- Following 2.1K
- Followers 8K
- Engagement 2.23%
- Avg likes 180
- Avg comments 12
About CULT Aimee Friberg
CULT Aimee Friberg (@cultaimeefriberg) is an Art creator on Instagram, also filed under Art & DIY. The account has 7,966 followers and 599 published posts. Recent posts average 180 likes and 12 comments, an engagement rate of 2.23%.
CULT Aimee Friberg belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. CULT Aimee Friberg follows 2,083 accounts, so the audience is roughly 3.8 times the size of the list followed. CULT Aimee Friberg is set up as an Instagram business account. Flinque files CULT Aimee Friberg under Art, with Art & DIY as a secondary category.
The Instagram bio for CULT Aimee Friberg runs to 19 words across 2 lines. The latest activity Flinque has on record for CULT Aimee Friberg dates from May 2026.
Story Highlights
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599 Posts
Of the 10 most recent posts shown for CULT Aimee Friberg, 9 are carousels and 1 is a single image. That mix leans toward carousels. CULT Aimee Friberg has built a substantial archive of 599 posts. Against the audience, that is roughly 13 followers for each post published. CULT Aimee Friberg also keeps 15 story highlights on the profile. All 10 carry captions, averaging 168 words each. The captions are written mainly in English. Words that recur across them include between, artists, ando, work and miya. The captions tag #jaskobegovic, #anthonyakinbola, #miyaando, #ashwinibhat and #jessicajanecharleston.
Daniela Terroba (Mexico City)
Ruxue Zhang (SF)
Abby St. Claire (SF)
May 21 – July 11, 2026 Opening Reception on Thursday, May 21, 5–7 PM CULT Aimee Friberg (1401 16th Street, San Francisco)
“My body writes into your flesh… Touching you I catch midnight as moon fires set in my throat I love you flesh into blossom”
(Excerpt: Recreation from The Collected Poems of Audre Lorde)
CULT Aimee Friberg is pleased to present Flesh into Bloom, featuring work by Daniela Terroba, Theresa Daddezio, Ruxue Zhang, and Abby St. Claire. Opening May 21 and running through July 11, the exhibition brings together artists whose practices engage the botanical and the body, exploring transformation as a material condition and perceptual experience. The gallery will host an opening reception on Thursday, May 21, from 5–7 PM.
In this grouping of works, flesh is the seed, the root, the stem, the thorn, and the flower. We all bloom and decay with time as our witness. Across the exhibition, the female form and floral matter emerge as porous sites of investigation rather than fixed entities, where interior and exterior, structure and dissolution, sensation and memory remain in constant exchange. Forms swell, rupture, and recede. Boundaries become fluid, malleable, fertile. Surfaces hold traces of pressure, time, and touch, imprinting memory and documenting cycles.
Organic and synthetic elements intermingle, complicating distinctions between the natural and the constructed. The works invite consideration of an ecosystem both created and earthly, unfolding to encompass multiple states of being. Rather than presenting the body as singular or contained, the exhibition approaches it as a shifting field that expands into landscape, collapses into texture, and registers both the intimacy of lived experience and the vastness of biological and psychological processes. In this space, bloom is not only a moment of flowering but a state of becoming, where growth and decay, beauty and unease are held in tension.
Artists will be present for the opening reception.
More information at the link in our Bio.
🥀🥀
The presentation gathers a constellation of a dozen artists whose practices dwell in liminal space—between ephemera and ground, body and spirit, memory and myth. Across painting, sculpture, ceramics, textiles, and installation, material is approached not as fixed substance but as a threshold: a site where perception shifts and the unseen takes form.
Featuring works by Miya Ando, Amy Lincoln, Nicki Green, Kajahl, Justine Di Fiore, Jessica Jane Charleston, Mary Fernando Conrad, Adrian Pally, Anna Sidana, Anthony Peyton Young, and Rhonda Holberton.
Also featured is a selection of bespoke, handmade functional design stools and a table by Robert Saltonstall. In addition, CULT Aimee Friberg has curated a selection of large-scale works by Miya Ando for the upstairs VIP lounge.
The SF Art Fair runs through Sunday, April 19 at the Festival Pavillion at Fort Mason.
This presentation is in response to our 12-year anniversary exhibition The Veil Between, on view through April 24.
