- Following 1.4K
- Followers 11.8K
- Engagement 3.77%
- Avg likes 451
- Avg comments 13
About dach&zephir
dach&zephir (@dach.zephir) is an Architectural Designer creator on Instagram, also filed under Home & Decor. The account has 11,789 followers and 344 published posts. Recent posts average 451 likes and 13 comments, an engagement rate of 3.77%.
With 11.8K followers, dach&zephir is a micro creator by the common 10,000 to 100,000 definition. dach&zephir follows 1,358 accounts, so the audience is roughly 8.7 times the size of the list followed. dach&zephir carries Instagram's verified badge and uses an Instagram professional account. Flinque files dach&zephir under Architectural Designer, with Home & Decor as a secondary category.
The Instagram bio for dach&zephir runs to 16 words across 2 lines. Emoji sit alongside the words. The latest activity Flinque has on record for dach&zephir dates from September 2025.
344 Posts
Of the 10 most recent posts shown for dach&zephir, 9 are carousels and 1 is a video. That mix leans toward carousels. 344 published posts give dach&zephir a moderate archive on Instagram. Against the audience, that is roughly 34 followers for each post published. All 10 carry captions, averaging 213 words each. Words that recur across them include design, paris, studio, through and caribbean. The captions tag #dachzephir, #grandsprixdelacreation, #textiledesign, #collage and #creoleculture.
dach&zephir x Neyret
As part of the Present >< Future program, the Cité du design invites each guest designer to embark on a creative collaboration with a company from the Auvergne-Rhône-Alpes region, recognized for its industrial expertise and innovative approach.
The duo dach&zephir collaborated with the Saint-Étienne-based company Neyret, specializing in the manufacture of ribbons and textile accessories since 1823. This partnership brought together Neyret’s unique craftsmanship and the studio’s artistic and historical approach, developed since its beginning.
Entitled Les tableaux tissées des Antilles, the duo’s research revive a 19th-century tradition for which Neyret was once renowned: the production of woven pictures based on popular imagery depicting national heroes, family life, stages of life, and religious scenes, all showcasing jacquard weaving expertise.
Echoing this history, dach&zephir’s collage-based imagery inspired by Creole culture becomes the starting point for new creations, exploring alternative ways of “making pictures” through imagery, techniques, and visual effects specific to their aesthetic language.
While the Jacquard proposal represents a “finished” outcome, the duo simultaneously developed an experimental body of work using frayed textile borders collected from the company’s recycling waste. These discarded materials became the basis for a broader exploration into new ways of “making images” and “making textiles.” The visual and aesthetic potential of these textile remnants is transformed into figurative and abstract textile-images, integrating fragments of recomposed imagery to create singular woven surfaces.
The resulting scenes and portraits stand as vibrant testimonies to everyday life and emblematic figures of the Antilles and Creole culture, continuing the legacy of the woven tableaux originally produced by Neyret in its early years.
Les tableaux tissés des Antilles is part of simé grenn, monographic exhibition, assisted by
#dachzephir #textiledesign #collage #creoleculture #neyrettextile
Ce tapis traduit la vision d’un vestibule franco-caribéen où l’attente devient une expérience sensible. Inspiré des terrasses antillaises et des matières végétales, ce dessin inédit a été réalisé selon une technique tissée à la main dans nos ateliers de Cogolin.
À découvrir au showroom de Paris, 30 rue des Saints-Pères.
—
This month, we are highlighting our collaborations with designers. On this occasion, we are revisiting the rug created with Dach & Zephir for the Salon des Nouveaux Ensembliers, presented at the Mobilier national in Paris in October 2025.
This rug reflects the vision of a Franco-Caribbean vestibule where waiting becomes a sensory experience. Inspired by Caribbean terraces and natural materials, this original design was crafted using a hand-woven technique in our workshops in Cogolin.
On view at our Paris showroom, 30 rue des Saints-Pères.
–
Du 29 avril au 20 septembre 2026, la Cité du design présente en avant-première « Créer un vase », une exposition portée par le Centre national des arts plastiques.
Nous sommes heureux de présenter la collection VASES PÉYI*, une recherche menée autour des vases dans les maginaires créoles des Antilles françaises, où le vase devient un support pour interroger les notions de territoire, de mémoire, de résistance et de fabrication locale.
Lancée en 2023, cette commande publique réunit 10 designers et créateurs invités à réinterroger la figure du vase au XXIe siècle: objet d’usage, sculpture, manifeste ou terrain d’expérimentation. Sans contrainte de matériau, de technique ou de fonction, cette commande a permis l’émergence de recherches singulières, de collaborations avec artisans, chercheurs et territoires, donnant naissance à 21 propositions inédites.
Pensée par la commissaire Céline Saraiva (Centre national des arts plastiques), l’exposition dévoile pour la première fois ces pièces uniques et des éléments issus des études, dans une scénographie conçue par Emilieu Studio.
–
À découvrir à Saint-Étienne jusqu’au 20 septembre 2026, avant l’itinérance de l’exposition au Jardin des métiers d’Art et du Design puis à La Piscine – Musée d’art et d’industrie André Diligent.
