- Following 2K
- Followers 9.7K
- Engagement 0.39%
- Avg likes 39
- Avg comments 2
About Art Index Rotterdam
Art Index Rotterdam (@artindexrotterdam) is a Business & Utility Services creator on Instagram, also filed under Art & DIY. The account has 9,713 followers and 1,815 published posts. Recent posts average 39 likes and 2 comments, an engagement rate of 0.39%.
Art Index Rotterdam belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Art Index Rotterdam follows 1,987 accounts, so the audience is roughly 4.9 times the size of the list followed. Art Index Rotterdam is set up as an Instagram business account. Flinque files Art Index Rotterdam under Business & Utility Services, with Art & DIY as a secondary category.
The Instagram bio for Art Index Rotterdam runs to 16 words across 3 lines. The bio tags #artindexrotterdam. The latest activity Flinque has on record for Art Index Rotterdam dates from February 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
1,815 Posts
Of the 10 most recent posts shown for Art Index Rotterdam, 7 are carousels, 2 are single images and 1 is a video. That mix leans toward carousels. Art Index Rotterdam has built a substantial archive of 1,815 posts. Against the audience, that is roughly 5.4 followers for each post published. Art Index Rotterdam also keeps 8 story highlights on the profile. All 10 carry captions, averaging 131 words each. The captions are written mainly in English. Words that recur across them include exhibition, until, contemporary, world and works. The captions tag #art, #rotterdam, #design, #photography and #exhibition.
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LAST CHANCE TO SEE
until 31 May
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Dutch, More or Less: Contemporary Architecture, Design and Digital Culture is a presentation of more than 30 years of Dutch design. Rather than retelling the history of Dutch design, it brings together the ideas, themes and projects that have placed Dutch designers at the forefront of international design. But how do they differ from other designers? And how has the image of “more or less Dutch” design evolved?
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Photo credit: Aad Hoogendoorn
#art #design #rotterdam
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until 24 May
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The 'Duration of Elsewhere' brings photography and video together in an exhibition about a slower rhythm of looking and experiencing. Especially in urban environments, Hans Wilschut seeks ways to pay more attention to what is taking place in public space. His images often take just a little more time, and within the everyday, a longing for another place remains palpable.
In this exhibition, we see a multifaceted selection of works with which Wilschut aims to set a different pace in contrast to the rapid stream of visual input that passes us by daily. It is less about demanding attention, and more about creating space for moments of slowing down and contemplation. Moments in which you, as a viewer, step out of the obvious for a moment and can look anew. Sometimes that feels a bit jarring, like when you come home but your thoughts are still somewhere else.
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#photography #rotterdam #art
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until 24 May
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Polina Surovova began the Techno Baroque series following the birth of her daughter in 2023. Observing her daughter's development during her early years inspired Surovova to reflect on humanity's primal connection to nature at the outset of our existence. In a small child, she perceives a being that mirrors the animal world, evolving into a human. Seeking a chimerical image that could embody both the human and the animal, as well as the cultural and the natural, Surovova found inspiration in the Baroque era's depiction of Cupid.
In the Techno Baroque series, Surovova identifies three elements that encapsulate modernity: the progressive development of three branches of science: medicine, technology, and weapons. The imagery within her paintings can be interpreted as allegories of modernity, reflecting the complexities of our contemporary existence.
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#art #exhibition #rotterdam
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until 31 May
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“It's all about balance. In every image (b. Alblasserdam, 1956) searches for the balance to stay on his feet. His sculptures are the buttresses of his existence. They are made of steel and are immovable in a position that is grounded. You can't get them out of place, although they always give the impression that they could fall on top of you. You must approach them with caution. If you go straight at it, you will be taken down with an outward cut. When he works on his sculptures, Piet Tuytel takes extremely heavy elements in a clasp and lifts them from his legs to move them and bring them into proportion with each other.” – Alex de Vries
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#art #rotterdam
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until 10 May
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with Daniel Di Paula, Ginevra Petrozzi, Jamilah Sabur, Julius von Bismarck, Louis Braddock Clarke, Natalia Papaeva, Rä di Martino, Tom K Kemp. Curator: Yannik Güldner
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How do we create meaning in a world shaped by ecological, social and political crises? The exhibition trilogy At the End(s) of the World expores extraction, climate instability and how people imagine life after collapse. Moving between popular and contemporary ways of understanding, the exhibitions show that planetary crisis is shaped not only by physical and economic conditions, but also by cultural imaginaries. Collapse is not a single terminal event - it is a shifting threshold where loss, resistance and new forms of life coexist. The journey begins with the ground beneath our feet, and expands to planetary ways of sensing, ritual and re-worlding. At the End(s) of the World invites you to imagine ways of living during - and beyond - collapse.
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Images: 1. 2.
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#art #rotterdam
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until 27 Jun
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(b. 1992) lives in Paris, where she developed her sculpture, installation, video, and drawing practice. She graduated from the École Nationale Supérieure des Arts Décoratifs in scenography and the Beaux-Arts de Paris, where she stages her work using materials, light, smell, and sound.
