- Following 525
- Followers 5.3K
- Engagement 1.47%
- Avg likes 68
- Avg comments 2
About Gregg Baker Asian Art
Gregg Baker Asian Art (@greggbakerasianart) is an Antique Store creator on Instagram, also filed under eCommerce/DTC. The account has 5,271 followers and 552 published posts. Recent posts average 68 likes and 2 comments, an engagement rate of 1.47%.
Gregg Baker Asian Art belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Gregg Baker Asian Art follows 525 accounts, so the audience is roughly 10 times the size of the list followed. Gregg Baker Asian Art is set up as an Instagram business account. Flinque files Gregg Baker Asian Art under Antique Store, with eCommerce/DTC as a secondary category.
The Instagram bio for Gregg Baker Asian Art runs to 24 words. The latest activity Flinque has on record for Gregg Baker Asian Art dates from July 2026.
Story Highlights
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552 Posts
All 10 recent posts Flinque holds for Gregg Baker Asian Art are single images. Gregg Baker Asian Art has built a substantial archive of 552 posts. Against the audience, that is roughly 9.5 followers for each post published. Gregg Baker Asian Art also keeps 4 story highlights on the profile. All 10 carry captions, averaging 110 words each. The captions are written mainly in English. Words that recur across them include discover, artworks, available, webiste and greggbaker. The captions tag #greggbaker, #artgallery, #artexpert, #japanesescreens and #japaneseart.
This framed lacquer panel depicts a school of fish—including flounders and a mackerel pike—swimming across an underwater checkerboard design. Executed in takamakie (raised relief), the composition combines varying shades of blue with black lacquer and silver nashiji (sprinkled metal flakes), creating a striking sense of depth and movement. The fishes' eyes are highlighted in gilt, while their bodies are inlaid with suzu (tin) to imitate their natural camouflage markings.
SOLD
Katsu ("Living")
Signed: Tamotsu
Japan,
Shōwa period, 20th century
199.5 × 155 cm (78¾ × 61¼ in.)
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
Seal: Shō (翔)
Both trees rise from a knoll in a Japanese rock garden, exquisitely rendered in moriage (raised decoration), creating a remarkable sense of depth and texture.
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
In Japan plum blossoms is celebrated as a harbinger of spring due to it blooming towards the end of January. The blooms appear when there is still snow on the ground, and are considered a symbol of strength and overcoming adversity. It is also known as one of the shōchikubai (lit. pine-bamboo-plum) or saikansanyū (lit. three friends of winter) since the beginning of the 13th century. The plum also symbolises longevity as the blossoms continue to appear on old gnarled branches of ancient plum trees, their sweet fragrance improving with age.
Here is a detail of a four-fold paper screen painted by Kawasaki Shozo that we recently sold.
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
The minogame (terrapin) of a thousand years, often paired with the crane as a symbol of longevity, is one of the four supernatural animals (tiger, dragon, phoenix, terrapin) of Chinese mythology. One representation of the terrapin has some of the features of the dragon, generally the head, but the most common is of the sacred animal with a long tail, said to grow when it is over five hundred years old, the origin of which is probably due to the fact that tortoises kept in ponds become covered with a parasitic growth of vegetable origin which resembled the Mino, or rain coat of the peasants, hence Minogame.
Here is a detail of a pair of Six-fold screens that we recently sold painted in ink and colour on a gold ground with cranes and minogame
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
The ongoing series of Artificial Rocks, which Zhan began in 1995, is the main body of his sculptural work and one of his most celebrated projects.By creating stainless steel sculptures in the form of Chinese Scholar’s Rocks, traditionally used by Chinese scholars for meditating purposes, Zhan comments on our inability to retreat from the tangible world through absorbed contemplation. The indefinite mirrored images of the surrounding world reflected on the surface of the metallic Artificial Rock is a reminder of how far apart the human and natural world have grown and that a new futuristic material is needed to express the dreams and aspirations of modern China.
If you are interested in receiving more information about our exemplar, please send us a DM.
