- Following 6.8K
- Followers 6.3K
- Engagement 5.95%
- Avg likes 307
- Avg comments 4
About Arnis Residency
Arnis Residency (@arnisresidency) is a General Interest creator on Instagram, also filed under Art & DIY. The account has 6,325 followers and 176 published posts. Recent posts average 307 likes and 4 comments, an engagement rate of 5.95%.
Arnis Residency belongs to the nano tier, the band usually drawn between 1,000 and 10,000 followers. Arnis Residency follows 6,813 accounts, close to one account followed for each of the 6,325 followers. Arnis Residency is set up as an Instagram business account. Flinque files Arnis Residency under General Interest, with Art & DIY as a secondary category.
The Instagram bio for Arnis Residency runs to 20 words across 2 lines. The bio mentions @christianluebbert. The latest activity Flinque has on record for Arnis Residency dates from December 2022.
Story Highlights
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176 Posts
Of the 10 most recent posts shown for Arnis Residency, 9 are carousels and 1 is a single image. That mix leans toward carousels. 176 published posts give Arnis Residency a moderate archive on Instagram. Against the audience, that is roughly 36 followers for each post published. Arnis Residency also keeps 4 story highlights on the profile. All 10 carry captions, averaging 150 words each. The captions are written mainly in English. Words that recur across them include year’s, work, carl, gülşah and jenny. The captions tag #arnisresidency2022, #arnisresidents2022, #diogogama, #carlgent and #artistinresidence.
Diogo Gama (born in Almada, Portugal) lives and works in London. His artistic practice emerges from questions around the body and identity in relation to immediate surroundings and influences. Working with coarse and large-scale embroideries on canvas, installation, film and sculpture his works show an ever-changing configuration of personal narratives and the exploration of queer identity relating to camp aesthetics, pop culture, and the bizarre. Diogo’s work ‘Manchmal nur treibend, nogen gange baren drivende’ (German and Danish for ‘Sometimes, just drifting’) reflects his personal impressions of Arnis in association with the region’s history as former Danish territory, where German and Danish used to be equally spoken languages. Installed on an old wooden dinghy cruiser, Diogo’s work and historical reference may also remind of Arnis former relevance as an important Danish trading port in relation to sailing today merely considered as recreational sport.
#ArnisResidency2022 #arnisresidents2022 #diogogama #carlgent #gulsahmusal
Carl Gent (born in Bexhill-on-sea, England) is an artist and writer. Carl’s artistic practice draws from historical and contemporary aspects such as folk music, the story of Queen Cynethryth, absinthe and the video game series Ecco the Dolphin. Their work employs a variety of media including installation, sculpture, performance, sound and text. For the past five years leading up to the residency, Carl has been working on retelling the story of Cynethryth, the 8th-century Queen of Mercia and wife of King Offa — a descendant in the 12th generation of Offa, the king of Angels, the region where Arnis is based. During their stay, Carl explored the history of Arnis as the home to the Angels with a particular interest in the myth of the ‘Offa Spring’, culminating in a performance to uncover a submerged narrative through the poetry of folk music, a story of decapitations and the reconfiguration of ancestral understandings.
#ArnisResidency2022 #arnisresidents2022 #diogogama #carlgent #gulsahmusal
Gülşah Mursaloğlu (born in Istanbul, Turkey) lives and works in Berlin.
Her projects often start with curiosity towards organic and inorganic materials, or questions that pertain to time and temporality. While working with these materials, she spends a lot of time experimenting, observing how they react to time, to other materials and to her actions. After an extensive research process, she choreographs her work according to the behaviour of the materials, whilst treating the artwork as a living organism. The resulting installations do not remain stable in form, but rather manifest as dynamic and fluid systems through their ephemeral nature.
