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Alice Amati

Art Gallery
@_aliceamati
Current: Abigail Dudley | until 30 May / Domus Nostra Episode #1 (Rome, IT), until 30 May / Upcoming: Rafal Topolewski | opening 4 June
  • Art & DIY
  • Following 300
  • Followers 13.7K
  • Engagement 1.66%
  • Avg comments 4

About Alice Amati

Alice Amati (@_aliceamati) is an Art Gallery creator on Instagram, also filed under Art & DIY. The account has 13,739 followers and 463 published posts. Recent posts average 190 likes and 4 comments, an engagement rate of 1.66%.

With 13.7K followers, Alice Amati is a micro creator by the common 10,000 to 100,000 definition. Set against 300 accounts followed, the audience works out to about 46 followers per account Alice Amati follows. Alice Amati is set up as an Instagram business account. Flinque files Alice Amati under Art Gallery, with Art & DIY as a secondary category.

The Instagram bio for Alice Amati runs to 21 words across 4 lines. The latest activity Flinque has on record for Alice Amati dates from May 2026.

463 Posts

Of the 10 most recent posts shown for Alice Amati, 8 are carousels and 2 are single images. That mix leans toward carousels. 463 published posts give Alice Amati a moderate archive on Instagram. Against the audience, that is roughly 30 followers for each post published. All 10 carry captions, averaging 134 words each. The captions are written mainly in English. Words that recur across them include exhibition, saturday, until, contemporaryart and painting. The captions tag #aliceamati, #contemporaryart, #painting, #london and #abigaildudley.

Ilaria Vinci (b. 1991, Cisternino) is included in ‘Episode #1’, the group exhibition at Domus Nostra - the gallery’s project space in Rome, (IT), on view every Saturday from 3 to 7pm (CET) until 30 May.

In this series of sculptures reproducing birthday cakes, Vinci questions human-centred perceptions of time and existence. Each sculptural cake features a date which marks the estimated age of a celestial body or natural element, shifting the celebratory gesture away from an individual scale towards a broader, ecological one. Inspired by Emanuele Coccia’s ‘Metamorfosi’, Vinci invites us to celebrate life as a generative force and to distance ourselves from a culture obsessed with endings, to embrace one that values the ongoing birth of things.

Images: Installation view of ‘Episode 1’ at Domus Nostra | Ilaria Vinci, ‘Starry Night (Milky Way)’, (Sirius), and (Sun), 2025. Jesmonite, waterside decal, birthday candle, dimensions variable 25 x 28 x 28 cm

#aliceamati #contemporaryart #sculpture #ilariavinci
Katinka Lampe (b. 1963, NL) is included ‘Episode #1’, the group exhibition currently at Domus Nostra, the gallery project space in Rome (IT) with a series of small works on paper.

In Lampe’s portraits, flat areas and plain backgrounds are juxtaposed with precisely rendered details: clothing, hairstyles, and accessories become revealing traces of personality, memory, and untold stories. ⁠⁠

Image: Katinka Lampe, 1117246, 2024. Oil on paper on aluminium, 17 x 11 cm | 1117239, 2023. Oil on paper on aluminium, 17 x 11 cm

#aliceamati #contemporaryart #painting #katinkalampe
Abigail Dudley’ solo exhibition ‘A place after a place’, continues in London until Saturday 30 May. The exhibition is accompanied by a specailly commissioned essay by academic and writer Matthew James Holman.

“On the surface at least, very little appears to happen in them: [...] another woman, on the beach in a pistachio-green bikini, tips sand from her exquisite white shoe with the same distracted sprezzatura of a Raphaelite saint. They are pictures of elongated pause rather than causal progression, where each scene feels self-contained yet faintly continuous with another, as if encountered just before or just after something else.” – Matthew James Holman

Images: Abigail Dudley, ‘Sand in my shoe’, 2026. Oil on linen, 147 x 137 cm | Photo Dominique Muñoz and Tom Carter

#aliceamati #contemporaryart #london #painting #abigaildudley
Miko Veldkamp’s (b. 1982, Suriname) work explores themes of history, belonging, colonialism, and urban landscapes through the creation a dreamworld inhabited by shapeshifting figures and fragmented patterns with symbolic meaning. In his layered paintings, past, future, memory and imagination overlap and merge.

