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Ken Gonzales-Day (@kengonzalesday), Instagram profile photo
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Ken Gonzales-Day

Artist
@kengonzalesday
Los Angeles based visual artist and author
  • Art & DIY
  • Following 3.6K
  • Followers 5.3K
  • Engagement 12.45%
  • Avg comments 19

About Ken Gonzales-Day

Ken Gonzales-Day (@kengonzalesday) is an Artist creator on Instagram, also filed under Art & DIY. The account has 5,259 followers and 385 published posts. Recent posts average 678 likes and 19 comments, an engagement rate of 12.45%.

Ken Gonzales-Day belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Ken Gonzales-Day follows 3,612 accounts, close to one account followed for each of the 5,259 followers. Ken Gonzales-Day carries Instagram's verified badge and is set up as an Instagram business account. Flinque files Ken Gonzales-Day under Artist, with Art & DIY as a secondary category.

The Instagram bio for Ken Gonzales-Day runs to 7 words. The latest activity Flinque has on record for Ken Gonzales-Day dates from May 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

385 Posts

Of the 10 most recent posts shown for Ken Gonzales-Day, 6 are carousels, 3 are videos and 1 is a single image. That mix leans toward carousels. 385 published posts give Ken Gonzales-Day a moderate archive on Instagram. Against the audience, that is roughly 14 followers for each post published. Ken Gonzales-Day also keeps 12 story highlights on the profile. All 10 carry captions, averaging 126 words each. The captions are written mainly in English. Words that recur across them include great, many, which, station and venice. The captions tag #uffizigallery, #florenceitaly, #firenze, #michangelo and #caravagio.

Some quick shots from a crazy day at the Uffizi - where I have not been since the 1980s, most of you will know many of the works - and it’s has been a fun trip with some quiet time too. It is always great to see amazing art but I did not expect the crowds!! Medici Collection in room and everyone gets 6 seconds! lol. Fontainebleau School, Portrait of Gabrielle d'Estrées with one of her sisters, bathing.. Titian’s Venus of Urbino, Alessandro Allori (ceiling), Caravaggio’s Medusa is on the cover at at end. #uffizigallery #florenceitaly🇮🇹 #firenze #michangelo #caravagio and many others. I will add more details later;) hugs from Tuscany!
Great feature today in UN FRAMED, LACMA’s newsletter, spotlighting Ken Gonzales-Day’s commission “Urban Excavation” for the new Wilshire/Fairfax Metro Station. This extraordinary work has been in development for years and we can’t wait to get back home and see it in person. We hope you’ll join us for a celebratory toast with Ken. Stay tuned for more details.

(Article by Alexander Schneider, Associate Editor, Collections. A version of this article was first published in the spring 2026 issue of LACMA’s Insider magazine. Photos courtesy of Metro Art (Los Angeles County Metropolitan Transportation Authority).
Some shots from this week. The first few are from Lisbon, then Porto with Marg and Wes,FILIPA CÉSAR et al at SERRALVES then Venice, Rocca Sforzesca, Bergamo with Gio, philip and Davido, and so much more. Lots of amazing food, great art and seeing friends along the way. I still need to add a few more details. Paulo Nazareth in Venice with cardboard mask, loved that show.
My piece in the new Metro Concourse at the Wilshire/Fairfax station, which includes over 80 works from LACMA’s collection!!! #dline #ridetheD #mire info in bio
Commissioner: The Arts and Culture Division of the Federal Ministry for Housing, Arts, Culture, Media and Sport - Republic of Austria;
Curator: Nora-Swantje Almes;
Exhibitor: Florentina Holzinger
Venue: Giardini. Statement: “Water, with rising levels; water, which we drink and excrete in countless cycles every day; water, a vital, life-sustaining natural resource and a highly managed commodity; water, to plunge in, dive in and emerge from, perhaps transformed. Blending dance, theatre and performance, the Austrian artist Florentina Holzinger uses her long-standing research into water – as both subject and symbol – as a point of departure for an exploration of the human body in a radically changing landscape, in which nature and technology collide.

Turning visitors’ bodily fluids into environments for the performers inhabiting the Austrian Pavilion, Holzinger proposes an installation in the form of a machinic organism, in which action and its consequences on the body are negotiated. Underwater amusement park, sewage treatment plant and sacred building, all in one, Seaworld Venice complicates the dualisms of purity and pollution, sin and expiation, and renders visible the rubbish that is kept out of sight yet remains constantly present.

With an (eco)system out of control, rituals are deemed necessary to restore order, and so the dirt must be summoned. Floodings caused by human action, lives lived in the waste of others, robotic hellhounds that lead the way into the future. I live in your piss.” #venicebiennale
Some shots from the Biennale 2026. The first clip is by Cauleen Smith and was an 4 channel video install of LA from the flower markets to the No Kings Marches, and one of my favs. Nick Cave and Wangechi Mutu appeared in several locations. Los restos by artist Oriol Vilanova, curated by Carles Guerra, was and an archivists fantasy, and I don’t have room to post everything here. I also ran into the always- remarkable Taína Caragol, and wanted to give a glimpse - and also to show how many ways artists also chose to resist or protest. The green laser was by British artist Chris Levine, Higher Power, “make light not war” and lastly had chance to talk with Jeffrey Uslip and hear about the ideas behind the American Pavilion, and of course so much more. There were many works trying to help us grapple with these dark times and a remarkable performance outside Khaled Sabsabi’s presentation at the Australian Pavilion. #venicebiennale2026 #veniceitaly🇮🇹 #makeartnotwar
Just arrived in Venice!
Fun start of trip. Cafe at Musée de l’homme, Pierre Huyghe and Robert Gober, Bill Viola, and more at
The wait is almost over! Get a sneak peek before the D Line Extension – Section 1 opens on May 8!

is introducing three new stations in West LA, making your ride faster than traffic! Along your journey, enjoy an immersive, gallery-like experience and an imaginative gateway to Museum Row that surrounds Wilshire Fairfax Station.

