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Architecture BRIO (@architecturebrio), Instagram profile photo
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Architecture BRIO

Architectural Designer
@architecturebrio
Mumbai x Rotterdam co-creates contextually appropriate solutions within an increasingly changing world #architecturebrio
  • Home & Decor
  • Following 2.4K
  • Followers 66.5K
  • Engagement 0.29%
  • Avg comments 1

About Architecture BRIO

Architecture BRIO (@architecturebrio) is an Architectural Designer creator on Instagram, also filed under Home & Decor. The account has 66,501 followers and 1,130 published posts. Recent posts average 196 likes and 1 comment, an engagement rate of 0.29%.

With 66.5K followers, Architecture BRIO is a micro creator by the common 10,000 to 100,000 definition. Set against 2,423 accounts followed, the audience works out to about 27 followers per account Architecture BRIO follows. Architecture BRIO uses an Instagram professional account. Flinque files Architecture BRIO under Architectural Designer, with Home & Decor as a secondary category.

The Instagram bio for Architecture BRIO runs to 13 words across 2 lines. The bio tags #architecturebrio. The latest activity Flinque has on record for Architecture BRIO dates from October 2026.

Story Highlights

Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.

1,130 Posts

All 10 recent posts Flinque holds for Architecture BRIO are carousels. Architecture BRIO has built a substantial archive of 1,130 posts. Against the audience, that is roughly 59 followers for each post published. Architecture BRIO also keeps 10 story highlights on the profile. All 10 carry captions, averaging 121 words each. The captions are written mainly in English. Words that recur across them include design, landscape, materials, these and living. The captions tag #architecture, #archdaily, #design, #india and #architecture_hunter.

looking through the Forest House!

Overlapping sightlines allow the house to be experienced as a continouse whole - unfolding views through windows & doorways extending across corridors, courtyards and gardens, often revealing one space through another.

The house is conceived as an interconnected living environment, where the boundaries between inside and outside are constantly shifting.
As windows open, rooms extend into courtyards, passages lead into gardens, and spaces once perceived as interiors become part of the surrounding landscape!

Landscape: Kushal Lachhwani

Photography: Ishita Sitwala
Styling: Kunnal Dass

Team BRIO:

(residential architecture, design process, architecture design, landscape design, materials in architecture, local brick, home design, living in nature, tropical living, courtyards, sightlines, transition)
Beneath the skylights and the in-betweens become moments to pause, look up, slow down and take in the changing daylight.

At the Forest House, these thresholds and pockets of openness are not just spaces of transition, but quiet places to linger where light, shadow and the sky become part of the experience of moving through the home.

Landscape: Kushal Lachhwani

Photography: Ishita Sitwala
Styling: Kunnal Dass

Team BRIO:

(residential architecture, design process, architecture design, landscape design, materials in architecture, local brick, home design, living in nature, tropical living, courtyards, skylights, light & shadow, transition)
In the evening hours, when time stood still at the Forest house.

Architecture and interior design by
Photoshoot styling by

Architecture and Interior Photography by The Fishy Project

#architecture #archdaily #design #india #architecture_hunter
Model of the Ruhunu University, Matara, Sri Lanka | at the Vitra Design Museum, 2026

Ruhunu University, Matara, Sri Lanka | in progress model, 2004

Similar to the Bentota Beach Hotel model, the university’s model was also made for the exhibition at DAM in 2004, years after the project was completed.

The team modelled the Ruhunu University with very little to work from. White ants & humidity had destroyed much of Bawa’s archive at the time, leaving the team with only the small drawings published in David Robson’s monograph on Bawa and what they could gather from a site visit.

They enlarged the drawings on a Xerox machine and, luckily, discovered that the building followed a strict grid, which they measured on site and traced both horizontally and vertically. The contours, however, the team had to invent, piecing them together by reading how the landscape met the plinths.

The team shaped the Ruhunu University model around the scarcity of materials and tools as well. With no veneers available, they made the contour layers from the base sheets used to manufacture plywood. The sheets were originally warped and crooked, so they straightened them by gluing and pressing two sheets together to create a single usable contour layer.

Robert took a slightly unexpected detour through a toy puzzle factory, where he cut these buildings on a bandsaw!
Here, the team then slowly assembles them piece by piece, almost like the puzzles they were made alongside.

DAM exhibition curator: Amila de Mel

model making team: Chandima Bandara, Cristina Monteiro, Jake Moulson, Nihal Silva, S.O. Sonnadara, Robert Verrijt

Model of the Ruhunu University, Matara, Sri Lanka | at the Vitra Design Museum, 2026
Model of the Bentota Beach Hotel, Sri Lanka | at the Vitra Design Museum, 2026

From Robert’s archive:
a glimpse into the craft and experimentation behind the making of the Bentota Beach Hotel model in Sri Lanka in 2004, during the early years of his career.

These models were especially made for the “Geoffrey Bawa – Genius of the Place. An Architect of Sri Lanka” exhibition that debuted internationally at the Deutsches Architektur Museum (DAM) in Frankfurt in 2004; many years after Bentota had been completed.

