- Following 2.2K
- Followers 10.7K
- Engagement 4.49%
- Avg likes 490
- Avg comments 49
About Amaryllis R. Flowers Art Studio
Amaryllis R. Flowers Art Studio (@amaryllisrflowers) is an Artist creator on Instagram. The account has 10,671 followers and 562 published posts. Recent posts average 490 likes and 49 comments, an engagement rate of 4.49%.
With 10.7K followers, Amaryllis R. Flowers Art Studio is a micro creator by the common 10,000 to 100,000 definition. Amaryllis R. Flowers Art Studio follows 2,238 accounts, so the audience is roughly 4.8 times the size of the list followed. Amaryllis R. Flowers Art Studio uses an Instagram professional account. Flinque files Amaryllis R. Flowers Art Studio under a single category, Artist.
The Instagram bio for Amaryllis R. Flowers Art Studio runs to 22 words across 2 lines. Emoji sit alongside the words. The latest activity Flinque has on record for Amaryllis R. Flowers Art Studio dates from September 2024.
562 Posts
Of the 10 most recent posts shown for Amaryllis R. Flowers Art Studio, 9 are carousels and 1 is a video. That mix leans toward carousels. Amaryllis R. Flowers Art Studio has built a substantial archive of 562 posts. Against the audience, that is roughly 19 followers for each post published. All 10 carry captions, averaging 215 words each. The captions are written mainly in English. Words that recur across them include it’s, other, i’ve, kingston and family. The captions tag #amaryllisrflowers, #ceramics, #clay, #letthemonstersleep and #queerart.
✨It includes✨
🌸 recipes for when food is scarce
🐠 gallows humor
🍯 mutual aid tactics
🌊 highly visual survival strategies
💅🏼 poetic interventions
🐝 spells
🐚 diagrams
🌿 family lore
🫀 grief
🪱 pleasure
🕸️ ways of staying human
🪼 TALISMANS
🪺 and more
I couldn’t be prouder to be a part of this project! It’s the heartspiritbrain-child of my dearest sister a true Libra queen bringing love, justice, and the most effervescent ferocity to the world. And she designed, edited, riso-printed, and hand-bound each and every one! 🪸
My piece is about 🫳🌱 plantfondling (natch) and is a slowdown medicine morsel in this larger, shimmering breadcrumb trail guiding us home to ourselves and each other.
There’s a very limited amount of these and they’re for sale on Amaryllis’s site >> sliding scale options, too!
thank you, amaryllis! love you!
✨the other contributors (who are on ig)✨
blasianinvasian
chambersdominic
END TIMES FOR BEGINNERS is an irreverently earnest manual, artist book, and treasure trove of collected knowledge gathered from the middle of apocalypse on how to survive absurd times.
It includes:
* recipes for when food is scarce
* gallows humour
* mutual aid tactics
* Highly visual survival strategies
* Poetic interventions
* spells
* diagrams
* family lore
* grief
* pleasure
* ways of staying human
* TALISMANS
* and more
The first edition of END TIMES FOR BEGINNERS includes incredible contributions this stunning group of creators:
Adeeba Afshan Rana
Alex Dolores Salerno
Alisa Sikelianos-Carter
Amaryllis R. Flowers
Antoinette Chensee
Azza El Siddique
Cannupa Hanska Luger
Chitra Ganesh
Chrissandra Andra
Clarity Haynes
Cease Martinez
Colleen Asper
Crow Darling
Dana Balicki
Devon Walsh-Lang
Dominic Chambers
Felipe Baeza
Ginger Dunnill
India Sky
J. Workman
Johnathan Payne
Jesse Harrod
Kambui Olujimi
KC Crow Maddox
Kingston Farady
Lucas de Lima
Marcus Rodgers
Phakiso Collins
Queerly A. Criminal
Rafa Xivosol
Rose B. Simpson
Sean Desiree
Suguey Hernandez-Rico
Theo Knox
Trevon Latin
Birds Nest Family
Learning how to make a book was WILD and EMPOWERING. We have so much wisdom between us. Let’s give each other something to hold on to.
The first image is a picture of tired me sitting in front of a red brick wall with stacks of completed books piled on either side. The second video is behind the scenes of the book making process from collating each book to binding and trimming. The third image is my ink stained hand holding up the book END TIMES FOR BEGINNERS. The cover has the title written in bendy fluorescent font like a map and a flashing sign.
