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ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ

Real Estate & Property
@joost.emmerik
Garden and Landscape Architect Head of Landscape Architecture @academievanbouwkunst Advisory Committee @architectuurcentrum_amsterdam
  • Following 2.7K
  • Followers 10.7K
  • Engagement 4.73%
  • Avg comments 18

About ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ (@joost.emmerik) is a Real Estate & Property creator on Instagram. The account has 10,673 followers and 806 published posts. Recent posts average 495 likes and 18 comments, an engagement rate of 4.73%.

With 10.7K followers, ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ is a micro creator by the common 10,000 to 100,000 definition. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ follows 2,685 accounts, so the audience is roughly 4 times the size of the list followed. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ is set up as an Instagram business account. Flinque files ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ under a single category, Real Estate & Property.

The Instagram bio for ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ runs to 13 words across 3 lines. The bio mentions @academievanbouwkunst and @architectuurcentrum_amsterdam. The latest activity Flinque has on record for ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ dates from December 2024.

Story Highlights

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806 Posts

All 10 recent posts Flinque holds for ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ are carousels. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ has built a substantial archive of 806 posts. Against the audience, that is roughly 13 followers for each post published. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ also keeps 52 story highlights on the profile. All 10 carry captions, averaging 115 words each. The captions are written mainly in English. Words that recur across them include garden, wonderful, projects, work and great.

Great bunch of projects to work on and delightful people to collaborate on them with. Never / rarely a dull moment. And that is even without the!

And more coming up: book with and, another book with, project for with, and, hopefully a project with and one with ánd a surprise coming up with bromance 🎉🎉🎉
Almost vacation, off to the North of Italy for three weeks with husband and dogs. Hiking, eating, drinking, sleeping, reading.

The last few weeks were hectic; finishing the year at the Academy, giving talks and working on/completing a few projects.

I’m super happy with the environment I’m in at the moment; wonderful clients, interesting sites, great collaborations with other professionals and of course everyone at the.

Looking forward to rest for now, and then get back to it ⚡️⚡️⚡️
Earlier this month I travelled to Ljubljana to participate in the LILA 2024 jury. Together with Lisa Diedrich, Lilli Lička, Catherine Mosbach and Zaš Brezar we looked at over 300 projects, ranging from a garden for worms to a complete new sponge landscape.

Locked up in a room on some of the hottest days of the year, staring at a screen, eating dried ginger, we got an overview on the status of garden and landscape architecture; what themes designers are working on, what methods, what materials, what concepts, what worldviews.

We shortlisted 30 projects and in the end awarded 6 projects and 5 special mentions.

Thanks Landezine and Zaš for the invite and for taking such good care of us.

Thanks for the great discussions Lisa, Lili, Catherine and Zaš. Wonderful to exchange thoughts with all of you.

And congrats to the award winnners MVVA, Wagon Landscaping, Archigrest, topoScape, DFLA, BOGL, Straub Thurmayr, Ilex and the special mentions De Molfetta Strode, Fish Design, PAAR TALLER and Practice Landscape.
It might seem I’m just doing stuff for the Academy, but noooo, that’s only two days of the week. The other three (four..) days I’m still very much making projects and doing research. This post I thought I’d share the projects I’m working on now.

1. Inner City Courtyard in Frankfurt, with
2. Biobased building block Zwolle, with and
3. Landscape Garden in Germany with and
4. Natureinclusive outdoor space for the Ministry of Agriculture, Nature and Food Quality, with
5. Courtyard Garden in Kralingen with
6. Converting a former military terrain into a housing area, with en
7. Campus in Belgium, with, and trafique
8. Wild Garden in Kralingen with
9. Exhibition about the Brabant landscape for, with and
10. Research into Queer Gardens, made possible by a grant of

And then there’s a few publications on gardens and a possible extensive research on the notion of The Sacred in Garden Architecture.

So, I’m keeping busy. Got a new project, don’t call me. Or better yet: do call me! I know a lot of talented designers who would love to help out!
Every year, one of the heads of the organises a Winterschool. For a week, all first and second year students from all disciplines expand their horizons in an assignment that seeks out the borders of the profession.

This year, it was my turn as Head of Landscape Architecture. I was triggered by a quote by Dutch philosopher and cultural anthropologist Ton Lemaire: “After the self-worship and self-deification of man at the time of triumphant modernity, the time has now come to relativize and abandon it in favour of a cult of the earth, our cradle and home, with its extraordinarily complex fabric of living beings of which we as humans are allowed to be a part.”