FEATURED ARTISTS: Miya Ando, Jessica Jane Charleston, Mary Fernando Conrad, Justine Di Fiore, Nicki Green, Kajahl, Amy Lincoln, Adrian Pally, Anna Sidana, and Rhonda Holberton
OPEN INQUIRY: UC ARTS brings together new generation of artists from the renowned art programs at the University of California, Berkeley, the University of California, Davis, and the University of California, Los Angeles. The exhibition is curated by Ginny Duncan and Jennifer Bailey Wechsler.
#AmyLincoln #nickigreen #justinedifiore #sausalitoartcenter #ucberkeley
The ink drawings allow for dormant parts of myself to come to the fore. Each voice has a platform, a page. It is a cathartic process. Inner Coven makes this visible. The woman sits with the multiple characters within made flesh.
Tenderness, protection, embarrassment
—in the surrendering
💋
#drawing #worksonpaper #ink
Photography by Nicholas Lea Bruno
Central to her work is the Japanese aphorism mono no aware—an attunement to transience and the quiet poignancy of things as they pass. Time, in her work, is registered rather than depicted, emerging through gradual change and accumulation.
Across her practice, transformation is both method and subject: fire, metal, chemical reaction, and light act as collaborators, leaving visible traces of burning, oxidizing, fracturing, and reflection within the surface itself. Rather than concealing these processes, Ando allows material to record its own passage through change, binding permanence and impermanence within the same form.
Her work on paper Ama No Gawa (The River Of Stars Above/ The Milky Way) March 2, 2022, Bolinas, 2022 stems from her series Celestial Observations in Indigo, which evolved from Moon Almanac, a project created during the pandemic through nightly lunar observations. Over 904 consecutive days, Ando translated the moon’s phases into indigo-dyed drawings rendered in graphite and micronized silver.
Ama No Gawa expands this body of work in scale, registering eclipses and shifting lunar cycles. Executed in indigo on washi paper, the pigment acts as a natural clock—deepening in tone to quietly measure the passage of time.
Ando’s work is currently on view as part of The Veil Between, through March 14.
Miya Ando
Ama No Gawa (The River Of Stars Above/ The Milky Way) March 2, 2022, Bolinas, 2022
Natural Indigo Dye, Micronized Pure Silver, Kozo Paper
79 x 79 in (200.66 x 200.66 cm)
Miya Ando
Yakisugi 5.5.1, 2020
Charred Reclaimed Redwood, Silver Nitrate
5.5 x 5.5 x 5.5 in (13.97 x 13.97 x 13.97 cm)
Miya Ando
January 1 2021 Matsu Pine Shou Sugi Ban Silver, 2021
Charred Reclaimed Pine, Silver Nitrate
11 x 11 x 11 in (27.94 x 27.94 x 27.94 cm)
Artists include Anthony Olubunmi Akinbola, Miya Ando, Jasko Begovic, Ashwini Bhat, Jessica Jane Charleston, Mary Fernando Conrad, Solee Darrell, Justine Di Fiore, Nicki Green, Nasim Hantehzadeh, Kajahl, Adrian Pally, Anna Sidana, Ruxue Zhang
Photography by Nicholas Lea Bruno, courtesy of CULT Aimee Friberg.
#AnthonyAkinbola #MiyaAndo #JaskoBegovic #AshwiniBhat #jessicajanecharleston
Gallery closed January 30
ICE OUT. Nationwide Strike
Bosnian-born, San Francisco-based artist Jasko Begovic (Sko Habibi) recreates his Bernal Heights storefront studio into a performative, community-driven marketplace as the Fog Focus Featured Artist Activation.
Operating at the intersections of art, fashion, and sports, Begovic explores identity, belonging, spirituality, and exclusion. Using found fabrics and objects referencing countries affected by war, his work spans installation, tapestry, performance, drawings, video, photography, and wearable sculpture, engaging questions central to our contemporary moment.
Begovic and his collaborators will activate KIOSKO 94 with live sewing demonstrations, creating one-on-one interactions where visitors witness his process—“drawing” with the sewing machine in situ. Activations will be announced on the gallery’s Instagram account during the run of the fair.
Collaborators include Asaad Bruno, Marco Joga, Khalewasn Bryce Burroughs, Shogun Shido, Adam Feibelman, and Aaron Rodriguez.
