New Flinque AI now scores creator authenticity in real time across 4 platforms. See how
Phillip Ost (@biblio_philo), Instagram profile photo
Verified on Instagram

Phillip Ost

Blogger
@biblio_philo
➕Art Historian from Münster, Germany ➕Sharing my Passion for Art & Architecture Books ➕Writing about Art & Architecture ➕Cat Dad 🐈‍⬛ 🐈
  • Home & Decor
  • Following 983
  • Followers 35.7K
  • Engagement 0.36%
  • Avg comments 4

About Phillip Ost

Phillip Ost (@biblio_philo) is a Blogger creator on Instagram, also filed under Home & Decor. The account has 35,681 followers and 4,231 published posts. Recent posts average 124 likes and 4 comments, an engagement rate of 0.36%.

With 35.7K followers, Phillip Ost is a micro creator by the common 10,000 to 100,000 definition. Set against 983 accounts followed, the audience works out to about 36 followers per account Phillip Ost follows. Phillip Ost carries Instagram's verified badge and uses an Instagram professional account. Flinque files Phillip Ost under Blogger, with Home & Decor as a secondary category.

The Instagram bio for Phillip Ost runs to 18 words across 4 lines. Emoji sit alongside the words. The latest activity Flinque has on record for Phillip Ost dates from May 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

4,231 Posts

Of the 10 most recent posts shown for Phillip Ost, 7 are single images and 3 are carousels. That mix leans toward single images. With 4,231 posts published, Phillip Ost's archive runs well past the 2,000 mark. Against the audience, that is roughly 8.4 followers for each post published. Phillip Ost also keeps 2 story highlights on the profile. All 10 carry captions, averaging 89 words each. The captions are written mainly in English. Words that recur across them include designed, photo, authors, charles and rennie.

A Usonian chair from the Joseph Euchtman House in Baltimore, MD, designed by Frank Lloyd Wright c. 1939. Sold by Toomey & Co. in December 2024.
The Hill House (1903-04) in Helensburgh, Scotland, designed by Charles Rennie Mackintosh. Photo by Tom Parnell from 2016 (CC BY-SA 4.0).
This Sunday’s random pick from my library is my earliest introduction to the life and work of Charles Rennie Mackintosh: Charlotte and Peter Fiell’s monograph „Charles Rennie Mackintosh“, published by Taschen in 2004. In the book the authors provide a concise and very readable overview of Mackintosh’s life and work, including his gradual decay caused by alcohol. Together with a nicely illustrated catalogue of his major works this story intrigued me to dive deeper into the Scot’s outstanding and highly original oeuvre.
The Pauluskirche (1967-71) in Lüneburg, Germany, designed by Gerd Meyer-Eggers. Photo by Josef Makovec.
Camille Graeser, Triade (Triadisches Thema), 1946-55, oil on canvas, 108 x 108 cm, Aargauer Kunsthaus.
Together with DADA Concrete Art today is considered to most significant Swiss contribution to art history, represented by the quadriga Max Bill, Richard Paul Lohse, Verena Loewensberg and Camille Graeser. But although the life and work of each of the protagonists has been comprehensively researched and published, the actual history of the Concrete Avant-garde based in Zurich in all of its different ramifications has remained somewhat opaque.

The director and journalist Thomas Haemmerli and journalist colleague Brigitte Ulmer used this blank space in Swiss art history as point of departure for a complete history of the Zurich Concretists and their complex environment. The result is „Circle! Square! Progress! - Zurich’s Concrete Avant-Garde. Max Bill, Camille Graeser, Verena Loewensberg, Richard Paul Lohse and Their Times“, published by Scheidegger & Spiess in 2024. The book starts with a history of Concrete Art as coined by Dutch artist Theo van Doesburg and sheds light on the Zurich group’s forefathers and mothers, among them Georges Vantongerloo, Johannes Itten and Sophie Taeuber-Arp but also dedicated patrons like Leo Leuppi. Subsequently Zurich’s „Fantastic Four“, as the Haus Konstruktiv called them in a 2011 exhibition, are portrayed and contextualized in very concise dossiers.

But what is particularly noteworthy and interesting is how the authors map the sources of inspiration as well as the network of people and places surrounding the Zurich artists: from mathematics, Bach’s „Art of Fugue“ to Twelve-Tone-Music the manifold influences are carved out and institutions like the Galerie des Eaux Vives, the Bel Etage or the Corso music club are portrayed as meeting points and party locations of the art scene. Beyond this the authors also discuss the afterlife of the artists as omnipresent decorations and players on the art market, an addendum that nicely concludes the book.

As a result „Circle! Square! Progress!“ provides an equally complete and lively account of the Zurich Concretes’ history as well as their personal network and afterlife. A highly recommended and diverting piece of art history!
A Low chair designed for the White Dining Room, Ingram Street Tea Rooms, Glasgow, Scotland, by Charles Rennie Mackintosh in 1900. Sold by Phillips April 2014.
The Yoyogi National Gymnasium (1963-64) in Tokyo, Japan, designed by Kenzo Tange. Photo by Tendo Mokko.
Kenzo Tange (1913-2005) is widely regarded as a key figure bridging Japan and the rest of the world after WWII, a position that is further underscored by his international projects and close connectedness with the greats of 20th century architecture. At the same time Tange sought to tap into the tension area between Japanese tradition and present day technology, a balancing act that resulted in unique architectural solutions. Yet despite his undisputed importance the number of publications dealing with his (net)works is quite modest.