Robert carved the base with wood from local timber, to hold inlays of small rocks he picked up from the beach property itself!
For the building, he cast the bastion in concrete, formed the walls in cardboard, used a laminate in the exact shade for the roof, and shaped the columns and horizontals of the railings from imported walnut veneer.
To recreate the many palm trees on site, he made the trunks from broom hairs and copper wire, and used dried leaves for the palm fronds.

Bentota Beach Hotel, Sri Lanka | in progress model, 2004

The balustrade of the railing was made with the hair of a broom!

Much like Geoffrey Bawa’s materialisation, which was mostly determined by whatever materials were available within the country, model making in Sri Lanka also came with its own set of constraints. With the country relatively closed to international trade at the time, proper model-making supplies were hard to come by, so the models were often shaped by whatever could be found or re-purposed.

Bentota Beach Hotel, Sri Lanka | in progress model, 2004
The forest floor was calling for fun. We left it alone.

The projects take long and I always enjoy creating drawings to keep us inspired but the most fun is adapting these on ground with chalk.
In this drawing: Darker the color, more the amount of water this place consumes. The rest keeps going back to the ground.

architecture:
the beautiful planting:

[planting, waterwise, landscape design, garden design, indian landscape]
I am excited to grow old with this one 🫶🏽

Started with a family, but this place is designed for as many living beings as the number of bricks used in this house!!! Most of them (and myself) will keep visiting;) Thank you

Plant choreographer:
Architecture:

[landscape design, garden design, residence, architecture design, ahmedabad, tree protection, brickwork]
Glimpses from our weekend in Basel, visiting “Geoffrey Bawa: Architecture for the Senses” at the Vitra Design Museum - surrounded by drawings, models, furniture, archival photographs & films that trace the many layers of his work.
Walking through the exhibition had us reminiscing about our own time in Sri Lanka; revisiting places, atmospheres and memories that continue to stay with us in our practice!
experimenting with rammed earth mock-ups in our model making den!

We began the process by exploring different mixes with materials like sand, red soil, sawdust, shadu clay, pigmented premix cement and white cement - each tested in varying proportions to achieve a range of earthy tones and textures.

These mixes were then layered in different permutations and combinations, building subtle shifts in colour and gradation. Each mould was filled, layered and compacted to create scaled wall samples that mimic the visual depth and stratification of rammed earth.

(rammed earth, material experimentation, scaled mock-ups, material study, hands-on making, craft, model making, architecture design, design process)
chiselling away at the mountain home!

At the mountain home overlooking the Himalayas, local stone quarried from the site itself forms the massive masonry walls & staircases, grounding the architecture in the very terrain it inhabits. At moments, the walls burrow into the hillside; elsewhere, they appear almost like ancient ruins emerging from the earth!

(architecture design, construction process, local materials, materials in architecture, stone masonry, mountain home, local architecture, landscape design, living in nature)

For us, using materials indigenous to the land is not only about a sense of place - these materials have stood the test of time and adapted to the environments they’re from. We like to observe them closely and learn from their texture, colour, weathering and the ways they begin to change as the geography shifts.

Architecture BRIO's engagement

Architecture BRIO's engagement rate on Instagram is 0.29%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 345 followers. Likes outnumber comments by roughly 196 to 1, with 196 likes and 1 comment on an average post, so most reactions are taps rather than replies.

Engagement rate

0.29%

Avg likes
196
Avg comments
1
Interactions : followers
1 : 345

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Frequently asked questions

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Who is Architecture BRIO?

Architecture BRIO (@architecturebrio) is an Architectural Designer creator on Instagram, also filed under Home & Decor. Architecture BRIO uses an Instagram professional account. The Instagram bio for Architecture BRIO runs to 13 words across 2 lines.

How many followers does Architecture BRIO have?

Architecture BRIO has 66,501 followers on Instagram (66.5K). Set against 2,423 accounts followed, the audience works out to about 27 followers per account Architecture BRIO follows. Architecture BRIO has built a substantial archive of 1,130 posts.

What is Architecture BRIO's engagement rate?

Architecture BRIO's engagement rate on Instagram is 0.29%, under 1%, fewer than 1 like or comment per 100 followers. On a typical post that comes to about 1 like or comment for every 345 followers. Likes outnumber comments by roughly 196 to 1, with 196 likes and 1 comment on an average post, so most reactions are taps rather than replies.

What does Architecture BRIO post about on Instagram?

Flinque files Architecture BRIO under Architectural Designer, with Home & Decor as a secondary category. All 10 recent posts Flinque holds for Architecture BRIO are carousels. The 10 recent Instagram captions Flinque holds for Architecture BRIO repeatedly use the words design, landscape, materials, these and living. Architecture BRIO's captions carry hashtags such as #architecture, #archdaily and #design. Architecture BRIO writes those captions mainly in English. The bio tags #architecturebrio. Architecture BRIO keeps 10 story highlights, which open with a free Flinque account.

How do I contact Architecture BRIO for a collaboration?

Architecture BRIO's contact details are not published on Flinque's public profile. The Instagram bio links to 5 external sites, and a free Flinque account opens those links. Brands with a free Flinque account can shortlist Architecture BRIO and use Flinque's outreach tools wherever a contact route is on file.

Architecture BRIO's own Instagram profile is the one outbound link Flinque publishes for the account, and the 5 bio links open after signing up.

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