- Following 1.2K
- Followers 5.7K
- Engagement 1.67%
- Avg likes 88
- Avg comments 2
About 小澤香奈子 / Kanako Ozawa
小澤香奈子 / Kanako Ozawa (@kanakoozawa.works) is an Artist creator on Instagram, also filed under Art & DIY. The account has 5,679 followers and 262 published posts. Recent posts average 88 likes and 2 comments, an engagement rate of 1.67%.
小澤香奈子 / Kanako Ozawa belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. 小澤香奈子 / Kanako Ozawa follows 1,233 accounts, so the audience is roughly 4.6 times the size of the list followed. 小澤香奈子 / Kanako Ozawa is set up as an Instagram business account. Flinque files 小澤香奈子 / Kanako Ozawa under Artist, with Art & DIY as a secondary category.
The Instagram bio for 小澤香奈子 / Kanako Ozawa runs to 18 words across 5 lines. The bio mentions @log_kanakoozawa. The latest activity Flinque has on record for 小澤香奈子 / Kanako Ozawa dates from June 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
262 Posts
Of the 10 most recent posts shown for 小澤香奈子 / Kanako Ozawa, 7 are single images and 3 are carousels. That mix leans toward single images. 262 published posts give 小澤香奈子 / Kanako Ozawa a moderate archive on Instagram. Against the audience, that is roughly 22 followers for each post published. 小澤香奈子 / Kanako Ozawa also keeps 10 story highlights on the profile. All 10 carry captions, averaging 69 words each. The captions are written mainly in English. Words that recur across them include acrylic, paint, clay, wooden and panel. The captions tag #art, #painting, #artfairph, #exhibition and #philippines.
【 safe spot 】
<2024>
18×18cm
Wooden panel / Acrylic paint / clay
Going in.
Coming back out again, when the mood strikes.
一旦入ってみる。
気が向いたらまた出てくる。
…
You have any questions about my work, please feel free to contact me.
【 くゆる / Kuyuru 】
<2024>
27.3×27.3cm
Wooden panel / Acrylic paint / clay
I glanced over quietly, and found a quiet guardian resting.
覗いてみたら、小さな守り神が休息を取っていた。
……….
【 きっかけは予感と空腹 】
<2024>
41.2×27.3cm
Wooden panel / Acrylic paint / clay
Beneath our awareness, something carries spices.
無意識下でスパイスを運ぶ、何者かがいる。
………
Collected
【引き受けた黄金 / Undertaken power full object】
<2024>
19×27.3cm
Wooden panel / Acrylic paint / clay
…
Sometimes it takes our place,
sometimes it stays beside us.
It quietly watches over someone.
…
【今日のお守り / Amulet of today】
<2024>
41×35.5×35(h)cm
Wood / Acrylic paint / clay / cloth
【 全力を知る朝の約束 / The morning promise 】
<2024>
33.3×19cm
Wooden panel/Acrylic paint/Clay
…
There are days when, without realizing it, we are giving everything we have in that moment.
Maybe it was because of something once given to us by someone.
When we pass something on to someone, we may remember that we once made a quiet promise with something we held dear — a memory, small and somehow immense.
……………
You have any questions about my work, please feel free to contact me.
（English version in the previous post.）
私は、今に残った古い物や技術が好きです。
国や文化が違っても、人間の想像力から生まれたものにはどこか共通するような雰囲気があり、その中でも意志を感じるような静かな気配をまとった物たちによく惹かれます。
そこに懐かしさや、自分の制作と通じる感覚を覚え、その延長でテディベアという存在に出会いました。
量産品とは異なる佇まいを持ち、繊細なパターンと手作業による裁縫、意志を感じさせる確かな重み、そして幾つかのジョイントを備えた伝統的なテディベア。
これまで私はテディベアの本質的な魅力を、自分の感覚としてはまだ実感していませんでした。
けれど、とあるテディベアを初めて手に取った瞬間、自分がずっと大切にしてきた感覚と結びつくものがあり、深い衝撃を受けました。
適度な重みとともに、何かの記憶がふっと香るような体感があり、まるで、誰にも教わっていないのに感じられる、定義できない正しさや優しさが手の中にあるような感覚に感動を覚えました。
小さな頃に大事にしていた庭の石。
陽だまり。
月を見上げる夜の静けさ。
自分が決して一人になることがないように、いつも隣にいて、生きているように感じられたもの。
その感覚が、テディベアを通して、ありありと蘇ってきたのです。
思い返すと、その感覚を与えてくれるものの前で、私はいつもとても正直にいられたような気がしています。
この「自分を正直にさせてくれるもの」というのは、わたしが表現したいことの大きな軸のひとつでもあります。
この様な経緯があり、私は、前回の個展からテディベアのための生地を使用して作品を作り始めました。
元々私は、子供の頃のシーツに包まる体験を元に今のモチーフを描き始めました。
その後、包まれることや包むこと、そこにそっと生まれる膨らみ。そしてそこに宿る“心”や“気配”に、温かく惹かれている自分に気づき、今の制作に繋がっています。
その点においても、生地を使い、膨らみを持った人形というテディベアの構造に惹かれ、そしてそこには記憶や想いの分身のような気配も感じられ、制作に取り入れてみたいと思いました。
今回テディベアを通して様々な素材とも出会い直すことができました。
それぞれの素材や質感がもたらす異なる感覚を大切にしながら、これからもさまざまなかたちの作品を重ねていけたらと思っています。
I love old things and techniques that have been cherished and preserved to the present day. Even across different countries and cultures, things born from human imagination share a certain common atmosphere. Among them, I am particularly drawn to objects that seem to possess a quiet presence, as if imbued with a sense of purpose.
