New Flinque AI now scores creator authenticity in real time across 4 platforms. See how
Haus der Kulturen der Welt (@hkw_berlin), Instagram profile photo
Verified on Instagram

Haus der Kulturen der Welt

eCommerce/DTC
@hkw_berlin
A pluri-disciplinary institution in Berlin of visual and performative arts, music, architecture, literature and scientific discursive formats 🌊
  • Home Goods Stores
  • Music & Artists
  • Music & Audio
  • Following 1.4K
  • Followers 87.6K
  • Engagement 0.29%
  • Avg comments 7

About Haus der Kulturen der Welt

Haus der Kulturen der Welt (@hkw_berlin) is an eCommerce/DTC creator on Instagram, also filed under Home Goods Stores and Music & Artists. The account has 87,574 followers and 1,406 published posts. Recent posts average 221 likes and 7 comments, an engagement rate of 0.29%.

With 87.6K followers, Haus der Kulturen der Welt is a micro creator by the common 10,000 to 100,000 definition. Set against 1,440 accounts followed, the audience works out to about 61 followers per account Haus der Kulturen der Welt follows. Haus der Kulturen der Welt is set up as an Instagram business account. Flinque files Haus der Kulturen der Welt under 4 categories, led by eCommerce/DTC and followed by Home Goods Stores, Music & Artists and Music & Audio.

The Instagram bio for Haus der Kulturen der Welt runs to 17 words. Emoji sit alongside the words. The latest activity Flinque has on record for Haus der Kulturen der Welt dates from December 2025.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

1,406 Posts

Of the 10 most recent posts shown for Haus der Kulturen der Welt, 7 are carousels and 3 are videos. That mix leans toward carousels. Haus der Kulturen der Welt has built a substantial archive of 1,406 posts. Against the audience, that is roughly 62 followers for each post published. Haus der Kulturen der Welt also keeps 122 story highlights on the profile. All 10 carry captions, averaging 209 words each. Words that recur across them include global, fascisms, free, entry and december.

See you again in 2026 ❄

HKW will remain closed during the holidays from 20 December until 5 January 2026. We look forward to welcoming you again in the new year!

+++

Das HKW ist ĂŒber die Feiertage vom 20. Dezember bis zum 05. Januar 2026 geschlossen. Wir freuen uns darauf, euch im neuen Jahr wiederzusehen!
______
Design: Studio Yukiko/HKW
Thank you & see you again in 2026!

HKW will remain closed during the holidays from 20 December until 5 January 2026. We look forward to welcoming you again in the new year!

+++

Das HKW ist ĂŒber die Feiertage vom 20. Dezember bis zum 05. Januar 2026 geschlossen. Wir freuen uns darauf, euch im neuen Jahr wiederzusehen!
____________
Sound extract: “Pata Pata” from ZENZILE: THE REIMAGINATION OF MIRIAM MAKEBA, an album by Somi, Copyright Salon Africana, Inc. 2022
That’s a wrap!

The exhibition GLOBAL FASCISMS featured works by around fifty international artists responding to the rise of fascist ideologies across painting, film, performance, discourse, publishing, and digital formats. Historical artworks complemented the group exhibition, creating surprising connections between past and present.

Enormous thanks to our visitors, the curators, our incredible team, the contributors, and above all, the artists whose powerful works made this possible: aaajiao, Pio Abad & Frances Wadsworth Jones, Jane Alexander, Matthew Barney, Vikrant Bhise, MichaĂ«l Borremans, Carl-von-Ossietzky-Gemeinschaftsschule with Alexandre Decoupigny and Claire Fristot, Shu Lea Cheang, Hou Chun-Ming, Eli Cortiñas, Andrew Esiebo, Niklas Goldbach, Hao Jingban, Daniel HernĂĄndez-Salazar, Hannah Höch, Karolina JabƂoƄska, Radu Jude & Adrian CioflĂąncă, Yoonsuk Jung, GĂŒlsĂŒn Karamustafa, Martin Kippenberger, Josh Kline, Firenze Lai, Daniel Lannes, Maria Lassnig, Franz Lehmkuhl, Lawrence Lemaoana, Carlos Leppe, Anna Maria Maiolino, Sliman Mansour, Ciprian Mureșan, Nguyễn TĂąn HoĂ ng, Mussunda N’zombo, Pınar Öğrenci, Mimi ỌnỄọha, Raking Leaves, Robin Rhode, Glauber Rocha, Roee Rosen, Julia Scher, Sara Sejin Chang (Sara van der Heide), Mithu Sen, Sana Shahmuradova Tanska, Maree Sheehan, Chulayarnnon Siriphol, Sunwoo Hoon, Fuyuhiko Takata, Grace DorothĂ©e Tong, Top lista nadrealista & Nadreality Show, Mona Vătămanu & Florin Tudor (with Ilinca Manolache). đŸŒč

