- Following 1.9K
- Followers 35.3K
- Engagement 0.67%
- Avg likes 205
- Avg comments 3
About @kraupatuskanyzeidler
@kraupatuskanyzeidler is an Art Gallery creator on Instagram, also filed under Home Goods Stores. The account has 35,303 followers and 1,436 published posts. Recent posts average 205 likes and 3 comments, an engagement rate of 0.67%.
With 35.3K followers, @kraupatuskanyzeidler is a micro creator by the common 10,000 to 100,000 definition. @kraupatuskanyzeidler follows 1,885 accounts, so the audience is roughly 19 times the size of the list followed. @kraupatuskanyzeidler is set up as an Instagram business account. Flinque files @kraupatuskanyzeidler under Art Gallery, with Home Goods Stores as a secondary category.
The Instagram bio for @kraupatuskanyzeidler runs to 9 words. The latest activity Flinque has on record for @kraupatuskanyzeidler dates from February 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,436 Posts
Of the 10 most recent posts shown for @kraupatuskanyzeidler, 7 are carousels and 3 are single images. That mix leans toward carousels. @kraupatuskanyzeidler has built a substantial archive of 1,436 posts. Against the audience, that is roughly 25 followers for each post published. @kraupatuskanyzeidler also keeps 18 story highlights on the profile. All 10 carry captions, averaging 138 words each. The captions are written mainly in English. Words that recur across them include photo, works, through, image and kraupa-tuskany. The captions tag #kraupatuskanyzeidler, #treyabdella, #brettginsburg, #slavsandtatars and #emmaroseschwartz.
TREY ABDELLA
Cold Front
Kraupa-Tuskany Zeidler, Berlin (DE)
– (solo)
Trey Abdella’s works are built on the accumulation of materials, references, and emotional charge. His components are scavenged as much as selected, sourced through eBay listings, junk stores, or suburban leftovers. For Abdella, these objects carry traces of sentiment and absurdity, humor and discomfort synonymous to the emotional afterimage of American domestic life. Layers of resin and pigment mingle with lenticular prints, glittering fragments, and broken ceramic.
Image:
Trey Abdella
Snow Angels, 2025
acrylic, epoxy clay, broken ceramic angels, lenticular print, foam, aqua resin, glitter, plastic, on wood panel
254 x 178 x 70 cm
100 x 70 x 27 1/2 in
unique
Photo: Julian Blum
#treyabdella #kraupatuskanyzeidler
Opening: Friday,, 5-8 pm
EMMA ROSE SCHWARTZ
Giant Skeleton
Kraupa-Tuskany Zeiler, Berlin (DE)
(solo)
EMMA ROSE SCHWARTZ (b. 1992, Toronto, Canada) lives and works in New York. She received a BFA from the School of the Art Institute of Chicago (2014) and an MFA from Columbia University (2019). Through a process of layering, erasing, and carving into un-stretched canvas, Schwartz builds paintings that hold both image and sediment, where the surface becomes a record of touch and revision. Her compositions often unfold in folkloric or suburban settings, drawn from memory, myth, and the architecture of her Nashville upbringing, where figures appear as recurring archetypes of the self. Her work examines how identity, inheritance, and fiction coalesce in the act of depiction.
Relevant exhibitions include Kraupa-Tuskany Zeidler, Berlin (2026, solo, forthcoming); Andrew Kreps Gallery, New York (2026, forthcoming); Derosia, New York (2025, solo); Brunette Coleman, London (2024, solo); In Lieu, Los Angeles (2023, solo); Annarumma Gallery, Naples (2022, solo); Chapter, New York (2021, solo); Margot Samel, New York (2024); Hesse Flatow, New York (2024); Paulina Caspari, Munich (2024); Thierry Goldberg, New York (2023); Christian Andersen, Copenhagen (2022); and In Lieu, Los Angeles (2022). She received the Helen Frankenthaler Foundation Venice Award (2019) and was artist in residence at Xenia Creative Retreat (2025).
Image: Emma Rose Schwartz in her studio, Upstate New York, 2025
Photo: Christian DeFonte
#emmaroseschwartz #kraupatuskanyzeidler
BRETT GINSBURG
MUNICH IV
Kraupa-Tuskany Zeidler, Munich (DE)
–
“The images in the ‘Carapace’ series come from a digital model of a beetle that I captured and explored. The digital reduction of the insect into a hollow shell, stripped of its anatomy, feels uncanny to me, especially having studied evolutionary biology. Within the 3D space, the viewer can move through the form, collapsing the boundary between inside and outside.
