New Flinque AI now scores creator authenticity in real time across 4 platforms. See how
Verified on Instagram

Kate MccGwire

Artist
@kate_mccgwire
NOW - THREAD @sarahmyerscoughgallery THE ONLY TRUE TRUE PROTEST IS BEAUTY @fondazionedriesvannoten Venice. THE ARK @powerhouse_arts Brooklyn NY
  • Art & DIY
  • Following 3.3K
  • Followers 33.4K
  • Engagement 4.57%
  • Avg comments 45

About Kate MccGwire

Kate MccGwire (@kate_mccgwire) is an Artist creator on Instagram, also filed under Art & DIY. The account has 33,364 followers and 2,005 published posts. Recent posts average 1,326 likes and 45 comments, an engagement rate of 4.57%.

With 33.4K followers, Kate MccGwire is a micro creator by the common 10,000 to 100,000 definition. Kate MccGwire follows 3,263 accounts, so the audience is roughly 10 times the size of the list followed. Kate MccGwire carries Instagram's verified badge and uses an Instagram professional account. Flinque files Kate MccGwire under Artist, with Art & DIY as a secondary category.

The Instagram bio for Kate MccGwire runs to 19 words. The bio mentions @sarahmyerscoughgallery, @fondazionedriesvannoten and @powerhouse_arts. The latest activity Flinque has on record for Kate MccGwire dates from April 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

2,005 Posts

Of the 10 most recent posts shown for Kate MccGwire, 6 are carousels, 3 are videos and 1 is a single image. That mix leans toward carousels. With 2,005 posts published, Kate MccGwire's archive runs well past the 2,000 mark. Against the audience, that is roughly 17 followers for each post published. Kate MccGwire also keeps 22 story highlights on the profile. All 10 carry captions, averaging 135 words each. The captions are written mainly in English. Words that recur across them include work, feathers, exhibition, mixed and media. The captions tag #varnishingday and #royalacademysummerexhibition.

This week I am delighted to be in New York for the opening of an incredible exhibition. The Ark, presented at in Brooklyn, is a large-scale sculpture exhibition that turns a former industrial hall into a contemporary mythscape. Sensitively curated by Eric Fischl and Eric Shiner, it brings together numerous artists using animal forms to explore human concerns.

Referencing Noah’s Ark, the exhibition is less about rescue than about a world on the brink. Sculptures—ranging from lifelike to uncanny—are installed throughout the vast space, encouraging close, unstructured encounters that feel at once intimate and unsettling.

The animals function as stand-ins for ecological and social vulnerability, pointing to climate crisis and shared precarity, while also suggesting quieter themes of care and coexistence. Set within a repurposed power station near the Gowanus Canal, the show gains added resonance, framing The Ark as a reflection on damage, responsibility, and the uncertain possibility of repair.

Many thanks to the US basesd collectors which have kindly loaned RAVISH and CREPUSCULAR to this phenomenal exhibition

Artists: Bruce Nauman, Charles Ray, Claudette Schreuders, Daniel Firman, Deborah Butterfield, Jane Rosen, Jim Dine, John O’Reilly, Kate MccGwire, Kiki Smith, Marcel Dzama, Maurizio Cattelan, Nicola Hicks, Rosemarie Trockel, Sarah Lucas, Sherrie Levine, Wangechi Mutu, William Kentridge and other artists

Its been great catching up with NYC based friends – and I look forward to a few days of immersing myself in everything art related that NYC has to offer
Happy Days at #varnishingday #royalacademysummerexhibition thanks to for selecting my work in Room 2 Lovely to see such fantastic work (thanks for photos ) and sooo so many more fantastic pieces - lovely to see many friends and familiar faces and good to hang out with
I am delighted to announce that my sculpture TORQUE (2025) has been selected for this years Royal Academy Summer Exhibition! The exhibition will run from 16th June to 23rd August. You can get tickets online directly on the RA's website. I hope to see you there!

TORQUE, 2025
Mixed media with pine base and pheasant (Phasianus colchicus) feathers in custom bronze cabinet.