📖 The GLOBAL FASCISMS reader with a collection of longform essays, poetry, and conversations with experts lives on — get your copy online via
_____
Images: Milan Soremski/HKW
Meet the Artist: DANIEL LANNES

Daniel Lannes is known for his vibrant paintings of Brazilian archetypes and historical icons, which he portrays in ambivalent and often ironic visual narratives.

“O Sonho de GetĂșlio 2 (GetĂșlio’s dream 2)” (2025) exemplifies this practice: beginning with a singular work depicting GetĂșlio Vargas, who positioned himself as head of state for eighteen years, first as a dictator and later as an elected official. Often misconceived as “O Pai dos Pobres” (the father of the poor), he created structural inequalities that mark the country to this day. One would imagine the ‘dream’ refers to GetĂșlio’s ambitions of shaping a modern and industrialized Brazil. But instead, he is depicted as dreaming of his lover, the famous Brazilian showgirl and actress VirgĂ­nia Lane. The authoritarian ruler is portrayed as submissive and lustful, at the mercy of the object of his desire. This way, the work entangles the private with the public and interrogates the strongmen aesthetics of contemporary world leaders and warmongers. Are they perhaps just chasing a private fancy?

The GLOBAL FASCISMS closing weekend features a wide-ranging program with exhibition tours, the book launch of the Global Fascisms Reader, film screenings, performances, keynotes, talks, and kids‘ disco. Free entry!

GLOBAL FASCISMS
📅 Exhibition until 7 December
📅 Closing weekend 6 & 7 December
🔗 More information:

DANIEL LANNES’ WORK IN THE EXHIBITION: “O Sonho de GetĂșlio 2” (GetĂșlio’s dream 2) (2025), oil on canvas, 220 × 160 cm. Courtesy of the artist

Commissioned by Haus der Kulturen der Welt (HKW), co-produced by Daniel Lannes and HKW, 2025
Meet the Artist: MUSSUNDA N’ZOMBO

Der PerformancekĂŒnstler Domingos de Menezes Miguel inszeniert Macht mithilfe eines Repertoires konstruierter, hĂ€ufig grotesker, stilisierter und symbolisch aufgeladener Rollen. Derzeit dient ihm sein satirisches Alter Ego “Mussunda N’zombo” als primĂ€re öffentliche IdentitĂ€t. N’zombo, eine mit Gold behangene, vor aufgeblĂ€hter AutoritĂ€t strotzende Figur, lĂ€sst sich von Bodyguards begleiten und hĂ€lt mit Vorliebe ‚prĂ€sidiale‘ Ansprachen auf Fahrzeugen oder in goldenen KĂ€figen. Das Werk von de Menezes Miguel bietet keine gesellschaftlich abgesicherte Satire. Seine Rollen sind keine Verkleidungen, sondern Instrumente. Sie bringen die visuelle Grammatik der AutoritĂ€t an ihre Grenzen – nicht um Macht zu parodieren, sondern um sie zu spiegeln und eine Wirklichkeit zu offenbaren, die in ihrer eigenen AbsurditĂ€t feststeckt.

Zum GLOBAL FASCISMS Finissagewochenende gibt es ein breitgefÀchertes Programm mit AusstellungsrundgÀngen, der PrÀsentation des Global Fascisms Readers, Filmscreenings, Performances, Talks und eine Kinderdisko. Freier Eintritt!

GLOBAL FASCISMS
📅 Austellung bis 07.Dezember
📅 Finissagewochenende: 6. & 7. Dezember
🔗 Mehr Informationen:

MUSSUNDA N’ZOMBOS WERK IN DER AUSSTELLUNG: “O IM-PACTO 2/THE IM-PACT 2” (2018–2022), Fotodokumentation einer Performanceserie, Maße variabel. Fotos: Ngoi Salucombo, LuĂ­s DamiĂŁo, HĂ©lio Buite, Lee BogotĂĄ, Bruno Fonseca, Kiluanji Kia Henda, Geração 80, Artur Silva (CĂąmara Vagabunda). Courtesy Mussunda N’zombo

Mit freundlicher UnterstĂŒtzung des Goethe-Institut Angola
Final week of our exhibition – see you at the closing weekend!

