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Hartwig Art Foundation

Art & DIY
@hartwigartfoundation
Contemporary Art Museum in the making Currently Collecting, Producing and Programming ~Now open: ๐™ƒ๐˜ผ๐™๐™๐™’๐™„๐™‚ ๐™‹๐™๐™Š๐™“๐™” ๐Ÿ“Parnassusweg 213 Amsterdam Dive in โฌ‡๏ธ
  • Following 191
  • Followers 13.1K
  • Engagement 5.35%
  • Avg comments 9

About Hartwig Art Foundation

Hartwig Art Foundation (@hartwigartfoundation) is an Art & DIY creator on Instagram. The account has 13,124 followers and 293 published posts. Recent posts average 779 likes and 9 comments, an engagement rate of 5.35%.

With 13.1K followers, Hartwig Art Foundation is a micro creator by the common 10,000 to 100,000 definition. Set against 191 accounts followed, the audience works out to about 69 followers per account Hartwig Art Foundation follows. Hartwig Art Foundation is set up as an Instagram business account. Flinque files Hartwig Art Foundation under a single category, Art & DIY.

The Instagram bio for Hartwig Art Foundation runs to 20 words across 5 lines. Emoji sit alongside the words. The latest activity Flinque has on record for Hartwig Art Foundation dates from May 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

293 Posts

Of the 10 most recent posts shown for Hartwig Art Foundation, 7 are carousels, 2 are videos and 1 is a single image. That mix leans toward carousels. 293 published posts give Hartwig Art Foundation a moderate archive on Instagram. Against the audience, that is roughly 45 followers for each post published. Hartwig Art Foundation also keeps 12 story highlights on the profile. All 10 carry captions, averaging 137 words each. The captions are written mainly in English. Words that recur across them include venice, music, world, performance and minor. The captions tag #hartwigartfoundation, #minormusic, #saidiyahartman, #hartwigproxy and #sethprice.

This was Minor Music in Venice.

Saidiya Hartmanโ€™s โ€˜Minor Music at the End of the Worldโ€™ took the stage at the emblematic Teatro Goldoni in Venice. Three sold-out performances, more than 1700 spectators.

Directed by Sarah Benson and featuring Andrรฉ Holland, with movement by Okwui Okpokwasili, and performances by Bria Bacon, Audrey Hailes, and AJ Wilmore. The staged performance also includes a film by Arthur Jafa and a haunting landscape by Precious Okoyomon.

This collective creation unfolds as a layered exploration of Black life and what endures beyond catastropheโ€”resonating deeply with the present moment. Weโ€™re grateful to the artists, cast, company, production teamโ€”and to Venice โœจ

โ€ข
Commissioned and presented by Hartwig Art Foundation. Photo 1-11 & 17-20
SEAWORLD VENICE by Florentina Holzinger dives into the paradox of Venice, where water is life, waste, spectacle, and crisis all at once. Blending dance, theatre, and performance, bodies move through a hybrid world of lagoon, machine, and ritual, exposing what we try to hide: pollution, excess, and vulnerability.

Take a look at the first snapshots of the during the opening of the Venice Biennale.

Hartwig Art Foundation is a Lead Partner of SEAWORLD VENICE and Commissioner of the Closing ร‰tude, a site specific performance scheduled to take place at the end of the Biennale. More info soon!

โ€ข

๐Ÿ“ท Nicole Marianna Wytyczak

#florentinaholzinger #venicebiennale #hartwigartfoundation
SEAWORLD VENICE will unfold beyond the Giardini della Biennale across the city through performative actions in the public space titled ร‰tudes, marking its opening and closing moments.

ร‰tudes are a format that Florentina Holzinger has been developing since 2020: compositions between bodies, sound and architecture. According to Frรฉdรฉric Chopin, โ€˜an ร‰tude is a musical composition of considerable difficulty, designed to provide practice material for an instrument and its playerโ€™.

SEAWORLD VENICE begins with a ceremonial ritual in the lagoon where the Opening ร‰tude will take place on May 6 as an embodied moment that initiates the project through movement, presence, and collective experience.

The Venice ร‰tudes are realised in partnership with our lead partners and ร‰tude commissioners,, and

The Opening ร‰tude on May 6 is fully booked. We look forward to seeing you at the inauguration of SEAWORLD VENICE at the Austrian Pavilion at 12:30 on the same day.

Further ร‰tudes will be announced soon.

- SEAWORLD VENICE
Curated by
Austrian Pavilion
Biennale Arte 2026

๐Ÿ“ท 1:
๐Ÿ“ท 2: ยฉ Nayara Leite, courtesy of Bergen Kunsthall
The Venice Biennale is just around the corner. Minor Music has already taken over the city, with posters popping up all over.

Thanks to the beautiful stage photography by Fee Golin and, and poster design by from โ€™s studio โœจ

Catch Minor Music at the End of the World, the stage adaptation of Saidiya Hartmanโ€™s writing, directed by Sarah Benson, at Teatro Goldoni on 5, 6, or 7 May. Final tickets via link in bio.

