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Art Rotterdam▪️Contemporary Art Fair

Art & DIY
@art_rotterdam
▪️See you 19-21 March 2027 in Rotterdam Ahoy ▪️Explore @UnseenPhotoFair at Art Rotterdam ▪️Part of @RotterdamArtWeek
  • Following 1.5K
  • Followers 60.3K
  • Engagement 0.08%
  • Avg comments 1

About Art Rotterdam▪️Contemporary Art Fair

Art Rotterdam▪️Contemporary Art Fair (@art_rotterdam) is an Art & DIY creator on Instagram. The account has 60,285 followers and 2,189 published posts. Recent posts average 49 likes and 1 comment, an engagement rate of 0.08%.

With 60.3K followers, Art Rotterdam▪️Contemporary Art Fair is a micro creator by the common 10,000 to 100,000 definition. Set against 1,488 accounts followed, the audience works out to about 41 followers per account Art Rotterdam▪️Contemporary Art Fair follows. Art Rotterdam▪️Contemporary Art Fair is set up as an Instagram business account. Flinque files Art Rotterdam▪️Contemporary Art Fair under a single category, Art & DIY.

The Instagram bio for Art Rotterdam▪️Contemporary Art Fair runs to 16 words across 3 lines. The bio mentions @UnseenPhotoFair and @RotterdamArtWeek. The latest activity Flinque has on record for Art Rotterdam▪️Contemporary Art Fair dates from June 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

2,189 Posts

All 10 recent posts Flinque holds for Art Rotterdam▪️Contemporary Art Fair are single images. With 2,189 posts published, Art Rotterdam▪️Contemporary Art Fair's archive runs well past the 2,000 mark. Against the audience, that is roughly 28 followers for each post published. Art Rotterdam▪️Contemporary Art Fair also keeps 4 story highlights on the profile. All 10 carry captions, averaging 178 words each. Words that recur across them include work, flashback, almicheal, fraay and booth.

Flashback Unseen — Here, Bebe Blanco Agterberg is pictured speaking about her work in the booth of, part of the Past/Present section of Unseen. Explore more work from the booth in the online catalogue on: [link in our bio].

🇳🇱 Flashback Unseen — Hier zie je Bebe Blanco Agterberg terwijl ze spreekt over haar werk in de booth van, onderdeel van de Past/Present sectie van Unseen. Ontdek meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay
Flashback — presented a group exhibition at Art Rotterdam, bringing together works by a range of artists. On the left here, you see "Square Painting in Two Parts" (2024) by Alan Charlton. On the right, the photo shows "Tumbling Work (Blue, Green)" (2026) by Krijn de Koning. Made from polyurethane foam, polyester and acrylic paint, this abstract sculpture takes the form of an open cube that can be rotated and displayed on any of its sides. Explore more works from the booth in the online catalogue on: (link in bio).

🇳🇱 Flashback — toonde op Art Rotterdam een groepspresentatie met werk van verschillende kunstenaars. Links zie je hier het werk ‘Square Painting in Two Parts’ (2024) van Alan Charlton. Rechts staat het abstracte sculptuur ‘Tumbling Work (Blue, Green)’ (2026) van Krijn de Koning. Dit werk is gemaakt van polyurethaanschuim, polyester en acrylverf, en heeft de vorm van een open kubus die gedraaid kan worden en op elke zijde kan worden neergezet. Bekijk meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay
Flashback: Lin Zhipeng: "I am always looking to document daily curiosities; the small but sensual details that often go unnoticed.” (in an interview with AnOther Mag)

In the Solo/Duo section, from Antwerp presented work by the Chinese artist Lin Zhipeng. The Beijing-based photographer became a renowned figure in China’s online community when he launched his blog North Latitude 23 in 2003, which has received millions of views since. Through this platform, he presented spontaneous photographs of his friends in provocative and unrestrained poses, capturing a youthful generation's craving for freedom, experimentation and love in a conservative society. Lin’s work depicts an alternative youth culture in China, balancing chaos, eroticism and a lust for life. Zhipeng showed his work extensively in China and abroad at MEP Paris, the Delaware Contemporary Museum, the Walther Collection, the Art Gallery of Western Australia, Staatsgalerie Stuttgart and Saint Laurent's Rive Droite (under the curation of Anthony Vaccarello, the creative director of Yves Saint Laurent). Zhipeng is also known under the pseudonym 'No. 223’, which references a character from the Wong Kar-Wai’s film Chungking Express. Explore more work from the booth in the online catalogue on: [link in our bio].

📷 Almicheal Fraay
Flashback — presented a group exhibition at Art Rotterdam, featuring work by Joren Van Acker [seen in the back here], Johan Tahon [in the front] and Mariette van Erp. Explore more work from the booth in the online catalogue on: [link in our bio].

