- Following 3.7K
- Followers 13K
- Engagement 14.18%
- Avg likes 2.1K
- Avg comments 38
About K A T E B E R R Y
K A T E B E R R Y (@katebe_) is a Photographer creator on Instagram, also filed under Travel. The account has 12,962 followers and 1,571 published posts. Recent posts average 2,051 likes and 38 comments, an engagement rate of 14.18%.
With 13K followers, K A T E B E R R Y is a micro creator by the common 10,000 to 100,000 definition. K A T E B E R R Y follows 3,732 accounts, so the audience is roughly 3.5 times the size of the list followed. K A T E B E R R Y uses an Instagram professional account. Flinque files K A T E B E R R Y under Photographer, with Travel as a secondary category.
K A T E B E R R Y's Instagram bio is brief, at 5 words across 3 lines. The bio mentions @kintzing_. The latest activity Flinque has on record for K A T E B E R R Y dates from March 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,571 Posts
Of the 10 most recent posts shown for K A T E B E R R Y, 9 are carousels and 1 is a single image. That mix leans toward carousels. K A T E B E R R Y has built a substantial archive of 1,571 posts. Against the audience, that is roughly 8.3 followers for each post published. K A T E B E R R Y also keeps 50 story highlights on the profile. All 10 carry captions, averaging 179 words each. The captions are written mainly in English. Words that recur across them include first, think, which, felt and beautiful. The captions tag #japanesearchitecture and #renovation.
Before I started my assignment I spent a night and morning in Fujiyoshida, a town I fell for on my first trip to Japan in 2023. The town is significant to me as I made the decision to leave LA there, over a South Indian lunch with my mate. It felt like full circle that I should be back there as a resident of Japan, on assignment for.
Last time I stayed in the same little hotel, and actually I remember discovering Tatsuyasu-san’s scarves then but resisted buying one as I thought I belonged in a warm country.
This time as the temperature dropped at night and i wrapped myself up in the cosy lambs’ wool shawl in my room, i was committed to purchasing.
The next morning I looked up his work and seeing his atelier was close by and open on appointment, i asked the girl at the hotel if she would call him for me to see if I could visit. On the phone to him she asked me, are you an artist? Yes, a photographer, I replied. Ok, he can make time if you go now.
I marched over with my cameras and on arrival didn’t know whether to take photos or shop first or ask questions, so I kind of did it all at the same time, whilst admiring every object in his beautiful little studio (and on-site workshop), which he had designed himself. Not only a textile designer, weaver and architect, but a talented photographer - his work was poetic and moved me viscerally. Both of us seemingly bashful in front of the camera, as I photographed him, he raised his camera to photograph me. I think we were both more comfortable this way. Photography was our shared language.
I felt like every object on display had a story and this is also how I aspire to live and collect: I don’t have many possessions, especially not here in Japan, but those I do have I like to have meaning, be beautiful, occasionally made by a friend, have a tale behind them. My scarf is exactly that. I will treasure it and your photographs of Fuji, Tatsuyasu-san. ありがとう. Last slide photo by. 🗻🧣
was an unexpected addition to my time in Fort Kochi, working with. I took a 2pm call with London then was whisked off, just a 50 minute drive and short boat ride away but another world. Someone in Kyoto recently commented that I have ‘chotto’ island vibe: quite astute I thought, considering they barely know me. If I can maintain clear, alive eyes, a bright smile and calm disposition like the people I met then cool: I’ll take island vibe. It takes me no time to slip into jungle mode: sticky skin, wavy hair, cold outdoor showers, eating fresh fish and tropical fruit, chasing a giant spider around the room with a cup (despite being fairly intrepid and a wannabe islander I still fear anything with more than 4 legs).
I spent no more than 14 hours on this private island in Lake Vembanand as I had an early flight to Mumbai and just 2 and a half of daylight in which to capture it. I was ready at sunrise to start shooting again but my cameras took 30 minutes of my precious shoot time to adjust from air-conditioning to the extreme humidity, a rookie error on my part for not being prepared.
The sweet Saiju walked me around the island before the rain at dusk started and brought with it the most incredible colour palette. I felt immediately welcomed by this small, communist community. He pointed out the local Ayurvedic hospital, ‘top-up shop’ and we enjoyed chai and Ela Ada- steamed rice stuffed with jaggery, coconut and cardamom wrapped in a banana leaf. It reminded me of a tamale. I was intrigued by the sound of ‘Toddy’, not the whiskey based hot version my family prepare at the first sign of a cold, but a palm sap beverage which becomes alcoholic as it ferments. Sounded like Mexican Pulque. Being drunk on a naturally alcoholic beverage is the best drunk of all, almost a spiritual high, so I was sad to miss out, but it gives me another reason to return. I could have sailed on the waters forever- nothing short of meditative.
Much love for this incredible experience, Maneesha.
Before I post the real work, some moments of Joy during my second trip to India in two months. Somehow video does it more justice.
