- Following 2K
- Followers 23.3K
- Engagement 0.49%
- Avg likes 115
- Avg comments 8
About Ayesha Adamo
Ayesha Adamo (@ayeshaadamo) is a Blog pribadi creator on Instagram, also filed under Spirituality & Religion. The account has 23,315 followers and 756 published posts. Recent posts average 115 likes and 8 comments, an engagement rate of 0.49%.
With 23.3K followers, Ayesha Adamo is a micro creator by the common 10,000 to 100,000 definition. Ayesha Adamo follows 1,976 accounts, so the audience is roughly 12 times the size of the list followed. Ayesha Adamo uses an Instagram professional account. Flinque files Ayesha Adamo under Blog pribadi, with Spirituality & Religion as a secondary category.
The Instagram bio for Ayesha Adamo runs to 15 words across 4 lines. The bio mentions @riceuniversity, @templeofthelema and @wearetheprototypes. The latest activity Flinque has on record for Ayesha Adamo dates from November 2025.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
756 Posts
Of the 10 most recent posts shown for Ayesha Adamo, 4 are single images, 4 are carousels and 2 are videos. No single format accounts for most of them. Ayesha Adamo has built a substantial archive of 756 posts. Against the audience, that is roughly 31 followers for each post published. Ayesha Adamo also keeps 3 story highlights on the profile. All 10 carry captions, averaging 180 words each. The captions are written mainly in English. Words that recur across them include conference, it’s, first, part and back. The captions tag #esoteric, #academia, #occultureconference, #psychartcult and #occulture.
Free to Attend! Because of the limited space we kindly ask for you to RSVP on EventBrite by scanning the QR Code on the poster or clicking the link in our Bio. Please DM us or the bands for the password.
6p Doors
7p
7:45p onomatopoeia
8:30p
9:30p
Hope to see everyone for a chill night!
“My current project is editing together the 13th issue of The Fenris Wolf, which is a wonderful and packed issue. Good timing, too, not only because it is generally long overdue but because this process now coincides with the tenth anniversary of the first ”Psychoanalysis, Art & the Occult” conference in London 2016. Tempus Frigging Fugit!
Since then there have been two conferences, each of which was funneled into an issue of The Fenris Wolf: FW9 (London 2016), FW11 (Merano 2019), and now finally FW13 (Copenhagen 2022).
In-between conferences we have also arranged/hosted numerous events and lectures online, primarily via the good folks at. It’s been an incredible journey for me, not only because of the amazing experiences and meetings I’ve had in the ”psychartcult” context; it also brought me my love-of-my-life-wife, Vanessa.
We actually started working on the first conference together before we were properly a couple, but once we were immersed in the trenches of esoteric intellectualism in London (May 5th-9th 2016), there was no turning back. Some six months after that first conference we were married and manically working away on new projects together. Ten years later, not much has changed in terms of this mania!
The Psychartcult conferences especially have been magical for us. We are all by now so used to Zoom this and Online that. It’s part of global culture, for good and bad. But to temporarily share a physical space, as well as thoughts and feelings, is remarkable and inspiring in itself. The issues of The Fenris Wolf that anthologize the material presented are of course highly inspiring in themselves. But they can’t genuinely convey the atmosphere of being there in person, or, wait… perhaps they can?
There is undoubtedly a Psychartcult spirit as much as there is a Fenris Wolf one. They are both fiercely independent, open-minded, tolerant, and free-spirited in their desire to share unique material that we feel is relevant.
What was activated continues to move.
Direction and editing:
Camera:
#occulture #magick #esoteric #esotericart
All this was before bottle service ravaged New York nightlife—those “models and bottles” parties that smelled like Epstein’s B.O. The music they played was even more offensive than the stench of said B.O., if you can imagine. Never trust people who play pop music in a proper nightclub.
That said, I absolutely envy all those that got to go to the Twilo 25-year reunion last night, or those who are putting on some glitter right now for this evening’s festivities. and all night long? It could only be better if you had this freaky diva up on the box dancing (did they bring back Mike D to do the lights? I hope so. He was amazing!).
And I can’t believe ran an article on this! I was telling my mom about it on the phone this morning—indeed, my mom and dad came to see me dance at Twilo—twice! I introduced them to Sasha in the VIP. This weekend, I hope some of the next gen gets in there to see—and hear—what it’s all about. I know I learned to DJ from many nights spent listening to the best.
And what I remember most is dancing in swirls of blue light and watching over the crowd, looking across a sea of heads and smiling faces. I remember leaving the club and getting caught in the rain with a girl who was giving out glass marbles. I remember walking through Union Square Park at noon, still be-glittered and rhinestoned from the night before. And mostly, I remember being young, and that was the best part.
Photos weren’t allowed inside Twilo, but the first of these is from inside, with that glittering disco ball in the background.
#twilo #dj #nightlife
But I do want to share that I have a brand new academic article out in the Taylor & Francis journal New Writing: “The Muse, The Snow, Da Capo: musings and returns in the plays of Adam Rapp.” Yes: I’m bringing you some Red Light Winter just in time for the blizzard that is headed for the East Coast! This paper actually makes a rather good hot cocoa read. There ought to be snow.