🇳🇱 Flashback — presenteerde een groepsshow op Art Rotterdam met werk van Joren Van Acker [hier op de achtergrond], Johan Tahon [voorgrond] en Mariette van Erp. Bekijk meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay
Flashback — (Belgium) offered a truly unique view of early Antarctic photography in the Past/Present section of Unseen. The negatives of explorer Captain Falcon Scott have only recently been discovered and were shown at Unseen for the very first time, alongside Herbert Ponting's iconic images of the Terra Nova Expedition (1910‑1913). All pieces presented are platinum palladium prints, with exceptional tonal range and archival stability, produced from the original negatives that were brought back from several early Antarctic expeditions. Explore more work from the booth in the online catalogue on: [link in our bio].

🇳🇱 Flashback — (België) bood in de Past/Present sectie van Unseen een uniek inkijkje in de vroege Antarctische fotografie. De onlangs teruggevonden negatieven van ontdekkingsreiziger Captain Falcon Scott werden hier voor het eerst gepresenteerd, samen met de iconische beelden die Herbert Ponting maakte tijdens de Terra Nova-expeditie (1910-1913). Alle werken zijn uitgevoerd als platinum palladium prints (die bekend staan om hun rijke toonbereik en museale kwaliteit) en vervaardigd op basis van de oorspronkelijke negatieven die vanuit verschillende expedities naar Antarctica zijn teruggebracht. Bekijk meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay
Flashback — In the Encounters section of Unseen at Art Rotterdam, presented a duo show featuring sculptural photography work by Myungkeun Koh [seen on the left here] and paintings by Haru K [on the right]. Explore more work from the booth in the online catalogue on: [link in our bio].

🇳🇱 Flashback — presenteerde in de Encounters-sectie van Unseen op Art Rotterdam een duopresentatie met sculpturaal en fotografisch werk van Myungkeun Koh [hier links te zien] en schilderijen van Haru K [rechts]. Ontdek meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay
Flashback: Jaehun Park — featured work by Jaehun Park and Katrin Korfmann in the Solo/Duo section of Art Rotterdam. Jaehun Park’s virtual works deal with current problematic events on Earth by zooming in on cleverly chosen metaphors and objects. In his simulated video works, he translates physical substance using 3D scanning technology into virtual substance. He uses hyper-realistic 3D rendering to stage mass-produced objects – as vessels of capitalistic ideology – in an abandoned digital space or to situate them in ‘ritualistic’ installations depicting impossible natural phenomena. His work has been included in the collections of the AkzoNobel Art Foundation, Hyundai Motors, ING, LAM Museum, the Dutch Ministry of Foreign Affairs and the Seoul Foundation for Arts and Culture. His work will be on view in the Grote Kerk Alkmaar from 26 March. Explore more work from the booth in the online catalogue on: [link in our bio].

🇳🇱 Flashback: Jaehun Park — belichtte in de Solo/Duo-sectie van Art Rotterdam werk van Jaehun Park en Katrin Korfmann. Jaehun Parks virtuele werken gaan in op actuele, problematische gebeurtenissen in de wereld, die hij benadert via zorgvuldig gekozen metaforen en objecten. In zijn gesimuleerde videowerken zet hij fysieke materie met behulp van 3D-scantechnologie om in een virtuele vorm. Met hyperrealistische 3D-renderings ensceneert hij massaal geproduceerde objecten als dragers van kapitalistische ideologie in een verlaten digitale omgeving of plaatst hij ze in ‘ritualistische’ installaties waarin onmogelijke natuurverschijnselen te zien zijn. Zijn werk is opgenomen in de collecties van de AkzoNobel Art Foundation, Hyundai Motors, ING, het LAM, het Ministerie van Buitenlandse Zaken en de Seoul Foundation for Arts and Culture. Zijn werk is vanaf 26 maart ook te zien in de Grote Kerk Alkmaar. Bekijk meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay
Flashback: Luz Blanco — “[The work] ‘En.Vie’ [seen on the right here] is a large roll of transparent pink tracing paper on which a series of images are assembled in layers of memory, like palimpsests where the living and the digital weave overlap and sometimes hack each other. A play of folds and creases that veil parts, questioning the desires and fantasies that haunt our memories. Are memories something we possess or something we have lost?”

In the Encounters section of Unseen, created a dialogue between the work of Luz Blanco and Berkay Tuncay. In her practice, Blanco explores how memories are formed, fade and are reconstructed, with images and texts carrying traces of both presence and disappearance. Her work invites a more metaphorical approach to the notion of ‘soft error’, a mistake that poses no threat to the system that produced it. Her work moves between remembering and forgetting, raising the question of whether memories are something we possess or something we slowly lose.

