- Following 515
- Followers 46.4K
- Engagement 1.5%
- Avg likes 741
- Avg comments 10
About COLNAGHI
COLNAGHI (@colnaghi1760) is an Art Gallery creator on Instagram, also filed under Home Goods Stores. The account has 46,403 followers and 1,374 published posts. Recent posts average 741 likes and 10 comments, an engagement rate of 1.5%.
With 46.4K followers, COLNAGHI is a micro creator by the common 10,000 to 100,000 definition. Set against 515 accounts followed, the audience works out to about 90 followers per account COLNAGHI follows. COLNAGHI is set up as an Instagram business account. Flinque files COLNAGHI under Art Gallery, with Home Goods Stores as a secondary category.
The Instagram bio for COLNAGHI runs to 19 words across 3 lines. The latest activity Flinque has on record for COLNAGHI dates from March 2025.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,374 Posts
Of the 10 most recent posts shown for COLNAGHI, 5 are carousels and 5 are single images. No single format accounts for most of them. COLNAGHI has built a substantial archive of 1,374 posts. Against the audience, that is roughly 34 followers for each post published. COLNAGHI also keeps 22 story highlights on the profile. All 10 carry captions, averaging 138 words each. The captions are written mainly in English. Words that recur across them include work, within, painting, york and master. The captions tag #colnaghi, #masterdrawingsny, #worksonpaper, #brafa and #brafa2026.
Colnaghi’s restoration workshop, in operation for eleven years, presents Domingos António de Sequeira, Descent from the Cross, 1827. The monumental canvas depicts a crowded Calvary illuminated by sharp touches of light: Christ’s lifeless body, wrapped in a white shroud, becomes the focal point amid the surrounding tumult. Mary appears stricken with grief, while pharisees and soldiers gather in the shadows and the centurion meets the viewer with a reflective gaze. Painted during Sequeira’s second Roman sojourn, the work forms the first of his late religious cycle and was long held in the historic Palmela collection.
For further information, please contact Colnaghi.
Since its founding in 1760, Colnaghi has played a central role in the formation of major museum collections across Europe and the United States. In the early twentieth century, the gallery was instrumental in facilitating Andrew W. Mellon’s acquisitions of Old Master paintings, including masterpieces transferred from the Hermitage collections during the 1930s. These acquisitions would form the nucleus of the National Gallery of Art’s founding collection, establishing a historic dialogue between Colnaghi and the museum that continues today.
Recently rediscovered and previously known only through archival photography, Artemisia Gentileschi’s Mary Magdalene in Ecstasy represents a pivotal work within the artist’s mature Roman period. The painting exemplifies Gentileschi’s radical reimagining of sacred narrative. Rejecting conventional iconography of penitence, the saint is depicted in a moment of interior spiritual rapture, rendered through dramatic Caravaggesque chiaroscuro and extraordinary psychological immediacy.
Executed during a period in which Gentileschi secured patronage from Europe’s leading courts, the work reflects her singular ability to transform devotional imagery into a profound meditation on emotion, embodiment, and revelation. Colnaghi is honoured to continue its historic commitment to scholarship, collecting, and institutional partnership through the placement of works of exceptional art historical significance.
Artemisia Gentileschi (Rome 1593–1653 Naples) Mary Magdalene in Ecstasy Oil on canvas 81 x 105 cm
On view at Colnaghi New York.
Her realist depictions of coastal life in northern France demonstrate her forceful and economical draftsmanship, qualities which have recently led to acquisitions by the Musée d’Orsay and The Metropolitan Museum of Art.
We look forward to welcoming you in New York very soon.
#MasterDrawingsNY #Colnaghi #WorksOnPaper
This work is a characteristic example of mid-17th-century still-life painting and reflects the transnational circulation of Flemish pictorial models within the Parisian context. Active between Antwerp and Paris, van Boucle developed a mode of still life that negotiated between the material richness of the Flemish Baroque and the emerging restraint of French classicism.
