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Christian García Bello (@christiangarciabello), Instagram profile photo
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Christian García Bello

Artist
@christiangarciabello
@galeriathegoma • @galeriavilaseco También diseño, escribo y doy formación
  • Art & DIY
  • Following 3K
  • Followers 5.5K
  • Engagement 3.41%
  • Avg comments 6

About Christian García Bello

Christian García Bello (@christiangarciabello) is an Artist creator on Instagram, also filed under Art & DIY. The account has 5,456 followers and 115 published posts. Recent posts average 129 likes and 6 comments, an engagement rate of 3.41%.

Christian García Bello belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Christian García Bello follows 2,997 accounts, so the audience is roughly 1.8 times the size of the list followed. Christian García Bello uses an Instagram professional account. Flinque files Christian García Bello under Artist, with Art & DIY as a secondary category.

The Instagram bio for Christian García Bello runs to 8 words across 2 lines. The bio mentions @galeriathegoma and @galeriavilaseco. The latest activity Flinque has on record for Christian García Bello dates from April 2026.

Story Highlights

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115 Posts

All 10 recent posts Flinque holds for Christian García Bello are carousels. 115 published posts give Christian García Bello a moderate archive on Instagram. Against the audience, that is roughly 47 followers for each post published. Christian García Bello also keeps 18 story highlights on the profile. All 10 carry captions, averaging 95 words each. The captions are written mainly in Spanish. Words that recur across them include cotton, patinated, wood, booth and forma.

This week, some of my works will be on display at with, sharing the space with Javier Arce, José Díaz and Ana Santos.

I have a very strong emotional connection with Belgium, and with Brussels in particular. I’ve been wanting to do something there for years, so I’m a bit sad that I can’t be there in person this time.

While planning the fair, Borja suggested showing some pieces from 2023 again. And I thought it was a good idea to bring a little piece of the Atlantic to the North Sea.



Esta semana se podrán ver algunos de mis trabajos en ArtBrussels con la galería The Goma y compartiendo espacio con Javier Arce, José Díaz y Ana Santos.

Conservo un vínculo emocional muy potente con Bélgica y con Bruselas en particular. Llevo años deseando hacer algo allí, así que me da un poco de pena no poder estar presente en esta ocasión.

Planeando la feria, Borja me propuso mostrar de nuevo algunas piezas de 2023. Y a mí me pareció una buena idea eso de llevar un trocito del Atlántico al Mar del Norte.



INFO:

THE GOMA — ArtBrussels
23—26 April 2026
General Program
Booth 5D09

—

WORKS:

Samborondón I — 2023
Ferroacetatography on paper
20 x 12,5 cm

Currach (Bone) — 2023
Patinated wood, oak-dyed and waxed cotton with whale spermaceti and bone
53 x 15 x 12 cm

Bellow (Corvita) — 2023
Oak-dyed and waxed cotton with whale spermaceti, patinated wood and iron
65 x 30 x 40 cm

Bellow (Uroboros) — 2023
Minium-dyed and waxed cotton with whale spermaceti on wooden frame and iron
25 x 25 x 10 cm
Diseño para 🖋️

No suelo compartir por aquí mis trabajos de diseño, pero este sí lo merece. No solo por la amistad que nos une, sino porque Maar es de verdad y porque me lo creo.

Jana me pidió hace un año y pico que hiciese un rediseño de su marca. Yo quería alejarme de las tipografías de palo seco y aproximarme a algo más caligráfico, como los antiguos rótulos de las joyerías y las tiendas históricas de la ciudad, como Reverie.

También quería que tuviese la cadencia de las olas del Atlántico, fuente de inspiración constante para ambos.

En vez de abrir el ordenador, cogí una libreta y un rotulador y me puse a escribir con la mano muy suelta. Enseguida empezaron a surgir trazos muy cercanos a la forma final. Lo vectoricé, ajusté las formas y Jana lo llevó al siguiente nivel con sus etiquetas hechas a mano, que son una delicia.

En proyectos así, que caminan sobre la línea entre arte y diseño, es cuando más disfruto de este oficio.
YUNTA (El caído), 2026
Pine wood patinated with oil and bitumen and dyed cotton percale
185 x 15 x 13 cm



ARCOmadrid — IFEMA
— Booth 9B18
4 - 8 marzo 2026
Este 2026 cumplo 10 años en ARCOmadrid. Quién se lo iba a decir a ese chaval del barrio de Os Mallos.

En esta edición, una más con la, mi trabajo se mostrará junto al de Javier Arce, José Díaz, Enrique Radigales y Ana Santos. Un stand plenamente ibérico.

Si vais, nos vemos.