📷 Almicheal Fraay
Flashback: Cristina Toledo — (Madrid) featured a solo by the Spanish artist Cristina Toledo. In her paintings, the artist examines how women have been represented throughout the history of cinema. Toledo often begins with existing film images, which she removes from their original context and translates into carefully constructed paintings. An important starting point for this research was her artist’s book 'Cinema Paradiso', for which she transformed two hundred film frames from the famous final scene of Giuseppe Tornatore’s 1988 film of the same name into an equal number of paintings. This project laid the foundation for a broader interest in the ways female characters have been constructed and remembered in film history. Toledo focuses on iconic roles from different periods of cinema. Well-known actresses from classical Hollywood such as Marilyn Monroe, Veronica Lake, Judy Garland and Kim Novak appear alongside images from more recent films such as ‘Portrait of a Lady on Fire' (2019), a film marked by the so-called female gaze [painting seen here, center left]. In her work, Toledo reveals how female figures in cinema have often been shaped by male perspectives (the ‘male gaze’) and familiar archetypes such as the femme fatale. By reframing these images and isolating them from their original narratives, she opens space for a more critical and contemporary conversation about representation, desire and the persistent images that continue to shape the history of cinema today. Explore more work from the booth in the online catalogue on: [link in our bio].

📷 Almicheal Fraay
Flashback: Birgit Graschopf — In the booth of / by IBASHO, you could see several works by Birgit Graschopf [seen here in the back]. The Austrian artist creates staged photographic works that explore the uncanny and empowering dimensions of femininity. These tableaus are often set in abandoned architectural spaces, where ghostlike figures, shadows and unfinished structures evoke an equal sense of mystery and isolation. Her practice includes photographs on unconventional materials such as sandpaper, concrete and fragmented cardboard, as well as “photographic frescoes”, in which images are exposed directly onto walls. Explore more work from the booth in the online catalogue on: [link in our bio].

🇳🇱 Flashback: Birgit Graschopf — In de booth van / by IBASHO waren verschillende werken van Birgit Graschopf te zien [hier te zien op de achtergrond]. Deze Oostenrijkse kunstenaar maakt geënsceneerde fotografische werken waarin ze de meer mysterieuze en beklemmende kanten van vrouwelijkheid onderzoekt. Deze tableaus spelen zich vaak af in verlaten architectonische ruimtes, waar spookachtige figuren, schaduwen en onafgewerkte structuren een gevoel van mysterie en isolement oproepen. Graschopf werkt regelmatig op onconventionele materialen zoals schuurpapier, beton en gefragmenteerd karton, en maakt ook zogenaamde ‘fotografische fresco’s’, waarbij beelden rechtstreeks op muren worden belicht. Bekijk meer werk uit de booth in de online catalogus op: [link in onze bio].

📷 Almicheal Fraay

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Art Rotterdam▪️Contemporary Art Fair's engagement

Art Rotterdam▪️Contemporary Art Fair's engagement rate on Instagram is 0.08%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 1,250 followers. An average post collects 49 likes and 1 comment, close to 49 likes for each comment.

Engagement rate

0.08%

Avg likes
49
Avg comments
1
Interactions : followers
1 : 1,250

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Who is Art Rotterdam▪️Contemporary Art Fair?

Art Rotterdam▪️Contemporary Art Fair (@art_rotterdam) is an Art & DIY creator on Instagram. Art Rotterdam▪️Contemporary Art Fair is set up as an Instagram business account. The Instagram bio for Art Rotterdam▪️Contemporary Art Fair runs to 16 words across 3 lines.

How many followers does Art Rotterdam▪️Contemporary Art Fair have?

Art Rotterdam▪️Contemporary Art Fair has 60,285 followers on Instagram (60.3K). Set against 1,488 accounts followed, the audience works out to about 41 followers per account Art Rotterdam▪️Contemporary Art Fair follows. With 2,189 posts published, Art Rotterdam▪️Contemporary Art Fair's archive runs well past the 2,000 mark.

What is Art Rotterdam▪️Contemporary Art Fair's engagement rate?

Art Rotterdam▪️Contemporary Art Fair's engagement rate on Instagram is 0.08%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 1,250 followers. An average post collects 49 likes and 1 comment, close to 49 likes for each comment.

What does Art Rotterdam▪️Contemporary Art Fair post about on Instagram?

Flinque files Art Rotterdam▪️Contemporary Art Fair under a single category, Art & DIY. All 10 recent posts Flinque holds for Art Rotterdam▪️Contemporary Art Fair are single images. The 10 recent Instagram captions Flinque holds for Art Rotterdam▪️Contemporary Art Fair repeatedly use the words work, flashback, almicheal, fraay and booth. Art Rotterdam▪️Contemporary Art Fair keeps 4 story highlights, which open with a free Flinque account.

How do I contact Art Rotterdam▪️Contemporary Art Fair for a collaboration?

Art Rotterdam▪️Contemporary Art Fair's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Art Rotterdam▪️Contemporary Art Fair and use Flinque's outreach tools wherever a contact route is on file.

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