- Following 3.6K
- Followers 10.3K
- Engagement 4.14%
- Avg likes 332
- Avg comments 40
About Adebunmi Gbadebo
Adebunmi Gbadebo (@adebooms) is an Artist creator on Instagram, also filed under Art & DIY. The account has 10,294 followers and 688 published posts. Recent posts average 332 likes and 40 comments, an engagement rate of 4.14%.
With 10.3K followers, Adebunmi Gbadebo is a micro creator by the common 10,000 to 100,000 definition. Adebunmi Gbadebo follows 3,646 accounts, so the audience is roughly 2.8 times the size of the list followed. Adebunmi Gbadebo is set up as an Instagram business account. Flinque files Adebunmi Gbadebo under Artist, with Art & DIY as a secondary category.
The Instagram bio for Adebunmi Gbadebo runs to 19 words across 4 lines. The bio mentions @madamekoyo and @nmaahc. The latest activity Flinque has on record for Adebunmi Gbadebo dates from October 2026.
Story Highlights
Unlocking shows the title and cover image of every story highlight this creator keeps pinned to the profile.
688 Posts
Of the 10 most recent posts shown for Adebunmi Gbadebo, 6 are carousels, 3 are videos and 1 is a single image. That mix leans toward carousels. Adebunmi Gbadebo has built a substantial archive of 688 posts. Against the audience, that is roughly 15 followers for each post published. Adebunmi Gbadebo also keeps 10 story highlights on the profile. All 10 carry captions, averaging 184 words each. The captions are written mainly in English. Words that recur across them include work, exhibition, through, memory and visit. The captions tag #biennalearte2026, #inminorkeys, #nmaahc, #labiennaledivenezia and #biennalearte.
Funlola and Adebunmi share craft based practices rooted in sculptural experimentation, hybridizing materials, processes, and historical references connected to their respective heritages and broader Nigerian ancestry. Their time in residence provides the space to coalesce around shared artistic languages and new creative explorations.
Funlola Coker is a Massachusetts-based sculptor whose practice utilizes materials and techniques rooted in craft to follow research threads in the realm of recollection, imagination, and the surreal. Originally from Lagos, Nigeria, Coker’s work draws on nostalgic memories to build narrative sculptures in the context of Yoruba cosmology and African futurism.
Adebunmi Gbadebo is a Philadelphia-based artist, working across ceramics, sculpture and installation. Using materials like indigo dye, human hair collected throughout the African diaspora, and soil from the grounds of the True Blue plantation in South Carolina, Gbadebo explores her family’s history of enslavement in the American South through traditional African pottery techniques connected to her Nigerian ancestry.
We can’t wait to see how Funlola and Adebunmi’s time in residence together unfolds.💙 Visit the link in our bio to learn more about each artist and register for their upcoming workshops. 🔗
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Oct. 24 | 10 AM EST | Pewter Casting Workshop
📍Indigo Arts Alliance
Funlola will lead an introduction to pewter casting, using cuttlefish bones as mold material. Participants will create small, hand held sculptures or wearables.
Oct. 31 | 10 AM EST | Ceramic Workshop
📍Indigo Arts Alliance
Adebunmi will lead a ceramic workshop rooted in the history rice as an African and plantation crop. Participants will share a meal together, and then create individual ceramic works.
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Image: (From left to right) Funlola Coker and Adebunmi Gbadebo inside the Indigo Arts Alliance Studio in Portland, ME.
• #BiennaleArte2026 | #InMinorKeys: Giardini
“Gli alberi in ceramica di Adebunmi Gbadebo, realizzati a spirale, si ispirano ai pini taeda, alcuni degli alberi più alti conosciuti sulla Terra, sotto i quali gli schiavi di questa regione seppellivano i loro cari. L’artista e i suoi parenti si recano spesso nella foresta alla ricerca degli alberi più vecchi, con l’obiettivo di recuperare le lapidi che sono state nascoste di proposito o perse nelle paludi. Così facendo, radicano nuovamente la memoria in luoghi segnati dalla mancanza di libertà. Gbadebo intitola i suoi vasi di argilla in base alle iscrizioni sulle lapidi, definendoli come contenitori di informazioni materiali e sacre.”
Visita la 61. Esposizione Internazionale d’Arte a Venezia fino al 22 novembre!
Scopri di più e acquista il biglietto → - link in bio
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“ ’s coil-built ceramic trees recall loblolly pines – some of the tallest known trees on Earth, under which enslaved people in this region buried their loved ones. The artist and her relatives often go to the forest to identify the oldest trees, so as to recover headstones that were either purposefully hidden there or lost to the swamps. In doing so, they re-root memory in places marked by unfreedom. Gbadebo titles her clay vessels after the inscriptions on the headstones, marking them as containers holding material and sacred information.”
Visit the 61st International Art Exhibition in Venice until November 22!
Find out more and buy your tickets → - link in bio
#LaBiennaleDiVenezia #BiennaleArte
📹
🔗 Registration required. Tap to our events calendar to learn more & register.
Video directed by Sosena Solomon and edited by Lucas Groth
A personal meditation on loss, family, home and reclamation through the artistic process of Adebunmi Gbadebo. Gbadebo creates works out of organic materials from the South Carolina plantation cemeteries where her formerly enslaved ancestors and their descendants are buried.
This film marks the beginning of filmmaker Yvonne Michelle Shirley and artist Adebunmi Gbadebo’s ongoing collaboration exploring land as archive and historical restoration
A personal meditation on loss, family, home and reclamation through the artistic process of Adebunmi Gbadebo. Gbadebo creates works out of organic materials from the South Carolina plantation cemeteries where her formerly enslaved ancestors and their descendants are buried.