I invited artist Theun Karelse to develop the Winterschool with this idea of a Cult of the Earth in mind and think of a way to bring all the student’s work together in a multi-sensory, festive experience.

Theun invited a wonderful group of artist to collaborate with the 125 students on ten different realms: Marit Mihklepp, Adriana Knouf, Onkruidenier, Teun Castelein, Anne de Andrade, Robbi Meertens, Anna Fink en Elza Bezina, Emma Hoette, Cat Kramer and Zack Denfeld and Frank Bloem. Each one of them bringing another mode of expression to the Winterschool.

The opening of the Winterschool was at De Duif, a monumental church at the Prinsengracht in Amsterdam with Ibelisse Feragutti, Frank Heckman and Johan Roeland.

Yesterday we closed the Winterschool with a cacophonic celebration of all the student’s work, ending up in a party.

Thanks for all who contributed, not in the least to in helping making these ideas a reality.
I was featured in the October edition of the magazine. In an interview with we discuss the new generation of garden designers, the importance of multispecies design and the concept of being a guest in your own garden.

I suggested to look into,,, and and to talk to about her wonderful plantings.

Some pics of the Floriade garden as well of me in my office and allotment.

All in Dutch 😬

ps Yes, that’s Sørensen’s Geometriske Haver
Strolling through Urbino, we stumbled upon the botanical garden hidden away in the center. Often, botanical gardens are very interesting horticulturally, but rarely they’re also interesting spatially.

But this one, in Urbino, definitely was: nested in the urban fabric, this small, condensed, shaggy garden has a lot of character. A work in progress, which to me makes it much more interesting than most perfectly organized botanical gardens.
Garden for, taking a practical approach; thinking how to reuse materials already present on site and incorporate elements from their wonderful design practice.

Great execution and collaboration with
A few years ago we obtained an allotment garden at an island in the river Maas; 240 m2 of land with a little house on it.

Over the years, the garden has become a place to learn about plants, to read, to write, to be with family and friends, to store my growing ceramic collection, to worry about, to let the dogs run wild, to escape the city, to care for, to neglect, to work in, to be useless in, to make a mess, to try, to fail, to aim and to let go.

This garden offers me experiences and thoughts different than the other spaces I move between; never finished, forever changing, forcing me to adapt and move along.
A former industrial harbour area in the north of Amsterdam is being transformed into a housing area. Warehouses, cranes and large infrastructural spaces are being replaced with orderly architecture and polished public space.

Garden with a memory incorporates spolia from the site’s industrial past. Not removing all that has been, but instead growing from it.

When all the industry has been replaced, this garden serves as a living and growing memory of what once was.

Thanks for the opportunity to create this

Construction by the always fantastic Paul Casteleijn

In collaboration with Roberta di Cosmo / and Studio Audal /

Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ's engagement

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ's engagement rate on Instagram is 4.73%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 21 followers. An average post collects 495 likes and 18 comments, close to 28 likes for each comment.

Engagement rate

4.73%

Avg likes
495
Avg comments
18
Interactions : followers
1 : 21

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Who is ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ?

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ (@joost.emmerik) is a Real Estate & Property creator on Instagram. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ is set up as an Instagram business account. The Instagram bio for ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ runs to 13 words across 3 lines.

How many followers does ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ have?

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ has 10,673 followers on Instagram (10.7K). ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ follows 2,685 accounts, so the audience is roughly 4 times the size of the list followed. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ has built a substantial archive of 806 posts.

What is ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ's engagement rate?

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ's engagement rate on Instagram is 4.73%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 21 followers. An average post collects 495 likes and 18 comments, close to 28 likes for each comment.

What does ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ post about on Instagram?

Flinque files ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ under a single category, Real Estate & Property. All 10 recent posts Flinque holds for ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ are carousels. The 10 recent Instagram captions Flinque holds for ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ repeatedly use the words garden, wonderful, projects, work and great. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ writes those captions mainly in English. ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ keeps 52 story highlights, which open with a free Flinque account.

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ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ's contact details are not published on Flinque's public profile. The Instagram bio links to 2 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ and use Flinque's outreach tools wherever a contact route is on file.

ᑫᑌEEᖇ GᗩᖇᗪEᑎᔕ's own Instagram profile is the one outbound link Flinque publishes for the account, and the 2 bio links open after signing up.

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