Since the beginning of the pandemic in 2020, Gülşah has been working on a long-term project titled ‘Devouring the Earth, in Perishable Quantities’. The project draws from materials, non-food items humans and other species ingest both intentionally and unintentionally: different clays that were regularly eaten by ancient communities, arsenic that was believed to make people have a better complexion, and bits that make their way into our guts and bodies almost in a clandestine manner: microplastics and pharmaceutical residue.
As part of this project, Gülşah turned towards eggshells as one of the agents often unintentionally becoming part of human digestion. At first sourcing them from local bakeries, she turned them into a ceramic-like material. The process involved mixes the eggs with alginate, allowing them to be moulded and shaped. ‘Primordial Soup’ represents the ephemeral chronicle to her investigation as much as an abstract representation of the regions metabolism at a particular moment in time.
#ArnisResidency2022 #arnisresidents2022 #diogogama #carlgent #gulsahmusal
Jenny Steele (born in Scotland) is an artist based in Manchester.
In her artistic practice she seeks to revive the optimistic and restorative qualities of coastal, architectural and rural environments through site-specific artwork, textiles, sculpture, printmaking, and public events. Since the outbreak of the pandemic, she has trained in textile loom and basket weaving, as well as passementerie making, producing works from materials such as plant life, grasses, flowers and seaweed.
During her residency Jenny created a series of woven works using techniques of passementerie (an endangered craft used to create trimmings for upholstery) with local plant life from the peninsula, predominantly rushes from the water’s edge. In combination with these plants, Jenny worked with everyday textiles used in the coastal boating community, nautical ropes and webbing which tether the boats to the land. The textiles were installed upon a series of wooden stands from the local boat builder that are used to dry storage boats on land during the winter for protection. A series of plant tassels were also strung along a boat stored inside the wharf.
The work and its title, which comes from the poem, It Is Born, by Pablo Neruda, reflect on the impact on our wellbeing of being at the edge of, and within the water. Our ongoing experience of the sea is multi-sensory and spiritual; it holds timeless pull, memory and untold stories.
#ArnisResidency2022 #arnisresidents2022 #diogogama #carlgent #gulsahmusal
Diogo Gama
Carl Gent
Gülşah Mursaloğlu
Jenny Steele
Jenny Steele is a Scottish artist based in Manchester, UK. Her practice seeks to revive the optimistic and restorative qualities of coastal, architectural and rural environments through site-specific artwork, textiles, sculpture, printmaking, and public events. Recent commissions include TEXTILE CITY, Museum of Science and Industry (2022), The Joy of Union, MET, Preston City (2022), and The Seafront, Art B&B, Blackpool (2019). Recent residencies include: Cove Park, Scotland (2021) and The Fountainhead Residency, Miami, USA (2017).
1. ’The Maiden Voyage Textile, 2019.
2. ‘The Maiden Voyage’ (Cabin Drawings), 2019.
3. ‘A bag of dresses as an act of love’, 2022. [detail]
#arnisresidency2022 #arnisresidents2022 #jennysteele #jennycsteele
#artistinresidence
Gülşah Mursaloğlu (b.1989, Istanbul) lives and works in Berlin. She completed her BA in Sociology at Boğaziçi University and received her MFA degree from the School of the Art Institute of Chicago. In her works, she explores materiality, matter’s agency, and human and non-human temporalities. Her installations, which emerge after an in-depth and extensive research process, don’t remain stable in form, and rather manifest themselves as dynamic and fluid systems through their ephemeral nature.
1. ‘Merging Fields, Splitting Ends (Sequence II)’, 2021. Installation, Sanatorium Gallery, Istanbul.
2. ‘Merging Fields, Splitting Ends’, 2021. Installation, Protocinema, Istanbul.
3. ‘Merging Fields, Splitting Ends (Detail shot)’, 2021. Installation, Protocinema, Istanbul.
