New Flinque AI now scores creator authenticity in real time across 4 platforms. See how
Francesca Galloway (@francescagalloway), Instagram profile photo
Verified on Instagram

Francesca Galloway

eCommerce
@francescagalloway
London Gallery specialised in Indian & Islamic Art | European & Asian Textiles.
  • Home Goods Stores
  • Following 497
  • Followers 8.9K
  • Engagement 3.77%
  • Avg comments 5

About Francesca Galloway

Francesca Galloway (@francescagalloway) is an eCommerce creator on Instagram, also filed under Home Goods Stores. The account has 8,876 followers and 157 published posts. Recent posts average 290 likes and 5 comments, an engagement rate of 3.77%.

Francesca Galloway belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Francesca Galloway follows 497 accounts, so the audience is roughly 18 times the size of the list followed. Francesca Galloway is set up as an Instagram business account. Flinque files Francesca Galloway under eCommerce, with Home Goods Stores as a secondary category.

The Instagram bio for Francesca Galloway runs to 10 words. The latest activity Flinque has on record for Francesca Galloway dates from November 2025.

157 Posts

Of the 10 most recent posts shown for Francesca Galloway, 7 are carousels and 3 are videos. That mix leans toward carousels. 157 published posts give Francesca Galloway a moderate archive on Instagram. Against the audience, that is roughly 57 followers for each post published. All 10 carry captions, averaging 113 words each. The captions are written mainly in English. Words that recur across them include paintings, painting, indian, mughal and works. The captions tag #newyorkexhbition, #awny and #indianart.

We have just received ‘A Dubious Place’ by Eberhard Fischer. This remarkable 145-page monograph focuses on an intriguing late-18th century Pahari painting that was once part of the Ludwig Habighorst collection, and is now at the Museum Rietberg. In this work, Fischer skilfully analyses the painting and identifies Nikka, the third son of Nainsukh, as its artist. Fischer has the ability to guide the viewer through the various stages of how to look at, investigate and analyse a painting. This fascinating study is an essential addition to any enthusiast’s or collector’s library.
Eberhard Fischer transformed the Museum Rietberg’s collection of Indian painting and the study of this subject during his 27 years as Director.

This publication is available to purchase from shop.

Eberhard Fischer
A Dubious Place
Artibus Asiae Publishers
Hardcover, 139 pages
Size 31 x 24.5 cm
ISBN
We hope to see you this week at Frieze Masters in Regent’s Park London (15-19 October).

Our stand is G5.

Video Peter Riches
In this video, Francesca Galloway, one of the world’s leading experts on Indian and Islamic art, explains the nuances of two historical miniature watercolour paintings in the contrasting Hindu and Mughal styles, both from the 16th or 17th centuries. ⁠

The Mughal painting is by Abul Hasan, ‘the wonder of the age’, who was just 14 or 15 when he made it. The Mughal emperors were fascinated by prints of European renaissance art and asked their court painters to emulate them. The Hindu work is very different – vivid and stylized, with humanoid monkeys and an almost cartoonish immediacy. ⁠

Both works will be on display at Frieze Masters 2025. They reveal the reciprocal influence of Eastern and Western art, a key theme that runs throughout the fair. ⁠

Hit the link in bio to watch the full video.
Our latest publication, ‘RARE Indian Art for Court and Trade’, presents paintings, works of art and textiles from South Asia. It is now available online — see the link to the pdf in our bio. The catalogue is currently being printed and will be available from October. We would like to thank the various scholars who collaborated with us on this publication, especially John Seyller, who researched and wrote about many of our paintings.

We shall exhibit some of the works on our stand (G5) at Frieze Masters from 15 to 19 October. We hope to see you there.
Congratulations to Hali on their new edition Textiles and Dress. They have harnessed Christine Ramphal magic as guest editor where she has featured exciting essays on costume! We’ve highlighted just a few here, including the Worth exhibition in Paris. We hope you all enjoy this edition as much as we did.
How sound, text and image are combined in a painting is the subject of Richard David Williams’ essay on Ragamala painting. He discussed this fascinating topic by taking a closer look at a group of Ragamala paintings from the north Deccan, 1630-50. Click on our link in bio to read his full essay.
At the same time, check out our section of updated works of art.

Details of:
Gambhira putra, fourth ‘son’ of Sri Raga - From a dispersed Ragamala series
North Deccan, 1630-50
Opaque pigments on paper
33.2 x 27 cm

Visnu and Shri embracing - From a set of preparatory drawings for the ‘Second Guler’ or ‘Tehri-Garhwal’ Gitagovinda
Original outlines attributed to Nainsukh, c. 1765, with additions by his sons and nephews
Brush drawing in red sanguine and dark brown with pink-yellow wash
19 x 28 cm Poppy on a gold ground
Deccan, probably Golkonda, c. 1700
Opaque pigments and gold on paper Folio 25.6 x 18 cm; painting 18 x 10.1 cm
The doors to our Asia Week New York exhibition “India’s Fascination with the Natural World | Mughal, Rajput and Company school paintings” are now open.
Exhibiting at Les Enluminures Gallery 23 East 73rd Street
#newyorkexhbition #awny #indianart
India’s Fascination with the Natural World opens next week as part of Asia Week New York. The exhibition brings together works commissioned by Mughal and Rajput patrons, as well as Company School paintings.
A luxurious painting of an Imaginary Flower (North Deccan, Aurangabad, dated 1669, once part of a manuscript made for Raja Jaswant Singh I of Jodhpur) enchants with the stark abstraction of the plant and the contrast of vibrant colours against a shimmering gold background.
A highly detailed and naturalistic depiction by the Master of the Fine Albums (Calcutta, c.1800) shows the Toon ciliata (Indian Mahogany Flowering Tree). This painting is one of a group of exceptionally fine botanical drawings made by unidentified artists for British patrons living in the Calcutta area in the early 19th century.

