™๐’• ๐‘ณ๐’๐’๐’Œ ๐‘ต๐’‚๐’•๐’Š๐’—๐’† ๐’•๐’ ๐‘ด๐’† is a project by ๐Œ๐š๐ซ๐ข๐š ๐’๐ญ๐ฎ๐ซ๐ฆ (b. Romania), a Berlin-based photographer, mother and teacher. Raised between Romania, Germany and the USA, 's work explores identity, how it is perceived, assigned, and lived.

โ€œIn 2011, I began photographing the lives of young people from the Lumbee Tribe in and around Pembroke, North Carolina. You Donโ€™t Look Native to Me combines photographs, videos, interviews, and texts to challenge preconceptions and to show Native identity not as fixed, but as evolvingโ€”redefining itself with each generation.

Pembroke is the tribal seat of the Lumbee, who for decades were the largest federally unrecognized tribe in the United States, with more than 55,000 enrolled members. The Lumbee have petitioned the federal government for recognition since 1888, making their case one of the longest and most contested in U.S. history.

The title refers to a phrase painfully familiar to the Lumbee, encapsulating the dissonance between how they see themselves and how they are perceived by others. The paradox of othernessโ€”being simultaneously visible and deniedโ€”lies at the core of this work.

In December 2025, after more than a century of legal and political struggle, the United States formally recognized the Lumbee Tribe, making them the 575th federally recognized tribe. This recognition does not automatically place Indigenous issues at the center of national discourse. Instead, it creates a rare and fragile opening.

Who gets to claim heritage? Who controls the narrative of race and culture? And how do systems of political and economic power shape those narratives?โ€

โœจWe congratulate Maria Sturm and look forward to her exhibition in Kranj.

โœฉJury Open Call 2026:
โ–ช Francesca Hummler
โ–ช Jelena Jankoviฤ‡
โ–ช Emmanuelle Halkin
โ–ช Tereza Kozinc
โ–ช Fernanda Prado Verฤiฤ
โžก๏ธ This event has been rescheduled: 28.05.26!

How do photobooks shape the way we see identity and belonging?

In this edition of Talking Books, photographer Maria Sturm presents her photobook "You Donโ€™t Look Native to Me" and offers insight into her long-term project portraying young Lumbee people from North Carolina. Combining photographs with interviews, her work explores questions of identity, representation, and community.

In dialogue with Graciela Iturbideโ€™s series "White Fence", the conversation opens up perspectives on how photography can make visible both boundaries and connections within communities, and how identity continues to shift across generations.

With Maria Sturm. Photographer / Sophia Greiff. Curator, C/O Berlin / Raluca Blidar. C/O Berlin Bookshop Manager

๐Ÿ“… Thu, May 28, 2026, 19:00โ€“21:00
๐Ÿ“ Cafรฉ C/O Berlin x Bark Berlin
๐Ÿ’ฌ In German
๐ŸŽŸ๏ธ Free admission (exhibition not included)

ยฉ Graciela Iturbide / ยฉ Maria Sturm; Foto: C/O Berlin Foundation
๐‘ด๐‘ฐ๐‘ป๐‘ฎ๐‘ณ๐‘ฐ๐‘ฌ๐‘ซ๐‘ฌ๐‘น๐‘ฝ๐‘ฌ๐‘น๐‘บ๐‘จ๐‘ด๐‘ด๐‘ณ๐‘ผ๐‘ต๐‘ฎ
1. + 4. Vinzent
2. Hell is other people
3. Houston

๐™ˆ๐™ž๐™ฉ๐™œ๐™ก๐™ž๐™š๐™™๐™š๐™ง๐™ซ๐™š๐™ง๐™จ๐™–๐™ข๐™ข๐™ก๐™ช๐™ฃ๐™œ or ๐™ˆ๐™š๐™ข๐™—๐™š๐™งโ€™๐™จ ๐˜ผ๐™จ๐™จ๐™š๐™ข๐™—๐™ก๐™ฎ is a long-term photographic study of garage communities in Chemnitzโ€”spaces of retreat, encounter, and everyday life. At its core are the roughly 30,000 garages in Chemnitz, most of which were collectively built through shared labor during the GDR era, forming a unique architectural and social landscape that persists to this day. These communities typically meet once a year to discuss practical matters such as maintenance, communal work, or administration. For her exhibition, Maria Sturm initiates an extraordinary gathering: in 2024, the Romanian-born photographer portrayed more than 170 individuals while moving through Chemnitzโ€™s sprawling garage landscapes.

Her portraits show people who are at ease in their surroundings, radiating a quiet sense of confidence. Between self-perception and external gaze, quiet yet powerful image spaces unfoldโ€”revealing not only individuals and their environments, but also landscapes, rituals, and material traces of East German identity.

A collective portrait of Chemnitz emerges: a city seen through its people, its spaces, and the informal networks that quietly hold it together. Mitgliederversammlung understands photography as a social and performative actโ€”collaborative, process-oriented, and open to new forms of visibility within the urban fabric.