I felt a sense of nostalgia there, a feeling connected to my own creations,and in that extension, I encountered a traditional teddy bear.
I hadn't known the essence of a “real teddy bear” until this age. Yet the moment I held one for the first time, something connected to a feeling I had cherished all along, and it left me deeply moved.
The moment I held it in my hand, its satisfying weight was accompanied by a sensation as if a memory wafted up like a scent. I was moved by the feeling that something indescribably right and gentle—something I felt without ever having been taught—was right there in my palm.
The garden stone I treasured as a child.
Sunlit spots.
The quiet of nights spent gazing at the moon.
Something that always stayed by my side, making me feel alive, so I would never be alone. That feeling came vividly back to me through the teddy bear.
Looking back, I feel like I could always be completely sincere in front of the things that gave me that feeling.
This idea of “things that allows me to be honest with myself” is also one of the major themes I want to express.
Given these circumstances, I began creating works using fabric intended for teddy bears starting from my last solo exhibition.
Originally, I began drawing my current motifs based on the experience of wrapping myself in sheets as a child.
Later, I realized I was warmly drawn to the act of being wrapped or wrapping others, the gentle fullness that arises there, and the “heart” or “presence” that dwells within it—this led to my current practice.
In that sense too, I was drawn to the structure of teddy bears—dolls made of fabric with their inherent plumpness. I felt they held an aura like an alter ego of memories and thoughts, and I wanted to incorporate that into my work.
Booth:
For inquiries about the works, please contact 🦢
mail:
【Art Fair Philippines 2026】
>>
February 6-8 | 10am-9pm
Circuit Makati
…
フィリピンで開催の【Art Fair Philippines 2026】に より出品致します。
作品についてのお問い合わせは まで。
mail:
…
#artfairph #art #exhibition #painting #philippines🇵🇭
<2025>
22.7×22.7cm
Wooden panel/Acrylic paint/Clay
…
#artwork #art #drawing #painting #flowers
小澤香奈子 / Kanako Ozawa's engagement
小澤香奈子 / Kanako Ozawa's engagement rate on Instagram is 1.67%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 60 followers. An average post collects 88 likes and 2 comments, close to 44 likes for each comment.
Engagement rate
1.67%
- Avg likes
- 88
- Avg comments
- 2
- Interactions : followers
- 1 : 60
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Frequently asked questions
These answers about 小澤香奈子 / Kanako Ozawa are generated from the Instagram profile data Flinque holds for the account.
Who is 小澤香奈子 / Kanako Ozawa?
小澤香奈子 / Kanako Ozawa (@kanakoozawa.works) is an Artist creator on Instagram, also filed under Art & DIY. 小澤香奈子 / Kanako Ozawa is set up as an Instagram business account. The Instagram bio for 小澤香奈子 / Kanako Ozawa runs to 18 words across 5 lines.
How many followers does 小澤香奈子 / Kanako Ozawa have?
小澤香奈子 / Kanako Ozawa has 5,679 followers on Instagram (5.7K). 小澤香奈子 / Kanako Ozawa follows 1,233 accounts, so the audience is roughly 4.6 times the size of the list followed. 262 published posts give 小澤香奈子 / Kanako Ozawa a moderate archive on Instagram.
What is 小澤香奈子 / Kanako Ozawa's engagement rate?
小澤香奈子 / Kanako Ozawa's engagement rate on Instagram is 1.67%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 60 followers. An average post collects 88 likes and 2 comments, close to 44 likes for each comment.
What does 小澤香奈子 / Kanako Ozawa post about on Instagram?
Flinque files 小澤香奈子 / Kanako Ozawa under Artist, with Art & DIY as a secondary category. Of the 10 most recent posts shown for 小澤香奈子 / Kanako Ozawa, 7 are single images and 3 are carousels. The 10 recent Instagram captions Flinque holds for 小澤香奈子 / Kanako Ozawa repeatedly use the words acrylic, paint, clay, wooden and panel. 小澤香奈子 / Kanako Ozawa's captions carry hashtags such as #art, #painting and #artfairph. 小澤香奈子 / Kanako Ozawa writes those captions mainly in English. 小澤香奈子 / Kanako Ozawa keeps 10 story highlights, which open with a free Flinque account.
How do I contact 小澤香奈子 / Kanako Ozawa for a collaboration?
小澤香奈子 / Kanako Ozawa's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist 小澤香奈子 / Kanako Ozawa and use Flinque's outreach tools wherever a contact route is on file.
Links
小澤香奈子 / Kanako Ozawa's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with 小澤香奈子 / Kanako Ozawa.