Both paintings are discussed in our online catalogue, see link in bio.

India’s Fascination with the Natural World
Mughal, Rajput and Company School Paintings
13 - 20 March 2025
Exhibiting at: Les Enluminures Gallery, 23 East 73rd Street, 7th Floor Penthouse
In 1621, a zebra from East Africa was presented to Emperor Jahangir, who had never seen such an animal before and at first thought its coat had been painted. We are proud to present one of only three known imperial Mughal paintings of a zebra at Asia Week New York (13-20 March).

Another aspect of Mughal painting currently under study is the loose paintings with inscriptions and ownership seals on the verso, made by the imperial librarians. This information sometimes tells a fascinating story about the history of a painting, as is the case with our A Farrier Shoeing a Royal Horse, attributed to Mukhlis, c. 1585. The painting belonged to Asaf Khan (brother of the Empress Nur Jahan and father of Mumtaz Mahal) during his lifetime, but was returned to the Imperial Library upon his death in 1641.
These two paintings, along with our other AWNY paintings, are discussed in our online catalogue, see link in bio.
We hope to see you in NY in March.

Exhibition | 13th – 20th March
Exhibiting at Les Enluminures Gallery
The Islamic Arts Biennale in Jeddah opened in January. Its visual and emotional impact still resonates in my mind.

The curation was exquisite and there was perfect balance between the contemporary and the historical. On show were important and surprising loans, many previously unknown to us, including from the Vatican, the History of Science Museum in Oxford, the Instituto Valencia of Don Juan in Madrid and the Islamic Museum in Cairo. It was also great to see art from private collections - the Bruschettini Foundation, the Jagdish and Kamla Mittal Museum of Indian Art, the Furusiyya Art Foundation and the Al Thani Collection.

The Biennale runs through to May 25, 2025. Here are some of my highlights. If you can, go!

Francesca

Francesca Galloway's engagement

Francesca Galloway's engagement rate on Instagram is 3.77%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 27 followers. Likes outnumber comments by roughly 58 to 1, with 290 likes and 5 comments on an average post, so most reactions are taps rather than replies.

Engagement rate

3.77%

Avg likes
290
Avg comments
5
Interactions : followers
1 : 27

Lookalike Creators

A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.

Age & Gender

Unlocking shows how this audience splits across age bands and gender, charted from follower data.

Audience Location

Unlocking reveals the countries and cities where the most active followers of this account are concentrated.

Primary Language

Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.

Audience Interests

Unlocking lists the topics and categories this audience follows and engages with most often across the platform.

Authenticity

Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.

Audience Quality Score

Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.

Brand Affinity

Unlocking names the brands this audience already follows, mentions or engages with across social platforms.

Content Strategy

Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.

Commercial Insights

Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.

Industry Fit

Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.

Research Francesca Galloway further

Flinque ranks Instagram creators in eCommerce and Home Goods Stores, categories Francesca Galloway is filed under, and its free tools measure the same figures for any public account.

Frequently asked questions

These answers about Francesca Galloway are generated from the Instagram profile data Flinque holds for the account.

Who is Francesca Galloway?

Francesca Galloway (@francescagalloway) is an eCommerce creator on Instagram, also filed under Home Goods Stores. Francesca Galloway is set up as an Instagram business account. The Instagram bio for Francesca Galloway runs to 10 words.

How many followers does Francesca Galloway have?

Francesca Galloway has 8,876 followers on Instagram (8.9K). Francesca Galloway follows 497 accounts, so the audience is roughly 18 times the size of the list followed. 157 published posts give Francesca Galloway a moderate archive on Instagram.

What is Francesca Galloway's engagement rate?

Francesca Galloway's engagement rate on Instagram is 3.77%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 27 followers. Likes outnumber comments by roughly 58 to 1, with 290 likes and 5 comments on an average post, so most reactions are taps rather than replies.

What does Francesca Galloway post about on Instagram?

Flinque files Francesca Galloway under eCommerce, with Home Goods Stores as a secondary category. Of the 10 most recent posts shown for Francesca Galloway, 7 are carousels and 3 are videos. The 10 recent Instagram captions Flinque holds for Francesca Galloway repeatedly use the words paintings, painting, indian, mughal and works. Francesca Galloway's captions carry hashtags such as #newyorkexhbition, #awny and #indianart. Francesca Galloway writes those captions mainly in English.

How do I contact Francesca Galloway for a collaboration?

Francesca Galloway's contact details are not published on Flinque's public profile. The Instagram bio links to 2 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Francesca Galloway and use Flinque's outreach tools wherever a contact route is on file.

Francesca Galloway's own Instagram profile is the one outbound link Flinque publishes for the account, and the 2 bio links open after signing up.

Public profile data sourced from Instagram. Flinque is not affiliated with Francesca Galloway.

Unlock Francesca Galloway's audience data