FOG DESIGN + ART
FOCUS SECTION, PIER 2
FOG DESIGN+ART
Wednesday, January 21 - VIP Gala
Thursday, January 22 | 11am – 7pm
Friday, January 23 | 11am – 7pm
Saturday, January 24 | 11am – 7pm
Sunday, January 25, 2026 | 11am – 5pm
Photography by Nicholas Lea Bruno
#JaskoBegovic
#cultaimeefriberg
Anthony Akinbola
Miya Ando
Jasko Begovic
Ashwini Bhat
Jessica Jane Charleston
Mary Fernando Conrad
Soleé Darrell
Justine Di Fiore
Nicki Green
Nasim Hantehzadeh
Kajahl
Adrian Pally
Anna Sidana
Ruxue Zhang
Across painting, sculpture, ceramics, and textiles, these works approach material as a threshold rather than a fixed form. Drawing from ritual, embodied perception, and storytelling, the artists invite us to linger in moments of attention—where transformation, belief, and imagination quietly take shape.
January 16 - March 14, 2026
Opening reception: Friday, January 16th, 6 - 8 PM 1401 16th Street, San Francisco
Works Above:
KAJAHL
Stardust Receiver, 2024
Oil on canvas
30 x 24 inches
Ashwini Bhat
Ritual Object (for Mt.Tam), 2022
Glazed earthenware
24 x 22 x 22 inches
Anthony Olubunmi Akinbola
Untitled/Singing Bird, 2025
Durags on wooden panel
80 1/4 x 146 1/2 in (204 x 372 cm)
Justine Di Fiore
Crushing Loud Shimmering Distortion, 2025
Oil on canvas
55 x 48 inches
Nicki Green
Water Offering, 2022
Glazed earthenware with soldered copper and epoxy
11 x 14 x 7 in
27.9 x 35.6 x 17.8 cm
Miya Ando
January 1 2021 Matsu Pine Shou Sugi Ban Silver, 2021
Charred Reclaimed Pine, Silver Nitrate
11 x 11 x 11 in (27.94 x 27.94 x 27.94 cm)
Soleé Darrell
Similar labyrinths, 2026
Dye on silk velvet
42 x 24 in
Nasim Hantehzadeh
Subdued Frequencies, 2026
Oil paint, oil stick, and acrylic on linen
31.5 x 39.25 inches
#AnthonyAkinbola #miyaando #JaskoBegovic #AshwiniBhat #jessicajanecharleston
CULT Aimee Friberg's engagement
CULT Aimee Friberg's engagement rate on Instagram is 2.23%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 45 followers. An average post collects 180 likes and 12 comments, close to 15 likes for each comment.
Engagement rate
2.23%
- Avg likes
- 180
- Avg comments
- 12
- Interactions : followers
- 1 : 45
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These answers about CULT Aimee Friberg are generated from the Instagram profile data Flinque holds for the account.
Who is CULT Aimee Friberg?
CULT Aimee Friberg (@cultaimeefriberg) is an Art creator on Instagram, also filed under Art & DIY. CULT Aimee Friberg is set up as an Instagram business account. The Instagram bio for CULT Aimee Friberg runs to 19 words across 2 lines.
How many followers does CULT Aimee Friberg have?
CULT Aimee Friberg has 7,966 followers on Instagram (8K). CULT Aimee Friberg follows 2,083 accounts, so the audience is roughly 3.8 times the size of the list followed. CULT Aimee Friberg has built a substantial archive of 599 posts.
What is CULT Aimee Friberg's engagement rate?
CULT Aimee Friberg's engagement rate on Instagram is 2.23%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 45 followers. An average post collects 180 likes and 12 comments, close to 15 likes for each comment.
What does CULT Aimee Friberg post about on Instagram?
Flinque files CULT Aimee Friberg under Art, with Art & DIY as a secondary category. Of the 10 most recent posts shown for CULT Aimee Friberg, 9 are carousels and 1 is a single image. The 10 recent Instagram captions Flinque holds for CULT Aimee Friberg repeatedly use the words between, artists, ando, work and miya. CULT Aimee Friberg's captions carry hashtags such as #jaskobegovic, #anthonyakinbola and #miyaando. CULT Aimee Friberg writes those captions mainly in English. CULT Aimee Friberg keeps 15 story highlights, which open with a free Flinque account.
How do I contact CULT Aimee Friberg for a collaboration?
CULT Aimee Friberg's contact details are not published on Flinque's public profile. The Instagram bio links to 3 external sites, and a free Flinque account opens those links. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist CULT Aimee Friberg and use Flinque's outreach tools wherever a contact route is on file.
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