The use of natural materials (plaster, earth, wax, or liquid) gives her sculptures an undeniably organic dimension, whose surfaces closely resemble the skin. The repetition of the same gesture and the material's random evolution give them a processual aspect.
Specifically for ROOF-A, Minchin is creating a new site-specific installation for the gallery's entire ground floor, titled REBURN. In this new series of works, Juliette Minchin explores the traces of combustion and transformation. Her oeuvre manifests as a visual meditation in which matter and memory become intertwined. The works unfold an aesthetic that is simultaneously fragile and unforgiving.
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#rotterdam #art
29 May 2026
🚪 Doors open at 16:30
ArtEra space, EC-2 in Erasmus MC
A Room Neighboring the Planet 🌍
At the edge of bodily and environmental crisis
Participating artists:
Twan Lugten
Moosje M Goosen
Lisa Meijer
Louis Braddock Clarke
Animaspace (Angelina Kozhevnikova)
The upcoming exhibition at ArtEra emerges from a process of co-creation between artists, scientists, and young fellows across disciplines. Developed through a summer school, the project began with a question: how to (re)connect healthcare to nature?
We cast nature as chaotic and medicine as exact, forgetting that healing once emerged from the very ecosystems we now only want to tame. Can these two worlds, clinical and organic, find a shared language again?
And as contemporary artistic discourse emphasizes the interdependence of species and elevates non-human perspectives, we ask: how do the ideas of making kin with nature resonate within the walls of a hospital? Do they still hold, or does the urgency of human life inevitably reclaim center stage?
Five artists dwell on these questions, looking at the world through a hospital window 🪟
Curated by Rawad Baaklini
Graphic identity by Studio Spass
The exhibition is generously supported by
ArtEra is a platform for science, art and education at Erasmus MC led by Fred Balvert
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👉️TALK:
9 May | Sat | 15.00
👉️FINISSAGE:
10 May | Sun | 12.30–17.30
👉️ARTIST PRESENT:
9 & 10 May | Sat & Sun | 12.30–17.30
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"What remains of the self when the construct that makes it possible ceases to be invisible? Prior to the Self: The self is not an origin. It is a construct that experiences itself as an origin as long as the construct remains invisible."
(1990) work approaches the self not as an origin but as a construct that appears natural only while its mechanisms remain unseen. The structures that bind body and mind, perception and feeling, observer and observed, operate silently until interruption reveals their architecture. Across the series, self-perception and self-preservation coincide: information arrives, yet access fails. Materials that harden and seal embody the thesis, fixation encloses experience, leaving inhabitation structurally elsewhere.
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Photo credit:
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#art #rotterdam
Thumbnails are unavailable for 10 of these 10 posts. Open a tile to view the post on Instagram.
Art Index Rotterdam's engagement
Art Index Rotterdam's engagement rate on Instagram is 0.39%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 256 followers. An average post collects 39 likes and 2 comments, close to 20 likes for each comment.
Engagement rate
0.39%
- Avg likes
- 39
- Avg comments
- 2
- Interactions : followers
- 1 : 256
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Frequently asked questions
These answers about Art Index Rotterdam are generated from the Instagram profile data Flinque holds for the account.
Who is Art Index Rotterdam?
Art Index Rotterdam (@artindexrotterdam) is a Business & Utility Services creator on Instagram, also filed under Art & DIY. Art Index Rotterdam is set up as an Instagram business account. The Instagram bio for Art Index Rotterdam runs to 16 words across 3 lines.
How many followers does Art Index Rotterdam have?
Art Index Rotterdam has 9,713 followers on Instagram (9.7K). Art Index Rotterdam follows 1,987 accounts, so the audience is roughly 4.9 times the size of the list followed. Art Index Rotterdam has built a substantial archive of 1,815 posts.
What is Art Index Rotterdam's engagement rate?
Art Index Rotterdam's engagement rate on Instagram is 0.39%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 256 followers. An average post collects 39 likes and 2 comments, close to 20 likes for each comment.
What does Art Index Rotterdam post about on Instagram?
Flinque files Art Index Rotterdam under Business & Utility Services, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Art Index Rotterdam, 7 are carousels, 2 are single images and 1 is a video. The 10 recent Instagram captions Flinque holds for Art Index Rotterdam repeatedly use the words exhibition, until, contemporary, world and works. Art Index Rotterdam's captions carry hashtags such as #art, #rotterdam and #design. Art Index Rotterdam writes those captions mainly in English. The bio tags #artindexrotterdam. Art Index Rotterdam keeps 8 story highlights, which open with a free Flinque account.
How do I contact Art Index Rotterdam for a collaboration?
Art Index Rotterdam's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Art Index Rotterdam and use Flinque's outreach tools wherever a contact route is on file.
Links
Art Index Rotterdam's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Art Index Rotterdam.