The book was designed, edited, riso-printed, and hand-bound by Amaryllis R. Flowers at the Shandaken Projects artist residency, with incredible contributions from:
Adeeba Afshan Rana
Alex Dolores Salerno
Alisa Sikelianos-Carter
Amaryllis R. Flowers
Antoinette Chensee
Azza El Siddique
Cannupa Hanska Luger
Chitra Ganesh
Chrissandra Andra
Clarity Haynes
Cease Martinez
Colleen Asper
Crow Darling
Dana Balicki
Devon Walsh-Lang
Dominic Chambers
Felipe Baeza
Ginger Dunnill
India Sky
J. Workman
Johnathan Payne
Jesse Harrod
Kambui Olujimi
KC Crow Maddox
Kingston Farady
Lucas de Lima
Marcus Rodgers
Phakiso Collins
Queerly A. Criminal
Rafa Xivosol
Rose B. Simpson
Sean Desiree
Suguey Hernandez-Rico
Theo Knox
Trevon Latin
Birds Nest Family
A huge thank you to Nick Weist and Planet Earth for your invaluable support and expertise. See you on the other side of (this particular) apocalypse. -
I heard a beautiful conversation between and Francis Weller on. He was talking about how we are culturally obsessed with ascension, with constantly climbing, living at our highest, moving up up up. But that we are in a moment of descension that needs us to go down and dark and low. That this time calls for a kind of derangement. I like that a lot. Right now requires our willingness to be undone internally, systemically, spiritually.
This wild thing (I’m calling her the weapons master for now) comes undone in perpetuity and refuses to “keep it together “. She’s part of a bigger story so TO BE CONTINUED but I’ve been waking up with her on my mind and asking for the courage to put my comfort on the line for the sake of systemic collapse, knowing that liberation does not begin and end with my own personal freedom.
Images are a few pages of a comic showing a big brown open-eyed spirit person lying prone in a wild garden and impaled by many swords. She lifts her head up in surprise at being noticed and painstakingly pushes body off the swords which remain buried in the ground. She has multiple gaping wounds and a big smile on her face as she bleeds out in the grass calling “yooooooo hooooooooo”! The wounds widen and her skin falls off her yellow bones and the yellow bones fall into a pile on the ground with a purple glow continuing to say “you called?”.
Friends used to joke about starting a gofundme for me and to finally get married. We had an ongoing bucket list for our Big Gay Wedding, including horses, a snow cone cart, stripper money dance, a three day rager in the woods, a fort made of sunflowers, flash-mobs, flash tattoos, and so on. But I married Kingston in my heart a long time ago. And if nothing else, this year clarified the fuck outta what really matters and what really doesn’t. Kingston had just given birth to our beautiful Chiron and a NICU volunteer officiated us in the park down the street during our indefinite hospital stay. It rained lucky rain on us and we took pictures under an old willow tree. We ate ravioli and lemon cake and laughed till we thought we might get kicked out. It was perfect. Thank god for your gallows humor King, I don’t know how we would have made it through this year without it. 13 years in and there’s still no one else I’d rather ride with. Here’s to our whole lives my love.
Images are of two videos where I am in my studio cutting and reassembling clay blocks to find kaleidoscopic formations for my (ceramic) body building. The following pictures are of a body that I built from those clay blocks. Her name is PARTY ANIMAL and she is a ceramic power figure for the chronically devastated. A double headed dark brown and bone yellow kaleidoscopic figure is perched on top of stark white arms and legs much larger than her body. Her limbs insert into them like body casts. She is on these hands and knees with one head looking up in a howl and the other head open mouthed to the opposite side. She has three glossy ponytails and psychedelic skin. Her arm and leg casts fill with pearly liquid that overflows and drips down her limbs. Carved into these casts are infinity chains with various good luck charms, warning signs, and two phrases on each thigh:
YOU’RE GONNA HAVE SO MUCH FUN I’M GONNA ROCK YOUR WORLD I’M GONNA BLOW YOUR MIND
I AM CHRONICALLY DEVASTATED BY THE OVERWHELMING GRAVITY OF BEING A LIVING THING
Most people assume I gave birth, most people assume a lot about us. It drives me crazy the ease with which Kingston is erased in what should be one of the most universal celebrations we can share as humans. Ive witnessed strength beyond what should be expected of any one person, pure love, harrowing fear, and endless wells of endurance that Kingston had while growing and giving birth to our baby 3 months early (and every day since).
From the big stuff like being barred entry into the hospital while Kingston and our baby’s life were at risk (true story), to the everyday comments about how it’s hard for everyone (it’s incomparable), to the inability to register our family all together, we’ll spend a lifetime teaching Chi about the love and family we fight for. I couldn’t be more proud of my beautiful husbear and our brilliant baby, more excited to get to be Chi’s mama.
P.S. I’m the father on the birth certificate. They really don’t know what to do with us, and I’m good with that.