The exhibition GLOBAL FASCISMS enters its final week! The closing weekend will once again feature a wide-ranging programme with exhibition tours, the book launch of the “Global Fascisms” Reader, performances, film screenings, keynotes, talks, and a kids’ disco. Free entry!

GLOBAL FASCISMS
📅 Exhibition until 7 December 2025
🔗 More information:

Conversations on Art
🗓 Fri., 28.11., 15:00–19:00 With Daniela Fernández in English/Spanish
🗓 Mon., 1.12., 15:00–19:00 with Vivien Anderson in German/English
🗓 Fri., 5.12., 15:00–19:00 with Vivien Anderson in German/English

A Walk Through the Exhibition with

🗓 Sat., 29.11.,15:00–16:00 with Sefa Pala in English
🗓 Sun., 30.11.,14:00–15:00 with Çiğdem Çağlayan Kolain (Cultural Education) in Turkish
🗓 Sat., 6.12.,15:00–16:00 with Paz Guevara (Curator) & Sefa Pala in English
🗓 So., 7.12.,12:00–13:00 with Cosmin Costinaș (Senior Curator) in English

CLOSING WEEKEND - Free entry!

🗓 6.12.
12:00–19:00 Childcare
15:00 Guided tour with Paz Guevara & Sefa Pala
16:30 Booklaunch “Global Fascisms Reader”
18:00 “Executive Exxhaustion”
Performance by Leila Bencharnia
19:00 “A Feminist Killjoy Through a Gauze Darkly”
Keynote by Xine Yao, conversation with Katrin Köppert
21:00 “MAJEMUK: Extended Concert”
Performance by Ariel William Orah

🗓 7.12.
12:00–19:00 Childcare
12:00 HKW—I Feel You
12:00 Guided Tour with Cosmin Costinaș (Senior Curator)
14:00 Artist’ Conversation with Eli Cortiñas, Robin Rhode, Julia Scher, Sara Sejin Chang (Sara van der Heide), Paz Guevara
15:00–17:00 Kids’ disco
16:00 UKI by Shu Lea Cheang, Filmscreening (2023, 80min, eOmU)
18:00 Closing event of DEEP CUTS (HKW on the Road – HKW & SİNEMA TRANSTOPIA), Film sceening & Conversation
________
Credits:
1, 3, 6, 9, 12: Malte Seidel/HKW
2: Animation: Studio Yukiko/HKW
4: Lucia Lorenzi, a lingering ga(u)ze. Courtesy the artist
7: Shu Lea Cheang, UKI (2023), digital film (film still). Courtesy Shu Lea Cheang and JĂŒrgen BrĂŒning Filmproduktion
8: Ariel William Orah, “Majemuk”
10: The Met Collection/Public Domain
11: Hanna Wiedemann/HKW
Last two sessions of RUEDAS DE BULLERENGUE this year đŸ„

Join us for the last two sessions of the participatory dance and music format in which the maroon Afro-Colombian communitarian art form that is Bullerengue unfolds. The series takes place in the frame of the ongoing programme “Politics of Rhythm”, which stimulates dance and music practices—such as Bullerengue—to cultivate and preserve communitarian knowledge.

The ruedas in 2025 are led by Berlin-based vocal folklore facilitator Carolina Riaño, drummer Dante Parraguez, Leo Mejía, and Cristian Betancourt, and dance practitioners Renata Puelma and Séraphime Reznikoff, and other enthusiasts and experienced practitioners. Through these efforts, they aim to form the first local ensemble working solely to deepen the roots of this ancestral art Berlin. Emphasizing the importance of strengthening networks inside Germany and Europe, some of the sessions feature the presence and contribution of Hamburg-based music practitioners and facilitators Camilo Angola and Ámbar F. Álvarez. Both lead the traditional Colombian-Caribbean music groups Tambores del Diablo and Cantares del Elba.

RUEDAS DE BULLERENGUE
Practising Communitarian Joy and Resilience
🗓 Sun., 30.11.,15:00–19:00
🗓 Sun., 14.12.,15:00–19:00
Music and Dance Workshop and Practice
Haunani-Kay Trask Hall
Free entry

With: Ámbar (Ámbar F. Álvarez), Camilo Angola, Cristian Betancourt, Leo Mejía, Valeria Pacific, Dante Parraguez, Renata Puelma, Séraphime Reznikoff, Carolina Riaño and others
______
Images: Vanessa Marino/HKW
Last two weeks to see our exhibition!