This film marks the beginning of filmmaker Yvonne Michelle Shirley and artist Adebunmi Gbadebo’s ongoing collaboration exploring land as archive and historical restoration.
To purchase tickets for our screening please visit website or click link in story
: We are excited to share with you the official film line-up for the 15th annual BlackStar Film Festival! The films in this year’s program speak to collective resistance as they take us around the world from Haiti to Cuba to South Africa and Palestine. The program includes 22 World premieres, 10 North America premieres, 4 United States premieres, 13 East Coast premieres, and 34 Philadelphia premieres. Swipe for a full list of the titles and stay tuned over the next few weeks as we share more about these special films.
Join us this August 6-9 in Philadelphia or online around the world for this milestone festival. All access or virtual pass available at the link in our bio.
#BSFF26 #CinemaForLiberation
Films in our categories:
To learn more about the Summer Celebration, tap to the Events link in our bio. Find information about "Clay Has Memory: Creative Lineages from Africa," by tapping to the Exhibitions link.
ℹ️ Adebunmi Gbadebo, "William Ravenell," 2025. Princeton University Art Museum. Museum purchase, Mary Trumbull Adams Art Fund. © Adebunmi Gbadebo. Courtesy of the artist and Nicola Vassell Gallery.
Now on view, works by Adebunmi Gbadebo are featured in “Revelation: A Journey into Abstraction,” an exhibition exploring the profound range and depth created by Black artists who have contributed to the rich fabric of abstraction, from the mid‑20th century to the present.
📸: Dontez Henderson, Smithsonian Institution, National Museum of African American History and Culture
#AdebunmiGbadebo #NMAAHC
I hope you visit the show!
#nmaahc
Through ceramic forms and dyed handmade paper, Gbadebo evokes these landscapes of protection. These were spaces where autonomy and cultural practices were sustained against the backdrop of the True Blue Plantation. Her presentation stands as a powerful testament to the generative worlds forged in the pursuit of freedom.
📸:
#BiennaleArte2026 #InMinorKeys
I was not blessed and fortunate enough to have known Koyo in this realm but through stories from people who loved and knew her most this theme of community and relationship building seemed to be a recurring theme that was paramount to how Koyo moved. Although Koyo was not physically there to see this year's Biennale through, I believe her spirit of community, solidarity, relationship building, and friendship became the guiding principle that defined us all. I bow my head to the curatorial team who carried this ethos the most. The way you all carried Koyo’s vision was a true example of ancestral work. The team:! Thank you for the way you led and supported us all! you should get the Golden lion for the way you support so many of us with such grace and joy! My family and I thank you! The installers, organizers, everyone thank you! This could not have been possible without all of you.
And the artists, an art education could not have taught me the lessons I have learned by just witnessing and fellowshipping with you all. I am forever grateful and changed because of this experience! Love you all! Thank you Koyo who was with us from another realm and showed us how to be a harmonious island of Minor Keys! 💙
📷 Photos of work by
Adebunmi Gbadebo's engagement
Adebunmi Gbadebo's engagement rate on Instagram is 4.14%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 24 followers. Comments stay close to likes on Adebunmi Gbadebo's posts, at 332 likes and 40 comments on average, about 8.3 likes per comment.
Engagement rate
4.14%
- Avg likes
- 332
- Avg comments
- 40
- Interactions : followers
- 1 : 24
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Frequently asked questions
These answers about Adebunmi Gbadebo are generated from the Instagram profile data Flinque holds for the account.
Who is Adebunmi Gbadebo?
Adebunmi Gbadebo (@adebooms) is an Artist creator on Instagram, also filed under Art & DIY. Adebunmi Gbadebo is set up as an Instagram business account. The Instagram bio for Adebunmi Gbadebo runs to 19 words across 4 lines.
How many followers does Adebunmi Gbadebo have?
Adebunmi Gbadebo has 10,294 followers on Instagram (10.3K). Adebunmi Gbadebo follows 3,646 accounts, so the audience is roughly 2.8 times the size of the list followed. Adebunmi Gbadebo has built a substantial archive of 688 posts.
What is Adebunmi Gbadebo's engagement rate?
Adebunmi Gbadebo's engagement rate on Instagram is 4.14%, between 3% and 6%, or 3 to 6 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 24 followers. Comments stay close to likes on Adebunmi Gbadebo's posts, at 332 likes and 40 comments on average, about 8.3 likes per comment.
What does Adebunmi Gbadebo post about on Instagram?
Flinque files Adebunmi Gbadebo under Artist, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Adebunmi Gbadebo, 6 are carousels, 3 are videos and 1 is a single image. The 10 recent Instagram captions Flinque holds for Adebunmi Gbadebo repeatedly use the words work, exhibition, through, memory and visit. Adebunmi Gbadebo's captions carry hashtags such as #biennalearte2026, #inminorkeys and #nmaahc. Adebunmi Gbadebo writes those captions mainly in English. Adebunmi Gbadebo keeps 10 story highlights, which open with a free Flinque account.
How do I contact Adebunmi Gbadebo for a collaboration?
Adebunmi Gbadebo's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Adebunmi Gbadebo and use Flinque's outreach tools wherever a contact route is on file.
Links
Adebunmi Gbadebo's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.
Public profile data sourced from Instagram. Flinque is not affiliated with Adebunmi Gbadebo.