That navigation feels spatially disorienting, and I see that reflected in the paintings. You can’t tell if you’re looking at something close or far, or whether it’s a subject, a landscape, or a celestial expanse.” – Brett Ginsburg
Image:
Carapace, 2025
acrylic on canvas
121 x 151 x 2.5 cm
47 3/4 x 59 1/2 x 1 in
unique
Photo: Choreo
#brettginsburg #kraupatuskanyzeidler
News from the Near Future. 30 anni della Fondazione Sandretto Re Rebaudengo
various venues, Turin (IT)
News from the Near Future is a group exhibition organized on the occasion of the thirtieth anniversary of the Fondazione Sandretto Re Rebaudengo. Presented across two venues—the Foundation’s own spaces and the Museo Nazionale dell’Automobile in Turin—the exhibition retraces, through a wide selection of works from the Sandretto Re Rebaudengo Collection, three decades of commitment to the promotion of contemporary artistic research. Around one hundred and fifty works by artists who have most significantly shaped the institution’s history explore the evolution of artistic language and media, from painting to photography, sculpture to installation, and video art, spanning from the early 1990s to the present day.
Slavs and Tatars
Mystical Protest, 2011
luminous paint on Muharram fabric, fluorescent lights, cotton
240 x 620 cm
94 7/16 x 244 1/16 ins
Edition of 1 of 3 plus 1AP
Photo: Giorgio Perrotino
#slavsandtatars #fondazionererebaudengo #kraupatuskanyzeidler
Bug Bites
KMAC Museum, Louisville (US)
– (solo)
Born in Virginia, now living in New York, Trey Abdella is an artist with a background in illustration, animation, and classical figurative oil painting. Influenced by the worlds of stagecraft and cinema, his work is inspired by aspects of horror, haunted houses, old theme parks, and the eerie nature of the exurban landscape. Through hyperrealist painting and molded resin fused with found objects and 3D holograms, his images deploy a signature form of illusionistic depth, bridging the areas of painting, sculpture, assemblage, video, and mechanical contraption. With his interest in craft and folklore, KMAC is an ideal space for his first museum solo show in the United States.
curated by
Image:
Trey Abdella
Through Your Eyes, 2023
acrylic on shaped wood panel
218.5 x 239 x 5 cm
86 x 94 x 1 7/8 in
unique
Photo: Ted Wathen
#treyabdella #kmacmuseum #kraupatuskanyzeidler
“Quiet Horror, Cheerful Grin”
Spike #86 – Salad Days
Winter 25/26
“Perfectly timed with yuletide, the dense, tonally varied, mixed-media assemblages of Trey Abdella (*1994), of West Virginia, dangle a promise of festive cheer, only to expose the fickle, superficial sentiment that lies beneath. Even when he tones down his more cartoonish excess, and works in a more illustrative, realist mode – as in ‘A Little Birdie Told Me’ (all works 2025), a beautifully rendered painting of a young boy whose face is obscured by an oversized pinecone – any hint of tenderness is stripped away by the seemingly random inclusion, in the center of the boy’s eye, of a howling man. It’s typical of the artist, offering the comfort of familiar, mawkish imagery, only to crush it...”
#treyabdella #kraupatuskanyzeidler #spikeartmagazine
News from the Near Future. 30 anni della Fondazione Sandretto Re Rebaudengo
Multiple venues, Turin (IT)
News from the Near Future is a group exhibition organized on the occasion of the thirtieth anniversary of the Fondazione Sandretto Re Rebaudengo. Presented across two venues—the Foundation’s own spaces and the Museo Nazionale dell’Automobile in Turin—the exhibition retraces, through a wide selection of works from the Sandretto Re Rebaudengo Collection, three decades of commitment to the promotion of contemporary artistic research. Around one hundred and fifty works by artists who have most significantly shaped the institution’s history explore the evolution of artistic language and media, from painting to photography, sculpture to installation, and video art, spanning from the early 1990s to the present day.
