- Following 940
- Followers 6.4K
- Engagement 13.35%
- Avg likes 972
- Avg comments 10
About 🦀 KANI 🦀
🦀 KANI 🦀 (@kani.releasing) is a Movie/television studio creator on Instagram, also filed under Entertainment. The account has 6,350 followers and 493 published posts. Recent posts average 972 likes and 10 comments, an engagement rate of 13.35%.
🦀 KANI 🦀 belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. 🦀 KANI 🦀 follows 940 accounts, so the audience is roughly 6.8 times the size of the list followed. 🦀 KANI 🦀 is set up as an Instagram business account. Flinque files 🦀 KANI 🦀 under Movie/television studio, with Entertainment as a secondary category.
The Instagram bio for 🦀 KANI 🦀 runs to 23 words across 3 lines. Emoji sit alongside the words. The latest activity Flinque has on record for 🦀 KANI 🦀 dates from June 2026.
Story Highlights
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493 Posts
Of the 10 most recent posts shown for 🦀 KANI 🦀, 6 are carousels, 3 are videos and 1 is a single image. That mix leans toward carousels. 493 published posts give 🦀 KANI 🦀 a moderate archive on Instagram. Against the audience, that is roughly 13 followers for each post published. 🦀 KANI 🦀 also keeps 17 story highlights on the profile. All 10 carry captions, averaging 122 words each. The captions are written mainly in English. Words that recur across them include july, film, director, cinema and release. The captions tag #japancuts, #japanesecinema, #kadokawa, #asianfilm and #nyc.
REX: A DINOSAUR’S STORY screens Fri. 7/10 as part of #JAPANCUTS 2026
#Japanesecinema #kadokawa #asianfilm #nyc
A water dispute compels the colourful renters of a tenement building to resist the abusive landlady looming over their heads. Director Chor Yuen (INTIMATE CONFESSIONS OF A CHINESE COURTESAN; THE MAGIC BLADE), tasked with remaking a 1963 film adapted from a Shanghainese play, insisted on staging his own version in Cantonese, convinced it would best connect with his audience. His instinct was right: this comedic Hong Kong miniature, featuring a cast of beloved TVB actors, became the highest-grossing film of 1973, outpacing even Bruce Lee’s ENTER THE DRAGON, with a tale of community building and everyday solidarity. Remembered today for its trove of star cameos, expert set-bound mise-en-scène and influence on Stephen Chow’s 2004 KUNG FU HUSTLE, 72 TENANTS, proved to be a landmark film for Shaw Brothers Studio, helping change the course of Hong Kong cinema by reintroducing Cantonese to its Mandarin-dominated market.
• High-definition presentation
• Archival interview with Chor Yuen (10 minutes)
• Archival interview with Hong Kong film historian and critic Po Fung (12 minutes)
• New appreciation from director Alex Cheung (8 mins)
• Selected scenes commentary by film critic Philip Ho Ar Nam (19 minutes)
• Booklet with new writing by Hong Kong film historian Linda Poon, newly translated into English
• New & revised English subtitles
Now available to pre-order
MY HEART IS THAT ETERNAL ROSE plays at Metrograph this weekend and next as part of our series, Like the Wind: Lensed by Christopher Doyle 🎥.
Poster design by 🐈⬛
"A Korean cult classic from 2001, writer/director Jeong Jae-eun’s coming-of-age favorite “Take Care of My Cat” is coming back to theaters for its 25th anniversary, courtesy of Kani Releasing. Only a modest success at the time despite critical fervor, the film nonetheless built up a passionate fan base known as the “Save the Cat” movement to try and keep it in theaters longer. […] A patient, delicately told story in the vein of Edward Yang, “Take Care of My Cat” centers on five friends who’ve begun to drift apart only a year after graduation. They include brokerage firm employee Hae-joo (Lee Yo-won), wanderlusting artist Ji-young (Ok Ji-young), the eccentric Tae-hee (Korean superstar Bae Doo-na, who’s starred in films by Hirokazu Koreeda, Park Chan-wook, Bong Joon-ho, and the Wachowskis), and the twins Bi-ryu and Ohn-jo (Lee Eun-ju), who are descendants of Chinese grandparents while living in a segregated community." —
Title Design:
REX: A DINOSAUR’S STORY screens 7/10 as part of JAPAN CUTS
#japanesecinema #asianfilm #kadokawa #japancuts
This restoration has been a long time coming and so important to us; we're so grateful to be able to present it at the festival in person with director!
