- Following 132
- Followers 105.9K
- Engagement 1.6%
- Avg likes 2K
- Avg comments 9
About DAG (formerly Delhi Art Gallery)
DAG (formerly Delhi Art Gallery) (@dag.world) is an Art Gallery creator on Instagram, also filed under Art & DIY. The account has 105,854 followers and 2,340 published posts. Recent posts average 1,976 likes and 9 comments, an engagement rate of 1.6%.
An audience of 105.9K puts DAG (formerly Delhi Art Gallery) in the mid-tier, between 100,000 and 1 million followers. Set against 132 accounts followed, the audience works out to about 802 followers per account DAG (formerly Delhi Art Gallery) follows. DAG (formerly Delhi Art Gallery) carries Instagram's verified badge and is set up as an Instagram business account. Flinque files DAG (formerly Delhi Art Gallery) under Art Gallery, with Art & DIY as a secondary category.
The Instagram bio for DAG (formerly Delhi Art Gallery) runs to 22 words. The latest activity Flinque has on record for DAG (formerly Delhi Art Gallery) dates from May 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
2,340 Posts
Of the 10 most recent posts shown for DAG (formerly Delhi Art Gallery), 9 are carousels and 1 is a single image. That mix leans toward carousels. With 2,340 posts published, DAG (formerly Delhi Art Gallery)'s archive runs well past the 2,000 mark. Against the audience, that is roughly 45 followers for each post published. DAG (formerly Delhi Art Gallery) also keeps 15 story highlights on the profile. All 10 carry captions, averaging 131 words each. The captions are written mainly in English. Words that recur across them include through, artistic, exhibition, work and modern. The captions tag #dagdelhi, #linkinbio, #deadlineextended, #last5days and #planyourvisit.
In this work from his celebrated Bird, Tree Series, Swaminathan reduces the landscape to its elemental formsโa bird, a tree, a glowing field of colourโcreating a visual language that feels at once primal, meditative, and strikingly modern. Painted during the 1980s, the work belongs to a significant phase in the artistโs practice when he moved away from illusionistic depth and towards flattened forms, symbolic motifs, and intuitive space.
For Swaminathan, art was not bound by ideology or narrative, but offered a way of experiencing life itself. The bird and tree here are more than natural forms; they become quiet cosmic presences suspended within a luminous red expanse. Meaning emerges not through description, but through rhythm, colour, balance, and stillness.
Featuring reflections by cultural critic Ashok Vajpeyi, we revisit his singular artistic vision โ one that continues to shape the language of modern Indian art today.
๐๐ฏ๐ต๐ช๐ต๐ญ๐ฆ๐ฅ (Bird, Tree Series) Oil on canvas, 1980s 34.1 x 34.1 in.
Over time, her practice has given birth to a distinctive visual vocabularyโwhere hybrid figuresโhuman, animal and mythicalโcoexist in flattened, dreamlike spaces. While her early works reveal a process of discovery, her later paintings demonstrate a confident return toโand reinvention ofโher own motifs, often drawing from her lifelong habit of sketching. ๐๐๐๐๐ซ๐ ๐๐๐ง๐๐ ๐: ๐ผ ๐๐๐๐ ๐๐ฃ ๐๐๐ฃ๐, ๐๐๐ข๐ค๐ง๐ฎ ๐๐ฃ๐ ๐๐ฎ๐ฉ๐ foregrounds this continuity: the persistence of a singular vision even as her practice.
Marking her return to Kolkata, the city where her artistic journey began, the exhibition is on view at the iconic Alipore Museum.
Opening on 8 May 2026 at #DAGDelhi, ๐๐๐๐๐จ ๐๐ฃ๐ ๐๐๐๐๐ฉ๐จ: ๐๐๐ฉ๐ฎ๐๐๐๐ฉ ๐๐๐ฎ ๐๐ฃ ๐พ๐ค๐ก๐ค๐ช๐ง highlights the power of Nemaidaโs photographs as a witness to his extraordinary life while recording and telling stories through his lens.
Opening in collaboration with the iconic Alipore Museum on 15 May 2026. Swipe right for invitation details and hit the #linkinbio for RSVP.
Shown here:
๐๐ต๐ฐ๐ณ๐บ๐ต๐ฆ๐ญ๐ญ๐ฆ๐ณ, Oil on canvas, 1990, 48.0 x 36.0 in.
๐๐ฐ๐ฅ๐ฅ๐ฆ๐ด๐ด, Oil on canvas, 1992, 20.0 x 16.0 in.
๐๐ช๐ฏ๐จ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐๐ถ๐ฑ๐ฑ๐ฆ๐ต, Oil on canvas, 1980, 36.0 x 33.0 in.
๐๐ฏ๐ต๐ช๐ต๐ญ๐ฆ๐ฅ, Oil on canvas, 36.0 x 24.0 in.
Hit the link in bio to apply now through 30 May 2026.
These paintings foreground artistic practices that remain close to expressionist figures, fractured bodies, charged landscapes and reimagined religious iconography, revealing the multiple pathways through which the social and the political increasingly entered the image.
Showing at DAG, Mumbai, and Chatterjee & Lal, ๐๐ฅ๐ค๐๐๐๐ก remains on view until 11 June 2026. Shown here:
NIRODE MAZUMDAR, ๐๐ฉ๐ช๐ท๐ข ๐ข๐ฏ๐ฅ ๐๐ฎ๐ข ๐๐ข๐ฏ๐ฅ๐ข๐ท ๐๐ข๐ด๐ฉ๐บ๐ข โ 2, Oil on canvas, late 1970s, 35.0 x 24.0 in.