The painting situates still-life imagery of hunted animals within a broader culture of display and consumption, in which images of hunted animals articulated status, abundance and control. The work exemplifies van Boucle’s mature style and anticipates later developments in French still-life painting.
To be presented at BRAFA, Stand 040.
Alongside Cross Routes, we will present a separate group of works on paper, including drawings by Virginie Demont-Breton and a study by Raymond Lafage.
#MasterDrawingsNY #Colnaghi #WorksOnPaper
The use of fine textiles, jewellery, and a printed-model halo places the work within the broader exchange between European devotional imagery and local portrait traditions, indicating how such images were adapted for both domestic and ecclesiastical contexts.
On view in Fetish at Colnaghi New York.
We look forward to welcoming you at Stand 040.
#BRAFA #BRAFA2026 #Colnaghi #OldMasters #FlemishPainting
The Ecce Homo, painted by Caravaggio around 1605-09 and believed to have been in the private collection of Phillip IV of Spain, is one of around only 60 existing known works by the artist. Since its reappearance at auction in 2021- where it was incorrectly attributed to a pupil of José de Ribera- Ecce Homo has represented one of the greatest discoveries in the history of art. It inspired an unprecedented speed of consensus around its authentication, following an in-depth diagnostic investigation and interpretation by several leading specialists. It has since been diligently restored under the supervision of experts from the Comunidad de Madrid regional government.
Ecce Homo depicts the art historical motif of the Roman governor Pontius Pilate presenting Christ to the people, with the words “Ecce homo!” (“Behold the man”); one of the most dramatic moments of the Passion, recorded in the Gospel of John (19:5). The work is a powerful example of Caravaggio’s mastery of conception: a skilful composition presenting a three-dimensional and dynamic scene that is entirely innovative, yet within the confines of an established iconographic tradition.
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Michelangelo Merisi (known as Caravaggio), Ecce Homo, 1605-09. Oil on canvas, 111 x 86 cm. Image courtesy of private collection.
Palazzo Barberini
Colnaghi CEO Jorge Coll speaks at the unveiling of the Ecce Homo at the Prado.
#Caravaggio #Rome #Barberini #Exhibition #Caravaggio2025
COLNAGHI's engagement
COLNAGHI's engagement rate on Instagram is 1.5%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 67 followers. Likes outnumber comments by roughly 74 to 1, with 741 likes and 10 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
1.5%
- Avg likes
- 741
- Avg comments
- 10
- Interactions : followers
- 1 : 67
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Frequently asked questions
These answers about COLNAGHI are generated from the Instagram profile data Flinque holds for the account.
Who is COLNAGHI?
COLNAGHI (@colnaghi1760) is an Art Gallery creator on Instagram, also filed under Home Goods Stores. COLNAGHI is set up as an Instagram business account. The Instagram bio for COLNAGHI runs to 19 words across 3 lines.
How many followers does COLNAGHI have?
COLNAGHI has 46,403 followers on Instagram (46.4K). Set against 515 accounts followed, the audience works out to about 90 followers per account COLNAGHI follows. COLNAGHI has built a substantial archive of 1,374 posts.
What is COLNAGHI's engagement rate?
COLNAGHI's engagement rate on Instagram is 1.5%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 67 followers. Likes outnumber comments by roughly 74 to 1, with 741 likes and 10 comments on an average post, so most reactions are taps rather than replies.
What does COLNAGHI post about on Instagram?
Flinque files COLNAGHI under Art Gallery, with Home Goods Stores as a secondary category. Of the 10 most recent posts shown for COLNAGHI, 5 are carousels and 5 are single images. The 10 recent Instagram captions Flinque holds for COLNAGHI repeatedly use the words work, within, painting, york and master. COLNAGHI's captions carry hashtags such as #colnaghi, #masterdrawingsny and #worksonpaper. COLNAGHI writes those captions mainly in English. COLNAGHI keeps 22 story highlights, which open with a free Flinque account.
How do I contact COLNAGHI for a collaboration?
COLNAGHI's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist COLNAGHI and use Flinque's outreach tools wherever a contact route is on file.
Links
COLNAGHI's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with COLNAGHI.