In 2012 Lars Müller Publishers released „Kenzo Tange: Architecture for the World“ in collaboration with the Harvard GSD, a handsome and informative volume that finally has been reprinted. In eight essays, that alternate with photographs, plans and drawings, the authors focus on the first two decades of Tange’s independent practice and the particular circumstances he operated in: in postwar Japan the architect was involved in the discussions surrounding reconstruction, tradition, architectural education and the country’s identity. These discussions are exemplified by the Hiroshima Peace Museum and the question of whether its concrete stilts were borrowed from Le Corbusier or represent an homage to the Sosho Imperial Treasure House or the Ise Shrine. Tange himself supported the latter reading of his design. A much more clear reference to Japanese tradition can be found in the Yoyogi Gymnasium: its tensile roof construction referenced ancient Shinto shrine roofs.

What the authors also highlight is the breadth of Tange’s work that also included regional and town planning, photography, furniture design and stage sets. What binds all parts of his oeuvre together is his consideration for the human being as point of reference: even in his megastructures he factored in a potential feeling of isolation that he sought to counter with systems of mass communication. Although this today might seem laughable, Tange’s consideration nonetheless stands out among his contemporaries.

„Kenzo Tange: Architecture for the World“ provides an expertly contextualized account of the architect’s postwar practice, highly readable and warmly recommended!
The Teatro de la Ciudad Emilio Rabasa (1979-82) in Tuxtla Gutierrez, Mexico, designed by Abraham Zabludovsky. Photo from Miquel Adrià’s book “Abraham Zabludovsky. Espacios para la cultura“.

Phillip Ost's engagement

Phillip Ost's engagement rate on Instagram is 0.36%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 278 followers. An average post collects 124 likes and 4 comments, close to 31 likes for each comment.

Engagement rate

0.36%

Avg likes
124
Avg comments
4
Interactions : followers
1 : 278

Lookalike Creators

A free account lists creators whose audiences behave like this one, ready to shortlist and compare side by side.

Age & Gender

Unlocking shows how this audience splits across age bands and gender, charted from follower data.

Audience Location

Unlocking reveals the countries and cities where the most active followers of this account are concentrated.

Primary Language

Unlocking shows the languages this audience uses most in comments, interactions and the content it consumes.

Audience Interests

Unlocking lists the topics and categories this audience follows and engages with most often across the platform.

Authenticity

Unlocking scores how genuine the audience is, flagging fake, inactive or bot followers found in engagement patterns.

Audience Quality Score

Unlocking gives one overall audience quality score combining authenticity, engagement, follower activity and audience relevance.

Brand Affinity

Unlocking names the brands this audience already follows, mentions or engages with across social platforms.

Content Strategy

Unlocking breaks down the content pillars, tone and visual style this creator uses, and which formats perform best.

Commercial Insights

Unlocking shows collaboration types, an estimated pricing tier and a brand safety risk read for sponsored campaigns.

Industry Fit

Unlocking rates how well this creator and audience align with specific industry verticals and brand categories.

Research Phillip Ost further

Flinque ranks Instagram creators in Blogger and Home & Decor, categories Phillip Ost is filed under, and its free tools measure the same figures for any public account.

Frequently asked questions

These answers about Phillip Ost are generated from the Instagram profile data Flinque holds for the account.

Who is Phillip Ost?

Phillip Ost (@biblio_philo) is a Blogger creator on Instagram, also filed under Home & Decor. Phillip Ost carries Instagram's verified badge and uses an Instagram professional account. The Instagram bio for Phillip Ost runs to 18 words across 4 lines.

How many followers does Phillip Ost have?

Phillip Ost has 35,681 followers on Instagram (35.7K). Set against 983 accounts followed, the audience works out to about 36 followers per account Phillip Ost follows. With 4,231 posts published, Phillip Ost's archive runs well past the 2,000 mark.

What is Phillip Ost's engagement rate?

Phillip Ost's engagement rate on Instagram is 0.36%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 278 followers. An average post collects 124 likes and 4 comments, close to 31 likes for each comment.

What does Phillip Ost post about on Instagram?

Flinque files Phillip Ost under Blogger, with Home & Decor as a secondary category. Of the 10 most recent posts shown for Phillip Ost, 7 are single images and 3 are carousels. The 10 recent Instagram captions Flinque holds for Phillip Ost repeatedly use the words designed, photo, authors, charles and rennie. Phillip Ost writes those captions mainly in English. Phillip Ost keeps 2 story highlights, which open with a free Flinque account.

How do I contact Phillip Ost for a collaboration?

Phillip Ost's contact details are not published on Flinque's public profile. Brands with a free Flinque account can shortlist Phillip Ost and use Flinque's outreach tools wherever a contact route is on file.

Phillip Ost's own Instagram profile is the one outbound link Flinque publishes for the account.

Public profile data sourced from Instagram. Flinque is not affiliated with Phillip Ost.

Unlock Phillip Ost's audience data