The music is Eritrean not Indian, it was sampled in what is possibly my favourite track of all time: Madvillain’s ‘Figaro’ remixed by Madlib (the Stone’s Throw 101 mix) featured on Peanut Butter Wolf’s 10 years of Stone’s Throw compilation released in 2007. Nothing puts a spring in my step quite like hearing the beat drop and Doom’s vocals but you can only find and listen to the 2 minute gem on YouTube. I had the track running through my mind constantly in Mumbai because of the ubiquitous stenciled “post no bills” signs, but I think it reflects the juxtaposition of beauty, spirituality and grit I find so captivating yet complex in India (and in life). I hope my interest in this intersection comes across in my work, I think it’s why India will always remain such a great source of inspiration to me.
Thank you and to everyone I met 🧡
I truly love the first photo. When I saw this picture, I felt like the first chapter of the story we lived in this house had come to an end.
We moved to Akashi after the house was completed in 2023, people started gradually knowing about this house and us. About a year ago, people from all over the world began visiting. Kate, who emailed wanting to take photos, was one of them.
2 scorching midsummer days at the end of July. Between swimming at the beach and visiting the neighborhood Sento, her petite frame moved with light steps, capturing one shot after another. The house captured in the photos sent later seemed to exist in a world apart from the one we knew, playing with the shifting light and shadow.
Then, just 3 days after Kate left, a sign went up announcing development on the large plot of land in front of our house. That meant our view of the sea from our house would be lost.
In this house’s second chapter, major changes await us. We hope you’ll continue to support us, this house, and our studio.
イギリスの写真家 Kate Berry と我が家で過ごした旅の中のような、夢の中のような束の間の時間。
１枚目の写真が本当に好き。この写真を見た時、この家と共に歩んだ物語の第一章が終わったような気がした。
2023年にこの家が完成し明石に引っ越してきて、少しずつこの家と私たちのことが知られるようになり、1年くらい前から世界中のたくさんの人が訪ねてきてくるようになった。写真を撮りたいとメールをくれ、私たちのところを訪ねてきたKateもそうだ。
７月終わりの焦げるような真夏の２日間。ビーチで泳いだり、近所の銭湯に行ったり、その合間合間で小柄な彼女は軽やかな足取りで次々にシャッターを切った。後日送られてきた写真に写る私たちの家は、いつも見ている世界とはまた別の世界にあるように、光と影の移ろいと戯れていた。
そしてKateが去ったその3日後、家の前の大きな土地が開発されるというお知らせ看板が立った。それは即ち、私たちの家から海への眺望が失われるということを意味する。
この家との第二章では、大きな変革が待ち受けている。これからも私たちとこの家と、事務所のことを、どうぞよろしくお願いします。
#japanesearchitecture #renovation
Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.
K A T E B E R R Y's engagement
K A T E B E R R Y's engagement rate on Instagram is 14.18%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 7 followers. Likes outnumber comments by roughly 54 to 1, with 2,051 likes and 38 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
14.18%
- Avg likes
- 2.1K
- Avg comments
- 38
- Interactions : followers
- 1 : 7
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Frequently asked questions
These answers about K A T E B E R R Y are generated from the Instagram profile data Flinque holds for the account.
Who is K A T E B E R R Y?
K A T E B E R R Y (@katebe_) is a Photographer creator on Instagram, also filed under Travel. K A T E B E R R Y uses an Instagram professional account. K A T E B E R R Y's Instagram bio is brief, at 5 words across 3 lines.
How many followers does K A T E B E R R Y have?
K A T E B E R R Y has 12,962 followers on Instagram (13K). K A T E B E R R Y follows 3,732 accounts, so the audience is roughly 3.5 times the size of the list followed. K A T E B E R R Y has built a substantial archive of 1,571 posts.
What is K A T E B E R R Y's engagement rate?
K A T E B E R R Y's engagement rate on Instagram is 14.18%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 7 followers. Likes outnumber comments by roughly 54 to 1, with 2,051 likes and 38 comments on an average post, so most reactions are taps rather than replies.
What does K A T E B E R R Y post about on Instagram?
Flinque files K A T E B E R R Y under Photographer, with Travel as a secondary category. Of the 10 most recent posts shown for K A T E B E R R Y, 9 are carousels and 1 is a single image. The 10 recent Instagram captions Flinque holds for K A T E B E R R Y repeatedly use the words first, think, which, felt and beautiful. K A T E B E R R Y's captions carry hashtags such as #japanesearchitecture and #renovation. K A T E B E R R Y writes those captions mainly in English. K A T E B E R R Y keeps 50 story highlights, which open with a free Flinque account.
How do I contact K A T E B E R R Y for a collaboration?
K A T E B E R R Y's contact details are not published on Flinque's public profile. The Instagram bio links to 5 external sites, and a free Flinque account opens those links. Brands with a free Flinque account can shortlist K A T E B E R R Y and use Flinque's outreach tools wherever a contact route is on file.
Links
K A T E B E R R Y's own Instagram profile is the one outbound link Flinque publishes for the account, and the 5 bio links open after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with K A T E B E R R Y.