Avec: Jacques Averna / · Lorie Bayen El Kaïm & Lauriane Carra / & · Enzo Bosse / · Grégory Granados / · Heim+Viladrich / · Ile / mer / froid & Hervé Rousseau / & · Jules Levasseur / · Marie et Alexandre / · Octave Rimbert Rivière /
#dachzephir #cnap#VasesPeyi #CreoleCraft #CaribbeanDesign
dach&zephir x
In continuity with Caribbean Beauties, a series of sculptures initiated in 2022, Konpozisyon proposes an exploration of inhabited matter — fragmented and reassembled.
At the invitation of x, the lids imagined by dach&zephir are assemblages of offcuts of exotic and precious woods drawn from the duo’s material library. Remnants of former projects and fragments collected from craftsmen and cabinetmakers, these pieces of wood—whose use might seem limited due to their modest dimensions—here become the starting point of the project.
Each box unfolds like a gradation of woods, a sensitive cartography in which tones, surfaces, and geometries converse and respond to one another. Irregularity becomes rhythm. Modest geometry becomes vocabulary. The composition is never fixed: it is built and unbuilt through the viewer’s gaze, revealing in turn its lines, its tensions, its moments of breathing—like a recomposed landscape.
On view Bruxelles 12-15 march
dach&zephir x
In continuity with Caribbean Beauties, a series of sculptures initiated in 2022, Konpozisyon proposes an exploration of inhabited matter — fragmented and reassembled.
At the invitation of x, the lids imagined by dach&zephir are assemblages of offcuts of exotic and precious woods drawn from the duo’s material library. Remnants of former projects and fragments collected from craftsmen and cabinetmakers, these pieces of wood—whose use might seem limited due to their modest dimensions—here become the starting point of the project.
Each box unfolds like a gradation of woods, a sensitive cartography in which tones, surfaces, and geometries converse and respond to one another. Irregularity becomes rhythm. Modest geometry becomes vocabulary. The composition is never fixed: it is built and unbuilt through the viewer’s gaze, revealing in turn its lines, its tensions, its moments of breathing—like a recomposed landscape.
On view Bruxelles 12-15 march
Du 12 au 15 mars, le salon COLLECTIBLE accueillera à Bruxelles trois lauréats des Grands Prix de la Création de la Ville de Paris de l’année 2025, distingués pour leur approche innovante dans les domaines du design, des métiers d’art et de la mode.
- Prix Engagement - Design - est un studio fondé par Florian Dach et Dimitri Zephir qui déploie une approche protéiforme et engagée, transformant l'histoire et l'héritage des Antilles en pièces uniques ou petites séries tout en plaçant la recherche, l'enseignement et la transmission au cœur de chaque projet.
- Prix Révélation - Métiers d’art - est une peintre ornemaniste créant des décors panoramiques faits main où curiosités botaniques et paysages flottants s'unissent dans une narration sensible, mêlant avec minutie le bizarre au beau.
et - Prix Révélation - Design - explorent un design à la croisée de l’expérimentation et de la matière, notamment à travers leur projet Décor par le Sable et leurs recherches au CIRVA où elles ont mis au point un vitrail de porcelaine innovant, sublimant des matières déclassées par des protocoles techniques inédits.
đź“…12 au 15 mars 2026
đź“ŤVanderborght Building
Rue de l’Ecuyer 50 Schildknaapstraat
1000 Brussels
#grandsprixdelacreation #collectible #designfair #innovation
dach&zephir in collaboration with the Manufacture de Sèvres
—
As part of Le Salon Les Nouveaux Ensembliers, the collaboration with invited us to propose our own vision of decor for an emblematic Art Deco piece designed by Jacques-Émile Ruhlmann: Vase n°3.
To reveal another history of ornament and decoration in the French Caribbean, the studio took this opportunity to extend an ongoing research on the vase, shifting it toward the question of the motif that adorns it.
Rooted in the great tradition of floral motifs produced by French manufactures—particularly those developed for the 1925 International Exhibition of Modern Decorative and Industrial Arts—the proposal enters into dialogue with Ruhlmann’s work. The composition brings together graphic elements drawn from his research sketches for wallpapers with image-collages developed by the studio around Creole flora.
At the heart of this composition lies the grenn job, an emblematic seed of the French Caribbean. Frequently used in jewelry during the colonial period, it represented a form of “green gold” for enslaved communities. Through its nacre-like surface, it echoed the pearls worn by bourgeois women, enabling a discreet subversion of sumptuary laws that restricted access to precious materials.
The motif unfolds through multiple layers, revealed by light and shifting points of view. At first glance, the vase appears immaculate, punctuated with grenn job whose shimmering appearance may be mistaken for ceramic elements. The surface gradually reveals a subtle printed pattern, rendered in variations of white, describing the structure of a wild, invasive plant native to the island’s lowlands.
Between living archive and evanescence, the project seeks to inscribe a long-marginalized floral history within the continuity of the French decorative tradition.
—
Presented at La Galerie de Sèvres, Paris, until January 31, 2026.
dach&zephir in collaboration with the Manufacture de Sèvres
—
As part of Le Salon Les Nouveaux Ensembliers, the collaboration with invited us to propose our own vision of decor for an emblematic Art Deco piece designed by Jacques-Émile Ruhlmann: Vase n°3.