#arnisresidency2022 #arnisresidents2022 #gulsahmursal #gulsahmursaloglu
#artistinresidence
Diogo Gama (b.1998 Almada, Portugal) studied at Goldsmiths University of London and Wimbledon college of arts. His work develops in a tension between the genuine and the fake, through physical and pictorial arrangements in constellation. He highlights various ephemeral and poetic moments of the day-to-day, often mixing subjects and processes in one composition. If on one hand his work seems to be the archive of his life, it erases itself by citing others and creating a fictional narrative, touching on camp sensibilities, popular culture and the bizarre.
1. ‘Synesthesia’, 2022. Installation view.
2. ‘A Gay Fish and an Evil Witch’ 2021. Installation view.
3. ‘Auto-Gibberish’, 2021.
#arnisresidency2022 #arnisresidents2022 #diogogama
#artistinresidence #artistresidenceprogramme
Carl Gent is an artist and writer from Bexhill-on-sea. They tend to make work about folk music, Queen Cynethryth, absinthe and Ecco the Dolphin. Their work is normally sculpture, writing, performance and sound. They have recent and upcoming publications with Monitor Books, Kelder Press and Arcadia Missa and have exhibited at Somerset House; Flatland Projects; Goldsmiths CCA; Wysing Arts Centre; Kelder; and Jupiter Woods.
1. ‘and then, a harrowing
(Linda Stupart and Carl Gent with Kelechi Anucha)’, 2021.
2. ‘Girl’s Own Paper / sothfastness… (fallow)’, 2018-ongoing / 2021.
3. ‘homoteleuton i’, 2021.
4. ‘fremu folces cwen’, 2018 / 2021.
#arnisresidency2022 #arnisresidents2022 #carlgent #fashionvacuum
#artistinresidence
The sixth edition of #ArnisResidency is happening this September on a small peninsula in Northern Germany. The residency offers accommodation, meals and work space as well as sailing trips and swims in the Schlei – from 18 September to 03 October 2022.
For full information on application guidelines visit: (link in bio)
#opencall #artistinresidence #artistresidenceprogramme #artistresidency
Arnis Residency's engagement
Arnis Residency's engagement rate on Instagram is 5.95%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 17 followers. Likes outnumber comments by roughly 77 to 1, with 307 likes and 4 comments on an average post, so most reactions are taps rather than replies.
Engagement rate
5.95%
- Avg likes
- 307
- Avg comments
- 4
- Interactions : followers
- 1 : 17
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Frequently asked questions
These answers about Arnis Residency are generated from the Instagram profile data Flinque holds for the account.
Who is Arnis Residency?
Arnis Residency (@arnisresidency) is a General Interest creator on Instagram, also filed under Art & DIY. Arnis Residency is set up as an Instagram business account. The Instagram bio for Arnis Residency runs to 20 words across 2 lines.
How many followers does Arnis Residency have?
Arnis Residency has 6,325 followers on Instagram (6.3K). Arnis Residency follows 6,813 accounts, close to one account followed for each of the 6,325 followers. 176 published posts give Arnis Residency a moderate archive on Instagram.
What is Arnis Residency's engagement rate?
Arnis Residency's engagement rate on Instagram is 5.95%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 17 followers. Likes outnumber comments by roughly 77 to 1, with 307 likes and 4 comments on an average post, so most reactions are taps rather than replies.
What does Arnis Residency post about on Instagram?
Flinque files Arnis Residency under General Interest, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Arnis Residency, 9 are carousels and 1 is a single image. The 10 recent Instagram captions Flinque holds for Arnis Residency repeatedly use the words year’s, work, carl, gülşah and jenny. Arnis Residency's captions carry hashtags such as #arnisresidency2022, #arnisresidents2022 and #diogogama. Arnis Residency writes those captions mainly in English. Arnis Residency keeps 4 story highlights, which open with a free Flinque account.
How do I contact Arnis Residency for a collaboration?
Arnis Residency's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Arnis Residency and use Flinque's outreach tools wherever a contact route is on file.
Links
Arnis Residency's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Arnis Residency.