The exhibition GLOBAL FASCISMS enters its final round. The exhibition brings together works by around fifty international artists who respond to the rise of fascist ideologies through a variety of media, including painting, film, performance, discourse, publications, and digital formats. Historical artworks complement the group exhibition, creating surprising connections between past and present.

The closing weekend will once again feature a wide-ranging programme with exhibition tours, the book launch of the Global Fascisms Reader, film screenings, talks, and a kids’ disco. Free entry!

GLOBAL FASCISMS
📅 Exhibition until 7 December 2025
🔗 More information:

Conversations on Art
🗓 Fri., 28.11., 15:00–19:00 With Daniela Fernández in English/Spanish
🗓 Mon., 1.12., 15:00–19:00 with Vivien Anderson in German/English
🗓 Fri., 5.12., 15:00–19:00 with Vivien Anderson in German/English

A Walk Through the Exhibition with

🗓 Sat., 29.11.,15:00–16:00 with Sefa Pala in English
🗓 Sun., 30.11.,14:00–15:00 with Çiğdem Çağlayan Kolain (Cultural Education) in Turkish
🗓 Sat., 6.12.,15:00–16:00 with Paz Guevara (Curator) & Sefa Pala in English
🗓 So., 7.12.,12:00–13:00 with Cosmin Costinaș (Senior Curator) in English

CLOSING WEEKEND - Free entry!

🗓 6.12.
12:00–19:00 Childcare
15:00 Guided tour with Paz Guevara & Sefa Pala
16:30 Booklaunch “Global Fascisms Reader”
18:00 “Executive Exxhaustion”
Performance by Leila Bencharnia
19:00 “A Feminist Killjoy Through a Gauze Darkly”
Keynote by Xine Yao, conversation with Katrin Köppert
21:00 “MAJEMUK: Extended Concert”
Performance by Ariel William Orah

🗓 7.12.
12:00–19:00 Childcare
12:00 HKW—I Feel You
12:00 Guided Tour with Cosmin Costinaș (Senior Curator)
14:00 Artist’ Conversation with Eli Cortiñas, Robin Rhode, Julia Scher, Sara Sejin Chang (Sara van der Heide), Paz Guevara
15:00–17:00 Kids’ disco
16:00 UKI by Shu Lea Cheang, Filmscreening (2023, 80min, eOmU)
18:00 Closing event of DEEP CUTS (HKW on the Road – HKW & SİNEMA TRANSTOPIA), Film sceening & Conversation
__
Images: Hanna Wiedemann/HKW
Join us for the last session of PUMP, CREATE, ELEVATE đŸ”„

The last session of the series “Pump, Create, Elevate: Ballroom’s International Alliances” invites and fosters a mutual space for exchange and knowledge sharing beyond the European context of Ballroom. Within the format of a multimedia performance lecture, practitioners from Tunisia, Mexico, and Colombia share their local experiences through video contributions created for this particular occasion, including interviews and archival footage from each community. This is followed by a panel talk among members from the three different contexts, who are joined online by contributors responding from their respective locations. The session as a whole focuses on place-specific needs, historical and current particularities, and cultural and creative frames of reference, while also addressing current challenges communities face and the dreams they hope to achieve.

Co-conceived by HKW and House of St. Laurent, the “Pump, Create, Elevate” series aims to centre the global majority within Ballroom’s international community, and raise awareness about lived realities beyond the so-called Global North.

Before and after the evening’s presentations and discussions, a hang-out space is offered for relaxation, exchanging, movement, and to gain nourishment from the various Ballroom-related audiovisual, sonic, and printed materials on hand.

PUMP, CREATE, ELEVATE:
Ballroom’s International Alliances
🗓Fri., 28.11.,18:00–23:00
Panel Talk, Hang-Out Space
Haunani-Kay Trask Hall
In English, Free entry

Co-production, co-curation: Georgina Philp and Litchi Ly Friedrich

With: Diabla St. Laurent Miu Miu, Kiki House of AlaĂŻa, Kiki House of Miu Miu, Mesa Afro Cali, Plumas, Amin Saint AlaĂŻa
_______
Credits:
1. Judges at ‘Kiki Ball Negro Marica Afrofuturista’ (2025), Cali, Colombia. Photo: courtesy of Inexorable Films
2. Ballroom Tunisia, Kiki House of Alaia
3. Ballroom Mexico
Jetzt einreichen: Internationaler Literaturpreis 2026 🐰

Zum achtzehnten Mal wird 2026 der Internationale Literaturpreis (ILP) verliehen. Er zeichnet ein herausragendes Werk der internationalen Gegenwartsliteraturen und seine ErstĂŒbersetzung ins Deutsche aus. Dieser doppelte Fokus macht ihn in der deutschen Preislandschaft einzigartig.