Amaryllis R Flowers 2024
*ZOOM IN*
8 ft x 11 ft
Craft materials, paper, fabric, airbrush, paint, gemstones, and bones
On view at the Albuquerque Museum through March 2nd 2025 as a part of the Broken Boxes exhibition - truly an amazing show made by good and brilliant people all around.
My friend and fellow artist of Chromatics Studio NYC took on the challenge of photographing this massive piece while I was a loopy space cadet who hadn’t slept and wasn’t finished (we’ve all been there amiright…. 🙃) So many reflective elements and textures on this piece that can only be seen walking around it and looking at different angles, but KC worked with me to try and find the light. If you see it in person, walk around and look for the disappearing/reappearing parts.
Image is of a fragment of the Lost Girls Treasure Map that is also its own piece. In crystalized surfaces and pink and purple hues a land is laid out in cartoon cartography. The map holds keys to the following places:
THE ASTRAL PLANE
THE BONE YARD
MEMORY PALACES OF FORGOTTEN SHMEMORIES
TRAGIC FACTORY
THE UNDERWORLD
SHADOWLANDS
TRIPLE DOG DARES
NIGHTMARE ALLEY
UNCHARTED WATERS
BITCHES GET MONEY
7 RUNGS OF (INNER) HELL
RAINBOW RANGES OF PLEASURE
PRINCESS PORTAL (dirty girls only)
NO MANS LAND
GOOD GIRL SWAMPS
THE (de) BASEMENT
BEHAVIOR ISLANDS
FOUNTAIN OF PROOF
INNER SPACE
OUTTER SPACE
LIMINAL SPACE
EXPERIMENTS IN RESSURECTION
CANDY CAVES
CRYSTAL COVES
FORBIDDEN WINDS OF DESIRE
Video is of me working in my studio on a ceramic bust of a femme monstrosity. One arm braces her as she arches backwards, eyes bugging and a muscle arm up ready to strike! Her tongue waves out of her sharp toothed mouth with the word LUCK carved down the middle. All over her pink and lilac body are many drawings. One side of her fighting arm reads SACRIFICIAL and the other side reads SUPERFICIAL. Portals, gay gods, flaming eagle heads, eyes, bones, graves, levitating bodies, bats, diamonds, hearts, daggers, and other phrases like “oh god what a disappointment” “baby girl” “so crazy” “holy hell” “lost girl” and “it’s hard to say/ it’s hard to stay” are carved into her skin. I’m listening to smashing pumpkins and is walking around recording the work in progress.
#amaryllisrflowers #ceramics #clay #letthemonstersleep #queerart
Amaryllis R. Flowers Art Studio's engagement
Amaryllis R. Flowers Art Studio's engagement rate on Instagram is 4.49%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 22 followers. An average post collects 490 likes and 49 comments, close to 10 likes for each comment.
Engagement rate
4.49%
- Avg likes
- 490
- Avg comments
- 49
- Interactions : followers
- 1 : 22
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Who is Amaryllis R. Flowers Art Studio?
Amaryllis R. Flowers Art Studio (@amaryllisrflowers) is an Artist creator on Instagram. Amaryllis R. Flowers Art Studio uses an Instagram professional account. The Instagram bio for Amaryllis R. Flowers Art Studio runs to 22 words across 2 lines.
How many followers does Amaryllis R. Flowers Art Studio have?
Amaryllis R. Flowers Art Studio has 10,671 followers on Instagram (10.7K). Amaryllis R. Flowers Art Studio follows 2,238 accounts, so the audience is roughly 4.8 times the size of the list followed. Amaryllis R. Flowers Art Studio has built a substantial archive of 562 posts.
What is Amaryllis R. Flowers Art Studio's engagement rate?
Amaryllis R. Flowers Art Studio's engagement rate on Instagram is 4.49%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 22 followers. An average post collects 490 likes and 49 comments, close to 10 likes for each comment.
What does Amaryllis R. Flowers Art Studio post about on Instagram?
Flinque files Amaryllis R. Flowers Art Studio under a single category, Artist. Of the 10 most recent posts shown for Amaryllis R. Flowers Art Studio, 9 are carousels and 1 is a video. The 10 recent Instagram captions Flinque holds for Amaryllis R. Flowers Art Studio repeatedly use the words it’s, other, i’ve, kingston and family. Amaryllis R. Flowers Art Studio's captions carry hashtags such as #amaryllisrflowers, #ceramics and #clay. Amaryllis R. Flowers Art Studio writes those captions mainly in English.
How do I contact Amaryllis R. Flowers Art Studio for a collaboration?
Amaryllis R. Flowers Art Studio's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. Brands with a free Flinque account can shortlist Amaryllis R. Flowers Art Studio and use Flinque's outreach tools wherever a contact route is on file.
Links
Amaryllis R. Flowers Art Studio's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
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