RAMKINKAR BAIJ, ๐๐ฏ๐ต๐ช๐ต๐ญ๐ฆ๐ฅ (Farmers in a Field), Oil on fabric, c. 1950, 33.5 x 27.0 in.
P. T. REDDY, ๐๐ช๐ญ๐ญ๐ข๐จ๐ฆ ๐๐ฆ๐ช๐ต๐บ, Oil on canvas, 1966, 47.5 x 36.0 in.
SATISH GUJRAL, ๐๐ฏ๐ต๐ช๐ต๐ญ๐ฆ๐ฅ, Burnt wood and mixed media on plywood, 1970s, 30.0 x 19.7 x 6.5 in.
K. G. SUBRAMANYAN, ๐๐ฏ๐ต๐ช๐ต๐ญ๐ฆ๐ฅ, Oil on Masonite board, 23.7 x 23.7 in.
By presenting British and Indian works in dialogue, the exhibition offers a nuanced understanding of artistic exchange, aesthetic transformation and the enduring appeal of picturesque imagery shaped by history and memory.
#Planyourvisit now through 2 May 2026 at DAG, Delhi, 11am - 7pm
(art exhibition, British artists, Indian artists, picturesque, art and history, art and culture, landscapes)
A master of light, shadow and human moments. Rest in peace.
Raghu Rai, ๐ ๐๐ช๐ญ๐จ๐ณ๐ช๐ฎ, ๐๐ข๐ณ๐ข๐ฏ๐ข๐ด๐ช, inkjet print on archival paper, 1974, 30.0 x 20.0 in.
Please join us for its opening on Friday, 8 May 2026, 7-9 pm, at #DAGDelhi. Swipe right for more details.
RSVP:
(Art and photography, art and cinema, history of cinema, exhibition, DAG, archives)
This sensibility is carried forward through the works that follow, unified by the use of the wash techniqueโa defining method of the Bengal School and its extended circle. In this approach, layers of diluted pigment are built up gradually, allowing colour to remain translucent and forms to emerge softly rather than through sharp definition.
Ramgopal Vijaivargiya and Amalnath Chakladar similarly employ this technique to create images that are less descriptive than suggestiveโwhere narrative unfolds through tonal shifts, softened contours, and carefully modulated colour. In Kshitindranath Mazumdarโs Chaitanya Series, the wash lends itself to a devotional atmosphere, where figures dissolve gently into their surroundings.
Across these works, the wash becomes more than a technique; it shapes a way of seeing. Figures are not fixed, but fluidโheld within spaces that are both architectural and emotional. The emphasis lies on evocation rather than detail, allowing themes of love, devotion, and contemplation to surface gradually.
Experience them in person at #DAGDelhi
Details in comment section.
Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.
DAG (formerly Delhi Art Gallery)'s engagement
DAG (formerly Delhi Art Gallery)'s engagement rate on Instagram is 1.6%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 63 followers. Likes outnumber comments by roughly 220 to 1, with 1,976 likes and 9 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
1.6%
- Avg likes
- 2K
- Avg comments
- 9
- Interactions : followers
- 1 : 63
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Frequently asked questions
These answers about DAG (formerly Delhi Art Gallery) are generated from the Instagram profile data Flinque holds for the account.
Who is DAG (formerly Delhi Art Gallery)?
DAG (formerly Delhi Art Gallery) (@dag.world) is an Art Gallery creator on Instagram, also filed under Art & DIY. DAG (formerly Delhi Art Gallery) carries Instagram's verified badge and is set up as an Instagram business account. The Instagram bio for DAG (formerly Delhi Art Gallery) runs to 22 words.
How many followers does DAG (formerly Delhi Art Gallery) have?
DAG (formerly Delhi Art Gallery) has 105,854 followers on Instagram (105.9K). Set against 132 accounts followed, the audience works out to about 802 followers per account DAG (formerly Delhi Art Gallery) follows. With 2,340 posts published, DAG (formerly Delhi Art Gallery)'s archive runs well past the 2,000 mark.
What is DAG (formerly Delhi Art Gallery)'s engagement rate?
DAG (formerly Delhi Art Gallery)'s engagement rate on Instagram is 1.6%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 63 followers. Likes outnumber comments by roughly 220 to 1, with 1,976 likes and 9 comments on an average post, so most reactions are taps rather than replies.
What does DAG (formerly Delhi Art Gallery) post about on Instagram?
Flinque files DAG (formerly Delhi Art Gallery) under Art Gallery, with Art & DIY as a secondary category. Of the 10 most recent posts shown for DAG (formerly Delhi Art Gallery), 9 are carousels and 1 is a single image. The 10 recent Instagram captions Flinque holds for DAG (formerly Delhi Art Gallery) repeatedly use the words through, artistic, exhibition, work and modern. DAG (formerly Delhi Art Gallery)'s captions carry hashtags such as #dagdelhi, #linkinbio and #deadlineextended. DAG (formerly Delhi Art Gallery) writes those captions mainly in English. DAG (formerly Delhi Art Gallery) keeps 15 story highlights, which open with a free Flinque account.
How do I contact DAG (formerly Delhi Art Gallery) for a collaboration?
DAG (formerly Delhi Art Gallery)'s contact details are not published on Flinque's public profile. The Instagram bio links to 3 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist DAG (formerly Delhi Art Gallery) and use Flinque's outreach tools wherever a contact route is on file.
Links
DAG (formerly Delhi Art Gallery)'s own Instagram profile is the one outbound link Flinque publishes for the account, and the 3 bio links open after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with DAG (formerly Delhi Art Gallery).