Image:
Katja Novitskova
Mars Potential (cat), 2015
digital print on three layers of aluminum cutout display
175 x 100 cm
69 x 39 1/4 in
Photo: Hans-Georg Gaul
#katjanovitskova #fondazionesandrettorerebaudengo
#kraupatuskanyzeidler
TREY ABDELLA
Cold Front
Kraupa-Tuskany Zeidler, Berlin (DE)
– (solo)
Trey Abdella’s work reckons with the horror and melancholy of the American dream. Blurring the lines between painting, sculpture, and assemblage, he utilizes a number of techniques to create hyperrealist, mixed-media works. Abdella works with acrylic, resin, fiberglass, 3D hologram fans, and other materials and incorporates a variety of found objects such as wigs, fake flowers, toys and Christmas decorations, playing on the illusionistic depth in his scenes.
Images: exhibition views, Trey Abdella, Cold Front, Kraupa-Tuskany Zeidler, Berlin, –
Photo: Julian Blum
#treyabdella #kraupatuskanyzeidler
Melting Sands
Sammlung Philara, Düsseldorf (DE)
–
MELTING SANDS examines glass as a material and substances that could replace it. What can we learn from glass? What metaphors or utopias lie concealed in its contradictory materiality? The exhibition proposes the hypothesis that glass, like no other material, allows us to visualise complexity and contradiction.
Photo: Kai Werner Schmidt
#slavsandtatars #sammlungphilara #kraupatuskanyzeidler
BRETT GINSBURG
MUNICH IV
Kraupa-Tuskany Zeidler, Munich (DE)
–
Expanding on his ongoing series of Multiplier and Carapace works, Brett Ginsburg revisits earlier motifs and processes, translating them through new atmospheric conditions, material realities, and conceptual frameworks. The paintings fold mechanical and biological references, such as engine interiors, insect shells, and geological fissures, into hybrid, mutable forms that oscillate between recognition and abstraction.
Image:
Carapace, 2025
acrylic on canvas
121 x 151 x 2.5 cm
47 3/4 x 59 1/2 x 1 in
unique
Photo: Choreo
#brettginsburg #kraupatuskanyzeidler
@kraupatuskanyzeidler's engagement
@kraupatuskanyzeidler's engagement rate on Instagram is 0.67%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 149 followers. Likes outnumber comments by roughly 68 to 1, with 205 likes and 3 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
0.67%
- Avg likes
- 205
- Avg comments
- 3
- Interactions : followers
- 1 : 149
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Frequently asked questions
These answers about @kraupatuskanyzeidler are generated from the Instagram profile data Flinque holds for the account.
Who is @kraupatuskanyzeidler?
@kraupatuskanyzeidler is an Art Gallery creator on Instagram, also filed under Home Goods Stores. @kraupatuskanyzeidler is set up as an Instagram business account. The Instagram bio for @kraupatuskanyzeidler runs to 9 words.
How many followers does @kraupatuskanyzeidler have?
@kraupatuskanyzeidler has 35,303 followers on Instagram (35.3K). @kraupatuskanyzeidler follows 1,885 accounts, so the audience is roughly 19 times the size of the list followed. @kraupatuskanyzeidler has built a substantial archive of 1,436 posts.
What is @kraupatuskanyzeidler's engagement rate?
@kraupatuskanyzeidler's engagement rate on Instagram is 0.67%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 149 followers. Likes outnumber comments by roughly 68 to 1, with 205 likes and 3 comments on an average post, so most reactions are taps rather than replies.
What does @kraupatuskanyzeidler post about on Instagram?
Flinque files @kraupatuskanyzeidler under Art Gallery, with Home Goods Stores as a secondary category. Of the 10 most recent posts shown for @kraupatuskanyzeidler, 7 are carousels and 3 are single images. The 10 recent Instagram captions Flinque holds for @kraupatuskanyzeidler repeatedly use the words photo, works, through, image and kraupa-tuskany. @kraupatuskanyzeidler's captions carry hashtags such as #kraupatuskanyzeidler, #treyabdella and #brettginsburg. @kraupatuskanyzeidler writes those captions mainly in English. @kraupatuskanyzeidler keeps 18 story highlights, which open with a free Flinque account.
How do I contact @kraupatuskanyzeidler for a collaboration?
@kraupatuskanyzeidler's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist @kraupatuskanyzeidler and use Flinque's outreach tools wherever a contact route is on file.
Links
@kraupatuskanyzeidler's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with @kraupatuskanyzeidler.