- Following 920
- Followers 8.6K
- Engagement 0.63%
- Avg likes 46
- Avg comments 0
About Ballhaus Naunynstraße
Ballhaus Naunynstraße (@ballhaus_naunynstrasse) is a Performance Art Theatre creator on Instagram, also filed under Entertainment. The account has 8,619 followers and 1,085 published posts. Recent posts average 46 likes and 0 comments, an engagement rate of 0.63%.
Ballhaus Naunynstraße belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Ballhaus Naunynstraße follows 920 accounts, so the audience is roughly 9.4 times the size of the list followed. Ballhaus Naunynstraße uses an Instagram professional account. Flinque files Ballhaus Naunynstraße under Performance Art Theatre, with Entertainment as a secondary category.
The Instagram bio for Ballhaus Naunynstraße runs to 16 words across 4 lines. The bio tags #theater, #berlin, #kommunal and #postkolonial. The bio mentions @akademie_der_autodidakten_. The latest activity Flinque has on record for Ballhaus Naunynstraße dates from June 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,085 Posts
Of the 10 most recent posts shown for Ballhaus Naunynstraße, 5 are single images, 3 are carousels and 2 are videos. No single format accounts for most of them. Ballhaus Naunynstraße has built a substantial archive of 1,085 posts. Against the audience, that is roughly 7.9 followers for each post published. Ballhaus Naunynstraße also keeps 27 story highlights on the profile. 9 of those 10 carry captions, averaging 188 words each. Words that recur across them include ballhausnaunynstrasse, schwarzeperspektiven, design, ashley and paiva. The captions tag #ballhausnaunynstrasse, #schwarzeperspektiven, #berlinkultur, #performanceberlin and #berlinblack.
Der Aufgabenbereich umfasst u. a.:
* Aufbau und Einrichtung von Bühneneinrichtungen und Bühnenbildern, Einrichtung von Theaterbeleuchtung, Einrichtung von Beschallungs- und Projektionsanlagen
* Betreuung von Veranstaltungen, dazu zählen insbesondere Vorstellungen von Sprechtheater, Bühnentanz, Konzerte, Lesungen
* Erstellung von Dokumentationen zu hauseigenen Inszenierungen
* Reinigungs- und Wartungsarbeiten an Bühnentechnik, Beleuchtungstechnik und Audio- und Projektionstechnik
* Regelmäßige Kontrolle des Inventars.
Das Ballhaus Naunynstraße hat die Aufgabe, postmigrantische Kulturproduktionen zu fördern.
Seit der Eröffnung im Jahr 2008 stößt das Berliner Theater auf ein außergewöhnliches Publikums- und Medieninteresse. Die Kultursprünge im Ballhaus Naunynstraße gGmbH mit ihren rund 25 Angestellten gestaltet das Programm des Ballhaus Naunynstraße.
Bitte die vollständigen und aussagekräftigen Bewerbungsunterlagen per E-Mail schicken an
Kultursprünge im Ballhaus Naunynstraße gemeinnützige GmbH
Naunynstraße 27
10997 Berlin
Personalbüro: Herr Bödecker
#ballhausnaunynstrasse #technik #veranstaltungstechnik #stellenangebot #job
Bei uns wächst die Vorfreude auf die kommenden Premieren und auf all die besonderen Theaterabende, die vor uns liegen. Wir freuen uns darauf, sie gemeinsam mit euch zu erleben! ✨
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🎭 13.-17.06. “Into the Chronosphere”
Theater von Sisi Bo’wale
🎬 1.06. „Kiez-Monatsschau VOL. XXX: RAISING HOPE“
Filmscreening von akademie der autoditakten
🎭 01.-05.07. „Arrival of the Village“
Performance von Magda Korsinsky
---------------------
#ballhausnaunynstrasse
#kreuzbergkunst
#kreuzbergkultur
#berlinbühnen
#kulturinberlin
Bishop Black, multidisziplinäre Künstler*in, Performer*in und Regisseur*in, sucht für their vierte Produktion am Ballhaus Naunynstraße professionelle QTBIPoC-Performer*innen mit Tanz- und Gesangserfahrung.