YUNTA, 2026
Madera de pino, aceite, betún y percal de algodón teñido
229 x 12 x 10 cm



ARCOmadrid — IFEMA
The Goma — Booth 9B18
4 - 8 marzo 2026
✉️ Cuanto más potente es la herramienta, más crítico resulta el saber hacer de quien la emplea.

En mi última carta intento buscar una síntesis entre la utilidad del método, de raíz protestante, y la sensibilidad humanista, mediterránea y católica de la manera.

Quizás ahí resida el equilibrio que nos permita automatizar lo predecible para volcar toda nuestra atención en tantear lo incierto.

🔗 Lee la carta completa en el link de mi bio
CURRACH (Bone), 2023
Patinated wood, oak-dyed and waxed cotton with whale spermaceti and bone
53 x 15 x 12 cm

📷
✉️ SABER HACER PARA HACER SABER

Sé que he tardado en volver a escribir, pero la carta de esta semana es especial.

Habla mucho de arte y de procesos creativos, pero también de algunas de sus condiciones de posibilidad, como son la mirada profunda, el conocimiento sensible y el desarrollo de un criterio sensato.

Mi intención es que esta carta llegue a artistas, diseñadores y creativos, pero también a personas del mundo de la empresa que viven con cierta inquietud la complejidad contemporánea y la ola de la automatización.

En ese sentido, quiero trasladar una mirada esperanzada, recordando que nuestras capacidades más humanas no caben en un algoritmo. Y esas son exactamente las que debemos entrenar y potenciar.

Por eso reivindico el oficio del artista: una forma de mirar, comprender y decidir para construir sentido.

Hablé de todo esto el otro día en y seguro que vuelve a surgir el asunto en la conversación con del próximo 25/02 en PULSO.

🔗 LEE LA CARTA COMPLETA EN EL ENLACE DE MI BIO
ABARLOAR (2022) forma parte de «2026_N1», la muestra que reúne obra de los artistas residentes en.

Este sábado 24/01, de 11:00 a 14:00, se celebrará el primer vermut del año para inaugurar esta exposición junto a «Revisions 4» de Patricio Reig. Si venís, nos vemos 🍸



ABARLOAR (2022)
Aceite, cera, grafito y plomo sobre madera de pino, yeso patinado, espermaceti de cachalote, betún, arpillera y acero.

250 x 170 x 60 cm
XC (2025)
Serie «En lo que queda»

Acrílico y grafito sobre percal de algodón teñido, lavado y cosido; madera de pino y clavos de hierro.

13 x 18 cm
A few knots that have been taking shape in the studio.

Christian García Bello's engagement

Christian García Bello's engagement rate on Instagram is 3.41%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 29 followers. An average post collects 129 likes and 6 comments, close to 22 likes for each comment.

Engagement rate

3.41%

Avg likes
129
Avg comments
6
Interactions : followers
1 : 29

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Flinque ranks Instagram creators in Artist and Art & DIY, categories Christian García Bello is filed under, and its free tools measure the same figures for any public account.

Frequently asked questions

These answers about Christian García Bello are generated from the Instagram profile data Flinque holds for the account.

Who is Christian García Bello?

Christian García Bello (@christiangarciabello) is an Artist creator on Instagram, also filed under Art & DIY. Christian García Bello uses an Instagram professional account. The Instagram bio for Christian García Bello runs to 8 words across 2 lines.

How many followers does Christian García Bello have?

Christian García Bello has 5,456 followers on Instagram (5.5K). Christian García Bello follows 2,997 accounts, so the audience is roughly 1.8 times the size of the list followed. 115 published posts give Christian García Bello a moderate archive on Instagram.

What is Christian García Bello's engagement rate?

Christian García Bello's engagement rate on Instagram is 3.41%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 29 followers. An average post collects 129 likes and 6 comments, close to 22 likes for each comment.

What does Christian García Bello post about on Instagram?

Flinque files Christian García Bello under Artist, with Art & DIY as a secondary category. All 10 recent posts Flinque holds for Christian García Bello are carousels. The 10 recent Instagram captions Flinque holds for Christian García Bello repeatedly use the words cotton, patinated, wood, booth and forma. Christian García Bello writes those captions mainly in Spanish. Christian García Bello keeps 18 story highlights, which open with a free Flinque account.

How do I contact Christian García Bello for a collaboration?

Christian García Bello's contact details are not published on Flinque's public profile. The Instagram bio links to 2 external sites, and a free Flinque account opens those links. Brands with a free Flinque account can shortlist Christian García Bello and use Flinque's outreach tools wherever a contact route is on file.

Christian García Bello's own Instagram profile is the one outbound link Flinque publishes for the account, and the 2 bio links open after signing up.

Public profile data sourced from Instagram. Flinque is not affiliated with Christian García Bello.

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