- Following 1.5K
- Followers 17.1K
- Engagement 0.96%
- Avg likes 155
- Avg comments 12
About FIBER
FIBER (@fiberfestival) is a General Interest creator on Instagram, also filed under Art & DIY. The account has 17,057 followers and 1,378 published posts. Recent posts average 155 likes and 12 comments, an engagement rate of 0.96%.
With 17.1K followers, FIBER is a micro creator by the common 10,000 to 100,000 definition. FIBER follows 1,518 accounts, so the audience is roughly 11 times the size of the list followed. FIBER is set up as an Instagram business account. Flinque files FIBER under General Interest, with Art & DIY as a secondary category.
The Instagram bio for FIBER runs to 19 words. The latest activity Flinque has on record for FIBER dates from June 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,378 Posts
All 10 recent posts Flinque holds for FIBER are carousels. FIBER has built a substantial archive of 1,378 posts. Against the audience, that is roughly 12 followers for each post published. FIBER also keeps 41 story highlights on the profile. All 10 carry captions, averaging 159 words each. The captions are written mainly in English. Words that recur across them include festival, sound, fragile, through and listening.
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Fragile Resonances stays on view at until June 20. Sound artists from the Netherlands and Belgium inviting you to slow down, draw closer, and listen.
Whispered voices, vibrating chains, swinging piano harps, growls coalescing in 360 degrees, a film archive re-sounded through a wind instrument – five works that begin barely perceptible and accumulate into something more potent.
Featured artists:,, &,, Mariska de Groot.
The exhibition is presented as part of Neighbouring Frequencies, with and
Exhibition: Fragile Resonances (until June 20) · Tue–Sun, 12:00 – 17:00 · ➤ Pay what you can
📸 + · 🎥
Reflecting on FIBER Festival 2026, where sound, technology and ecology converged under the theme Fragile Forces. Across installations, performances and critical discourse, the programme considered how listening, care and collective action might help navigate increasingly fragile social, political and environmental realities.
Review by Hannah van den Elzen.
Read the full review via CLOT
Our hearts are full after four festival days exploring all matters of Fragile Forces. Following our call regarding the changing landscape of ticket sales and rising costs for everyone, we are immensely grateful for a record number of visitors and several sold out shows. We enjoyed every second! Thank you for dancing, listening, exploring, and thinking with us.
From the ambient drift of Whatever the Weather and the sensual melancholy of Bapari, to Kara-Lis Coverdale ethereal, sacred harmonies and and Anushka Chkheidze’s glimmering arpeggios spatialised through, to the post-industrial frequencies of Crawler ( + ) ft., sound carried the festival’s central question: how fragility becomes a force of its own. Across two club nights at and, with, we moved from immersive bass and psychedelic techno into a twelve-hour stretch of audiovisual worlds and adventurous electronic music.
Over two days, our Symposium Programme turned between artistic and theoretical perspectives on fragility, care and highlighted urgent developments in art and digital culture. Sound Art Sunday closed the festival as has become tradition, with a day given over entirely to sound art and to works that ask where sound lives: in objects, in space, in motion. And as a final note, Abdullah Miniawy Trio’s devotional brass gave way to KUNTARI’s ceremonial force at.
The exhibition programme, Fragile Resonances and Fragile Terrains at, gathered nine artists across two interconnected chapters. If you haven’t been able to go yet: Fragile Resonances stays on view with five works until June 20.
More recaps to come, and hope to see you soon!
We thank our funding and creative partners for their support: CIIIC Délégation générale du Québec à Bruxelles
📸 by &
THANK YOU for the support and to everyone involved.
Olesya Borghini, Lucia Nijdam, and Inês Perreira, for performing with me. The team,, for the incredible production and hospitality. And last but not least, the technicians, the light operator for the additional lights and the sound engineer.
Still buzzing. I will remember this one.
x
We closed our last day highlighting two distinct ways of listening. Sound Art Sunday, our closing day tradition, at gathered Hannah Todt, Joris Strijbos, Amber Meulenijzer and Anaïs Lossouarn for an afternoon of winding down and listening closely.
The festival ended at with Abdullah Miniawy Trio’s quiet, devotional intensity giving way to KUNTARI’s visceral, ceremonial primal-core. Fragility and force, sharing the same stage one last time.
FIBER exists through its visitors and community; your support and attendance made it happen. Thank you! Especially in these times, we deeply value coming together to share new ideas and ways of listening and being together. We want to extend a warm and heartfelt thanks to everyone who helped bring this edition to life: the artists, speakers, performers, our dear team, and volunteers.
We also thank our funding and creative partners for their support:, CIIIC,,, Délégation générale du Québec à Bruxelles,, and all creative and media partners.
📸 + · 🎥
On to the next one, stay tuned for more festival recaps 💚
The symposium at turned toward the theoretical and the conceptual, addressing digital culture, ecological listening, and the kind of regenerative thinking this year’s theme keeps asking us to imagine.
Cavernous, swampy, textured, Crawler’s debut drew us into post-industrial, sensuous and strange frequencies. Then at, our extended night in collaboration with moved through audiovisual worlds, stretching deep into Sunday morning.
⮕ Tonight we close at (20:30 – 22:50) with a double bill that stretches the structures of jazz until they open into something else entirely. Abdullah Miniawy Trio move between spacious brass lines, spoken word and electronics, while KUNTARI bring something far more visceral, merging Indonesian traditions colliding with noise, metal and ritual percussion.