Das neue Projekt Amigues Adios (AT) von Bishop Black ist ein performatives Theaterformat über das queere Berlin, über frühe Schwarze Gestalter*innen der Szene, über Melancholie und Widerstand, über Schwarze, queere Gemeinschaft.
Probenbeginn: voraussichtlich 24. Juli 2026
Premiere: voraussichtlich 4. September 2026
Spielort: Ballhaus Naunynstraße
Casting: 29. Mai 2026 am Ballhaus Naunynstraße
Bei Interesse meldet euch bitte mit einer kurzen Vorstellung inkl. wichtiger Stationen eures künstlerischen Werdegangs und Produktionen, einem Foto und ein paar Sätzen zu eurer Motivation. Der Termin passt nicht? Meldet euch trotzdem gern!
Leitet die Anfrage gern an möglich Interessierte weiter. Für Fragen und Anregungen zögert nicht, uns zu kontaktieren:.
Mehr Informationen zu Bishop Blacks künstlerischen Arbeit, insbesondere zu their Performances am Ballhaus Naunynstraße, findet ihr unter:
...........................................
For their fourth production at Ball-haus Naunynstraße, the multidisciplinary artist, performer and director Bishop Black is seeking three professional QTBIPoC performers with experience in dance and singing.
Bishop Black's new project, Amigues Adios (working title), is a performative theater piece about queer Berlin, about early Black pioneers of the scene, about melancholy and resistance, and about Black, queer community.
Please get in touch with a brief introduction including key stages of your artistic career and productions, a photograph, and a few sentences about your motivation:
...........................................
#ballhausnaunynstrasse
#opencall
#blackperspective
#schwarzeperspektiven
#blackartists
Hey Thais, herzlichen Dank, dass Du gestern da warst, dass Du Deinen Abschied mit uns, mit Ashley und Eure Produktion „As I Want“ gefeiert hast, für all die Zusammenarbeiten in den letzten Jahren: für 12 Produktionen hast Du als Lichtdesignerin den Fokus gesetzt! Und dass wir Deinen Dokumentarfilm „Herdeiros“ als Premiere in Europa im Kontext des Festivals „Black Berlin Black - Widerstand“ zeigen konnten, war uns sehr wichtig. Es ist schade, dass Du Berlin den Rücken kehrst. Zum Glück sind noch einige der von Dir beleuchteten Produktionen im Repertoire, somit sehen wir zumindest weiterhin Dein Lichtdesign. Alles Gute Dir. Das Ballhaus-Team
Foto: Wagner Carvalho
#swchwarzeperspektive
#kreuzbergkultur #kunstkreuzberg
#ballhausnaunynstrasse postmigranttheater
Komm vorbei!
❗13.-17.06. “Into the Chronosphere”
Theater von Sisi Bo’wale
Wieviel Zeit bleibt uns noch? Bis alle Zeit verspeist ist? Die Erde dreht sich langsam, während sich das Universum wellenförmig dehnt. Die Menschheit beschleunigt ihr Ende. Und ich frage mich: Wem gehört die Zeit?
In „Into the Chronosphere“ verweben Sisi Bo’wale und sein Team Performance, Video, Sound und Design zu einer augenzwinkernden, queeren, afrofuturistischen Collage.
Von: Sisi Bo’wale / Foto: ©Zé de Paiva.paiva
❗21.06. „Kiez-Monatsschau VOL. XXX: RAISING HOPE“
Filmscreening von akademie der autoditakten
Hoffnung. Wie soll man angesichts der aktuellen politischen Situation Hoffnung haben? Eine Gruppe junger BIPOC-Erwachsener kam am Ballhaus Naunynstraße zusammen, um aus ihrer eigenen Perspektive und Position als in Deutschland lebende Menschen Bilder und Erzählungen zur Hoffnung als Haltung, flüchtiges Moment und beständige Kraft zu finden.
Mit: Abdallah Sané, Bahia Mahra, Wintana Berhe,
Cintia Sofia De Pina Pires, Maripoze,Mei Tong Chen, Lena Jüngel / Foto: ©Zé de Paiva.paiva
❗01.-05.07. „Arrival of the Village“
Performance von Magda Korsinsky
In „Arrival of the Village“ begibt sich die dokumentarisch arbeitende Choreografin Magda Korsinsky gemeinsam mit ihrem Team auf die Suche nach veränderten Beziehungen: Denn das alte Modell der heteronormativen Kleinfamilie bringt Rollen hervor, die oft isolieren, erschöpfen oder abhängig machen. Anerkennung, Lust, Selbstbestimmung und Gleichberechtigung bleiben auf der Strecke.