Screening June 25 at 5.30 PM at Cinema Europa (Via Pietralata, 55)
NYC don't miss the one and only screening on July 18th
In her ambitious follow up to MAYBE IT’S LOVE, Angie Chen offers a rebuke to the colonial imagination of films such as THE WORLD OF SUZIE WONG (1960). Instead, she brings the Hong Kong of the 50s and 60s to life on her own terms with the story of Shui-Mei (Pat Ha), a “salt water girl” from the outskirts of the city, who finds a way out of poverty in the Red Light district of Wan Chai, Hong Kong. Over the years, she rises through the ranks, discovering a world of equal hardship and sisterly camaraderie, where colourful characters abound – among them Jimmy (Anthony Wong, in his debut role), a mixed-race kid looking for his father in the crowd of thirsty American sailors. Penned by John Chan Koon Chung (MY HEART IS THAT ETERNAL ROSE), MY NAME AIN’T SUZIE brings a New Wave sensibility to the waning years of the Shaw Brothers Studio with a decade spanning epic that resourcefully reconstructs a bygone era of Cantonese cinema. A rags-to-riches story blending romance and brothel drama, Chen’s film is above all a tale of feminine resilience at the nexus of historical events and shifting colonial powers.
Special features:
• Interview with director Angie Chen (12mins, 2026)
• Interview with screenwriter and planner John Chan (17mins, 2026)
• « Becoming Jimmy » on casting Anthony Wong, with Angie Chen, John Chan, and Anthony Wong • (8mins, 2026)
• Angie Chen on « Working in Hong Kong » (10mins, 2026)
• Original Theatrical Trailer
• Booklet with new writing by Xueli Wang
• New and revised English subtitles
Now available to preorder
🎊
🦀 KANI 🦀's engagement
🦀 KANI 🦀's engagement rate on Instagram is 13.35%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 7 followers. Likes outnumber comments by roughly 97 to 1, with 972 likes and 10 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
13.35%
- Avg likes
- 972
- Avg comments
- 10
- Interactions : followers
- 1 : 7
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Frequently asked questions
These answers about 🦀 KANI 🦀 are generated from the Instagram profile data Flinque holds for the account.
Who is 🦀 KANI 🦀?
🦀 KANI 🦀 (@kani.releasing) is a Movie/television studio creator on Instagram, also filed under Entertainment. 🦀 KANI 🦀 is set up as an Instagram business account. The Instagram bio for 🦀 KANI 🦀 runs to 23 words across 3 lines.
How many followers does 🦀 KANI 🦀 have?
🦀 KANI 🦀 has 6,350 followers on Instagram (6.4K). 🦀 KANI 🦀 follows 940 accounts, so the audience is roughly 6.8 times the size of the list followed. 493 published posts give 🦀 KANI 🦀 a moderate archive on Instagram.
What is 🦀 KANI 🦀's engagement rate?
🦀 KANI 🦀's engagement rate on Instagram is 13.35%, over 6%, more than 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 7 followers. Likes outnumber comments by roughly 97 to 1, with 972 likes and 10 comments on an average post, so most reactions are taps rather than replies.
What does 🦀 KANI 🦀 post about on Instagram?
Flinque files 🦀 KANI 🦀 under Movie/television studio, with Entertainment as a secondary category. Of the 10 most recent posts shown for 🦀 KANI 🦀, 6 are carousels, 3 are videos and 1 is a single image. The 10 recent Instagram captions Flinque holds for 🦀 KANI 🦀 repeatedly use the words july, film, director, cinema and release. 🦀 KANI 🦀's captions carry hashtags such as #japancuts, #japanesecinema and #kadokawa. 🦀 KANI 🦀 writes those captions mainly in English. 🦀 KANI 🦀 keeps 17 story highlights, which open with a free Flinque account.
How do I contact 🦀 KANI 🦀 for a collaboration?
🦀 KANI 🦀's contact details are not published on Flinque's public profile. The Instagram bio links to 3 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist 🦀 KANI 🦀 and use Flinque's outreach tools wherever a contact route is on file.
Links
🦀 KANI 🦀's own Instagram profile is the one outbound link Flinque publishes for the account, and the 3 bio links open after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with 🦀 KANI 🦀.