His latest work ‘Garden’ (2026) is included in the group exhibition ‘Episode #1’ at Domus Nostra, the gallery’s project space in Rome (IT). The exhibition is open every Saturday, 3-7pm (CET) until 30 May and by appointment.

Image: Miko Veldkamp, ‘Garden’, 2026, Oil and acrylic on canvas, 45.7 x 61 cm | Photo Roberto Apa

#aliceamati #contemporaryart #painting #mikoveldkamp
Rike Droescher’s (b.1990, DE) new works ‘Modell 50’ and ‘Daphne in Rome’ are on view as part of the group exhibition ‘Episode #1’ at Domus Nostra, the gallery project space in Rome.

Each work consists of two hollow ceramic pieces made from found tree branches and combined with an embroidery on a clothing label. With this new series, Droescher continues her research around the story of the stick in the human hand: from tool, to weapon, to magic wand, to sceptre, to walking stick in previous works.

‘Episode ’ remains on view at Domus Nostra in Rome until Saturday 30 May. Visit Saturdays from 3-7pm (CET) or by appointment.

Image: Rike Droescher, ‘Modell 50’ and ‘Daphne in Rome’, 2026. Glazed ceramic, hand embroidery on fabric | Photo Ludwig Kuffer

#aliceamati #contemporaryart #rikedroescher
Sophie Birch’s (b. 1992, UK) painting ‘Undergrowth’ is included in the group exhibition ‘Episode #1’ at Domus Nostra, the gallery project space in Rome, IT through Saturday 30 May. The exhibition is open on Saturdays from 3 to 7pm (CET) and by appointment.

Inspired by the ‘garden room’ fresco of Villa of Livia in Rome and developed during Birch’s residency at Domus Nostra, the work explores the tension between depth and surface. The title ‘Undergrowth’ hints at this complexity of layers, and suggests being caught within a simultaneously flat yet dense visual field of colour.

We look forward to Sophie Birch’s upcoming first solo exhibition with the gallery in London in October 2026.

Image: Sophie Birch, ‘Undergrowth’, 2025, Oil on canvas, 100 x 90 cm | Photo Roberto Apa

#aliceamati #contemporaryart #painting sophiebir
Abigail Dudley’s (b. 1996) solo exhibition ‘A place after a place’ continues in London until Saturday 30 May, 2026.

“They are pictures of elongated pause rather than causal progression, where each scene feels self-contained yet faintly continuous with another, as if encountered just before or just after something else. The spaces they occupy operate as shifting conditions, assembled from fragments of ordinary life—or, more specifically, from that time-outside-of-time we might feel on holiday or on an idle and sunless Tuesday, when the rattle of our ordinary lives is briefly held in suspension and we are able to look at ourselves as though from elsewhere—so that nothing is held long enough to become fixed, and what remains is a quiet sense of having arrived somewhere already slipping into another place.” – Extract from essay accompanying the exhibition

Opening hours: Wed-Fri 11-6pm, Sat 12-5pm and by appointment.

Images: Installation view of Abigail Dudley’s solo show ‘A place after a place’ at Alice Amati, London. Photo Tom Carter

#aliceamati #abigaildudley #soloexhibition #painting #london
Join us tomorrow, Thursday 30 April from 5–8pm (GMT+2) for the opening of ‘Episode #1’ at Domus Nostra, the gallery’s project space in Rome.

‘Episode ’ brings together all the gallery artists alongside past and future residents of Domus Nostra for the first time under one roof, functioning as an introduction in Italy of the gallery programme with many of the included artists showing in Rome for the first time. The exhibition features works by Annabelle Agbo Godeau, Sophie Birch, Rike Droescher, Danielle Fretwell, Minami Kobayashi, Katinka Lampe, Gian Manik, Paul Robas, Rafal Topolewski, Miko Veldkamp and Ilaria Vinci.

This exhibition marks the first activation of the apartment space beyond its residency format launched in June 2025, and will remain on view until Saturday 30 May, 2026.