Von: Magda Korsinsky / Foto: Zé de Paiva.paiva
#ballhausnaunynstrasse
#schwarzeperspektiven
#blackartists
#kreuzbergkunst
#kreuzbergkultur
See Ashley Temba at 8pm at for his final performance of this season.
-‐-----------------------
>> As I Want <<
Portrait performance Ashley Temba (in English)
⚡️23.5 – 26.5.⚡️
entry: 14/8€
ticketlink in 👉 bio
-‐-----------------------
What do I see when I look in the mirror? Myself as a whole, as a form, myself in motion? And when others see me – what do they see? The expectation is simple, the projection oversimplifying, the stereotype cementing. But we are not simple and unchanging, we are not monoliths! So how do I show the multiplicity that I am? How do I become the diversity I could be?
In As I Want, dancer and choreographer Ashley Temba searches for an image of himself — marked by cracks and fissures, shaped by external forces, characterized by diverse layers, and grown in his own time. The self of today is the result of countless decisions and conscious transformations. Despite all external attributions and attempts at fixation, it has always been in motion. Dance is the medium to express this transformation. Today, I am a choreography of my selves.
-‐-----------------------
By and with: Ashley Temba
Choreography assistance: Elisabeth Kneissl
Dramaturgy: Lerato Shadi
Sound design: Kariem Friemuth
Stage design: Val de Licer
Costume design: Arturo Lugo
Light design: Thaís Nepomuceno
Video design: Ibra Wane
Production management: Leonard Beck
Photo: ©Zé de Paiva.paiva
#ballhausnaunynstrasse
#berlinkultur
#schwarzeperspektiven
#performanceberlin
#berlinblack
berlinart
Portrait performance Ashley Temba (in English)
⚡️23.5 – 26.5.⚡️
entry: 14/8€
ticketlink in 👉 bio
-‐-----------------------
What do I see when I look in the mirror? Myself as a whole, as a form, myself in motion? And when others see me – what do they see? The expectation is simple, the projection oversimplifying, the stereotype cementing. But we are not simple and unchanging, we are not monoliths! So how do I show the multiplicity that I am? How do I become the diversity I could be?
In As I Want, dancer and choreographer Ashley Temba searches for an image of himself — marked by cracks and fissures, shaped by external forces, characterized by diverse layers, and grown in his own time. The self of today is the result of countless decisions and conscious transformations. Despite all external attributions and attempts at fixation, it has always been in motion. Dance is the medium to express this transformation. Today, I am a choreography of my selves.
-‐-----------------------
By and with: Ashley Temba
Choreography assistance: Elisabeth Kneissl
Dramaturgy: Lerato Shadi
Sound design: Kariem Friemuth
Stage design: Val de Licer
Costume design: Arturo Lugo
Light design: Thaís Nepomuceno
Video design: Ibra Wane
Production management: Leonard Beck
Photo: ©Zé de Paiva.paiva
#ballhausnaunynstrasse
#berlinkultur
#schwarzeperspektiven
#performanceberlin
#berlinblack
Portrait performance Ashley Temba (in English)
⚡️23.5 – 26.5.⚡️
entry: 14/8€
ticketlink in 👉 bio
-‐-----------------------
What do I see when I look in the mirror? Myself as a whole, as a form, myself in motion? And when others see me – what do they see? The expectation is simple, the projection oversimplifying, the stereotype cementing. But we are not simple and unchanging, we are not monoliths! So how do I show the multiplicity that I am? How do I become the diversity I could be?
In As I Want, dancer and choreographer Ashley Temba searches for an image of himself — marked by cracks and fissures, shaped by external forces, characterized by diverse layers, and grown in his own time. The self of today is the result of countless decisions and conscious transformations. Despite all external attributions and attempts at fixation, it has always been in motion. Dance is the medium to express this transformation. Today, I am a choreography of my selves.