Seit 2023 können auch deutsche ErstĂŒbersetzungen internationaler Lyrik eingereicht werden. Dotiert ist der Internationale Literaturpreis mit 35.000 Euro (20.000 Euro fĂŒr Autor*in, 15.000 Euro fĂŒr Übersetzer*in).

Vom 20. November 2025 bis zum 20. Januar 2026 können Verlage, die internationale Literatur in deutscher Übersetzung publizieren, bis zu drei Titel vorschlagen. Aus allen Einreichungen nominiert eine unabhĂ€ngige Jury zunĂ€chst eine Shortlist und kĂŒrt in einem zweiten Schritt das Preisduo aus Autor*in und Übersetzer*in. Die Auszeichnung wird im Sommer 2026 im Rahmen eines literarischen Festes am HKW verliehen.

🔗 Anmeldungen:
🔗 Informationen zum Preis und zu den bisherigen PreistrĂ€ger*innen:

Wir freuen uns auf eure Einreichungen – und auf ein spannendes Preisjahr!
_____
Foto: Philipp Czampiel/HKW
Design: Studio Yukiko/HKW

Haus der Kulturen der Welt's engagement

Haus der Kulturen der Welt's engagement rate on Instagram is 0.29%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 345 followers. An average post collects 221 likes and 7 comments, close to 32 likes for each comment.

Engagement rate

0.29%

Avg likes
221
Avg comments
7
Interactions : followers
1 : 345

Lookalike Creators

A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.

Age & Gender

Unlocking shows how this audience splits across age bands and gender, charted from follower data.

Audience Location

Unlocking reveals the countries and cities where the most active followers of this account are concentrated.

Primary Language

Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.

Audience Interests

Unlocking lists the topics and categories this audience follows and engages with most often across the platform.

Authenticity

Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.

Audience Quality Score

Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.

Brand Affinity

Unlocking names the brands this audience already follows, mentions or engages with across social platforms.

Content Strategy

Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.

Commercial Insights

Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.

Industry Fit

Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.

Research Haus der Kulturen der Welt further

Flinque ranks Instagram creators in eCommerce/DTC, Home Goods Stores and Music & Artists, categories Haus der Kulturen der Welt is filed under, and its free tools measure the same figures for any public account.

Frequently asked questions

These answers about Haus der Kulturen der Welt are generated from the Instagram profile data Flinque holds for the account.

Who is Haus der Kulturen der Welt?

Haus der Kulturen der Welt (@hkw_berlin) is an eCommerce/DTC creator on Instagram, also filed under Home Goods Stores and Music & Artists. Haus der Kulturen der Welt is set up as an Instagram business account. The Instagram bio for Haus der Kulturen der Welt runs to 17 words.

How many followers does Haus der Kulturen der Welt have?

Haus der Kulturen der Welt has 87,574 followers on Instagram (87.6K). Set against 1,440 accounts followed, the audience works out to about 61 followers per account Haus der Kulturen der Welt follows. Haus der Kulturen der Welt has built a substantial archive of 1,406 posts.

What is Haus der Kulturen der Welt's engagement rate?

Haus der Kulturen der Welt's engagement rate on Instagram is 0.29%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 345 followers. An average post collects 221 likes and 7 comments, close to 32 likes for each comment.

What does Haus der Kulturen der Welt post about on Instagram?

Flinque files Haus der Kulturen der Welt under 4 categories, led by eCommerce/DTC and followed by Home Goods Stores, Music & Artists and Music & Audio. Of the 10 most recent posts shown for Haus der Kulturen der Welt, 7 are carousels and 3 are videos. The 10 recent Instagram captions Flinque holds for Haus der Kulturen der Welt repeatedly use the words global, fascisms, free, entry and december. Haus der Kulturen der Welt keeps 122 story highlights, which open with a free Flinque account.

How do I contact Haus der Kulturen der Welt for a collaboration?

Haus der Kulturen der Welt's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Haus der Kulturen der Welt and use Flinque's outreach tools wherever a contact route is on file.

Haus der Kulturen der Welt's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

Public profile data sourced from Instagram. Flinque is not affiliated with Haus der Kulturen der Welt.

Unlock Haus der Kulturen der Welt's audience data