Images by JP Bland
LOCAL YOKEL - You are invited to the PV opening on Wednesday 3rd of June 6.30-8.30pm Saxmundham, Suffolk Uk

I’m delighted to be included in this exhibition in Suffolk - the Suffolk landscape is seared into my artistic DNA - if you are in Saxmundham on Wednesday, I look forward to seeing you there

Local Yokel brings together artists who have a strong connection to Suffolk; who live and work and/or grew up locally and those who also now work internationally.

The works are made using a huge range of practice and approaches, video, painting, casting in sand, plaster and bronze, assemblage, performance, ceramics, sculpting and weaving.

Local Yokel – the exhibition is located at The Art Station buildings on the high street 24 High St (The Old Bank) and 48 High St (The Telephone Exchange) and in The Art Station riverside garden – behind 24 High St.
Curated by Clare Palmier, Director, The Art Station

Image: j.e.b.mcclean, Arrival, 2026

Local Yokel artists include:
Alice Andrea Ewing, Annabel Dover, Bob Bicknell Knight, Cab Kenningale, Eleanor Rodwell, Henry Driver, j.e.b.mcclean, Kabir Hussain, Kasia Hobson, Kate MccGwire, Kristina Tonev, Laurence Edwards, Maddie Exton, Michael Stubbs, Mike Wickwar, Rhea Storr, Sarah Lucas, Susanne Jannoch, William Wallace, Willem Keys

Also the free Arts Festival Sax Arts Fest - including music, food, theatre, art, Saturday 13th June 12-9pm@
Before MURMUR left the studio for inclusion in the amazing exhibition, THE ONLY TRUE PROTEST IS BEAUTY at Venice, I invited JP Bland to capture a series of photographs. The sun was shining, so we wandered outside by the river for a few outdoor shots — and the pheasant feathers absolutely shone in the day light.

MURMUR is currently on show at The Only True Protest Is Beauty at the Palazzo Pisani Moretta in Venice until October 4

MURMUR (2026) mixed media with pheasant feathers
Spotted! As I came back from an phenomenal week in Venice, I was really excited to find 'MURMUR' and 'STIFLE' in an article about Fondazione Dries Van Noten in The Telegraph Magazine.

Pictured alongside a new work from the studio.. yet to be titled.
Spending time at the Fondazione Dries Van Noten—immersed in the beauty of the palazzo, alongside such a generous team and inspiring fellow artists—has been profoundly uplifting.

What resonates most is the way human craft is given space here, free from hierarchy or boundaries. Different disciplines exist in conversation with one another, reinforcing the importance of making, and reminding us why it deserves to remain at the forefront.

I want to express my deepest gratitude to everyone behind this true “feast for the eyes and food for the soul” It’s a true honour to be part of such a visionary presentation. The curation is spellbinding, marked by an extraordinary attention to detail, and Dries Van Noten’s remarkable talent shines throughout.

The warmth of the welcome has made the experience all the more meaningful. Being part of this pioneering endeavour feels like a genuine privilege.
---
First Image: 'Stifle' pictured alongside Comme des Garçons Collection S/S 2025, Christian Lacroix Haute Couture A/W 2004. Photo by Matteo de Mayda
I talk a lot about the meticulous and thoughtful sorting process behind the making of my work, but there is an equal amount of consideration that goes into how my feathers are sourced to begin with.

Collected from farmers, gamekeepers, pigeon racers, and donations, the people I collect my feathers from go out of their way to keep them aside for me; the truth is, they would otherwise go to waste. Because my pieces use hundreds, and sometimes thousands, of feathers, it's easy to assume that they are sourced quickly and from unsavoury sources. However, collecting the right feathers for the right piece can take years.

In this post, you can read a little more about how I keep my practice as ethical as possible, by sourcing my feathers through personal connections and donations.

🕊️
Meet MURMUR (2026) mixed media with pheasant feathers in bronze finished cabinet by

So thankful to the visionary Dries Van Noten for curating my work into this phenomenal feast for the eyes at Palazzo Pisani Moretta in Venice

presents ‘The Only True Protest Is Beauty’ which opened today 25 April 2026.

The Presentation stands as a journey into beauty understood not as resolution but as tension, an intensity that unsettles the familiar and opens space for the unexpected. With a title inspired by the words of singer and activist Phil Ochs, the Presentation invites us to consider beauty not as simple prettiness but as a form of inquiry and a catalyst for reflection, provocation, and transformation.