(disponibili sottotitoli in italiano)

โ€ข

Photoโ€™s Reyna Agostinelli

#MinorMusic #SaidiyaHartman #HartwigArtFoundation
โ€œAt the heart of Minor Music is a powerful spirit of collective creationโ€”bringing together a constellation of celebrated artists into a singular stage experience.โ€ โ€“ Beatrix Ruf, director of Hartwig Art Foundation

Saidiya Hartman, Sarah Benson, Arthur Jafa, Andrรฉ Holland, Okwui Okpokwasili, Precious Okoyomon, Cameron Rowland and more. Teatro Goldoni, Venice. 5, 6, and 7 May. Final tickets via link in bio.

(disponibili sottotitoli in italiano)
Step into the oeuvre of Sara Sejin Chang (Sara van der Heide) at Landhuis Oud Amelisweerd, where her first comprehensive exhibition in the Netherlands, Transmutation, is presented by Centraal Museum.

Across her practice, Chang interrogates the colonial and Eurocentric โ€œblueprintโ€ that continues to shape hierarchies and structures in Europe and globally, including the large-scale transracial adoption industry rooted in colonial power relations. Through poetic and enchanting installations, she seeks to undo and transform these structures of thought.

Now on view at. The exhibition is a partner project of Hartwig Art Foundation.

โ€ข

Photoโ€™s by Johannes Schwartz

#sarasejinchang #filminstallations #HartwigArtFoundation
How does one live at the end of the world?
What blossoms in the Black morning?

During the opening week of the Venice Biennale, we present Minor Music at the End of the Worldโ€”a groundbreaking stage adaptation by Saidiya Hartman.

Directed by Sarah Benson and featuring Andrรฉ Holland and Okwui Okpokwasili, with a film by Arthur Jafa and artistic interventions by Precious Okoyomon and Cameron Rowland, the performance unfolds as a layered exploration of Black life and what endures beyond catastrophe.

Join us at Teatro Goldoni in Venice, 5, 6 & 7 May. Reserve your tickets via the link in bio.

(disponibili sottotitoli in italiano)

#MinorMusic #SaidiyaHartman #HartwigArtFoundation
Spring slithers into the city, and April continues in motion at Hartwig Proxy. This month:

Thursday 16 April: Artist ๐–๐ข๐ฅ๐ฅ๐ž๐ฆ ๐๐ž ๐‘๐จ๐จ๐ข๐ฃ (@.rooij) launches โ€˜Dirk Valkenburgโ€™ in conversation with historian ๐Š๐š๐ซ๐ฐ๐š๐ง ๐…๐š๐ญ๐ก-๐๐ฅ๐š๐œ๐ค and ๐™๐ข๐ฉ๐ฉ๐จ๐ซ๐š ๐„๐ฅ๐๐ž๐ซ๐ฌ. The book follows de Rooijโ€™s exhibition with (a partner project of Hartwig Art Foundation). Books available at a reduced price; drinks and bites provided.

Thursday 9 April: ๐‹๐š๐ฎ๐ซ๐š ๐๐จ๐ฅ๐ž๐ง๐œ๐ž leads the ๐๐ซ๐จ๐ฑ๐ฒ ๐‚๐ก๐จ๐ข๐ซ, drawing from folk, jazz, and popular traditions.

Saturday 18 April: Meet the Masks! Participants in the workshop led by ๐‹๐ข๐ฅ๐ข ๐‡๐ฎ๐ฌ๐ญ๐จ๐ง-๐‡๐ž๐ซ๐ญ๐ž๐ซ๐ข๐œ๐ก and ๐‚๐ก๐ฎ๐ง ๐’๐ก๐ข๐ง๐  ๐€๐ฎ present their masks in a live moment.

Tuesday 21 April: Itโ€™s the third Tuesday of the month > ๐…๐š๐ฆ๐ข๐ฅ๐ฒ ๐“๐š๐›๐ฅ๐ž! This time hosted by the ๐๐š๐›๐ฒ ๐‘๐ž๐ง๐ข ๐…๐จ๐ฎ๐ง๐๐š๐ญ๐ข๐จ๐ง, with a menu moving between Vietnamese and French influences. โ‚ฌ18 includes two drinks. Limited capacity (RSVP!).

Sunday 26 April: How did black become the colour of mourning in Europe? Join ๐‹๐ข๐ฆ๐จ ๐‡๐š๐ข๐ซ and ๐’๐จ๐ฉ๐ก๐ข๐ž ๐๐ž ๐’๐ž๐ซ๐ขรจ๐ซ๐ž (@.seriere) for an introduction to natural dye techniques and create your own silk scarf. โ‚ฌ15

Check out the full programme and RSVP via the link in bio.

In the Video Room ๐’๐ž๐ญ๐ก ๐๐ซ๐ข๐œ๐žโ€™s Redistribution (2006โ€“2026) remains on view until 30 April. Priceโ€™s rare books, fashion and other collectibles remain on sale until the end of the month. And as always: magazines, boardgames, free coffee and tea, lunchtime soup or stew (โ‚ฌ4).