To reveal another history of ornament and decoration in the French Caribbean, the studio took this opportunity to extend an ongoing research on the vase, shifting it toward the question of the motif that adorns it.
Rooted in the great tradition of floral motifs produced by French manufactures—particularly those developed for the 1925 International Exhibition of Modern Decorative and Industrial Arts—the proposal enters into dialogue with Ruhlmann’s work. The composition brings together graphic elements drawn from his research sketches for wallpapers with image-collages developed by the studio around Creole flora.
At the heart of this composition lies the grenn job, an emblematic seed of the French Caribbean. Frequently used in jewelry during the colonial period, it represented a form of “green gold” for enslaved communities. Through its nacre-like surface, it echoed the pearls worn by bourgeois women, enabling a discreet subversion of sumptuary laws that restricted access to precious materials.
The motif unfolds through multiple layers, revealed by light and shifting points of view. At first glance, the vase appears immaculate, punctuated with grenn job whose shimmering appearance may be mistaken for ceramic elements. The surface gradually reveals a subtle printed pattern, rendered in variations of white, describing the structure of a wild, invasive plant native to the island’s lowlands.
Between living archive and evanescence, the project seeks to inscribe a long-marginalized floral history within the continuity of the French decorative tradition.
—
Presented at La Galerie de Sèvres, Paris, until January 31, 2026.
Their ongoing research project “Éloi Krèyòl” brings together Guadeloupean seed growers Philippe Alexis and Rudy Denin with Maison 1909—France’s last remaining boxwood bead curtain manufacturer—to create beaded curtains (“rideaux de perles”) that honor local resources and ancestral knowledge.
This work reminds us that architecture lives in the materials we choose, the traditions we honor, and the local economies we sustain. ✨
đź”— Learn more in Volume 07 (link in bio to order)
——
#ForgottenLandsArt #ForgottenLands #Volume07 #dachandzephir #Guadeloupe
« Ce Prix est une reconnaissance importante pour nous. Après 10 ans d’activité, il était essentiel que notre pratique, centrée sur les Antilles françaises, soit reconnue comme légitime, d’autant qu’elle est unique dans le design. Nous sommes ravis d’être lauréats. Cette candidature était aussi un acte politique: nous voulions rendre notre démarche visible », s’enthousiasment Florian Dach et Dimitri Zephir.
Le duo, formé en 2012 à l’École nationale supérieure des Arts Décoratifs de Paris, va grâce au Prix développer une plateforme numérique, une cartographie sensible des territoires antillais destinée au grand public. Ils se concentrent sur l’héritage et les traditions des Antilles, faisant de l’histoire de l’archipel la matière première de leurs créations.
Ce travail de valorisation se traduit dans les entreprises mais aussi à travers des commandes d’objets et de mobilier en petites séries ou pièces uniques. Dans cette approche mêlant recherche et création, la transmission est centrale: Florian et Dimitri animent workshops, conférences et enseignent à l’école Condé.
✨ Félicitations à pour ce prix!
Merci infiniment à président du jury design.
Un grand merci également au Fonds pour les Ateliers de Paris, ainsi qu’à nos mécènes: et Francéclat.
Et nos partenaires:
🎥
#GrandsPrixdelaCreation #Design #savoirfaire #Creation #gp25
dach&zephir's engagement
dach&zephir's engagement rate on Instagram is 3.77%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 27 followers. An average post collects 451 likes and 13 comments, close to 35 likes for each comment.
Engagement rate
3.77%
- Avg likes
- 451
- Avg comments
- 13
- Interactions : followers
- 1 : 27
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Frequently asked questions
These answers about dach&zephir are generated from the Instagram profile data Flinque holds for the account.
Who is dach&zephir?
dach&zephir (@dach.zephir) is an Architectural Designer creator on Instagram, also filed under Home & Decor. dach&zephir carries Instagram's verified badge and uses an Instagram professional account. The Instagram bio for dach&zephir runs to 16 words across 2 lines.
How many followers does dach&zephir have?
dach&zephir has 11,789 followers on Instagram (11.8K). dach&zephir follows 1,358 accounts, so the audience is roughly 8.7 times the size of the list followed. 344 published posts give dach&zephir a moderate archive on Instagram.
What is dach&zephir's engagement rate?
dach&zephir's engagement rate on Instagram is 3.77%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 27 followers. An average post collects 451 likes and 13 comments, close to 35 likes for each comment.
What does dach&zephir post about on Instagram?
Flinque files dach&zephir under Architectural Designer, with Home & Decor as a secondary category. Of the 10 most recent posts shown for dach&zephir, 9 are carousels and 1 is a video. The 10 recent Instagram captions Flinque holds for dach&zephir repeatedly use the words design, paris, studio, through and caribbean. dach&zephir's captions carry hashtags such as #dachzephir, #grandsprixdelacreation and #textiledesign.
How do I contact dach&zephir for a collaboration?
dach&zephir's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist dach&zephir and use Flinque's outreach tools wherever a contact route is on file.
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