DOMUS NOSTRA
Via Angelo Poliziano 61
Rome, Italy

Image: Installation view of Domus Nostra: ‘Episode 1’

#contemporaryart #artgallery aliceamati
We’re happy to share that Annabelle Agbo Godeau (b. 1995) and Paul Robas (b. 1989) are included in the group exhibition ‘Image World’, curated by Alexander Harding at Hypha Gallery 1 / No. 1 Poultry, in London, UK. The exhibition is open from Thursday to Sunday, 12 – 6pm, and continues until Saturday 30 May 2026.

‘Image World’ focuses on how photographic images and digital circulation shape the way we see and make sense of the present, bringing together artists who treat images not as neutral records but as active agents in producing reality.

Hypha Gallery 1
No. 1 Poultry
London, EC2R 8EN

Images: Annabelle Agbo Godeau, ‘Sunny’, 2025. Photo Roberto Apa | Paul Robas, ‘A second thought’, 2025

#paulrobas #annabelleagbogodeau #exhibition #groupshow #painting
If you are in Blackpool this weekend, don’t miss the exhibitions ‘Apollo Painting School 2024-2025’ and ‘Louise Giovanelli: From here to here to here’ on view at the Grundy Art Gallery. Both exhibitions continue until 28 June.

On Saturday 25 April, from 11am – 12:30pm, join Apollo Painting School and Louise Giovanelli in conversation with Paulette Brien, curator at the Grundy Art Gallery for a talk and tour of the exhibition. Admission is free, however booking is required at.

Apollo Painting School is a non-profit organisation founded in 2023 by artist Louise Giovanelli, gallerist & curator Alice Amati and artist & academic Dr. Ian Hartshorne with the aim to create an alternative model of teaching and unique learning opportunity for emerging UK-based painters. The course offers an intensive programme that takes place online and in-person between Manchester (UK) and Latina (IT).

Grundy Art Gallery
Queen St
Blackpool, FY1 1PU

Image: Photo by Timon Benson

#contemporaryart #artgallery #groupexhibition #aliceamati #apollopaintingschool

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Alice Amati's engagement

Alice Amati's engagement rate on Instagram is 1.66%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 60 followers. An average post collects 190 likes and 4 comments, close to 48 likes for each comment.

Engagement rate

1.66%

Avg likes
190
Avg comments
4
Interactions : followers
1 : 60

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Frequently asked questions

These answers about Alice Amati are generated from the Instagram profile data Flinque holds for the account.

Who is Alice Amati?

Alice Amati (@_aliceamati) is an Art Gallery creator on Instagram, also filed under Art & DIY. Alice Amati is set up as an Instagram business account. The Instagram bio for Alice Amati runs to 21 words across 4 lines.

How many followers does Alice Amati have?

Alice Amati has 13,739 followers on Instagram (13.7K). Set against 300 accounts followed, the audience works out to about 46 followers per account Alice Amati follows. 463 published posts give Alice Amati a moderate archive on Instagram.

What is Alice Amati's engagement rate?

Alice Amati's engagement rate on Instagram is 1.66%, between 1% and 3%, or 1 to 3 likes and comments per 100 followers. On a typical post that comes to about 1 like or comment for every 60 followers. An average post collects 190 likes and 4 comments, close to 48 likes for each comment.

What does Alice Amati post about on Instagram?

Flinque files Alice Amati under Art Gallery, with Art & DIY as a secondary category. Of the 10 most recent posts shown for Alice Amati, 8 are carousels and 2 are single images. The 10 recent Instagram captions Flinque holds for Alice Amati repeatedly use the words exhibition, saturday, until, contemporaryart and painting. Alice Amati's captions carry hashtags such as #aliceamati, #contemporaryart and #painting. Alice Amati writes those captions mainly in English.

How do I contact Alice Amati for a collaboration?

Alice Amati's contact details are not published on Flinque's public profile. The Instagram bio links to 1 external site, and a free Flinque account opens that link. The account is registered as an Instagram business account. Brands with a free Flinque account can shortlist Alice Amati and use Flinque's outreach tools wherever a contact route is on file.

Alice Amati's own Instagram profile is the one outbound link Flinque publishes for the account, and the bio link opens after signing up.

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