⮕ In the afternoon, Sound Art Sunday returns at (14:45 – 18:00): four experimental performances by Belgian and Netherlands-based sound artists coaxing sound from steel tubes, rotating speakers, gas-discharge lamps and stones; an afternoon of fragile materials made audible. With Hannah Todt,,, and.
⮕ Today is your last chance to walk through Fragile Terrains at: synthetic ecosystems, shifting landscapes and responsive materials, free entrance until the festival closes tonight. (Fragile Resonances stays on view until 20 June.)
Last tickets via 🔗 in bio.
Swipe for impressions of yesterday and today’s timetable. 📸 + · 🎥
For the live performance part, (, & ). Charlène Dannancier brings the site-specific work, It Might Be Otherwise, and CORIN presents DIWA, a live A/V work drawing on Filipino folk traditions. and eoobe ( & ) will perform new material.
Curated together with, the club lineup moves through deep and spiraling trajectories from &, the world-building live language of, and the psychedelic rhythmic flow of, who together with, will guide us into the morning.
Club scenography by & transforms the space into a shifting light architecture, while video works by, Antonija Vuletic, 2girls1comp, and Vartan Markarian extend the experience beyond the dancefloor.
In the Rubber Room, you will also be able to experience works that are part of the TILLATEC residency programme: Portal by Beau van Hoydonck and In the Process of Becoming Something Else Entirely by.
FIBER Festival at TILLATEC, Sat May 30 ➤ Tickets available via 🔗 in bio
At the sold out Orgelpark on our festival’s second day, compositions of two esteemed composers resonated in the spatial sound system. Kara-Lis Coverdale’s commissioned experiment created for FIBER filled the majestic architecture with ethereal, sacred harmonies and warm drones through her delicate touch. Anushka Chkheidze’s adaptation of Intricate Pipes glimmered across arpeggios and rhythmic midi organ textures.
Our first club night at Garage Noord was packed with heat, immersive bass, grimey beats, fierce moshpits, and psychedelic techno by, b2b,,,,, and, all held together by the astonishing lasers of.
Yesterday’s symposium opened up perspectives of fragility in artistic practices and culminated a timely keynote on the urgency of mutual aid by &. Today’s programme focuses on theoretical and conceptual perspectives of Fragile Forces through talks by Geert Lovink, (remote),,, Carolyn F. Strauß and.
⮕ After the symposium, catch the new, strictly hardware post-industrial experiment of Crawler ( & ) ft..
⮕ Tonight at, our 12-hour extended night in collaboration with packs audiovisual shows, live performances and adventurous club sets.
⮕ Today and tomorrow are your last chances to walk through Fragile Terrains. Entrance to the exhibition is free.
Last tickets are still available via link in bio.
Swipe for impressions of the day and today’s timetable.
Photos by: +. Videos by.
Our third and final festival release pushes the festival further into daring territory. With these new additions, the theme Fragile Forces is now fully shaped across multi-sensory performances, installations, DJ sets, panels, roundtables, and collective formats.
Among the new additions is the live debut of Crawler (Zohar & Castle) ft. Gervaise at de Brakke Grond, who invite you to an experimental listening space, a special b2b with Simo Cell & gyrofield, alongside symposium panels co-curated with. We’re also very excited to join forces with Minimal Collective as part of our Club Night 2 at TILLATEC.
Experimental sound practices form a significant part of this year’s program: our festival tradition Sound Art Sunday returns, bringing together four experimental performances, from bespoke kinetic instruments to playable installations. Last but not least, Futures of Listening kicks off at the studio and offers a day filled with talks, listening sessions and opportunities to meet spatial sound enthusiasts.
But the fun starts already before the festival. Already Friday, May 22, our festival exhibition opens at, with a free afterparty at. Check the full exhibition programme online.
Newly announced:
Design by
FIBER Festival | May 28 – 31
Exhibition Opening + Afterparty | May 22
Check out the full lineup on our website, and get your tickets now.
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FIBER's engagement
FIBER's engagement rate on Instagram is 0.96%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 104 followers. An average post collects 155 likes and 12 comments, close to 13 likes for each comment.
Engagement rate
0.96%
- Avg likes
- 155
- Avg comments
- 12
- Interactions : followers
- 1 : 104
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Frequently asked questions
These answers about FIBER are generated from the Instagram profile data Flinque holds for the account.
Who is FIBER?
FIBER (@fiberfestival) is a General Interest creator on Instagram, also filed under Art & DIY. FIBER is set up as an Instagram business account. The Instagram bio for FIBER runs to 19 words.
How many followers does FIBER have?
FIBER has 17,057 followers on Instagram (17.1K). FIBER follows 1,518 accounts, so the audience is roughly 11 times the size of the list followed. FIBER has built a substantial archive of 1,378 posts.
What is FIBER's engagement rate?
FIBER's engagement rate on Instagram is 0.96%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 104 followers. An average post collects 155 likes and 12 comments, close to 13 likes for each comment.
What does FIBER post about on Instagram?
Flinque files FIBER under General Interest, with Art & DIY as a secondary category. All 10 recent posts Flinque holds for FIBER are carousels. The 10 recent Instagram captions Flinque holds for FIBER repeatedly use the words festival, sound, fragile, through and listening. FIBER writes those captions mainly in English. FIBER keeps 41 story highlights, which open with a free Flinque account.
How do I contact FIBER for a collaboration?
FIBER's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist FIBER and use Flinque's outreach tools wherever a contact route is on file.
Links
FIBER's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with FIBER.