#3000garagen #chemnitz2025 #mitgliederversammlung #garagen #bagalutcustoms
๐‘ด๐‘ฐ๐‘ป๐‘ฎ๐‘ณ๐‘ฐ๐‘ฌ๐‘ซ๐‘ฌ๐‘น๐‘ฝ๐‘ฌ๐‘น๐‘บ๐‘จ๐‘ด๐‘ด๐‘ณ๐‘ผ๐‘ต๐‘ฎ
1. Bersarin StraรŸe
2. Nik

๐‘ด๐‘ฐ๐‘ป๐‘ฎ๐‘ณ๐‘ฐ๐‘ฌ๐‘ซ๐‘ฌ๐‘น๐‘ฝ๐‘ฌ๐‘น๐‘บ๐‘จ๐‘ด๐‘ด๐‘ณ๐‘ผ๐‘ต๐‘ฎ
1. Garagenschoner
2. Suche Garage zum Kauf

๐™ˆ๐™ž๐™ฉ๐™œ๐™ก๐™ž๐™š๐™™๐™š๐™ง๐™ซ๐™š๐™ง๐™จ๐™–๐™ข๐™ข๐™ก๐™ช๐™ฃ๐™œ or ๐™ˆ๐™š๐™ข๐™—๐™š๐™งโ€™๐™จ ๐˜ผ๐™จ๐™จ๐™š๐™ข๐™—๐™ก๐™ฎ is a long-term photographic study of garage communities in Chemnitzโ€”spaces of retreat, encounter, and everyday life. At its core are the roughly 30,000 garages in Chemnitz, most of which were collectively built through shared labor during the GDR era, forming a unique architectural and social landscape that persists to this day. These communities typically meet once a year to discuss practical matters such as maintenance, communal work, or administration. For her exhibition, Maria Sturm initiates an extraordinary gathering: in 2024, the Romanian-born photographer portrayed more than 170 individuals with her analog medium-format camera while moving through Chemnitzโ€™s sprawling garage landscapes.

Her portraits show people who are at ease in their surroundings, radiating a quiet sense of confidence. Between self-perception and external gaze, quiet yet powerful image spaces unfoldโ€”revealing not only individuals and their environments, but also landscapes, rituals, and material traces of East German identity.

A collective portrait of Chemnitz emerges: a city seen through its people, its spaces, and the informal networks that quietly hold it together. Mitgliederversammlung understands photography as a social and performative actโ€”collaborative, process-oriented, and open to new forms of visibility within the urban fabric.

#chemnitz2025 #mitgliederversammlung #3000garagen #garagensiedlung #ddr
๐‘ด๐‘ฐ๐‘ป๐‘ฎ๐‘ณ๐‘ฐ๐‘ฌ๐‘ซ๐‘ฌ๐‘น๐‘ฝ๐‘ฌ๐‘น๐‘บ๐‘จ๐‘ด๐‘ด๐‘ณ๐‘ผ๐‘ต๐‘ฎ
1. Auto und TV

๐™ˆ๐™ž๐™ฉ๐™œ๐™ก๐™ž๐™š๐™™๐™š๐™ง๐™ซ๐™š๐™ง๐™จ๐™–๐™ข๐™ข๐™ก๐™ช๐™ฃ๐™œ or ๐™ˆ๐™š๐™ข๐™—๐™š๐™งโ€™๐™จ ๐˜ผ๐™จ๐™จ๐™š๐™ข๐™—๐™ก๐™ฎ is a long-term photographic study of garage communities in Chemnitzโ€”spaces of retreat, encounter, and everyday life. These communities typically meet once a year to discuss practical matters such as maintenance, communal work, or administration. For her exhibition, Maria Sturm initiates an extraordinary gathering: in 2024, the Romanian-born photographer portrayed more than 170 individuals with her analog medium-format camera while moving through Chemnitzโ€™s sprawling garage landscapes.

Her portraits show people who are at ease in their surroundings, radiating a quiet sense of confidence. Between self-perception and external gaze, quiet yet powerful image spaces unfoldโ€”revealing not only individuals and their environments, but also landscapes, rituals, and material traces of East German identity.

A collective portrait of Chemnitz emerges: a city seen through its people, its spaces, and the informal networks that quietly hold it together. Mitgliederversammlung understands photography as a social and performative actโ€”collaborative, process-oriented, and open to new forms of visibility within the urban fabric.

#kulturhauptstadt2025 #chemnitz2025 #mitgliederversammlung #mariasturm #3000garagen

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด's engagement

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด's engagement rate on Instagram is 1.64%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 61 followers. An average post collects 93 likes and 2 comments, close to 47 likes for each comment.

Engagement rate

1.64%

Avg likes
93
Avg comments
2
Interactions : followers
1 : 61

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Who is ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด?

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด (@maria__sturm) is a Photographer creator on Instagram, also filed under Travel. ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด uses an Instagram professional account. The Instagram bio for ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด runs to 16 words across 7 lines.

How many followers does ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด have?

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด has 6,480 followers on Instagram (6.5K). ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด follows 4,824 accounts, close to one account followed for each of the 6,480 followers. 180 published posts give ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด a moderate archive on Instagram.

What is ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด's engagement rate?

๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด's engagement rate on Instagram is 1.64%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 61 followers. An average post collects 93 likes and 2 comments, close to 47 likes for each comment.

What does ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด post about on Instagram?

Flinque files ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด under Photographer, with Travel as a secondary category. Of the 10 most recent posts shown for ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด, 7 are carousels and 3 are single images. The 10 recent Instagram captions Flinque holds for ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด repeatedly use the words exhibition, people, identity, open and between. ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด's captions carry hashtags such as #3000garagen, #chemnitz2025 and #mitgliederversammlung. ๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด keeps 9 story highlights, which open with a free Flinque account.

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๐‘ด๐‘จ๐‘น๐‘ฐ๐‘จ ๐‘บ๐‘ป๐‘ผ๐‘น๐‘ด's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

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