Hartwig Proxy: return when. you can. Stay as long as you like.

โ€ข

(Image credits in comments below)

#hartwigproxy #familytable #sethprice #willemderooij
Seth Price Pop-Up Shop Proxy

Nowโ€™s your chance to get your hands on Seth Priceโ€™s latest Inner Storm CD, limited-edition signed cassettes, gorgeous fashion items, reversible pants, bomber jackets, and other rare Seth Price publications. The shop remains open at Hartwig Proxy until 19 April, including this Saturdayโ€“Sunday Easter weekend (11:00โ€“17:00) ๐Ÿฃ.

In the Video Room, Redistribution (2026-2007), Priceโ€™s expansive essayistic film, extended across time over the past 20 years, continues to screen daily until 30 April (check the screening times online).

Before or after the filmโ€”and some (window) shoppingโ€”stick around for free coffee and tea, lunchtime soup (โ‚ฌ4), a chat and a board game at Hartwig Proxy, ๐Ÿ“Parnassusweg 213, Amsterdam. Weโ€™re open Wedโ€“Fri 12:00โ€“19:00; Satโ€“Sun 11:00โ€“17:00 and for special events.

โ€ข

Photoโ€™s 5-13 by

#SethPrice #HartwigProxy #Redistribution
Rewire 2026 and Hartwig Art Foundation proudly present the world premiere audiovisual collaboration between Norwegian improvisers Supersilent and Turner Prizeโ€“winning artist Lawrence Abu Hamdan. On Sunday evening at the festival, in Amareโ€™s grand Concertzaal, these titan figures of contemporary art and experimental music join together for the first time in a specially commissioned audiovisual performance.โ 
โ 
Abu Hamdan is a sonic researcher, visual artist, director, and founder of Earshot โ€“ a not-for-profit organisation dedicated to the study of audio for human rights and environmental advocacy. His projects reflect on the political and cultural context of sound and listening, and his work has played a central role in campaigns for organisations such as Forensic Architecture and Amnesty International.โ 
โ 
For nearly 30 years, Supersilent โ€“ the group of post-jazz experimentalists Arve Henriksen, Helge Sten (aka Deathprod), and Stรฅle Storlรธkken โ€“ have carved out a labyrinthian volume of works, spanning 14 releases of microtonal alien-song, improvised ambience, and strange electro-acoustic reveries.โ 
โ 
For their performance at Rewire 2026, Supersilent and Abu Hamdan reflect on Earshot's work in Palestine, focusing particularly on their research into the targeting of journalists and livestreams by Israeli forces. The last captured images these cameras took before or as they were being destroyed form the basis of this collaboration, which reflects on the resilience of images and the noise of erasure.โ 
โ 
This performance is presented by Rewire and. Commissioned by Rewire, INDEX Biennial.

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Hartwig Art Foundation's engagement

Hartwig Art Foundation's engagement rate on Instagram is 5.35%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 19 followers. Likes outnumber comments by roughly 87 to 1, with 779 likes and 9 comments on an average post, so most reactions are taps rather than replies.

Engagement rate

5.35%

Avg likes
779
Avg comments
9
Interactions : followers
1 : 19

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Frequently asked questions

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Who is Hartwig Art Foundation?

Hartwig Art Foundation (@hartwigartfoundation) is an Art & DIY creator on Instagram. Hartwig Art Foundation is set up as an Instagram business account. The Instagram bio for Hartwig Art Foundation runs to 20 words across 5 lines.

How many followers does Hartwig Art Foundation have?

Hartwig Art Foundation has 13,124 followers on Instagram (13.1K). Set against 191 accounts followed, the audience works out to about 69 followers per account Hartwig Art Foundation follows. 293 published posts give Hartwig Art Foundation a moderate archive on Instagram.

What is Hartwig Art Foundation's engagement rate?

Hartwig Art Foundation's engagement rate on Instagram is 5.35%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 19 followers. Likes outnumber comments by roughly 87 to 1, with 779 likes and 9 comments on an average post, so most reactions are taps rather than replies.

What does Hartwig Art Foundation post about on Instagram?

Flinque files Hartwig Art Foundation under a single category, Art & DIY. Of the 10 most recent posts shown for Hartwig Art Foundation, 7 are carousels, 2 are videos and 1 is a single image. The 10 recent Instagram captions Flinque holds for Hartwig Art Foundation repeatedly use the words venice, music, world, performance and minor. Hartwig Art Foundation's captions carry hashtags such as #hartwigartfoundation, #minormusic and #saidiyahartman. Hartwig Art Foundation writes those captions mainly in English. Hartwig Art Foundation keeps 12 story highlights, which open with a free Flinque account.

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Hartwig Art Foundation's contact details are not published on Flinque's public profile. The Instagram bio links to 3 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Hartwig Art Foundation and use Flinque's outreach tools wherever a contact route is on file.

Hartwig Art Foundation's own Instagram profile is the one outbound link Flinque publishes for the account, and the 3 bio links open after signing up.

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