-‐-----------------------
By and with: Ashley Temba
Choreography assistance: Elisabeth Kneissl
Dramaturgy: Lerato Shadi
Sound design: Kariem Friemuth
Stage design: Val de Licer
Costume design: Arturo Lugo
Light design: Thaís Nepomuceno
Video design: Ibra Wane
Production management: Leonard Beck
Photo: ©Zé de Paiva.paiva
#ballhausnaunynstrasse
#berlinkultur
#schwarzeperspektiven
#performanceberlin
#berlinblack
Portrait performance Ashley Temba (in English)
⚡️23.5 – 26.5.⚡️
entry: 14/8€
ticketlink in 👉 bio
-‐-----------------------
What do I see when I look in the mirror? Myself as a whole, as a form, myself in motion? And when others see me – what do they see? The expectation is simple, the projection oversimplifying, the stereotype cementing. But we are not simple and unchanging, we are not monoliths! So how do I show the multiplicity that I am? How do I become the diversity I could be?
In As I Want, dancer and choreographer Ashley Temba searches for an image of himself — marked by cracks and fissures, shaped by external forces, characterized by diverse layers, and grown in his own time. The self of today is the result of countless decisions and conscious transformations. Despite all external attributions and attempts at fixation, it has always been in motion. Dance is the medium to express this transformation. Today, I am a choreography of my selves.
-‐-----------------------
By and with: Ashley Temba
Choreography assistance: Elisabeth Kneissl
Dramaturgy: Lerato Shadi
Sound design: Kariem Friemuth
Stage design: Val de Licer
Costume design: Arturo Lugo
Light design: Thaís Nepomuceno
Video design: Ibra Wane
Production management: Leonard Beck
Photo: ©Zé de Paiva.paiva
#ballhausnaunynstrasse
#berlinkultur
#schwarzeperspektiven
#performanceberlin
#berlinblack
Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.
Ballhaus Naunynstraße's engagement
Ballhaus Naunynstraße's engagement rate on Instagram is 0.63%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 159 followers. Recent posts average 46 likes and 0 comments, so every recorded reaction is a like.
Engagement rate
0.63%
- Avg likes
- 46
- Avg comments
- 0
- Interactions : followers
- 1 : 159
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These answers about Ballhaus Naunynstraße are generated from the Instagram profile data Flinque holds for the account.
Who is Ballhaus Naunynstraße?
Ballhaus Naunynstraße (@ballhaus_naunynstrasse) is a Performance Art Theatre creator on Instagram, also filed under Entertainment. Ballhaus Naunynstraße uses an Instagram professional account. The Instagram bio for Ballhaus Naunynstraße runs to 16 words across 4 lines.
How many followers does Ballhaus Naunynstraße have?
Ballhaus Naunynstraße has 8,619 followers on Instagram (8.6K). Ballhaus Naunynstraße follows 920 accounts, so the audience is roughly 9.4 times the size of the list followed. Ballhaus Naunynstraße has built a substantial archive of 1,085 posts.
What is Ballhaus Naunynstraße's engagement rate?
Ballhaus Naunynstraße's engagement rate on Instagram is 0.63%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 159 followers. Recent posts average 46 likes and 0 comments, so every recorded reaction is a like.
What does Ballhaus Naunynstraße post about on Instagram?
Flinque files Ballhaus Naunynstraße under Performance Art Theatre, with Entertainment as a secondary category. Of the 10 most recent posts shown for Ballhaus Naunynstraße, 5 are single images, 3 are carousels and 2 are videos. The 9 recent Instagram captions Flinque holds for Ballhaus Naunynstraße repeatedly use the words ballhausnaunynstrasse, schwarzeperspektiven, design, ashley and paiva. Ballhaus Naunynstraße's captions carry hashtags such as #ballhausnaunynstrasse, #schwarzeperspektiven and #berlinkultur. The bio tags #theater, #berlin, #kommunal and #postkolonial. Ballhaus Naunynstraße keeps 27 story highlights, which open with a free Flinque account.
How do I contact Ballhaus Naunynstraße for a collaboration?
Ballhaus Naunynstraße's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Ballhaus Naunynstraße and use Flinque's outreach tools wherever a contact route is on file.
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Public profile data sourced from Instagram. Flinque is not affiliated with Ballhaus Naunynstraße.