‘Hands and Things' by Karl Haendel, artist, features objects spanning different time periods on glass and glass tiles. Each object was sourced from nearby museums held in the hands of local community members. Look closely and riders can see pairings of drawings and photographs reflecting the cultural richness of the area.

‘Urban Excavation: Ancestors, Avatars, Bodhisattvas, Buddhas, Casts, Copies, Deities, Figures, Funerary Objects, Gods, Guardians, Mermaids, Metaphors, Mothers, Possessions, Sages, Spirits, Symbols, and Other Objects’ by Ken Gonzales-Day, artist, imagines the station as an excavation site in glass tiles, where riders can explore the vast and diverse collections of LACMA in unexpected ways.

‘WE,OUR,US’ by Susan Silton, artist, was inspired by the idea of transit stations as places where people from all walks of life come together. The colorful-striped porcelain enamel steel hugs the rider with quotes in English, Korean and Spanish, greeting those in languages commonly known in the neighborhood.

Learn more at the link in 's bio 🔗
Had a great art day in LA. 1st. William Camargo’s exhibition at Hannah Sloan C&A (included an artist-curated wall of fellow artists) and “Photography and the Black Arts Movement” at the Getty, which added a room on SoCal photographers to the exhibition w/Charles Gains and others. The exhibition makes clear that “Photography played critical roles in both the civil rights and Black Arts movements as artistic expression,organizing tool, and a means of building community. Across the United States and internationally, artists of the African diaspora used photographic images in struggles against inequality. …(the) exhibition considers the many ways photography fostered Black empowerment and propelled social change.” And finally, I went to see Karl Haendel’s show of photo realist drawings at Vielmetter. All 3 had me thinking about the ways that artists have used “photographic” images, to address, suggest, or add layers of meaning to lens based images. I was also thinking about how Camargo’s analog uses of film, their use of installation, paired with the Jacob Lawrence collage and Haendel’s use of digitally composed images (at least in some of the work), all began to suggest that many of these photographic images might be characterized as “performative”, as conceptual, as symbolic (e.g. what Barthes called the “sign”) and reminds us of the role played by photography in the Civil Rights Movement, or Haendel’s luscious drawings as sites, of “photographic” meaning (from the artist’s reflection in an iris, to his father’s Nikon), and finally to Camargo’s exploration of place during his recent residency in San José, Costa Rica where he served as the inaugural artist-in-residence at satis. FACTORY Casa de Arte, a month-long residency program supported by HSC&A. In Body Intervention 2, Camargo “ leans, arms outstretched, against one of Costa Rica’s iconic pre-Columbian, pre-conquest stone spheres, placing himself in dialogue with an archaeological past while connecting historical and contemporary processes of land use, labor, and displacement.”.. Just wanted to encourage folks to check them out;)

Ken Gonzales-Day's engagement

Ken Gonzales-Day's engagement rate on Instagram is 12.45%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 8 followers. An average post collects 678 likes and 19 comments, close to 36 likes for each comment.

Engagement rate

12.45%

Avg likes
678
Avg comments
19
Interactions : followers
1 : 8

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Frequently asked questions

These answers about Ken Gonzales-Day are generated from the Instagram profile data Flinque holds for the account.

Who is Ken Gonzales-Day?

Ken Gonzales-Day (@kengonzalesday) is an Artist creator on Instagram, also filed under Art & DIY. Ken Gonzales-Day carries Instagram's verified badge and is set up as an Instagram business account. The Instagram bio for Ken Gonzales-Day runs to 7 words.

How many followers does Ken Gonzales-Day have?

Ken Gonzales-Day has 5,259 followers on Instagram (5.3K). Ken Gonzales-Day follows 3,612 accounts, close to one account followed for each of the 5,259 followers. 385 published posts give Ken Gonzales-Day a moderate archive on Instagram.

What is Ken Gonzales-Day's engagement rate?

Ken Gonzales-Day's engagement rate on Instagram is 12.45%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 8 followers. An average post collects 678 likes and 19 comments, close to 36 likes for each comment.

What does Ken Gonzales-Day post about on Instagram?

Flinque files Ken Gonzales-Day under Artist, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Ken Gonzales-Day, 6 are carousels, 3 are videos and 1 is a single image. The 10 recent Instagram captions Flinque holds for Ken Gonzales-Day repeatedly use the words great, many, which, station and venice. Ken Gonzales-Day's captions carry hashtags such as #uffizigallery, #florenceitaly and #firenze. Ken Gonzales-Day writes those captions mainly in English. Ken Gonzales-Day keeps 12 story highlights, which open with a free Flinque account.

How do I contact Ken Gonzales-Day for a collaboration?

Ken Gonzales-Day's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Ken Gonzales-Day and use Flinque's outreach tools wherever a contact route is on file.

Ken Gonzales-Day's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

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