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
Tennyo, also called hiten, are the heavenly maidens / celestial beings often depicted in Buddhist art. They are believed to reside in and fly over the pure lands and praise Buddha by playing musical instruments, scattering flowers and burning incense. They are usually depicted as elegant, beautiful figures on temple ceilings and walls near the Buddha image.
If you are subscribed to our newsletter, you have already received the full story behind these four remarkable Buddhist wooden panels from a tengai (temple canopy).
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Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
A two-fold paper screen painted in ink and colour on a buff and gold ground with a mountainous river landscape
Japan
18th century
Edo period
H. 172.5cm x W. 187.5cm (68" x 74")
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert #AsianArtSociety
#JapaneseScreens
Discover this suiseki (viewing stone) of vertical form with a natural striation resembling a waterfall. Now SOLD!
Japan 20th century
Taisho period
Stone H. 29cm x W. 7cm x D. 6.5cm (11½” x 3” x 2¾”)
Stone and stand H. 30cm x W. 9cm x D. 7cm (12” x 3¾” x 3”)
The vertical stones with sharp edges like this example are usually regarded as mountains but also suggest rising fire or a legendary land of Horai-san (Penglai Immortal Island) where according to Chinese mythology, the immortals lived.
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert #AsianArtSociety
#JapaneseScreens
On the far left of the left-hand screen appear two smaller two-fold screens: one decorated with bamboo, the other depicting carp swimming among reeds. Such subtle details reward close looking and reveal the remarkable sophistication and visual playfulness of Japanese screen painting.
Japan
Edo period
18th century
H. 67” x W. 148¾” (170cm x 378cm)
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
We were delighted to bring back in our private collection this beautiful work by Lee Hyun Joung from the Asia Week Paris.
Many thanks to Galerie Louis & Sack for their expert advice!
Discover our available artworks on our webiste:
#GreggBaker #ArtGallery #ArtExpert
#JapaneseScreens #JapaneseArt
Gregg Baker Asian Art's engagement
Gregg Baker Asian Art's engagement rate on Instagram is 1.47%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 68 followers. An average post collects 68 likes and 2 comments, close to 34 likes for each comment.
Engagement rate
1.47%
- Avg likes
- 68
- Avg comments
- 2
- Interactions : followers
- 1 : 68
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Frequently asked questions
These answers about Gregg Baker Asian Art are generated from the Instagram profile data Flinque holds for the account.
Who is Gregg Baker Asian Art?
Gregg Baker Asian Art (@greggbakerasianart) is an Antique Store creator on Instagram, also filed under eCommerce/DTC. Gregg Baker Asian Art is set up as an Instagram business account. The Instagram bio for Gregg Baker Asian Art runs to 24 words.
How many followers does Gregg Baker Asian Art have?
Gregg Baker Asian Art has 5,271 followers on Instagram (5.3K). Gregg Baker Asian Art follows 525 accounts, so the audience is roughly 10 times the size of the list followed. Gregg Baker Asian Art has built a substantial archive of 552 posts.
What is Gregg Baker Asian Art's engagement rate?
Gregg Baker Asian Art's engagement rate on Instagram is 1.47%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 68 followers. An average post collects 68 likes and 2 comments, close to 34 likes for each comment.
What does Gregg Baker Asian Art post about on Instagram?
Flinque files Gregg Baker Asian Art under Antique Store, with eCommerce/DTC as a secondary category. All 10 recent posts Flinque holds for Gregg Baker Asian Art are single images. The 10 recent Instagram captions Flinque holds for Gregg Baker Asian Art repeatedly use the words discover, artworks, available, webiste and greggbaker. Gregg Baker Asian Art's captions carry hashtags such as #greggbaker, #artgallery and #artexpert. Gregg Baker Asian Art writes those captions mainly in English. Gregg Baker Asian Art keeps 4 story highlights, which open with a free Flinque account.
How do I contact Gregg Baker Asian Art for a collaboration?
Gregg Baker Asian Art's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Gregg Baker Asian Art and use Flinque's outreach tools wherever a contact route is on file.
Links
Gregg Baker Asian Art's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Gregg Baker Asian Art.