Set within Palazzo Pisani Moretta, more than two hundred works spanning fashion, jewellery, design, art, photography, glass, ceramics, and material experimentation enter into dialogue with frescoes, ceilings, and the building’s layered histories.

Selected pieces from established fashion houses’ archives are presented together with contemporary textile pieces, underscoring an enduring role as medium of cultural expression and affirming its capacity to generate critical and poetic statements. Collectible art and design objects coexist with experimental works – together forging new directions in sensorial storytelling and material exploration. Moreover, Traditional craftsmanship is showcased alongside innovative international voices, reflecting the Fondazione’s commitment
to both safeguarding heritage and nurturing new talents and views.

Curated by Dries Van Noten, the presentation unfolds as a constellation of affinities and contrasts, where mastery meets discovery and craftsmanship becomes a language of emotion.

‘The Only True Protest is beauty’
Palazzo Pisani Moretta
San Polo, 2766, 30125, Venice
25th April—4th October 2026

Comms & PR:
LUMEN (2025–26) ✨
A new work begun in 2025 and completed in 2026, presented at Art Geneva with in a two-person booth with
📍 Booth B48
🗓 29 January – 1 February 2026
If you are planning to be at the fair - I will be at there for the first couple of days and look forward to meeting you.

LUMEN (2025/6)
Mixed media with magpie feathers ( it will be housed in a bronze patinated brass cabinet )

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

Kate MccGwire's engagement

Kate MccGwire's engagement rate on Instagram is 4.57%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 22 followers. An average post collects 1,326 likes and 45 comments, close to 29 likes for each comment.

Engagement rate

4.57%

Avg likes
1.3K
Avg comments
45
Interactions : followers
1 : 22

Lookalike Creators

A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.

Age & Gender

Unlocking shows how this audience splits across age bands and gender, charted from follower data.

Audience Location

Unlocking reveals the countries and cities where the most active followers of this account are concentrated.

Primary Language

Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.

Audience Interests

Unlocking lists the topics and categories this audience follows and engages with most often across the platform.

Authenticity

Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.

Audience Quality Score

Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.

Brand Affinity

Unlocking names the brands this audience already follows, mentions or engages with across social platforms.

Content Strategy

Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.

Commercial Insights

Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.

Industry Fit

Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.

Research Kate MccGwire further

Flinque ranks Instagram creators in Art & DIY, categories Kate MccGwire is filed under, and its free tools measure the same figures for any public account.

Frequently asked questions

These answers about Kate MccGwire are generated from the Instagram profile data Flinque holds for the account.

Who is Kate MccGwire?

Kate MccGwire (@kate_mccgwire) is an Artist creator on Instagram, also filed under Art & DIY. Kate MccGwire carries Instagram's verified badge and uses an Instagram professional account. The Instagram bio for Kate MccGwire runs to 19 words.

How many followers does Kate MccGwire have?

Kate MccGwire has 33,364 followers on Instagram (33.4K). Kate MccGwire follows 3,263 accounts, so the audience is roughly 10 times the size of the list followed. With 2,005 posts published, Kate MccGwire's archive runs well past the 2,000 mark.

What is Kate MccGwire's engagement rate?

Kate MccGwire's engagement rate on Instagram is 4.57%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 22 followers. An average post collects 1,326 likes and 45 comments, close to 29 likes for each comment.

What does Kate MccGwire post about on Instagram?

Flinque files Kate MccGwire under Artist, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Kate MccGwire, 6 are carousels, 3 are videos and 1 is a single image. The 10 recent Instagram captions Flinque holds for Kate MccGwire repeatedly use the words work, feathers, exhibition, mixed and media. Kate MccGwire's captions carry hashtags such as #varnishingday and #royalacademysummerexhibition. Kate MccGwire writes those captions mainly in English. Kate MccGwire keeps 22 story highlights, which open with a free Flinque account.

How do I contact Kate MccGwire for a collaboration?

Kate MccGwire's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Kate MccGwire and use Flinque's outreach tools wherever a contact route is on file.

Kate MccGwire's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

Public profile data sourced from Instagram. Flinque is not affiliated with Kate MccGwire.

Unlock Kate MccGwire's audience data