It’s not your typical academic paper: I combine close reading of two plays by Adam Rapp, the legend of Takako Konishi (via Reel Bay by Jana Larson), and some ancient ethnographic journalings of my own…
But what people don’t know is that I wrote this as a writing sample for a previous round of PhD applications in Performance Studies. It was mid-pandemic, and I’d made it to the last round of interviews for the MA at RADA, which I had decided would be the last straw if I didn’t get picked. I was on set hand modeling for ELF when I got the news, and instantly started firing off emails to professors asking for recommendation letters…yet again. The next morning, I began writing this very article as my writing sample—because naturally I needed something fresh, with deadlines coming up in a matter of weeks. Sadly (for them), not one of those Performance Studies PhD programs accepted my application.
So you can imagine that seeing this article in print is some good cheeky fun!
For my Rice peeps, and others with university access, the article is available through the library under the latest issues of New Writing. It’s not even searchable under my name yet. For others, I can probably send a copy your way. But beyond all that, this is a story of resilience. Adam Rapp also had to wait way too long to see his work on the Broadway stage. I salute all those who are waiting for the world to catch up.
Photo: me in Wynn Handman’s class working on Rapp’s Red Light Winter, wearing a coat too thin for the weather.
#academia #muse #creativewriting #acting
At Occulture Conference 2025, four lectures approached Aleister Crowley from radically different, but deeply interconnected angles.
🎥 Watch the full lectures now on our YouTube channel.
Dive deep into Crowley, Thelema, ritual magic, and occult philosophy talks by leading scholars and practitioners.
👉 Link in bio
👉 Subscribe on YouTube for more from Occulture Conference
Image: Edward Alexander ('Aleister') Crowley
by Leon Engers Kennedy
oil on canvas, 1917-1918
#OccultureConference #AleisterCrowley #Thelema #OccultStudies #RitualMagic
Gratitude for every single participant that was physically present at this edition of Occulture.
The vessel of this edition of the Occulture Conference was the Great Craftsman: The material creator, but not necessarily the intellectual creator. The words of Ayesha Adamo on the importance of speaking face-to-face, creating heart-to-heart, express the core of this intent.
While we dive into the archive of digital memories, our publications on social media will attempt to express the deep gratitude for every single participant.
Occulture is US sharing our magick realities.
Thank you
Sincerely yours
The Fellowship of the White Mountain
Which lecture from Friday's initial ingress was the most illuminating for you?
#occultureconference
photos by Merlin J. Noack
All that said, my presentation is happening on Friday as part of a block from 14:30-17:30pm EDT, in the Garvin Room. It will be streamed through zoom online, so if you want to check it out, here’s a link where you can register (also in my linktree):
In my talk, “Headlessness and the Earth of Us: Invocation, Meditation, and Creation,” I’ll be discussing headlessness as an artistic and ritual practice, utilizing some ideas from Bataille to bring the creative and mystical concepts around to a discussion of sovereignty. In all, I leave you with this: We have sovereignty innately, as the sun has surplus to shine.
#academic #spirituality
#esoteric #occult #mysticism #academia
Ayesha Adamo's engagement
Ayesha Adamo's engagement rate on Instagram is 0.49%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 204 followers. An average post collects 115 likes and 8 comments, close to 14 likes for each comment.
Engagement rate
0.49%
- Avg likes
- 115
- Avg comments
- 8
- Interactions : followers
- 1 : 204
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Frequently asked questions
These answers about Ayesha Adamo are generated from the Instagram profile data Flinque holds for the account.
Who is Ayesha Adamo?
Ayesha Adamo (@ayeshaadamo) is a Blog pribadi creator on Instagram, also filed under Spirituality & Religion. Ayesha Adamo uses an Instagram professional account. The Instagram bio for Ayesha Adamo runs to 15 words across 4 lines.
How many followers does Ayesha Adamo have?
Ayesha Adamo has 23,315 followers on Instagram (23.3K). Ayesha Adamo follows 1,976 accounts, so the audience is roughly 12 times the size of the list followed. Ayesha Adamo has built a substantial archive of 756 posts.
What is Ayesha Adamo's engagement rate?
Ayesha Adamo's engagement rate on Instagram is 0.49%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 204 followers. An average post collects 115 likes and 8 comments, close to 14 likes for each comment.
What does Ayesha Adamo post about on Instagram?
Flinque files Ayesha Adamo under Blog pribadi, with Spirituality & Religion as a secondary category. Of the 10 most recent posts shown for Ayesha Adamo, 4 are single images, 4 are carousels and 2 are videos. The 10 recent Instagram captions Flinque holds for Ayesha Adamo repeatedly use the words conference, it’s, first, part and back. Ayesha Adamo's captions carry hashtags such as #esoteric, #academia and #occultureconference. Ayesha Adamo writes those captions mainly in English. Ayesha Adamo keeps 3 story highlights, which open with a free Flinque account.
How do I contact Ayesha Adamo for a collaboration?
Ayesha Adamo's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Ayesha Adamo and use Flinque's outreach tools wherever a contact route is on file.
Links
Ayesha Adamo's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
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